United Kingdom - Cardiff - Jan Dean

Went to see Paul Simon on Friday night 4th November with friends - what a fantastic concert! He played some old and some new tunes, and by the end had everyone dancing. My favourites were Mother and Child Reunion and the Boy in the Bubble. His band were excellent too! We came down from York to see him and all in all excellent value for money. Keep going Paul we love you!!

Sent from my iPhone


USA / New York - New York - Richard USVI

The weather was a concern, as there were tornado warnings. I was afraid the show was going to be postponed. But it finally stopped raining and the concert was fantastic. (Although it rained on and off during the show.) It was a great treat to have him add in Bridge at the end.


USA / Missouri - St. Louis - Carrie

The concert was more than I could have imagined...Paul Simon delivers an amazing performance. He is the greatest in my book and I will always love his poetry and music. I love you Paul Simon! (yeah that was me that screamed it while the crowd was quiet.)


United Kingdom - London - Simon

A fantastic 3hr plus show last night at the O2. Sting was amazing and the pair loved every minute. Both in great shape and fabulous sound. Highlights were "Desert Rose" / "Mrs Robinson" / "Still Crazy" ... too many to mention. We even managed to get free upgraded seats (thank you London O2 Arena). Great chilled out atmosphere.


United Kingdom - Glasgow - Paul Walters

Luckily enough to able to work at this show as I do local crew,absolutely one of the best gigs that I have ever worked on. Both Sting and Paul Simon gave the audience three hours of fantastic music, a great show and great to able to have worked on it.


Austria - Vienna - Bodo

Where is my review. Where is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my reviewWhere is my review


Germany - Berlin - Kathy S. Ong


Germany - Berlin - Kathy S. Ong


USA / New York - New York - Richard

I saw the second New York show last night. It was excellent. The set list seemed identical to me. Paul make a joke about Sting playing ´a hometown concert´ and then started into his line about becoming an Adonis, but he caught himself and said, ´Since I said this on Tuesday, I suppose it does not seem very spontaneous.´ He didn´t quite seem to know what to say instead, so he paused, then stopped and the audience laughed politely. (I guess he was assuming there were a large number of repeats in the audience.)

Later in the show, he reacted to someone in the crowd; ´Lou Reed? A cool guy. I miss him.´ Then he went on to start the next song. The Garden appeared filled to me, with seats filled to the rafters. An older crowd, mostly folks like me -- white, 55, grey hair or bald. (I am grey, my pal who went with me is bald.) My only complaint is that this venue is too large for the ballads to really work. During the quiet numbers there is a hum simply because of all the people. The program is well done and they had some nice merchandise that seemed to be selling quite well.

I enjoyed the show, although not knowing too many Sting songs, he sang 3 or 4 that meant nothing to me. Still, it was worth my 1600 mile trip here (3200 if you consider the return trip) from the beautiful Virgin Islands to the COLD New York City to see the concert. So that´s my review.


USA / Illinoise - Chicago - Kristin

Fantastic concert with Sting last night. Paul´s voice was strong, he was funny, and he played more guitar than in the recent past. PS seemed to move around a bit more -- he seemed very relaxed. Sting sounded very good on the PS songs he sang (alone and with Paul). I am sorry I did not memorize the set list. Both bands were very strong as well (No new arrangements since the last tour). I did not care as much for Sting´s back-up singer, but she didn´t detract from the quality of the show overall. Sting on ´Bridge´ and ´America´ = very nice. They closed the show with their two guitars and a Phil Everly song.


USA / New York - New York - Barb

Here is your concert report, written from notes taken in the DARK with aging cataract eyes!

Concert started pretty much on time. Patrons were surprisingly youthful looking to me. Say 30s and 40s? A smattering of the grey and salt & pepper folks but not that many, at least in the mezzanine first level. Could not get over my seat placement. Four rows from the balcony railing and smack in the middle-great view of the stage but needed binoculars for good views. The viewing screens were too focused on just small areas of the stage (like one person at a time).

Paul came out, looking very small in the circle of light. He was dressed in a charcoal grey suit with sort of a fancy looking tee shirt type top, ie no buttons? No head gear and normal looking black tie shoes. He spoke somewhat hesitantly, cracked a few jokes about the lack of preparation for the show and how quickly it was pulled together to celebrate the 25 th year of his healthcare foundation-mainly his friends and how he went with the family theme. Cracked a joke about things were not structured but loose but he assumed the audience was quite loose now. (Guess he was referring to the cocktail party before the show and the fact food and drink was pushed to raise funds. (water in a bottle was $5.00 US).

The he opened the stage to Steve Martin. I guess I have not seen Steve in years and was a bit taken by the white hair and glasses. He was with the (fill in blanks) band and joked about how they got together etc. Steve has a lovely clear and loud speaking and singing voice. Well, I thought I wrote down a line or two from the songs but I can not read my writing. But the songs seemed to showcase the violinist (fiddler?) who was quite good. Then Steve introduced Edie. She had on a lovely color of green dress but personally I thought the style did not flatter her at all. She and Steve sang at least 2 songs which they co-wrote? (Give that child away and an unknown baby to Sara?). Then Paul came out and he and Edie sang the song your the reason our kids are ugly and he and Steve and Edie sang some song about taking the train to NYC.

Next up were James and wife Caroline Taylor. James has such a lovely and distinct voice IMO. They sang the going to Carolina in my mind song and then Caroline commented about a great lullaby Love song that she is not sure to whom James originally wrote but that it is HER song NOW. And they sang You can close your eyes.

Mark Stewart, with a bit of a geisha hair syle and the band backed up James.

Next came Vince Gill and I think it is his daughter Jenny. They sang an everley brothers song-Let it be me-then wife Amy Grant and two other young women (more daughters?) came out and they all sang put a little love in your hand.

Trudy and Sting came on next and joked around with anything you can do I can do better-a pleasant interlude and very lively couple.

I have the next person as Tina but no idea who what when

Then Paul came out leading Lulu. They sang (of course) father and daughter with Lulu mainly on the chorus. But sweet looks back and forth. Then Paul played and Lulu sang. Fellow next to me said-Rufus Wainwright-Alleluja? (Tied you to a kitchen chair, cut off your hair?-Alleluja)-no idea about this but she got all worked up over the song and she received a rousing ovation, including from the young man next to me.

Then some fellow from New Orleans came out and sang -long long time a-coming and Sting came out for a song with Boogie Woogie (not the company B bugle boy one).

Then a woman and a man (Tom and Rita?) came out (assume husband and wife) and they sant song with until sun no longer shines? in the sky? about loving you baby. The a brunette and blong quitar playing sister duet came out. They were resting from playing at the Beacon Theater and Paul invited them to sing- something with trick of light?

Now I think Paul invited someone that he played with in the band eithr for 25 years or 25 years ago. Maybe this was Ruben and Luba and Fernandez?, the fellow with the instruemtn in the band? Anyway, Paul played with them after the woman left and did Late In The Evening, I am guessing, done latino style?

Then Stevie Wonder and his adult daughter came out and did about 3-4 songs which included Paul sing When I was a little boy, with back up Vince, Sting and James and Steve and alternated verses with Stevie and his daughter. Then asked everyone to sing America the beautiful and the whole group came on stage. Lulu was between her Mom and Dad and Mom was stroking hair and talking to her.
Loading..


Norway - Oslo - Paal S

I have been a die-hard PS fan since I was 12 (from 1976). I have seen 6 concerts before and loved them all. Yesterday I saw him for the 7th time, in Oslo. It was like being spitted in my face. After the 1st hr with PS songs, rather mediocre set and not perfect sound, he gave the stage away to LBM and Hugh Mazakela (or how you spell it...don´t care to check) for an hour. I left the concert after the audience had been forced to listen to- and watch LBM dance and sing for 25 minutes followed by some weird Mandela-shouting by HM supported by PS. When a South African lady entered the stage I left the show. I have never been a big fan of Graceland, but the album is OK, but highly overrated, but I never imagined he would give away the stage for so long to his African friends with the worst kind of extremely boring music and political shouting. I spend 800 USD in flight ticket, hotel and ticket and spent 2 days of my holiday. Mr. Simon: I want my money back! To make it absurd ( and this a completely true) I later - randomly - met him on the street outside his hotel when he came in taxi after the concert! I couldn´t believe it. I was 1 meter away from PS and looking at him and he looking at me. What do do? Give him a verbal beating for a terrible concert? Ask for the autograph? Take a photo with him? A 13-14 year old boy then came up and asked PS to sign ´Graceland´ and ´BOTW´. The boy obviously knew that PS was at this hotel and had waited outside. PS signed ´Graceland´, bur REFUSED to sign ´BOTW´. PS was also grumpy and did not smile of say anything. What discraceful behaviour! I just left my biggest idol there and then with a bad taste in my mouth. I live in Bergen, Norway and had tickets - or course - in my hometown tomorrow (26th), of what should have been the biggest event in my life, but I have now given them away. I still love his music, but as a person he proved to be Mr. Nothing. I will never see him live again, except with AG - if that happens. From another very disappointed Paul S in Norway ( yes, we have the same initials and first name)


Norway - Oslo - Erland Dalen

Hello ! I am a conductor and hhave for the last years done several concerts with the songs of Paul Simon with several choirs. I do also have a maser based upon Simons songs. I would be glad to met him a few seconds in Oslo during his concert there.


Norway - Oslo - reply to Paal

A somehow strange concert review from Oslo.
It is hard to understand why people go to a concert called ´25th cellebration of Graceland´, which promises to play the whole Graceland album, and then are surprised that bands like LBM or Hugh Masekela have a short set of 2 songs both.

Paal I am really sorry you expected a Simon and Garfunkel show and got word renown jazz by Hugh Masekela and grammy winning african musicians like LBM. But anyway, that was it what the concert advertisement said and the show was named. Are you going to AC/DC concerts and want to hear some ballads?

The 25th Graceland show is higly appreciated all over the places where Paul played, in fact I would say that in London, where an audience of 50.000 came to see Paul and the backstage area was packed with other stars, was another highlight of his career.


Hugh Masekela is one of the best jazz musicians on that planet. If you are not open to jazz this might freak you (and I guess you are not because you talk about going to Art Garfunkel concerts), but he is one of the guys who can get your attention alone with his voice and great trumpet playing. For me he was the highlight of the concerts. I showed videos of Hugh Masekela to friends at home and they shared the same feelings, you hang on his lips and he captures your whole attention.

After a show Paul is tired and wants to go to bed early. He is very very careful with his voice, so he just wants to be left alone. He is not a party guy, so capturing him late in the night after the show was maybe not the best moment, because before the show is usually very friendly. I personally think that signing ONE item is enough - because the usual thing that happens is that people put those signed items on ebay and sell it. So that is a rule that should please everyone. Or do you want to wait for Paul in a row to sign your album, but the guy in front of you has 25 albums to sign and you will not get one because there is not enough time? Your personal hate feelings are more connected with your surprise that this is not a Simon and Garfunkel show.

Sorry that you went to the wrong concert. You might have realized that you are the only one leaving the concert in the middle.


Norway - Oslo - Tor

Paal - Dette var en jubileumskonsert for Graceland-albumet og du forlater konserten FØR Graceland-showet begynner. Det blir bare for dumt og ved at du i ettertid skriver en anmeldelse av konserten blir som om at du skal beskrive en matrett du aldri har smakt. Hva med litt research på forhånd da? I disse tider så kan du jo se de fleste konserter på Youtube nesten umiddelbart etterpå. Hvis du forventa å høre bare gamle S&G-klassikere så kunne du ha unngått denne, for din del, bomturen. Du skriver at du er en Die-Hard fan av Paul, men det tyder jo fint lite på at det er tilfelle når du så til de grader bommer på hele meningen bak denne turneen. Og at du traff ham etterpå tror jeg vel litt hva jeg vil om. Uansett beklagelig for din del, jeg hadde ihvertfall en fantastisk konsertopplevelse og det virka som om både øvrig publikum og presse storkoste seg.


Belgium - Brusseles - Laurent Franken

I had no time to post this before. The concert in Forest National has been a huge success. The venue was full. A lot of fans from everywhere in the country. What a huge performance from everybody. It was an authentic gala, with the several parts, the different patterns of musicians.
What an honnor to have taken part of that celebration.
Thanks Paul!


Belgium - Brusseles - Mireille

First, we were disappointed about our seats, so far the stage, regarding the past years (everytime, we were on the first front row...). But, we decided to enjoy the concert anyway ; Paul and the band join the stage in a great mood. Set-list was the same as in London, except Jimmy Cliff wasn´t there. After Dazzling Blue/50 ways, Paul talked to say he was happy to be there cause it is the place he met his wife. In the room, except the 3 first rows in the ground and some hard fans on the balconee (as us) the ambiance was quiet (too quiet, imo) and really grew with the appearance of LBM and musicians of the original show of Graceland. I have to admit it was a great great great moment! All the crowd enjoy solo moments of LBM, Hugh Masakela and Thandiswa Mazwai. After their performances, the show returns to Paul and, as in the first part, it was great, so great. One more time, he moved all songs with new rythms, new works. There was a little problem with the sound (like last year) but I´ve forgot now !
I have to add : the 3 women ´background vocals´ were wonderful : wonderful voices !
Alain had registered some moments with his camera ; hope he will succeed to share that with us.
you have to know : we left Brussels so happy, so happy, so happy to enjoy this beautiful show : what a work for all of them to offer such happyness!).


