www.paul-simon.info 
The neck of my Guitar

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July 21, 2006 - USA / Texas
Grand Prairie - Nokia Live

Setlist

Gumboots
The Boy in the Bubble
Outrageous
Slip Slidinī Away
Youīre the One
Me and Julio Down by the School Yard
How Can You Live in the Northeast?
Mrs. Robinson
Love Me Like a Rock
That Was Your Mother
Duncan
Graceland
Father and Daughter
Diamonds on the Soles of Her Shoes
Still Crazy After All These Years
Cecilia

E1:
You Can Call Me Al
The Only Living Boy in New York
The Boxer

E2:
Wartime Prayers
Bridge Over Troubled Water

E3:
Late in the Evening



The band (not all members are present at all shows)

Vincent Nguini - Guitar
Bakithi Kumalo - Bass
Steve Gadd - Drums
Mark Stewart - Guitars, Cello, Saxophone, selfmade instruments
Robin diMaggio - Drums, percussion
Tony Cedras - Accordeon, Keyboard, Guitars
Andy Snitzer - Saxophone, Synthesizer
Harper Simon - Guitar
Adrian Simon - Keyboards




Fans who attended this show

 





Review by:
Bonnie

Amazing show. Amazing man.

I had a wonderful seat, perhaps 12 rows back in the front section, on the aisle. Close enough to watch his every move and enjoy it all tremendously. So close as to be kicking myself for the rest of my days for not bringing the camera, after being sure to load the digital with a high-capacity memory card and take it on the 4-5 hour trip to Dallas. But, I was chicken-hearted and didnīt want to face taking the camera to the theatre, just to be turned away and sent back to the car. As it was, cameras were permitted and I had the perfect seat in the perfect venue to take unobstructed photos. Lesson learned: call ahead, plan ahead and you donīt have to second guess. Of all the things in the world to regret, this is a small error, but... the same opportunity never presents itself exactly the same way twice. So, this show on this night will never be performed again and I donīt have the hard-copy photos to remind myself of this wonderful evening.

But, enough about me... on to the show:
Musically, Iīm very naive, so I havenīt much to say about that aspect. Discussion has been made about īthe sittersī and īthe standers/dancersī and Iīll not revisit that issue hear except to say that I donīt think musicians require dancing in the aisles to know when audiences appreciate their music. At least where I sat, and in the section next to me (I didnīt look back to know about those behind me), there were several standing ovations throughout the night, beginning with the moment Paul Simon took the stage. Iīm guessing there were 12-18 standing ovations during the course of the concert. And, yes, the setlist stated above (although I did not post it) correctly shows a 3rd encore. I think the entire audience stood/danced/swayed/rocked through it!

A few items specific to the Dallas show:
(I know it is said often that Paul Simon is a private man and likely doesnīt appreciate his family being in the public eye often, so I apologize if this crosses the line at which he would prefer such a topic not to be written. Itīs part of what I think is so interesting and much of what I think so heart-warming about him.)

- Unfortunately (from my perspective), PS didnīt say much. Not even the anecdote preceding īFather & Daughterī which he stated in other concerts as he dedicates the song to his daughter. Neither did his 13-year-old son accompany him on stage to sing it.

- During the first song, I am pretty confident it was his younger (8-year-old) son who came into the theatre and sat in the front row. It was so beautiful to watch as PS catch sight of him and then (trying to catch his sonīs attention?) waved to him. I say it seemed as though he was trying to get his sonīs eye because of his manner, leaning over slightly, and smiling, as if he found it amusing that he was on stage and his son wasnīt looking at him, but he (PS) was looking at his son. You can usually tell when PS sees one of his family members -- he smiles then like he does as no other time. His entire face just grins and you know at that point that he isnīt just up on stage singing at a performance and īstage smiling,ī he actually just saw something or someone who makes him happy. It was tremendously endearing.

- Although PS only made comments a few times during the show, there was one time he just started laughing (giggling/chuckling) and I have no idea why, except it didnīt seem to be anything anyone said or did, but appeared to me to be something he was thinking or considering saying. It was between songs or at the beginning of a song, before any lyrics had been spoken and he might have had an anecdote, but he didnīt speak it. Still, it was īfunnyī and īfunī just to hear him giggle and wonder about its source.

- He mentioned his wife a couple of times. (Remember that she is from the Dallas area.) He mentioned that he had just been in the city a few weeks prior, watching her perform. Then, after the 3rd encore, he said, īI really had a good time. Iīll tell my wife.ī The last line seemed to me such a funny kind of line, as if he was at an intimate dinner party with a bunch of people who knew his wife (who was not there) and he was going to send back their regards.

So, for those who want to know about the music, my īreviewī isnīt very helpful. Some of you like the man because of his music. I like the music because of the man. What a gift!