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The neck of my Guitar

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October 19, 2000 - Germany
Hamburg - Musikhalle Saal 1

Setlist

1. That´s Where I Belong
2. Graceland
3. One Man´ s Ceiling Is Another Man´s Floor
4. You´re The One
5. 50 Ways To Leave Your Lover
6 Look At That
7. That Was Your Mother
8. Me & Julio Down by the Schoolyard
9. The Teacher
10. Spirit Voices
11. Diamonds on the Soles of Her Shoes
12. You Can Call Me Al
13. Old Friends
14. Homeward Bound
15. I am a Rock
16. Darling Lorraine
17. Old
18. The Boy in the Bubble
19. Pledging My Love
20. The Late, Great Johnny Ace
21. The Coast
22. Late in the Evening
23. American Tune
24. Hurricane Eye

First Encore:

25. Kodachrome
26. Proof
27. Bridge over Troubled Water

Second Encore:

28. The Boxer




The band (not all members are present at all shows)

Vincent Nguini - Guitar
Bakithi Kumalo - Bass
Steve Gadd - Drums
Mark Stewart - Guitars, Cello, Saxophone, selfmade instruments
Tony Cedras - Accordeon, Keyboard, Guitars
Andy Snitzer - Saxophone, Synthesizer
Jay Ashby - Trombone, Percussion
Jamey Haddad - Percussion
Alain Mallet - Keyboard, Accordion
Steve Shehan - Percussion
Evan Ziporyn - Clarinet, Saxophone
Harper Simon - Guitar




Fans who attended this show

 
Nathanael
Wim Schrijver
Marko Breidung
Joost Lenders





Review by:
Nathanael Salzgeber

Oh what a night


´Oh, oh, what a night, oh what a garden of delight´, that was at the Music Hall in Hamburg yesterday night. On our tickets it said, ´a very special evening with Paul Simon´. It was not only special, it was a great and excellent performance by Paul and his world class band.

Paul opened, to my surprise, at 9.25 PM with ´That´s Where I Belong´. I had the set list from the first show in Stockholm with me and so I expected ´Kodachrome´ first. Anyway, he made some changes in the set list and I think that´s good for the show. There was no intermission and Paul played almost nonstop 2 hours and 15 minutes. I´m sure that an intermission would have killed the show. Overall the audience wasn´t ecstatic but the atmosphere was nice and all of the songs were received very well.

It was the third time I saw Paul Simon live. The first time in 1991, then last year at the MSG show in New York and now in Hamburg. It wouldn´t be faire to compare the shows, because they were too different. I mean it´s not the same, if you´re at MSG packed with 20´000 people or at the Music Hall with an audience of 2´200. I prefer the smaller venues, because it´s much more personal and I could see Paul better. In fact he stood right in front of me just some feet away.

Well, let me say something about the highlights of the show. Hmmm, now I´m in trouble... the whole show was a highlight. After the song ´Old´, Paul walked away to change his guitar and said to the audience: ´ getting old´. That is definitely not true. He´s in top form, his voice is clear and sharp, he´s just getting better and better. Not to mention all the band members. They are brilliant.

´You can call me Al´ brought the audience up to their feet. Screaming, dancing, jumping up and down, just having a great time and a lot of fun. The same procedure happened by the songs ´Boy in the Bubble´, ´Late in the Evening´, ´Proof´ and of course the final song ´The Boxer´. Everybody was singing along so it was a very special atmosphere.

Oh yes there was one thing I almost forgot!!! Paul made a mistake!!!! I mean that happens not very often to a perfectionist like Paul Simon. But during the song ´American Tune´ he got lost. He lost the thread for a moment by singing the wrong words... I thought it was funny, I´ mean it´s a live concert and mistakes can happen everywhere...

This tour is a must see! Go and get them. It´s worth the money.