United Kingdom - London - Bodo

The best concert I ever went to! The sound, the setlist, the band, the guest stars, the line-up, the accompanists, the weather and the audience: tripple A. Even the security started to dance, now when have you seen that for the last time?


Ireland - Dublin - Dave murphy

Live Paul Simon but this concer was spoiled by the refusal of the production team to allow the stage to be shown on the big screens apart from sme rare moments. In a venue this big it is unacceptable to treat fans who pay €116 plus booking fee and can barely see the stage.


USA / Virginia - Richmond - BlueSkyCampfires

Paul Simon. November 29, 2011.
Landmark Theater. Richmond, VA.

Paul Simon can still Rock n´ Roll. I´m not saying I ever doubted him, but if anyone did, they were wrong. With a musical catalog spanning nearly 50 years from the first Simon & Garfunkel album in 1964 to his first solo record in 1972 to the 2011 release So Beautiful Or So What, through two Rock & Roll Hall of Fame nods, 12 Grammy Awards, a Lifetime Achievement Award and countless other honors, Paul Simon´s career speaks for itself. His timeless sound has reached fans of every generation and Tuesday night´s show at the Landmark Theater in Richmond was testament to an artist that has truly mastered his craft. Ladies and gentlemen, Paul Simon.

Playing everything from ´The Only Living Boy In New York´ to ´Kodachrome´ to a solo acoustic encore performance of ´The Sound Of Silence´, Simon kept the banter light and the music flowing as an appreciative crowd spilled into the aisles dancing and singing along. The trustworthy good taste of BlueSkyCampfires.com rarely comes across a bad show and the 70-year-old Paul Simon helped keep the streak alive tonight. ´50 Ways to Leave Your Lover´, ´Slip Slidin´ Away´, ´Mother and Child Reunion´, ´Diamonds On The Soles Of Her Shoes´´¦ the hits just kept on coming. Simon rotated through an assortment of acoustic guitars, 12-strings, electrics, and even some harmonica. The rest of the band proved even more dynamic switching instruments between every song; from drums to guitar, guitar to horns, piano, bass, the washboard and even the triangle. Every instrument was in play and no song was out of reach.

The goose bumps came early and often and were almost permanent by the end of the night, like when Paul paid homage to the late George Harrison with The Beatles´ cover ´Here Comes The Sun´ or closed out the show with ´Still Crazy After All These Years´. From my front row seat on the balcony the show couldn´t have gone any better. Getting to see Paul Simon perform was a special treat to say the least.

For more Paul Simon concert photos and videos visit www.blueskycampfires.com or BlueSkyCampfires on Flickr or YouTube.


USA / New Jersey - Newark - Greg Fitzgerald

This was the second show I saw of this tour; during the first leg, I´d seen one of the Beacon Theater shows. That show was good; this one was incredible.

Maybe it was something about being back in ´his little town´ of Newark...maybe it was being close to home, but without the pressures of an in-the-boroughs New York crowd...but everything was on this night. The band was tight, Paul was in great voice. Even though I´d seen essentially the same setlist and playing styles just a few months before, this show was way better -- and that´s not a slight to the Beacon performance by any means.

The most magical bit had to be Jimmy Cliff appearing, though. The two of them harmonising on Mother and Child Reunion is a moment I can never forget.


USA / Ohio - Akron - Gino

After 70 years, Paul Simon himself hasn´t changed one bit. But his music certainly has. This was very evident in last night´s show at the University of Akron´s E.J. Thomas Hall. After a great performance by the opening act, the ´Mumford and Sons´-esque ´Punch Brothers´, Paul and his band took the stage at about 8:30, opening with ´The Boy in the Bubble´ from ´Graceland.´ Paul then played a track from his current album ´So Beautiful or So What´ called ´Dazzling Blue.´ The next song was his only #1 hit single as a solo artist, the ever popular ´50 Ways to Leave Your Lover.´ The show progressed for 2 more hours with this wonderful combination of recent songs, popular songs from the ´Graceland´ and ´The Rhythm of the Saints´-era, and his classic 70´s hits that established him as one of America´s greatest musicians. Through the rest of the main set, Paul and his band blasted through ´Mother and Child Reunion´, ´Late in the Evening´, ´The Obvious Child´, ´Slip Slidin´ Away´, ´Diamonds on the Soles of Her Shoes´, and ´Father and Daughter.´ The encores began when Paul´s band left the stage for Paul´s moving solo performance of ´The Sound of Silence´. The band came back on stage and played a rockling version of ´Kodachrome´ that segued into ´Gone at Last´. After this, Paul´s band left again and the Punch Brothers were brought out and they played once-in-a-lifetime versions of ´Cecilia´ and ´The Boxer´ with Paul on acoustic guitar. Paul then played a great version of The Beatles´ ´Here Comes the Sun´. Paul then ended the show with a triplet of ´Graceland´, a Bo Diddley song called ´Pretty Thing´, and ´Still Crazy After All These Years´. Paul showed the Akron/Greater Cleveland area that, even after 70 years, he really is still crazy; he had the energy of a 20 year old and his voice sounds exactly the same as his voice that we came to know and love in the 1960´s and 70´s. Thanks for a great show, Paul!


USA / Indiana - Bloomington - Reed Maidenberg

I was visiting old friends, a Thanksgiving tradition. I come to southern Indiana a couple times a year. I used to live here.

When they told me Paul Simon was playing IU Auditorium on Sunday night, I said WHAT?! Let´s go!!

We found a great deal on last minute tickets online (6th row, side, excellent sight lines, and just beneath the line array mains). When I saw the array of instrumentation I got excited.

I knew nothing about the tour, other than it was for his new CD, So Beautiful or So What, which I have on my iPhone, and have been listening to, so I am familiar with the new songs. What a great surprise to see the opening act was the Punch Brothers! I´m a big fan of Chris Thiele (mandolin) and the band is excellent, tight, and a bit idiosyncratic. They can tear up the bluegrass repertoire, but they write artsy tunes with lots of shifts and changes and coloration. So that was very enjoyable. Their set was a little over half an hour.

Paul came out very shortly thereafter, and proceeded to play a two hour plus show, with the song selection coming from every phase of his career. Standouts include:

Mother and Child Reunion
Peace Like A River
Afterlife
Rewrite
Dazzling Blue
Hearts and Bones, transitioning into Mystery Train,
And ´Wheels´ by Chet Atkins, performed by one of the drummers (!) on guitar
Diamonds on the Soles of her Shoes
Graceland
And more!
(complete set list here: http://wttsfm.com/2011/11/paul-simon-live-on-wtts/comment-page-1/#comment-2508)



USA / Missouri - St. Louis - Royd

The St. Louis show was so different in atmosphere from Memphis that it seems like another tour. Memphis was outdoors and very cold. The Fox Theater is one of those gaudy old-time movie houses built in the 30´s and is strikingly beautiful. We were 12th row, dead center, and the sound was breathtaking. Whoever is mixing the house sound on this tour is doing a great job. Paul wore a very nice sport coat, no tie and no hat. I was glad he didn´t wear the fedora; I think it makes him look even older than he is. It looks like ´My Little Town´ is out of the setlist now. Too bad; I thought the band did a great job on that one in Memphis. A couple of interesting wrinkles in this show: Bakithi Khumalo took a hand microphone and came up stage to stand next to Paul while Bakithi sang in Zulu on ´Pretty Thing.´ The band really has the Bo Diddley groove down on this song and Paul´s harmonica playing is more than adequate. He´s not bending reeds or making complex runs but he´s not embarrassing himself, either. Vincent Nguni seems so shy on stage; I don´t think I´ve ever seen him do anything other than just stand stock-still and play outrageously good guitar. His singing alone at the microphone without the guitar on ´The Only Living Boy In New York,´ is quite touching. When he sings ´here I am...´ it seems genuine and so beautiful. (Yeah, I know: so what!). Tony Cedras´ trumpet playing is getting more and more lyrical. He´s got a nice tone but the melodic lines he plays are gorgeous. I like Andy Snitzer´s vibraphone playing; it´s hard to imagine that anything could make ´The Boy In The Bubble´ sound bigger but the vibraphone does make the sound fuller. I like the changes in the guitar riff to ´Love Is Eternal Sacred LIght,´ which is still my favorite song from the new album. Paul seemed to enjoy the dancing that was going on in the second half of the show and commented on it at the end of the night. For some reason, I couldn´t hear Mick Rossi´s organ as prominently as I have on previous shows on ´Mother & Child Reunion.´ They may have tweaked the mix a bit or maybe he was just playing quieter. Mark and Tony do a great job on the background vocals on that song, by the way. Gabe Witcher, the fiddle player from The Punch Brothers, came out and played on ´Dazzling Blue.´ Paul said something afterward about really enjoying his playing on that song.


USA / Tennessee - Memphis - Royd

Paul Simon sounded great at Mud Island Amphitheater in Memphis, Tennessee Saturday, October 29, 2011. He´s changed the setlist a bit since I last saw him in May. The band remains absolutely astonishing. Here are some random memories from Memphis:
1. Paul doing a little dance step - pretty nimble, too - during ´That Was Your Mother.´ This got a big roar from the crowd.
2. My Little Town - first time I´ve heard Paul perform this solo. The arrangement is similar to the 2003-2004 S&G tour version, although Mick Rossi´s piano solo at the end of the song is totally different.
3. Someone yelled out ´I got a Nikon camera´ right at the beginning of ´Slip, Sliding Away´ and Paul yelled back ´it ain´t gonna happen! (It did, of course.)
4. Paul coming back for the encore to tell the crowd how much he admired them for braving the 46 degree temperature in the outdoor amphitheater. Yes, it was really cold by the end of the show.
5. Paul hadn´t played ´Graceland´ at any of the spring shows I had seen so it was a real treat to hear him play what may be his best song in the town that features so prominently in his lyric.
6. It was a couple of days before Halloween and some people dressed in costume, including one guy in an Art Garfunkel wig.
7. Every time I hear Paul play ´Love Is Eternal Sacred Light´ the song seems to get better and better.
8. The Bo Diddley cover, ´Pretty Thing,´ was fantastic. Paul´s band really had the groove down. Paul seemed to have a blast playing harmonica on this (he´s pretty good, too) and the entire band appeared to have a great time.
9. ´Here Comes The Sun´ always gets a huge roar of recognition from the crowd no matter where Paul goes. Tony Cedras´ playing on this is just outstanding.
10. Paul´s solo acoustic ´Sounds Of Silence´ is a true highlight. His acoustic playing on this is remarkable and his vocal is both powerful and nuanced. Not many singers can pull that trick off.
11. The Secret Sisters opened for Paul this evening. They are very good; just two young women with one acoustic guitar that they passed back and forth and vocal chops that are out of this world. They know what they´re doing and they do it extraordinarily well.


USA / Texas - Grand Prairie - Mr DVMP

Totally enjoyed this show. I have seen Paul several times and even though this performance was during the final game of the World Series that the local team was playing in, there still was a dandy crowd.

I have included a Link to a pic I took at this great show! I sat in the center 2nd row.


https://www.facebook.com/photo.php?fbid=10151377816738008&set=a.36626238007.48477.705348007&type=3&theater


USA / Colorado - Broomfield - dgoldcsn

Great band!
Made some of his recorded tracks sound bad. Recordings sound really simplified compared to the power of the stage band. Show was more complex and much fuller sound than any recordings I own.

Of course, Paul was amazing. 70 and still going very strong.


Israel - Tel Aviv - Limor Bar-On

Paul & the band, I just wanted to say thank you.
Thanks for a wonderful and a magical evening, full of energy with the old songs that reminded me of pleasant moments that made me smile and fresh new songs.
Thanks for the amazing band that added so much color and rhythm for the evening and contributed to the good atmosphere.
Come back and visit us again soon
As I say - just thank you.


Israel - Tel Aviv - Ayelet Yagil

At the last minute, I added a small packet of tissues to my purse, just in case. After all, the setlist Paul Simon was about to perform in Israel´s Ramat Gan Stadium would not have been much different than the latest shows in his European tour. Since these included songs that were branded deep into my DNA, excitement was at a high level.

Simon will turn 70 in October, and his arrival in Israel seals the trifecta of Jewish super-writers of Pop who came to visit, after Leonard Cohen and Bob Dylan graced the very same stage. But something about Simon remains so youthful, that he´s the odd man out, what with his smiling, flexible voice that can still hit the high notes, and enough virtuoso skills on the acoustic guitar to make 20-somethings jealous.

The Zydeco-inflected accordion which opened the show gave the humid Ramat Gan air a whiff of New Orleans. This was the introduction to ´The Boy In The Bubble´, the opening song to ´Graceland´, the album which gave a new lease of life to Simon´s career. In three weeks it will be 25 years since ´Graceland´ was released, and there´s no doubt that Simon is very proud of it: he performed six songs from it, and only five from his latest album, ´So Beautiful Or So What´.

On the third song, the levees broke: it´s hard to listen to the drum intro of ´50 Ways To Leave Your Lover´, one of the best loved pieces for that instrument (performed by Jim Oblon, who ably replaced Steve Gadd) without getting goose bumps. When Simon entered and informed that, ´´The problem is all inside my head´, she said to me´, his voice was so familiar, so pleasant, that one couldn´t resist him, or the tears.

One of Simon´s most pronounced characteristics, throughout his career, is his thirst for new rhythms to help deliver the songs. In his concert this was visible in the Lite-Reggae of ´Mother And Child Reunion´, followed by the Zydeco of ´That Was Your Mother´, culminating in the Brazilian rhythms played by Batucada in ´The Obvious Child´. The musicians were armed with interesting folky instruments, from gourds to a ´rubboard´, a wear-on washboard for the drummer.

When time came for ´The Only Living Boy In New York´, Simon´s gorgeous farewell note to his pal Art Garfunkel, the tears welled up again. The wonderful rendition we got included the musicians as an angelic choir, a cross between The Beach Boys and a church Gospel band, embellishing Simon´s loneliness with heavenly colors.

After two songs from the new album (the upbeat ´The Afterlife´ and the ballad ´Questions For The Angels´), came the hit ´Diamonds On The Soles Of Her Shoes´. Luckily, among the musicians was Bakhiti Kumalo, the original bass player of ´Graceland´, who replayed his role there with skill.

Crowd favorite ´Sound Of Silence´ was served for the encore minimally, just Simon and his guitar, the way it was created. Here was another chance to see him master the arpeggio parts of his classic hit. The tempo rose immediately with ´Kodachrome´, which proved that although the film that give the song its name is obsolete, the song itself is timeless, uplifting and danceable.

As a second encore, Simon gave ´Still Crazy After All These Years´, and let the audience sing the chorus. Luckily, he ended his performance with two crowd pleasers: ´You Can Call Me Al´ (hitting all the right high notes on the way) and ´The Boxer´, whose quite beauty was almost drowned by the applause.

Without any use of pyrotechnics, without the need for high tech screens or special lighting, Simon proved to be in top shape, a man whose career is firmly in the present. Who knows, perhaps when he mentioned, in his Tel Aviv press conference, the chance of performing with Art Garfunkel one last time, it may not be so far fetched to imagine them both returning here.


Turkey - Istanbul - Fazli Sameer

We were there on summer holiday for 4 weeks and enjoyed it tremendously. The music, ambience, and the massive audience were simply amazing. Can never forget this event. Paul has always been one of our favorite musicians since we were kids and it was a great blessing for us to be able to see him live in Istanbul. Way to go Paul!


Italy - Milano - matteo

what a nice evening for evyone who was at the venue yesterday... Maestro Paul is on form,smiling and lovely as he is. I ve already seen him, 3 times since 2000 and in a 10 years he lost just a little energy or vocal range comparing to others ´old-timers rockstars´...but more than that, seems to me he GAINED a lot growing older.
The performace was wonderful, the band was really tasteful and with a very rare dynamics range (as always with Paul´s bands) and evrybody onstage seems to have a lot of fun, maybe apart from the ´new boy´ on the drums who seems to be very concentrate, he was very very good and it was my fist ´50ways´ not played by Steve Gadd, and this new guy seems to be very into it, he played the famous drum pattern with personality and respect to the great Steve, he played guitar too, well done Maestro, good choice.
I loved the new album and agree with paul about the choice not to play so much from it. He rotated nealry all the new songs but he play no more than 4 or 5 in a concert setlist. that leave space to some gems like ´Hearts and Bones´ or ´The Obvius Child´ or like ´Peace like a river´ not played in a 20 years i guess. I had 2 signs made for Mr Simon, the first ´American Tune Please´ , when he return for the first encore I was in the first row and I showed it to him, he read it but smiling declined:-(
being a ´musician´ by myself I had another sign sayin ´I can sing it if you will´:-) he declined one more time:-)
all in all a great evening with one of the finest songwriters of all time:-)
matteo


Italy - Milano - Lara

Milano, july 17th 2011

Same setlist than Paris. So just few anedocts because a lot has been already said. Rain on the open Arena before the show (ended just before PS came on stage) and an earthquake before and during (I´m quite sure that nobody there have noticed it). PS was in wonderful shape, very inspired and kind (did I really heard ´Grazie´ while he was thanking?).
The band was terrific. Tony Cedras has laughed all the time. The crowd was colourful (because of the raincoats) and warm. During the first encore the people from the rows more near has runned in front of the stage and start dancing and singing. He showed to appreciate.
We have had the double version: without and with the blu hat.
At the beginning of the show He fighted with mosquitoes.
Tony Cedras, that was out the stage for few seconds, has runned on the stage taking his flute and playing it while all the others of the band were already singing it on the stage (don´t remember which song).
Amazing night. Full of wonderful energy between the guys and with Paul.
And the lots of rainy clouds, that He has noticed and indicated at the beginning, have gone. At last.


Germany - Mainz - Bas Bos

Coming from Holland I saw Bob Dylan playing Mainz in june. To be back there just a few weeks later to see Paul Simon was incredible! I respect them both SO MUCH. This was my first Paul Simon concert and I loved it all the way through, just as Charlotte and Henrieke did who joined me. He - just like Bob Dylan - has so much to give us with his long time experience. Together with his incredible band he ´painted´ us songs like Van Gogh in his best years. Hard to describe something that touches the heart so deeply. Just go, see, hear and feel for yourself. Enjoy!


Germany - Mainz - Ans

As Mainz was open air we were very lucky with the weather, when we stood in line to get in it rained and there was a little thunderstorm. About an half hour before the concert started it was completely dry and even the sun came out. Susi and I talked with Tony Cedras before the concert and he told us they were worried in the early afternoon they had to cancel the concert! How lucky we were! It was a seated concert, I had a good seat in the 6th row, right before the speakers -good sound- and could see Paul and the band very good. Paul said he was glad to be back in Mainz and welcomed the sun and the good weather :) It was nice to see the performance in the open air by daylight for a change, it is a whole different atmosphere, I liked it. The setlist was different again, he left out Vietnam/Mother And Child Reunion and played YCCMA at the end. Halfway the concert everyone stood up and stayed up to dance and enjoy the concert. Tony said to us we should come back after the concert, if there was time he wanted to invite us for a drink backstage. But unfortunately after the concert he came and said there was no time, they had to leave early because they wanted to drive the same evening to the Swiss border. We talked a little, Tony walked back, we waited till the other bandmembers and Paul came out, they were too far away but Paul waved goodbye. The concert was great, good atmosphere, good audience. It was a nice closure for me. Now I hope I can see Paul in concert again sometime in the future.


Germany - Mainz - Kathrin

I was prepared for a sort of quiet concert and was very happy to see that both the beautiful melancholical songs as well as the fast songs were played. So first half of the set was good for laying back and enjoying and the second half for dancing. I like the studio work of Paul Simon anyway as the sound is just great, agreeable, relaxing. It´s like with a good massager: they can make you feel every bone of your body and make you feel worse than before or they touch you in a very sensitive way which kind of causes some strange good harmony inside. The same case with Paul´s music! And see and hear him live is even better! It´s great to finally visually recognize certain sounds of the album you´ve been wondering about as instruments you´ve never seen before ;-)
It was a very driving concert with extraordinary musicians. Paul Simon is one of the little musicians I know who don´t have to make a big show to move people. The music does already. It seems to be above everybody who´s playing it. If there should be a godlike idea about music, this must be it! This and some things that Paul said like it´s better to concentrate on the music, not the success, made me get back to make music myself. Thank you!


Germany - Berlin - Andris

This was my first ever PS show, we travelled from Hungary to see him and totally worth it!

The venue was beautiful and intimate - I think its capacity was less than 1000 people. We succeeded standing in the first row in the middle right before Simon.

The show itself was what we expected. Simon´s weak, but effective voice and very loose, spontaneous performance which I´ve never seen before any of his concert videos. He and the band seemed enjoying themselves after the first few songs, the whole performance seemed fresh since they were playing many new songs and ommitting the overplayed hits. The highlights for me were the Hearts And Bones medley which featured drummer Jim Oblon on fingerpicking guitar (accidentaly on the same afternoon we shared our table with him in a fastfood restaurant in the center of the city, but I wasn´t sure if he was that guy) and Gone At Last. Though this tour is not really about the hits, it was fun and moving to hear Sounds Of Silence and You Can Call Me Al live from THAT guy. These two songs always give me cheerful moments and I´m sure that millions of people feel the same way.

When we were waiting for the gates open we heard the soundcheck too. They started with Gumboots and Late In The Evening. They went through Afterlife, Dazzling Blue, So Beautiful and finally Kodachrome / Gone At Last. The coda of this last song was played several times over and over wich made me curious what to rehearse more at the end of the tour :)

It seemed to be a right decision that Simon went to and indie label or not sticking to the point in his career when he was bigger star than today and played just in arenas. He´s humble with his age and the fact that the musical history might be over him and that thing makes him unique and authentic today.

Anyway we organized a little holiday over this Berlin gig and I recommend to all of you visiting this beautiful city.



Andris from Budapest
www.andrispetruska.com


Germany - Berlin - Philipp Boerker

Amazing concert, Paul looked very slim and quite cool. The band was enjoying themselves making jokes and faces and communicating with each other and some people in the audience. Paul talked more to the audience (even interacting with the audience) than in any other concert of his I have been to. Only Vincent Nguini seemed to be quite tired and hardly moved a facial muscle.

Paul had a wasp as a special fan stalking him during several songs. It was really amazing how this didn´t befuddle him in the least.

Bakithi trashed his first solo on ´You Can Call Me Al´ and everybody in the band was grinning broadly while Bakithi made funny faces sticking his tongue out. After the closing solo he made a face of relief that it went well this time. He also had to play some unusual percussion instruments. Sometimes he seemed to look for an extra challenged and played his bass fretting the notes from above the neck instead of from below.

Also very memorable: Mick Rossi got a big piano solo at the end of some song (sorry, don´t remember which) which was really, well, complicated. Cadences and scales flying by at absurd speed. Everybody in the band including Paul stared at him frozen on the spot with an expression of disbelief. Some time during the solo I thought this was leading over to ´Bridge´ but it didn´t.

I very much liked the fact that Paul only played two S&G-songs, ´The Only Living Boy´ and ´Sound of Silence´. To me he could have dropped ´SoS´, too. I have heard it so many times and I would rather have him play the songs he enjoys to play and not those he beliefs people expect to hear. In addition the version was not very different from what he has been playing for some years (very beautiful, of course!).

Generally I liked that he did play quite a lot of songs that are very good songs even for Paul´s standards but not that popular among the casual listeners (could have been more, though, see my comment on ´SoS´). ´Peace like a River´, ´Gone at Last´ and ´The Only Living Boy´ are great examples for this.

He did play quite a lot of songs from ´Graceland´ but not the title song. The show began with ´Boy in the Bubble´ which featured Mark Stewart playing a heavily distorted guitar part (first time I remember hearing a seriously distorted electric guitar in a Paul Simon-concert or recording!). The only song I did not like was ´Crazy Love, vol. 2´. Somehow everybody in the band was doing his own thing on that song and - perhaps due to the acoustics of the Zitadelle - everything got very muffled and unclear.

As far as I remember he did not play a single song from ´Surprise´ or ´You´re the One´. I guess he didn´t want to play too many songs that only the truest of his fans would know and preferred to show-case only the songs from the new CD (which he seems to consider stronger material than the preceding two).

The new songs were received very well even though I suspect that quite a lot of people didn´t know them. Especially ´Dazzling Blue´ left everybody amazed and it took some seconds after the ending of the last note before the audience roared.

Unfortunately they did not play Vietnam/Mother and Chile Reunion which I had hoped for. I believe that they had to play a shorter set because of noise emission limitations in the Zitadelle (no music after 10 pm) and perhaps also because they had to play Mainz the next day. The concert lasted a solid two hours, though.

In front of Paul there was a small extension to the stage. I guess this was meant to give him some extra distance from any potentially crazy fan crossing the security fence. He obviously wasn´t very sure whether this was a solid construction and before he stepped on it to thank the audience he pushed it a few times with his feet to see whether it would support him. He made a funny face when doing so.

Generally he did seem to have enjoyed the show, something that didn´t always seem to be the case when I saw him. He said the stuff that most artist will say on stage like how much they enjoyed coming to the place where they are and thanking in the local language. I wouldn´t care about this at all but I never heard Paul Simon do that which made it somewhat remarkable.