Review by:
Ilona Doutrelepont

Wow, I´m just back home from my first Paul Simon concert. I´m sorry that I can´t send a setlist, I was too taken with the music to concentrate on writing the songs down. The concert started 20 minutes late but it lasted 2hours and 20 minutes. The audience was hillarious, they yelled and applauded frantically. In the middle of the concert nobody was sitting on the chair anymore. Everybody jumped up on the feet to dance along with the rhythm of the songs. Paul played many songs of his new ablum and they sounded great played live. I loved the way he played I´m a rock, it was very dynamic. The rhythm sections with the drum and percussions brought in the end the last sitting
people on their feet. Steve Gadd was fantastic as everybody in the band was. They seemed to be in very good mood and to enjoy the wonderful audience. Paul himself was wonderful. His voice is still about the same we all know for so many years. He has obiously had so much fun the the stage that is swepped over to the crowd. He gave 3 encores then thanked the audience and disappeared behind the stage. The light hall lights went back on and the roadies entered the stage for their work. But the applaus didn´t end, it became louder and louder. About 2 minutes later Paul came back to stage to give his 4th encore. ´The Boxer´ made us all sing along, and it was an atmospheric end for the concert. I wish I could have gone again to the second concert today but it is all sold out.

Review by:
Hanjo Schlueter

My Suitcase and Twenty Guitars In Hand

Entering the Musikhalle (which means ´music hall´), an baroquely styled concert hall that seats 1.500+ app., it is confirmed that Paul Simon indeed is a perfectionist: His roadies are wiping the twenty, yes, twenty, guitars clean and bright, the three gigantic percussion sets already shining in the light, coming from three light racks equipped with the latest spotlights. A quick glance at the sound mixer - has Paul brought half The Hit Factory where he recorded YTO with him?

Well, shortly after 9 pm, the audience becomes impatient - clapping, whistling, shouting - do they want the roadies to play? Ok, ok, out go the lights and the band appears on stage, the path lit by some Maglites. Shouts and Cheers. I thought, Old could have made the opener, but be wise: TWIB, almost an accident, the band slips musically, nearly falls, nobody really leads. And the sound is awful, not the slightest as heard on the album,
Paul can´t be understood. Well, you can´t transfer the brilliance of the album´s recording and mastering onto stage, and I fear the rest of the new material might not be better. But luckily, the engineer does a good job. And Paul goes back to old and reliable stuff: Graceland comes out groovy and crystal-clear. The first people leave their seats, especially on the balconies, not only to dance, but to see better as well.

Then astonished faces. Piano, blues, OMCIAMF. Why´s that? All right, everybody´s relaxing again, YTO doesn´t change that.

50 Ways should normally be Steve Gadd´s song, but this time, his excellent drumming disappears somewhere in all the other stuff being played. And Paul, always good for some surprise, tries to give the melody a new rhythm. Well, he actually fails, missing his entry and leaving out parts of the first verse. Not convincing at all. Second verse goes better. No comment on LAT - the arrangements on the YTO-album are definitely not suitable for life performance.

TWYM and MAJDBTS, emotions running high again - perfect sound, dancing, shouting. Melting point? Not yet. Cool down with SV and TT (might have been DL, I don´t quite remember). But then: Nearly everybody dancing with diamonds on the soles of their shoes - the hall is boiling (really, temperature might have reached 30 centigrade or something) and then
shouting out that you could call them Al. Obviously the greatest hit to the audience. Paul turns his microphone towards the crowd, horns are doing a great job there. I want this evening to go on forever. Sweating, hot, I
expect TBITB or LITE - but Paul prefers nostalgic sounds now. OF/B comes pretty cool with Mark Stewart on cello. Paul at its best, bound for the home of his music. One of the first Simon tunes learnt on guitar: I´m
sitting in the railway station. Suitcase and guitar in hand? Slightly understated, considering the trucks waiting outside the backdoor... however, IAAR. And that´s quite something: Not any longer the young defiant
stone, but an aged rock gnawed by time´s tooth, as we´d put it in German, crying out a long and desperate ´Iiiiiiiisland´. Yeah, those early tunes are still alive, they grow, they mature. But too short, this S+G-set.
Presenting himself as ´Frank from New York New York´ - whoever THAT could be ;-) - Paul makes a great entertainer and I can easily imagine him wearing suit and bowtie standing on a big white glamourous stage, bigband
behind him. But here he is again, just Old, or isn´t he? One of the few new songs that send their sparks towards the audience, and getting in the mood again, or should I say, in the Bubble? TBITB surely´s another of the
evening´s highlights, again everybody rises and dances. And yet again, the maestro wants us to cool down. PLM/TLGJA which nobody could have expected included in the set. But, hey, Mr Engineer, I want to listen to the lyrics, it´s a kind of ballad, isn´t it? During some of the songs, Paul´s voice comes out muffled and unfocused.