After the concert there were some fireworks (yeah, they would let them have that...). I like fireworks anyway (who doesn´t?) but this one was really special because the sky was still bright blue making the fireworks much nicer than usually. You wouldn´t believe it unless you saw it.

I was pretty close to centre stage and saw some people who obviously followed the tour to see more than one show (some French and Spanish fans among them who had already seen other shows and chatted about going to Mainz the next day). What I don´t understand is how little these fans seemed to enjoy the show. Just taking notes of the songs, texting about the concert, recording the show with their smartphones, taking photographs, hushing people who applauded after the beginning of a song or just standing with folded arms. No dancing or moving at all but taking the best places.

You people may believe you are the best of his fans. You are not. Please, stay away!


Belgium - Brusseles - Jan JOOS

I went last night, second time I see Paul. As to be expected, it was all perfect and some of the most amazing musicians I ever saw on a stage. The multitude of instruments they played was simply baffling. Paul was himself, simple and modest. His guitarplaying remains unequaled in my opinion. His accoustic solo of Sound, he made that guitar sound like an entire orchestra. The place was packed. Nifty mix of old and new songs. Seems like the audience was not so familiar with the new album. He lit the place on fire at many occasions .... Call me Al, etc. It was a musical extravaganza. a 5***** concert. Paul doesn´t get any younger, and sometimes his voice doesn´t hold that well anymore, still outstanding singing. I have a question. Paul, right at the start, he thanked the building (concert hall Brussels Vorst Nationaal) saying something about meeting his wife there, twenty years ago at a Bob Dylan show ... I googled around and his wife says they met at an Edie gig on NBC. Dylan played that concert hall in 1989 and 1991.I know as I was there :) Paul married in 92. Do you know anything more about this? This itches me since yesterday night. Best Regards,
Jan JOOS
[email protected]


United Kingdom - Manchester - kevin chesters

Went to last night´s concert. It was a brilliant . Paul did alot of his songs from new work to his brillant Graceland. Probably the best song of that was the brillant (Diamonds on the Soles of her Shoes)The stage set great. For the Diamonds song her had Jack of Diamonds on a Horse. Also did alot of his old songs Late in the Evening,50 Ways to leave your Lover and Gone at Last. The best song was Dazzling Blue (my favourite) of the new album.

Did some great covers as well my favourite was (Here comes the Sun). He even thanked George Harrison. It one of my favourite Beatles songs anyway. If though he only did 2 S/G songs Sounds of Silence and Only Living Boy in New York. Know alot of the audence would have liked some more but remember he did not have to sing any. I went to see Natalie Merchant last year and she did no songs from her 10,000 Maniacs days. It still was a brillant night. Natalie and Paul are my idols in music.

As the set was coming to the end I was dancing with group of women and men was surprised was not told to go back to my seat. Did feel that this is probably the last time I will see this Great Man in England. I care about one thing Paul´s Health. Was worried about cancelled show that could have been Manchester Show.

Do think that everybody enjoyed the show he gave us a great night. THANK YOU PAUL xx


United Kingdom - Birmingham - John Carpenter

From the Shropshire Star:

There goes ´˜still rhymin´ Paul Simon ´“ concert review

Birmingham NIA

June 30, 2011

There are no flashy lighting effects when Paul Simon takes to the stage, no lasers or fanfare or dry ice.
Instead the stage lights go up and there is a burst of applause as eight musicians walk out followed, a few beats later, by a small, grey haired man in a T-shirt, jeans and unbuttoned blue shirt. Then the applause becomes much louder, there are cheers, and many people get to their feet.

When you´ve written some of the world´s best-loved songs, you really don´t need to try and impress by making a grand entrance. Paul Simon simply ambles out, picks up his guitar and gets to work.

´Hello there, friends,´ he says after a few songs. ´Haven´t seen you in a while.´

It´s a nice introduction because it really is as if we know him. His music has been a part of our lives for almost half a century.

Paul Simon is nearly 70 years Old but he doesn´t show it. True, he did have to cancel a show earlier this week, but that was because of a bug, not his age. ´I couldn´t sing,´ he says, casually.

Someone in the audience shouts up to ask how he´s feeling tonight. ´I´m better, thank you for asking.´ And with that we´re away.

For two hours Paul Simon plays old favourites and new songs, and leaves several thousand people in no doubt that they are in the presence of greatness. But it´s a modest sort of greatness, one that seems genuinely touched by the applause and affection.

And he can move too, happily jigging along to songs including 50 Ways To Leave Your Lover and Diamonds On The Soles Of Her Shoes. People in the audience try to join in, but any attempt to dance in the aisles is stopped, with ruthless efficiency, by the NIA stewards.

But by the end, after encores which include a spellbinding Sounds Of Silence, there is no stopping the crowd. The final song, You Can Call Me Al, brings everybody to their feet.

And then Paul Simon introduces each member of his band, waves and calmly walks away, as quietly and as modestly as he arrived.

By Andrew Owen



Read more: http://www.shropshirestar.com/entertainment/2011/0
7/01/there-goes-still-rhymin-paul-simon-concert-re
view/#ixzz1QqvFMYRD


United Kingdom - Bournemouth - Alan Wyke

Many disappointed and extremely angry fans in Bournemouth - concert cancelled 40 minutes before it was due to start.

Genuine fans saddened by Paul´s indifference toward the audience, some of who had travelled a long way to see him perform.

As a fan of 45 years, I found his attitude poor, extremely poor.


United Kingdom - Glasgow - Kieran

Fantastic atmosphere in Glasgow. Very post Katrina twist on some classic Paul Simon songs.

I´ve seen Paul 3 times and this was the best concert and his 8 musicians are all enjoying their music. Five star performance


United Kingdom - Nottingham - Simon

Nearly thirty years ago I was a student graduating in Nottingham at the Royal Concert Hall.
I´d just seen S&G at Wembley (1982)and bought Hearts and Bones (in 1983) from a record store near the venue.
Fast forward and tonight I´m back for the first time since (with our 11 yr old son) in Nottingham.
I was disappointed with the 2008 Liverpool UK show and venue --- as soon as we went in tonight we new that this would be a special show -- perhaps the last time we see PS in concert?
We are sat 2 rows back in a packed and buzzing magnificent Royal Concert Hall.
At 7.40pm the lights dimmed and from the shadows a slim, youthful figure walked calmly onto the stage -- he and the band were visibly emotionally touched by the 3 minute standing ovation that met them.
We then had 2hrs of the finest quality and performance that I have ever seen --- PS and the band were in magnificent form.
To cap it all I managed to shake his hand and say ´thank you´ --- if this is the last time we see him in the UK then what a memory.


Ireland - Cork - Ans

A great concert with a very responsive and enthusiastic crowd. At the beginning a few people shouted, WE love you Paul, he liked that and responded that he loved us (the audience) too. Paul & band played a great set, people were dancing, clapping and singing along. It was great to see and hear the enthusiastic crowd but the piano solo from Mick Rossi after Peace Like A River got almost lost, it took a while before the audience noticed the song wasn´t over, then they started to listen but they weren´t patienced enough to hear it all and started to shatter. I was midfront second row and discovered that Gary Stewart, who makes beautiful music himself stood right in front of me. A great spot to see Paul up close but for the sound it would have been better to stand more in the back, which my husband did. He loved all the songs and said The Obvious Child sounded superb! After the show we went to the pub with Scaaty and her husband and met Gary there again. In the pub they played Paul´s music, we had a great time.


USA / New York - New York - Chris L

New post, pic post for Webster Hall, you have to read it to see who the mystery guest was that played You Can Call Me Al with Paul Simon...http://ctconcertblog.blogspot.com/2011/06/paul-simon-monday-june-6-2011-webster.html


USA / New York - New York - Chris L

New post, pic post for Webster Hall, you have to read it to see who the mystery guest was that played You Can Call Me Al with Paul Simon...http://ctconcertblog.blogspot.com/2011/06/paul-simon-monday-june-6-2011-webster.html


USA / Massachusetts - Boston - Mike

Zzzzzzz. Same setlist every nite. Doesn´t talk to crowd. Not enough energy. No al or geaceland. Nothing special. Seems like he was just going through the motions. No passion or excitement.
The guy next to me says ´he´s going to play all night´. No he´s going to play the same generic set with the same 5 songs foe encore...collect his paycheck and go home.


USA / Tennessee - Nashville - Pietro

My first visit to the Ryman, and Paul Simon performed in a concert I´ll never forget. One of the best I have attended in my 60-year young life. The accoustics at the Ryman are phenomenal; the music reverberated around the auditorium like it was playing through a set of Bose headphones.

Paul Simon is a Rock and Roll hall of fame songwriter/poet/performer. His bandmates are world-class musicians--many of whom have been playing with him for years. Anyone who is a fan of ´our generation´s´ music should jump at the opportunity to watch and hear Paul Simon in the ´So Beautiful, So What´ tour of 2011--an awesome performance by a legend and icon in American music.


USA / Tennessee - Nashville - Pietro II

My first visit to the Ryman, and Paul Simon performed in a concert I´ll never forget. One of the best I have attended in my 60-year young life. The acoustics at the Ryman are phenomenal; the music reverberated around the auditorium like it was playing through a set of Bose headphones.

Paul Simon is a Rock and Roll hall of fame songwriter/poet/performer. His band mates are world-class musicians--many of whom have been playing with him for years. Anyone who is a fan of ´our generation´s´ music should jump at the opportunity to watch and hear Paul Simon in the ´So Beautiful, So What´ tour of 2011--an awesome performance by a legend and icon in American music.


USA / New York - New York - Chris L

Here is the link to my blog, I went to 4 US shows on the first leg...lets hope for a fall leg :) This post has a lot of pics, enjoy! You guys across the pond are in for a real treat in a few weeks!!

http://ctconcertblog.blogspot.com/2011/06/paul-simon-wednesday-may-11-2011-beacon.html


USA / New York - New York - David Shasha

http://groups.google.com/group/Davidshasha/browse_thread/thread/3d843e222a926c6e#



Concert Review: Paul Simon, Beacon Theater, New York City, May 11, 2011

In a recent interview in Rolling Stone magazine the venerable Paul Simon remarked that he was miffed with comparisons between him and Bob Dylan:

´He´s telling you the truth and making fun of you at the same time. I sound sincere every time. Rock and roll has a lot to do with image. If that´s not your strength, people find fault with the work.´

In this short quotation we have a profound truth that is a good starting-off point in trying to get a grip on what has become a perennial battle between two titans of American music.

A few hours prior to attending Simon´s Beacon Theater concert I was glancing at the new issue of Rolling Stone magazine which featured the soon-to-be 70-year-old Dylan on its cover. Dylan remains the central figure among ´serious´ Rock intellectuals and connoisseurs. His sometimes impenetrable and always cryptic work is seen as having a heft and cultural cachet often denied to Simon whose very personal songs communicate directly to the listener. Simon has always been seen as wearing his heart on his sleeve and taking seriously the musical craft in ways that Dylan has contempt for.

In an article I wrote on Simon back in 2007 right after he won the first annual Gershwin Prize for American Song, entitled ´American Humanist,´ I looked critically at the artistic legacies of the two men. I have gradually come to understand that the great Dylan, who has assumed mythical proportion in the eyes of many, was, as Simon noted in the recent Rolling Stone interview, rather flippant when it came to the intimate reality of human beings. In the new issue of Rolling Stone dedicated to Dylan´s 70th birthday, a list of his 70 greatest songs is presented with ´Like a Rolling Stone´ leading the parade. The difference between Dylan´s most praised songs and those of Simon rests in the profoundly divergent approaches each of them deploy in dealing with the human condition.

Dylan´s signature song ´Like a Rolling Stone´ is a cruel taunt that leaves its fictional protagonist at the mercy of the poison pen of the great songwriter. ´How does it feel to be on your own?´ the great Dylan sneers, ´like a complete unknown, with no direction home.´ In fact, the last phrase was used by Martin Scorsese for his documentary on Dylan. Dylan´s stock-in-trade is not American Humanism, but a form of American Nihilism. There is no sincerity in his poetry, only scorn and derision. It represents the dark side of the Hippie dream which may well be manifest in the very poor showing of the Baby Boom generation in creating a better society than they inherited.

And this point is critical: While Dylan crassly manipulated the Protest song movement for his own ends and quickly left the socially conscious movement when he became a big star, Paul Simon took the idea of humanity very seriously. He wrote penetrating character studies like ´Richard Cory,´ ´The Boxer,´ and ´Duncan´ which were derided by the snooty Rock critics and effete intellectuals, but which resonated deeply with many listeners. While Dylan was wrapped in a vain mystical gobbledygook, Simon was trying to make sense of the world around him. In classic songs like ´Bridge over Troubled Water´ and ´America´ he addressed the most intimate and pressing issues in society. From the idealism of the 1960s´ social movements to the disillusionment of the early 1970s, Simon sought to honestly engage the personal and political realities of regular Americans with little mystery or obfuscation.

Simon´s songs were written in the spirit and tradition of the Tin Pan Alley masters who he revered. Over the course of time he absorbed many different musical styles that reflect the depth and originality of both American and World music traditions. Beginning with the simplicity of the Dylan-esque Folk song, Simon absorbed Gospel, Jazz, Latin American, African M´baqanga, New Orleans Zydeco, and Reggae influences in a way that showed off a nascent multiculturalism well before such a thing was popular and trendy.

Those of us who studied guitar knew immediately that a Paul Simon song had all those weird chords while the standard Dylan song had three simple chords and a melody that did not much vary from a song´s beginning to end. Dylan was about creating an aura, a mystique, meant to draw in the listener to his world. Once in that world, Dylan felt little need to communicate in a direct way with the listener. Simon took the opposite stance: His lyrics were both simple and very direct. His aim was to bring song and listener together, not in a mystical way, but in a very rational way that spoke directly to the listener´s heart and emotion.

Paul Simon´s music has over the years been meticulously crafted and honed. He is legendary for his many drafts of a song and often spends years working on an album before releasing it. Unlike many of the other major artists of his era, he has released fewer albums and has not been afraid to import new musical styles into his work. The cultural diversity that he has embraced is a natural extension of his American Humanism in the profound respect that he has for what it is that human beings experience and do.

On his new CD ´So Beautiful or So What´ Simon has produced a typically low-key assessment of the current difficulties we face as a society. Its songs touch on themes of life, death, militarism, belief, and love; the struggle of living in a time of great uncertainty. The characters in these new songs, as has been the case in his work for many years, are shown in their full complement of human existence. People struggle to earn a living, find peace and contentment and love, try to do what is right and good, and are often stymied by the chains of convention and the depredations of the cruel and greedy.

A typical Simon song is a response to aggression and cruelty; the empowerment of regular people who are beaten down by the everyday indignities of a world that has become somewhat unhinged. There are allusions in the new songs to the Civil Rights movement of the 1960s, to the current financial calamity, to the seemingly endless wars that America is now involved in, and to the dread of life and death. God and religion make their appearance on the CD in a quiet but profound way.

As the concert at the Beacon Theater ´“ Simon´s ´home-field´ as he said ´“ began, something strange was unfolding. As with the new CD, Simon chose to perform his songs in a quiet and intimate manner with little thought of glitz and overt showmanship. Of course, the trademark attention to craft was present, but the note that he was looking to hit was more of a calm and collected reflection. This was a performance that was consumed by the theme of death and tragedy and the search for life´s meaning. It was articulated in the way that Simon has made his trademark over the years; through the intimate exploration of human character in a way that was not over-fanciful or mystically impenetrable.

The songs were carefully chosen to reflect a very somber and melancholy mood. From the first notes of the opening song ´Crazy Love, Vol. 2´ to a brilliantly chilling performance of ´The Sound of Silence´ (one of only two Simon & Garfunkel songs included in the set) in the first encore, the songs Simon chose to sing this night were replete with a dread and concern for mortality that was perhaps most apparent on two numbers, ´Here Comes the Sun´ and ´Gone at Last,´ that honored two recently-passed friends, George Harrison and Phoebe Snow.

But these tributes, as touching as they were in their honesty and simplicity, were only the tip of a much larger iceberg. Simon, coming from the tense concerns that comprise the ´So Beautiful or So What´ CD, expanded his repertoire to include his older songs that reflected the same basic themes.

After referencing the tragic death of Martin Luther King Jr. in ´So Beautiful or So What,´ Simon performed ´Slip Slidin´ Away,´ a song about the bitterness of life and not being able to achieve contentment. It is a pessimistic vision of life that speaks to human pain and failure.

The next bunch of songs spoke to the political mess that we are now in: Beginning with a cover of Reggae singer Jimmy Cliff´s anti-war classic ´Vietnam,´ Simon looked at war and peace and social discontent through the lens of death and decay. The performance of one of Simon´s most insightful and moving songs ´Mother and Child Reunion,´ an explicit engagement with the pain of death, echoed the depredations of war in Cliff´s song. This concern with war and peace was capped by an extraordinary rendition of ´Peace like a River,´ another cut from Simon´s first solo album, which is a critical take on war that transposed the Vietnam debacle to our current entanglements.

This is the vision of a mature writer seeking to penetrate the tragedies we face as human beings and examine who we are through our fears and frustrations. It is a passionate cry against the cruelties of war and the excruciating tribulations that people face when they lose their bearings. But rather than appropriate the cruelly taunting tone that informs Dylan´s ´Like a Rolling Stone,´ Simon deals delicately with the human condition and looks critically at the many socio-political forces that seek to harm our well-being.

When he sang ´Hearts and Bones´ there was an eerie feeling of nakedness in the theater. There was an echo in his voice of the human heart and its many complexities. This was the human experience presented in a most intimate but profound manner. The songs were specific in their presentation of character, but were ultimately generic in the way that we could approach our humanity. They were about individuals who deal with the same things all of us do. Failed love, the pain of death, the questions about God and spirit, and the violence that humans do to one another all formed part of a unique concert performance that embraced the darkness of tragedy in a way that was by no means alienating, but which sought to bring us as human beings closer to who we are and how we feel about our lives. This thematic was strongly reflected in his choice to cover the Sun Records´ classic ´Mystery Train,´ made famous by Elvis Presley, in a way that emphasized its spooky take on death and disaster.

This death rattle permeated the concert.

Deploying the many musical styles that Simon has integrated into his Pop template over the course of time, the performance was seamless and assured, with the band competent but not overwhelming. This was not an attempt to go back to the razzle-dazzle of the ´Graceland´ concerts when Simon was showing off the muscle of his newfound African rhythms, but was simply a smooth integration of the disparate musical styles set at the service of some very weighty spiritual and philosophical concerns; the concerns of an older artist who has chosen to express his deep concern for who we are as people and what our society has sadly become.

Simon has thus created something of a dilemma for an audience that is largely composed of the elite in our society, those people who run our society and who have lived lives of privilege and material comfort. As the songs relentlessly struck out to attack the complacent and privileged, Simon´s iconic celebrity status as a symbol of the cultural establishment of his Baby Boom generation seemed to be at odds with the pleading of the songs themselves. Simon is an old-fashioned Liberal who looks at the world with compassion and honest concern for the lives of others. He feels the pain of the average person and his songs reflect the everyday tragedies that we all face ´“ at least those of us who struggle to deal with those who run things.

It was not for nothing that Simon played ´The Only Living Boy in New York,´ a song that explicitly reflects a key line in ´Still Crazy After all These Years´: ´I´m not the kind of man who comes to socialize/I seem to lean on old familiar ways.´ In spite of all his public success and that iconic status, Simon remains a restless artist who feels compelled to speak to the complexities of the human condition. Throughout what was a subdued and studious concert performance he scaled back his energies in order to provide a more insightful and sober assessment of American Humanism. There was no show-offiness and no pretenses, only the somber judgment of a writer who continues to explore what it means to be a human being.

His songs touched on problems that we all face: Jobs, wars, love, death, family, politics, and civilization. These brilliant songs question the meaning of success and failure as they ponder questions that are raised in ´Questions for the Angels´ from the new CD. The inscrutability of life is demystified while the passion of living is experienced.

And that is the key to the genius of Paul Simon: The confluence between an honest reckoning with life as we live it in our daily existence and the hard work of creating memorable popular art. Deeply tied to the old Jewish immigrant experience where children were exhorted to make the most of themselves through study and hard work, Simon´s art questions the meaning of life and seeks answers to the perennial philosophical questions, as it thirsts for new and innovative ways of musical expression.

From the fresh-faced excitement of the early Rock music of the 1950s, from Doo-Wop to Elvis and the Everly Brothers, to the Folk music of the early 1960s and the protest of the Counterculture, to the explosion of traditional American styles like Gospel, Jazz, Zydeco, and Philip Glass-style atmospherics, and beyond to African m´bqanga and Brazilian fado, Simon´s recordings have vigorously embraced musical forms that show him to be a restless adventurer who is hungry to learn and explore ´“ just like his immigrant forbears wished for their children.

Simon is thus a quintessential New York Jew whose compassionate humanity is the very core of his being. While the critical intelligentsia often snidely dismisses Simon´s simple Liberalism and its human pathos, these values have aged extremely well by comparison with other artists ´“ like Bob Dylan ´“ who have sought fame by a process of self-mythology and wrapping themselves in an air of mystery and impenetrability.

Paul Simon is a transcendent cultural figure who has not allowed himself to lose his very humane feelings about people. He is a compelling writer who entertains his audience as he seeks to teach life lessons to them. Rather than going through the motions and just doing the hits ´“ something that is always tempting to do in order to rake in the cash ´“ Simon used this concert to convey the things that are troubling him. He handpicked the songs in the set-list to reflect a particular thematic ´“ that of death and tragedy ´“ that was accompanied by his signature Pop classicism rooted in the Brill Building tradition. He is perhaps the last of this generation of songwriters but we should not mistake his traditionalism and classicism for lethargy: Paul Simon is a man bent on achieving redemption and showing his audience how he struggles with the most profound questions of life and living.

As he ended this wonderful performance with a glittering rendition of ´The Boy in the Bubble´ from ´Graceland´ we saw how life´s despair demands redemption:

´These are the days of miracle and wonder,
This is the long-distance call.
The way we look to a distant constellation
That´s dying in a corner of the sky.
These are the days of miracle and wonder
And don´t cry baby, don´t cry.´

It is how we find the light in life´s darkness that is what ultimately makes us human. And the vision of an artist like Paul Simon serves us as an indispensable aid in navigating the palaces of our memory and liberating us from the prisons of our fears. This is no mean achievement.



David Shasha



USA / New York - New York - Chris L

here is the link to my blog about the show, I went to four shows in the US (5 if you include the Jimmy Fallon show!)

http://ctconcertblog.blogspot.com/2011/06/paul-simon-tuesday-may-10-2011-beacon.html


USA / New York - New York - Chris L

here is the link to my blog about the show, I went to four shows in the US (5 if you include the Jimmy Fallon show!)

http://ctconcertblog.blogspot.com/2011/06/paul-simon-tuesday-may-10-2011-beacon.html


Canada - Toronto - Phil

TO night 2: The Sound Academy 2nd row! His voice is totally back - no shakiness, no breaks. And I believe we witnessed one of the rarer moments in PS concert history. With the crowd shouting for it favorite songs - someone persisted at just the right moment with ´Duncan´. Simon say ´ok, well play Duncan, but you just thru the setlist off´ (laughter from crowd). a young woman (30?) calls, ´I learned to play the guitar to Duncan´. Simon: ´you learned to play guitar to Duncan? Well, then come on up and play it´. So she did: shaking, trembling, crying has Simon put his guitar around her neck, pulled herself together, AND DID IT, with support from band. Simon was smiling, people were screaming and singing for joy. Very special moment, very special nite


USA / California - Temecula - sdrocknroll.com

Paul Simon walked on stage with an acoustic guitar and started working the opening chords to ´The Sound Of Silence.´ It was the first encore of his sold out show Saturday April 23rd at the Pechanga Theater in Temecula, California, and it was the defining moment of the evening. Sung in hushed tones, the breathtaking classic was a line-by-line testament to the depth and talent of Paul Simon the poet.
Raising chills throughout the crowd, Simon took his time and delivered a moment that will forever stand out to me as one of the most memorable live performances of a song I have ever experienced.
Simon knows how to keep good company. Obviously, the Garfunkel thing went well, and then in the late eighties his journey into world music and the recording of the Graceland album lead him to a handful of new friends. Simon had a few of those old buddies in tow to help him run through a spirited career-spanning set. Three members from the Graceland days filled out a talented, eight piece backing band that kicked into the opening number ´Crazy Love´ from the Graceland sessions with resounding exuberance. Simon and band came out of the box firing, opening up with a rich multi-layered sound that established the depth to the night´s show . Walking right into the second number ´Dazzling Blue´ from his exceptional new record So Beautiful or So What, Simon began the night´s pattern of sprinkling in a few of these new songs. When the drums started laying down the thick back beat to ´50 Ways To Leave Your Lover,´ the Pechanga crowd responded gratefully, welcoming the first pass at some of the older material. The next few songs did the back and forth of new song-old song, giving the new material, especially ´Rewrite,´ an opportunity to stand up proudly next to Simon´s more well known material. Though when Simon launched into ´The Obvious Child,´ the band got an opportunity to take center stage. With Simon stepping away from the microphone and melding into the background, the band stretched out the African rhythms and cranked up the pace. Another Graceland track ´The Boy In The Bubble´ continued to push the high energy, adding another layer to the diverse sounds that the talented band continued to produce. ´Love Is An Eternal Sacred Light´ was the last of the new material sung before Simon finished the first set with rousing versions of ´Diamonds On The Soles of Her Shoes´ and ´Gumboots.´
Two encores later it was over and the audience seemed stunned, especially after enjoying the nostalgia of singing, stomping, dancing, and clapping along to the last encore of ´Kodachrome´ and ´Late In the Evening.´ The show seemed to end abruptly, clocking in after only an hour and a half. And, due to the absolutely flawless performance, over-the-top talented band, and timeless material presented by Simon, there was no way he wasn´t going to leave you wanting more.