Let´s go to the coast and let´s do it late in the evening. Rise again, you patient folks, move your feet and shake your bodies. And then, sit down again quickly for a silent American Tune. Hurricane Eye finishes the set, and Paul really seems to be surprised that the audience was that enthusiastic. Well, Hamburg people are only SAID to be dry and boring, but they aren´t. They just save up for special occasions! And: While a normal German audience manages to turn everything into a march by clapping on beats one and three, here people swung, politically correct off-beat, or
stopping as if ashamed when the songs became quiet.

The first encore was Kodachrome which I didn´t recognize at first, then from the words, and then: Oh, it´s THAT song. Interesting. Well, nothing more to add for Proof than this: For the encores, the percussionists left their instruments, just taking one drum each, sitting down in front of the drumset and being so perfect that I ask myself why didn´t they do it during the whole concert?

BOTW on a carpet of cello and synthies, and although Paul leaves out the higher passages (hello to Art) and doesn´t ease our mind at all, its very nice. The lights go on, some tape starts playing, roadies beginning to pack the instruments, when, called by a demanding audience, Paul appears on stage again. I am just a poor boy, though my story´s seldom told - like a church service: The people all standing and mumbling the well known verses like a prayer, finally joining a lithurgic lie-la-lie.

And that´s it. Maybe if all of us had stayed longer and clapped and shouted even more, he would have come back a third time - some man was observing the crowd and reporting backstage.

A very special evening with Paul Simon, stated the ticket. Really? Well, Paul, you didn´t talk very much, did you? Just ´Thank you so much´, 10 times app. Where have all those stories gone as in ´One day, I was riding along in my Aston Martin and I said to myself... (Laughter) No, I really don´t have an Aston Martin... In fact I don´t have any car, no...´ and explaining how you wrote Feelin´ Groovy? Oh, by the way: Where did you leave all-time-favourites like Mrs Robinson, The Sound Of Silence or Still Crazy...?

It was a very good concert, indeed, but, considering all the equipment being carried around (and the ticket price - most expensive one I ever bought by far), it should have been much better to make it a very special evening.

And it seems fair to say that the concert of ex-partner Art Garfunkel three years ago at Hamburg University was much more charming, easily.

Review by:
Erwin Hans

He played without taking a break. I think it´s because he started at around 21:20. The audience was really getting into it, and Paul obviously enjoyed himself. He hardly spoke to the audience, though. Mark Stewart played the cello on the songs that Paul plays solo. I Am A Rock was an entirely new (*great*) version. He could score a hit with re-releasing that one. Lots of
electric guitar, heavy percussion. One Man´s Ceiling was a highlight too. Mark Stewart playing a dobro guitar (like the guitar on front of the Dire Straits album ´Brothers In Arms´), and there were some nice piano solos. Homeward Bound was played with capo on the 2nd fret (his voice is geting lower :-)). His voice was in great shape; he only had difficulties with some of the lines in this song. He made a mistake in American Tune; he forgot the text of the line ´still, when I think of the road ...´. He sung: ´still,
....., road, ... traveling on´. It´s my favorite PS song, so it really made my evening complete. It was a great version. He played it without a capo, where he used to play it with the capo on the 2nd fret.

On ´Pledging My Love´ he said it was the first record he ever bought back in 1954. That was the only line he spoke directed to the audience; except for the thank you´s.

I think that some bootlegs will emerge soon. I saw people with minidisc recorders, tape recorders, and even a guy with a handycam. There were guys of Paul´s crew looking out for recording equipment, but without much success.