USA / California - Los Angeles - sdrocknroll.com

Paul Simon walked on stage with an acoustic guitar and started working the opening chords to ´The Sound Of Silence.´ It was the first encore of his sold out show Saturday April 23rd at the Pechanga Theater in Temecula, California, and it was the defining moment of the evening. Sung in hushed tones, the breathtaking classic was a line-by-line testament to the depth and talent of Paul Simon the poet.
Raising chills throughout the crowd, Simon took his time and delivered a moment that will forever stand out to me as one of the most memorable live performances of a song I have ever experienced.
Simon knows how to keep good company. Obviously, the Garfunkel thing went well, and then in the late eighties his journey into world music and the recording of the Graceland album lead him to a handful of new friends. Simon had a few of those old buddies in tow to help him run through a spirited career-spanning set. Three members from the Graceland days filled out a talented, eight piece backing band that kicked into the opening number ´Crazy Love´ from the Graceland sessions with resounding exuberance. Simon and band came out of the box firing, opening up with a rich multi-layered sound that established the depth to the night´s show . Walking right into the second number ´Dazzling Blue´ from his exceptional new record So Beautiful or So What, Simon began the night´s pattern of sprinkling in a few of these new songs. When the drums started laying down the thick back beat to ´50 Ways To Leave Your Lover,´ the Pechanga crowd responded gratefully, welcoming the first pass at some of the older material. The next few songs did the back and forth of new song-old song, giving the new material, especially ´Rewrite,´ an opportunity to stand up proudly next to Simon´s more well known material. Though when Simon launched into ´The Obvious Child,´ the band got an opportunity to take center stage. With Simon stepping away from the microphone and melding into the background, the band stretched out the African rhythms and cranked up the pace. Another Graceland track ´The Boy In The Bubble´ continued to push the high energy, adding another layer to the diverse sounds that the talented band continued to produce. ´Love Is An Eternal Sacred Light´ was the last of the new material sung before Simon finished the first set with rousing versions of ´Diamonds On The Soles of Her Shoes´ and ´Gumboots.´
Two encores later it was over and the audience seemed stunned, especially after enjoying the nostalgia of singing, stomping, dancing, and clapping along to the last encore of ´Kodachrome´ and ´Late In the Evening.´ The show seemed to end abruptly, clocking in after only an hour and a half. And, due to the absolutely flawless performance, over-the-top talented band, and timeless material presented by Simon, there was no way he wasn´t going to leave you wanting more.


USA / Washington - Seattle - Andrew

First of all, I´ve seen quite a few shows at the Showbox, and this was by far the most electric vibe I´ve ever encountered there. People were thrilled to be at such an intimate Paul Simon show, and the mood was of palpable excitement. The band was in fine form, and, with the exception of some high-frequency feedback issues during ´Here Comes the Sun´ (most noticeably), the sound was excellent. Paul sang and played beautifully, his voice sounding as strong and clear to me as it did on the You´re the One tour. It is truly a marvel how little his vocal powers have diminished with age. The Seattle Times´ review of Friday´s show mentioned some vocal pitch problems; this was not the case Sunday, I assure you. His singing was confident, strong, spot-on with the pitch, dramatic and engaging from the first song to the last. The sound engineer had the harmony vocals dialed in just right, and on moments of group harmony (´Diamonds´ and ´Dazzling Blue´ come to mind) the ensemble vocal sound was tremendous.

The new drummer and keyboardist were fine additions, although replacing Steve Gadd is not exactly possible. Mark Stewart remains amazing, and seemed to have an endless supply of tricks in his bag: guitars, singing, saxophone (!), you name it. He was visibly guiding the band in many places, signaling changes, transitions, endings, etc., and it was clear how critical his role is in the group.

Paul said little, usually introducing the new songs by name only. He mentioned how nice it was to be playing in a club, or something to that effect, but no real speaking at length or stories, other than to note that there were 251 days till Christmas before ´Getting Ready...´. At the end of the night he delivered a very casual and happy introduction of the band, member by member, and then that was it.

This is my recollection of the setlist. Even if the sequence is slightly misremembered, all the songs played are accurate.




´Slip Sliding Away´ and ´Only Living Boy´ were not played, but they were replaced by a few more songs. ´Boy in the Bubble´ was a spectacular opener, very much appreciated by the crowd and perfectly in sync with the mood in the venue. I think sometimes we´ve got to remember when looking at these lists on a computer screen that you have to take into consideration how the song actually works there in the room. Going in, I was more excited to hear ´Crazy Love´ myself, but ´Bubble´ was much better first and ´Crazy Love´ was perfect where it was played in the set. For those already aware that ´Crazy´ had opened Friday´s show, the intro to ´Boy in the Bubble´ communicated that this show would be different.

Another brief word regarding some popular setlist complaints: You wouldn´t think people would still respond so strongly to lighter stuff like ´50 Ways´, which I´m not personally thrilled to see on setlists, but it served a very important function at the show and people loved it. I´ve seen folks here complain about ´Diamonds on the Soles...´ always being in the set. Let me tell you, if I had a song that provoked the reaction from a crowd that ´Diamonds´ did last night, it would never leave the list. In a night full of strong reactions to songs, this one was overwhelming. The surprise retirement (if temporary) of such warhorses as ´Graceland´, ´Julio´, ´Call Me Al´, ´Bridge´, and pretty much all S&G material made the night a real treat for die hard fans, even with some big hits still on the list. Okay, setlist rant over- on to the show!

Highlights were many:

Hearing ´Hearts and Bones´ live was worth the price of admission alone. The new arrangement features Paul and Mark (who plays the small nylon-string instrument used on ´Father and Daughter´) sharing the guitar lines in a really complementary way, and ´Mystery Train´/´Wheels´ (which is what I´ve heard this twangy instrumental showcase for Mark Stewart´s chicken pickin´ skills called) emerge from the ending in a medley. The other medley of the night that was a great surprise to me was the way ´Gone at Last´ came out of ´Kodachrome´, becoming much more guitar-driven (slightly different chords, even).

´The Obvious Child´ was great done with a smaller group, and one wondered why it has stayed out of the setlist so long. This was a particular crowd favorite- the horns at the end had people going nuts.

´Crazy Love´ was outstanding, and Mark has a new ascending chromatic guitar line that really takes the current arrangement over the top. Easily one of my favorite songs of the night.

The new material was excellent live, with ´So Beautiful´, to my ears, maturing the most from the recorded version. There was something about the way the riff was layered by the band that was really cool. ´Christmas Day´- which I´ll admit to not particularly loving yet- was interesting live, with Paul asking the soundman to turn up the recorded sermon and speaking along key lines with it. He kept a harmonica handy on a platform on his mic stand, and in addition to playing perfectly competent blues harp on ´Love is Eternal...´, he took it out for a test drive during the last verse of ´Boy in the Bubble´. ´Love is Eternal...´, an obvious standout on the new record, was killer live, and the low ´God´ vocal bit in the middle came off beautifully.

I never thought I´d hear ´Peace Like a River´ live, but it was worth the wait. The arrangement is great, and Paul´s guitar playing sounded wonderful.

I never saw an official setlist, but it looked like ´Here Comes the Sun´ was probably not on it, as Mark seemed to ask Paul if he would do it, which Paul agreed to.

I was sort of surprised that the solo acoustic S&G song was the same both nights (´Sound of Silence´), and was hoping he might switch it up. But I think there´s a functional reason for it: having the capo on the third fret allows him to go right into the current arrangement of ´Kodachrome´ seamlessly, without switching guitars. If that´s the case, you might expect ´Homeward Bound´ to find its way into that slot eventually. Who knows? Just a guess on my part.

It would be easy to go on with the superlatives...it was just an all-around fantastic show.

The only ´lowlight´ I could single out, other than the aforementioned sound issues (which weren´t horrible, by any measure) is that ´Love and Hard Times´ was ruined by a chatty crowd. It was just Paul, cello, and piano, and it was too soft for the hyped up throng. I could be rude and say people wouldn´t shut up, or I could be kind and say Paul had them too excited to be quiet, but you get what I´m saying! If the room had been silent it would have been one of the high points of the night, musically. So it goes.

I could pick nits and complain about no Surprise or You´re the One (or Rhythm of the Saints, other than ´Obvious Child´) songs, but to do so would be both ridiculous and ungrateful. It was a magical set, and an unforgettable event. To anyone on the fence about whether or not to attend one of these smaller gigs- do not hesitate. I´ve seen Paul a handful of times, and this was the best, no question. As I mentioned above, there´s way more to it than just the setlist. And, if I had to hazard a guess, I would expect the difference between Night 1 and Night 2 to increase as the tour goes on and the band feels more confident experimenting a bit. I doubt these are all the surprises in store.

I hope this was interesting to at least a few of you, and I hope everyone gets a chance to see Paul on this tour!

Best regards,

Andrew
Seattle, WA


USA / Washington - Seattle - jo ann riggs

By JO ANN RIGGS

It was a true Kodachrome moment.

Paul Simon, who´d played WaMu Theater in Seattle on April 15, debuted the club portion of his new U.S. tour here Sunday night, April 17, at the Showbox at the Market.

This was in many ways a snapshot of an earlier time, when the not-yet-headinin´ Simon haunted the ´60s Greenwich Village folk venues with his childhood pal, Art Garfunkel.



Simon may no longer have the club thing down pat, as he mostly echoed the sound of silence between songs (´So far, so good,´ he noted on his 17tth song, ´Love Is Eternal Sacred Light´) and only once stepped away from his great eight-man band (for, yes, ´Sounds of Silence´).

But the relaxed setting allowed him to give free reign to song selection, starting with ´The Boy in the Bubble´ (´These are the days of miracle and wonder´) and concluding, 25 songs and just over two hours later, with ´Still Crazy After All These Years.´



Still vital after all these years, Simon also found time for covers of ´Here Comes the Sun´ (a time of miracle and wonder in Seattle these days), the five-guitars-strumming ´Mystery Train´ (the Elvis Presley version is most famous) and Jimmy Cliff´s ´Viet Nam.´

Jamaican Cliff´s mix of pop music and African influences was echoed in Simon´s music, whether on ´Crazy Love, Vol. II,´ which featured his trademark staccato vocals, or the amazing, dance-inducing ´Diamonds on the Soles of Her Shoes.´



USA / Washington - Seattle - Joel Grant

I attended Paul Simon´s concert last night, April 15, 2011, at the WaMu Theatre in Seattle, WA. What a terrific concert, one of the best in my long (I am 59 years old) life.

I wish I had a Kodachrome memory and could tell you the set list. I can say that he mixed in a number of standards (like Kodachrome, That Was Your Mother, Sounds of Silence (as an encore, one of three), 50 Ways to Leave Your Lover, and many more, with songs from his new album.

His new song ´The Afterlife´ is amazing, as good as anything he has ever written.

The concert was scheduled to begin at 8:00 and he walked onstage at about 8:15. By my count, there were 8 members of his band, including a very hippie-looking guitarist who played cello on one tune and alto sax on several. Very tight band, top-rate musicians.

I don´t like to rave, but I cannot think of anything about what happened on stage to whine about. A couple of idiots sitting next to us were loud and drunk and spent most of the first hour talking very loudly during the songs. A very large and menacing-looking savior in front of us finally told them to shut up and, subdued, they lapsed into a drunken stupor.

But Simon and his band were great. They played about 90 minutes and then did three encores. The venus is not my favorite (cramped seating, less then ideal acoustics) but I will treasure the memory of this amazing performance for a long time.

Had I been more on the ball I would have gotten tickets to his gig this Sunday, the 17th. But I will keep my eyes peeled in the future for an opportunity to see him again.


USA / Washington - Seattle - Seattle Times

Paul Simon at WaMu - one for the ages

Paul Simon, in the first salvo of his North American tour, delivered a show for the ages Friday, April 15, at Seattle´s WaMu Theater, mixing Old favorites such as ´The Sound of Silence´ with songs from his brilliant new album, ´So Beautiful or So What.´


By Paul de Barros

Seattle Times arts critic

PREV of NEXT


PAUL DE BARROS

The set list from Paul Simon´s concert at WaMu, April 15, 2011.
Related
Concert Review |

Paul Simon´s immaculate, inspiring, near-perfectly articulated two-hour concert at WaMu Theater on Friday, the opening salvo of his North American tour, was one for the ages.

At 69, Simon is still writing brilliant stuff - per his new album, ´So Beautiful or So What´ - even as he surveys a body of work that is the envy of any singer-songwriter.

Dressed in denim, green T and black overshirt with sleeves cut at the elbow, the diminutive, round-faced, silver-haired troubadour with the high, slightly melancholy voice coasted insouciantly over a delicious tangle of world rhythms created by a carefully-balanced eight-piece band.

The sold-out crowd greeted him with a standing ovation before he sang a note.

Simon projected the mood of an adult comfortable in his own shoes, enjoying the moment, looking back at life with sentiments both savory and skeptical and eagerly anticipating the future.

´Life is what you make of it,´ he sang with a shrug, in the title song of the new album. Its driving rhythm lifted the room to the first peak of many in an evening that began with a slightly cottony reserve but inexorably built to a climax with a slow burn.

Simon peppered the night with new work and old, dipping into ´The Sound of Silence´ (great Spanish guitar!) and ´Kodachrome,´ as well as Graceland favorite ´Diamonds On The Soles Of Her Shoes,´ which got the boomer fans (some, with their kids) up on their feet and dancing.

But the new songs, such as the Blake-like vision ´Love is Eternal Sacred Light´ and the Hoagy Carmichael-inflected ´Love and Hard Times,´ with their Big Subjects (cosmology, God) were more than welcome. Simon handled them with a remarkably light touch.

When someone shouted, ´We love you!´ Simon responded, ´I used to love me, too,´ suggesting, perhaps, that humility is the key.

The concert celebrated the 20th anniversary of Seattle radio station KMTT 103.7 The Mountain, which the singer cordially congratulated, dedicating the touching ´Father and Daughter´ to Mountain program director Dave Benson.

The years have frayed Simon´s voice a tad. He carefully avoided some high notes and occasionally strayed off pitch, though his casual abandon was worth the trade-off.

Simon was pulled back for two encores, ending a sumptuous night with ´Late In The Evening,´ a sweetly unabashed foray in nostalgia - for youth and young love.


USA / Louisiana - New Orleans - Herb

As reported: Art Garfunkel had some serious voice problems during that show, because he suffers from laryngitis.

A few days later all further S&G shows have been postponed for 2 months. Hopefully he recovers soon and completely.


Special at this show:
´Cecilia´ had them actually rocking with a few of New Orleans favorite sons, trumpeter Terence Blanchard, clarinetist Michael White and zydeco extraordinaire Rockin Dopsie Jr, which brought a lively end to this historic event.


Paul Simon did a wonderfull solo set in the middle, including Diamonds, Boy in the bubble, That was your mother and The only living boy in NY.


Australia - Melbourne - Sumit

Saw Paul and Art last night here in Melbourne and, despite the fact that I am a lifelong fan of both individually and as Simon and Garfunkel, I have to say that this was the best concert I have been to.

The two hour set list (including a twenty minute burst of individual hits by both Paul and Art) was simply superb, the harmonies as pristine as ever (having, if anything, matured with age), Paul was in his element as the centre of the stage´s musical universe, and the backing band (led by the uncomparable Mark Stewart) superb.

It is very hard to describe the night in tangible terms. The emotion and ´trip down memory lane´ associated with the event is rather hard to decribe. All I can say is this was a dream come true for me - something that I never thought I would experience - my life has been enriched for time I spent watching my muscial heroes perform.

I note that a lot of people have been overtly critical of the ´quality´ of the Art Garfunkel voice. This, quite frankly, is irrelevant. The emotions he strings by articulating words to those great songs far, far, far outweighs any vocal flaws. As for Paul, what can I say? He is and forever will be the greatest songwriter I will ever witness (live!).


Australia - Sydney - Nikki

Well, where to begin? The show was not perfect but it was absolutely spectacular all the same. I´ve never really listened much to S&G before but I´m definitely a fan now. I´ll just run through the night in chronological order I guess. Alain and I got to Acer Arena about an hour before the show started and managed to meet Gerard and Ben before the concert, which was great. On the way there it was quite amusing, they had special trains for the event and they were either playing S&G music really softly on the platform or else someone was playing it really really loudly on their iPod, I couldn´t tell which. Also I felt very out of place being the only person looking anywhere near 20, and a lot of people looked at me strangely too!

Anyway so the show started pretty much on time tonight. During the last minute tweaks Mark Stewart and Jamey Haddad came on stage for a few moments. The setlist was similar to the Sydney show last night ´“ i.e. Feeling Groovy was left out, which I regretted ´“ and Paul´s solos were back to the originals: Julio, Boy in the Bubble and Diamonds. Before I go through the songs, just some general comments ´“ firstly the audience was fantastic and Paul and Artie clearly appreciated it, which was wonderful. Their rapport with one another was also fantastic and very touching to see up close ´“ Paul in particular seemed to be a bit concerned for Artie´s voice and really encouraged him after several of the songs. Paul himself was playing and singing as well as ever, and smiled more than he normally does, he was having a great time on stage. Artie´s voice is, as mentioned in almost all the reviews, really shot through (I´m not sure whether he´s coming down with a cold or something?) but he kept up a huge effort which everyone seemed to find very admirable and endearing, and the crowd was extremely supportive even though everyone could tell that he no longer has the angelic voice. However I found that Paul´s voice / mike really drowned out Artie´s on most of the songs, and I think Ian said the same about the Brisbane concert. I wonder whether they did that on purpose so that Paul could make up for Artie´s lack of vocal strength.

So the opening numbers were pretty much the same. They were in a great mood right from the start and Paul smiled at his own lines like ´I have my books and poetry to protect me´ (I remember him referring to that as really psychotic writing in some interview in the 80s) I think they improvised a little for the Alice in Wonderland anecdote and Paul was hilarious. When Artie introduced him as the white rabbit he said something like (imagine his deadpan drawl) ´˜So´¦ I don´t care if I´m the white rabbit´¦ It was just playing a role´¦ Just the way we´re playing the role of Simon and Garfunkel tonight´¦ I´m playing the role of Paul Simon´¦ Sometime I get sick of playing Paul Simon, sometimes I think I´d like to play Art Garfunkel! Nah, not really, I wouldn´t want to play Art Garfunkel´¦´ Then he went on with the Death of a Salesman joke, saying that ´˜the only reason that I didn´t mind what role I played was because I had just come out of acting in The Death of a Salesman, so with the white rabbit I metaphorically leapt back into something more vibrant´ (I think that was most of what he said, correct me Gerard or anyone else if you remember any better!) Then Paul talked about how they were originally Tom and Jerry and said as an aside ´˜And I won´t tell you who was Tom and who was Jerry´¦ both names are equally humiliating´ Then he recollected that he had a 10000 person crowd before him so he added ´˜Except if there are any Tom´s or Jerry´s in the audience of course´¦ they they´re perfectly adequate names´. That was really funny too. So they played Hey Schoolgirl and Be Bop-A-Lula. In between Art reworked some of the dialogue from the 2004 DVD about scholars debating where the be-bop-a-luche-ba came from in Hey Schoolgirl. To pass from something so lighthearted and teenage pop-like to Scarborough Fair was divine. That´s another thing which really surprised me about the concert ´“ how riveting some of the songs really are. I mean, when I was at the solo concerts last year, with most of the songs you just can´t stop tapping your feet or clapping or dancing, but with so many of the S&G songs I just sat there transfixed, which was just as well because no standing was the way most of the concert went anyway. Also, lyrically I think the S&G period really do display some of Paul´s finest works, and when you´re sitting there listening carefully to every word, when they´re singing it right there before you, it really is something special. Paul always has great lyrics but I never really realized how amazingly poetic some of the S&G material is, it really is just beautiful and perfecly complements the sweetness of the music.

Sorry, coming back from the digression- Mrs Robinson, Not Fade Away and Slip Slidin´ were all really great. Arite´s solo set was quite impressive I thought, despite his voice barely holding up. As with all of the other numbers he mustered a huge amount of effort and you couldn´t help but appreciate the fact that he was trying so hard. I´ve never listened to any AG solo stuff before but it´s very pretty. As for his own composition Perfect Moment, lyrically it´s embarrassingly clichéd but I quite liked the melody, especially the chorus.

I really wish Paul would sometimes sing Kathy´s Song and For Emily himself though ´“ they are his songs after all! Is the range too high for him or something? Anyway, then Paul´s solos, he donned the hat as usual which made everybody laugh and made him smile in turn. Oh and before I forgoet, before all of this ´“ in between some of the anecdotes someone was shouting out I love you´ (and that sort of went on throughout the evening) but Artie asked ´˜Who do you mean?´ and when he couldn´t hear the guy´s response Paul added ´˜Now which one were you referring to there? Not that it matters´¦ I´m just curious´ That was hilarious too ´“ and the guy shouted back both, of course. Anyway, so Paul´s solo set was marvelous as always (I wonder if he´s even capable of not being marvelous on stage). Paul did the whistling himself this time on Julio, and omitted the ´˜ta na na na na´ stuff he´d randomly added last year, which I thought was a good decision. And yes Ian, The Boy in the Bubble was the same arrangement as last year´s tour, so that was fantastic. Everyone loved Diamonds, and at the end the crowd gave him a huge round of applause and cheering, and when it started to die down a little Paul put his hand to his ear and cocked his head as if to say ´˜Isn´t there more?´. Then more S&G numbers ´“ My Little Town leading straight onto Bridge was divine, and both tracks were so wonderfully done. My Little Town is such an awesome song. Then 1st encore, a spellbinding SOS, and it took people a while to start singing along to the chorus of The Boxer, but with some encouragement from Paul and Artie we got there. Leaves that are Green I found particularly touching, and Paul smiled and shook his head as he sand ´22 now but won´t be for long´. Throughout all of this Paul and Artie got lots of standing ovations and for the last song thankfully people around me chose to remain standing, so I felt like I could stand too, and so they had basically the whole arena dancing along to Cecilia, which they both sang with huge smiles on their faces. In some ways the vibe of the last song made up for the omission of Feeling Groovy, but I would still have loved to have had that as part of the set ´“ to me ´˜Slow down, you move to fast. You´ve got to make the moment last´ is an ultimate way to finish an S&G concert.

But after Cecilia the whole band came up and stood in a line and were introduced each in turn, half of them by Paul and half by Artie. And the band was absolutely fantastic, it was such a joy to watch them playing though unfortunately my view of quite a few of them was blocked by the sound or whatever boxes which were piled high between the front row and the stage. For most of the musicians he was introducing, so Tony, Bakithi, Jamey, Charley and Vincent, he talked about how long they´d been performing together and the guys seemed genuinely touched to have had the chance to work with such an amazing talent, and vice versa for Paul ´“ a lot of smile and back-patting. When he got around to Jamey Haddad Paul said something about ´˜normally he plays exceptionally well but he has a night off tonight´ and then something about ´˜but he´s a teacher so we can forgive him´. I´m not really sure what that was in reference to cos I didn´t notice any mishaps in Jamey´s percussion, but it was a good laugh for everyone, and Jamey and all the other musicians seemed to find it hilarious. Then Artie went around and introduced Andy Snitzer, Rob Schwimmer (who I hardly got a view of at all unfortunately), Mark Stewart, Larry Saltzman and Warren Bernhardt. And so that was it!

A really spectacular, magical evening all in all, and I´m finally starting to get the whole S&G thing. It´s definitely different seeing them live on stage than listening to their CDs. I also got a really nice impression of Artie which I´m glad about, given some of the negative things I´ve read in the past - which I don´t discredit, but I would just rather think better of him than worse. In any case, I think he´s just naturally charismatic. But above all I´m just so grateful for having had the chance to see Paul again in concert, in such wonderful shape and playing and singing as perfectly as usual. I couldn´t tell whether he might have remembered me cos he didn´t point or anything, but he seemed to scrutinise our section of the front row for a while when the concert opened, and on some of the songs like Cecilia I was able to sing right along with him grinning at us and looking straight into our eyes, and that was really awesome. Well, maybe a new album next year and then another round of touring in 2011? That way we can all get our annual dose of Paul Simon! Definitely fingers crossed :-)


Australia - Sydney - waldo

The first S&G show in Sydney for 26 years went off without a hitch, except for the screen they were using behind them. It stopped working for some reason after the initial entrance film that was screened at the begining of each show they played. It never worked again for the remainder of the show either. One thing you can distinguish from this show and the other 2 in Sydney was that Paul Simon did not where his fedora hat at all throughout the whole concert. The setlist was the same as all previous shows on this tour as far as i know. i think this was either the last or 2nd last show that FOR EMILY was performed as it was dropped for another tune. Iv´e heard that someone filmed the complete show at Acer Arena on June 20. I hope it turns up,as no other show on the 2009 tour has been filmed in full, except for individual songs uploaded to Youtube etc.So keep an eye out for it.


New Zealand - Auckland - Gerard

Sunday 14th June 2009:
Show started 8.15pm ´“ lasted about 2 hours 15 minutes

Old Friends/Bookends
Hazy Shade of Winter
I Am A Rock
America
Kathys Song
Hey Schoolgirl
Be Bop A Lula
Scarborough Fair
Homeward Bound
Mrs Robinson (including Not Fade Away in the middle)
Slip Slidin Away
El Condor Pasa

Art Garfunkel solo-
Bright Eyes
Heart in New York
Perfect Moment

For Emily Whenever I May Find Her

Paul Simon solo-
Me & Julio
Boy In The Bubble
Diamonds on the Soles of Her Shoes

Only Living Boy in New York
My Little Town
Bridge Over Troubled Water

1st Encore-
Cecelia
The Boxer

2nd Encore-
Sound of Silence
Leaves that are Green
59th Street Bridge Song


Band:
Andy Snitzer
Tony Cedras
Vincent Nguini
Mark Stewart
Rob Schwimmer
Larry Saltsman
Baghiti Kumalo
Charley Drayden
Warren Bernhardt
These were Simon & Garfunkel´s first concerts in NZ since Feb 1983 (and I was at the Wellington concert that year) and Paul Simon has never brought his solo shows to our shores (sadly).

Counting 1 Art Garfunkel solo show in NZ June 2002 these concerts were my Simon and/or Garfunkel concerts number 22 & 23. I did go to the 3 Madison Square Garden Old Friends concerts in December 2003. The rest consist of solo Paul Simon concerts in Sydney (2 in Oct 1991), California (3 in June 1999), London & Paris (4 in Oct 2000), UK & Brussels (4 in July 2002), UK & Paris (3 in July 2008).

I am a Paul Simon solo fan more than Simon & Garfunkel (these were his songwriting early years after all), so for me Simon & Garfunkel concerts for me will always be second best ´“ ticket prices twice the price and his best songs won´t make the setlist.

My summary -

The first concert was pretty much as discussed here. The loss of sound from Paul´s mike during BOTW was a glitch that could have destroyed the song but the crowd taking over saved the day and Paul & Arties relief and appreciation was very evident.

Differences from December New York 2003 shows ´“ Mark Stewarts guitar solos on America and My Little Town seemed a bit less dramatic. Also, a pity that Baby Driver and Keep The Customer Satisfied missed the setlist ´“ they were great rocking performances from 2003.

But the plusses of a small Paul Simon solo set, plus the version of Mrs Robinson with Buddy Holly´s Not Fade Away more than made up for these.

The biggest difference from December 2003 was the interaction between Paul & Artie. The striking memory from 2003 was feeling that Paul looked like he didn´t want to be there (although he did lighten up once the Everly Brother came out). This time the interaction between them both seems natural and genuine. Also, especially on the second night Paul had much more to say than usual which was great and very funny.

I feel there was much more harmonizing between them both compared to 2003 which was great. Artie´s voice is a shadow of what it used to be. I knew that from 2002 and 2003 concerts. On the second night Arties vocals were much improved from the first night.

I have been to many great concerts in NZ. I would have rated Bruce Springsteen and Sarah McLachlan as the best concerts I have been to in my own country. The Sunday 14th June Simon & Garfunkel show certainly rates right up there for me now. Watching the reaction of Paul Artie and all the band at the end of the show you could tell they shared the feeling that they had just finished a great performance.

The band is great, mostly Paul´s solo band who I have seen many times. Andy Snitzer and Vincent Nguini´s talents on this setlist seem very under employed though. I wish Paul would sneak in Still Crazy for that great sax solo.

All in all great shows both night. Now I´m off to Sydney for one last listen on 20th & 21st June.


The Banter:

Second night we got a new variation on the Tom & Jerry and Alice in Wonderland stories from Paul.
The first night was the usual story with Artie referring to Paul´s White Rabbit being the leading role. Paul responded saying he had just finished playing a part in the play Death of A Salesman so was grateful for a part that wasn´t so heavy.
Second night Artie referred to his Cheshire Cat role as the 2nd lead role and Paul´s White Rabbit as the 3rd lead role, to which Paul responded ´well everyone knows that the White Rabbit is the leading role. In fact there is a new Simon & Garfunkel biography coming out which is titled The White Rabbit and Other Friends. Paul then went on to say that they started out as Tom & Jerry before changing to this other name that seemed to catch on. He said (joking) that personally he would have preferred to stay as Tom and Jerry.
The funniest part was when Paul went on to recount a story from the Tom & Jerry days. He talked about them being in a talent contest (school I think). He said here we were singing our own song we had written, but mentioned this other guy (I can´t remember the name) who had a good voice and sang Danny Boy. He was the teachers favourite and was always going to win. When it came time to perform the teacher announced I know everyone wants to hear NAME singing Danny Boy but first we are going to have to hear these 2 perform their song´. I haven´t got the exact wording of the story but it was very funny.

Just before commencing Only Living Boy In New York someone in the audience to the right of the stage called out for The Boxer. Paul responded ´we don´t do that song anymore, there doesn´t seem to be any interest for that one these days. But here´s another one from the same album´. Later when it was time for The Boxer Paul started his guitar intro toward where the caller was sitting ( as if to say here this ones just for you).

Paul also had a little pause during Leaves that are Green. After singing the lines ´I was 21 when I wrote this song, I´m 22 now but I won´t be for long, time hurries on´ there was muted audience laughter at the extreme understatement of the lyric (as was being beamed out on the overhead video screen unforgivingly highlighting every line of his face). Picking up on this Paul said ´Um, let me think about that for a moment´ before carrying on with the song. As the song concluded you could have heard a pin drop as he had the audience under the spell of the song and his performance of it. Such an amazing performance.


New Zealand - Auckland - Lou

Wow.....1st night of the S & G tour.....& it certainly did not dissapoint.......i was thinking i was going to be the youngest person at the concert, but i was sooooo wrong....just goes to show these 2 guys connect with all walks of life.

it was amazing seeing these 2 legends on stage together & although i didn´t know all the songs, my toes where tapping constantly! there was a slight technical problem towards the end of ´bridge over troubled water´, but they carried on despite no sound until the crowd stepped in & carried them thru until the sound got sorted......

All & all, had a wonderful night & would´ve gone the next night if i could´ve......only thing i will say that dissapointed was paul not signing ´graceland´ on his solo section of the night....

true legends, glad i made the effort to travel a long way to see them....

P.S......Paul, you´ve still got the moves baby!!!


USA / Missouri - St. Louis - Roy

Paul Simon performed at the 21st Annual Bob Costas Benefit for Cardinal Glennon Children´s Hospital on Saturday night, April 18. Bob Costas is an NBC television broadcaster, known primarily for sports play-by-play and hosting the Olympics but also for his work as a talk show host over the years. The concert benefits the ´Bob Costas Cancer Center´ at Cardinal Glennon Hospital for Children in St. Louis. The benefit has taken place at the Fox Theatre in St. Louis for many years. The Fox is a gorgeous theater in the arts district of St. Louis known as Grand Center. The Fox was built in 1929 as a movie theater in a gaudy art deco style that includes a red-carpeted grand staircase guarded by twin lion statues with glowing eyes. Because this was a benefit for the children´s cancer center, the crowd was not the typical concert audience. Although our tickets specified ´Attire: Business Casual´ a number of people attended in formalwear.

Comedian Robert Klein opened the show, singing ´Colonoscopy´ which literally had me laughing out loud. Klein is a masterful comedian as well as a decent blues harmonica player. Paul Simon fans will recall the prominent role that Bob Costas had in Paul Simon´s ´Gershwin Prize´ concert. I assume that Costas made arrangements at that show for Paul Simon to appear at this year´s benefit. My seats were on the main floor but pretty far back and Paul did not use the video screen that had given me a close view of Robert Klein´s set.

After a seemingly interminable series of video messages from major donors, sportscaster Bob Costas reported ´Paul Simon will take the stage any minute now.´ The star of the 21st Annual Bob Costas Benefit for Cardinal Glennon Children´s Hospital finally took the stage along with his usual band: Mark Stewart (guitars, pennywhistle, baritone sax), Tony Cedras (accordion, keyboards, trumpet, guitar), Bakithi Kumalo (bass), Vincent Nguini (guitars), Jay Ashby (percussion and trombone), Jim Hines (trumpet), Andy Snitzer (saxophone and Pro Tools) and Charley Drayton (drums). Paul did not perform any unreleased material and played a fifteen-song set that was a bit shorter than his typical concert. As he has done for several years, Paul began the concert with ´Gumboots,´ from the Graceland album and continued with ´The Boy In The Bubble.´ That rocker gave way to the more contemplative acoustic ´Slip, Sliding Away,´ and the older crowd seemed to respond favorably to the change in mood. Simon continued with ´Father And Daughter´ with Tony Cedras joining the other guitarists on acoustic guitar. The guitar interplay was simply gorgeous and Paul´s vocal was stunning, making that song the high point of the evening for most of the crowd. Paul continued with another acoustic song, ´Duncan,´ with Paul finger picking nicely and Mark Stewart playing pennywhistle harmony to Jim Hines´ muted trumpet. At least I think it was a muted trumpet ´“ it looked like a trumpet with a mute but it also sounded s ynthesized, so I´m taking a guess here. Paul did a nice job on the bass string runs that are prominently featured on the Live Rhymin´ version of the tune and I really enjoyed the combination of the pennywhistle and Jim Hines´ instrument. Paul stepped up the tempo a bit with ´Me And Julio Down By The Schoolyard,´ with Jim Hines doubling Paul´s whistling. The last couple of times I´ve seen Paul perform ´Julio´ it looks like he´s trying to whistle but has Hines whistling too just in case Paul´s pucker peters out.

Paul then launched into the riff for ´Mrs. Robinson´ but instead of the segue into ´Mystery Train´ the band shifted to a Bo Diddley beat and played Buddy Holly´s ´Not Fade Away,´ to the delight of a few Deadheads in the crowd. ´Mrs. Robinson´ got perhaps the loudest ovation to the point in the evening, and Paul responded with something like ´oh, we´re in Simon & Garfunkel territory here,´ before playing a beautiful version of ´The Only Living Boy In New York.´ Paul used his falsetto to fine effect on this one and the harmonies from the band were stunning. Tony Cedras played what sounded to me like a Hammond B-3 organ and Bakithi Kumalo duplicated the bass line from the recorded version nicely. This was one of the real highpoints of the show for me. Paul´s vocal was quite tender at the beginning, the falsetto was beautiful and he really rocked out on the ´half of the time we´re gone but we don´t know where´ line.

The rhythm section set up a groove that I instantly recognized as ´Graceland,´ but it was not until Mark Stewart´s slide guitar played the signature riff that most of the crowd realized that they were hearing one of Paul Simon´s greatest songs. Every time I hear Paul perform this song live, I marvel at how perfect the song is. ´Graceland´ is such a perfect song that I think that adding or subtracting anything would change it for the worse: it reminds me in some ways of the anonymous sculptor who said ´I simply chip away everything that is not the horse.´ Paul continued with yet another song from the Graceland album, ´Diamonds On The Soles Of Her Shoes.´ This song has always been a chance for the drummers to shine and Charley Drayton and Jay Ashby made the most of it. But it was also an opportunity for the other band members to show their vocal chops. Mark Stewart, Vincent Nguini, and Tony Cedras did a creditable job on the ´ta-na-na-na´ vocals originated by Ladysmith Black Mambazo.

The main set ended with ´Late In The Evening´ featuring Charley Drayton´s propulsive drumming and a slightly different guitar arrangement than I´m used to hearing. It sounded like Paul was finger picking the guitar instead of strumming it for most of the song and it gave the song an interesting feel. This song also showed how quickly Paul´s relatively small ensemble can expand into a much bigger sound by creating a horn section seemingly out of nowhere. Mark Stewart played electric guitar on this song but also played the biggest baritone sax I´ve ever seen in my life. I think Tony Cedras also played trumpet on this song. It´s so big, Mark didn´t even attempt to pick it up ´“ it was supported on some kind of stand and Mark wandered over to it and played it on the stand. I believe that Jay Ashby switched to trombone for this song joining Jim Hines on trumpet and Andy Snitzer on tenor saxophone. Paul omitted the word ´j´ from the song for some reason ´“ maybe he thought the staid audience would be offended by the drug reference.

After the encore break, Paul and the band returned for a really outstanding ´Still Crazy After All These Years,´ with Tony Cedras playing electric piano. Maybe it was because the audience was too old, or maybe they actually knew the song but this was the first time I ever heard the audience sing along on this song correctly. I didn´t hear anybody sing ´whoah still crazy´ after the first verse. I´m proud of you, St. Louis´¦.

Paul then did a version of ´The Boxer´ that I´ve never heard before. Musically, the song was pretty much the same, although he did do a little introductory figure on acoustic guitar that had sort of the same function as the Fred Carter, Jr. lick that introduces the hit single, but it wasn´t as intricate as that. Paul changed the first verse from first-person to third-person: ´A poor boy, his story seldom told, he has squandered his resistance for a pocketful of mumbles, such are promises.´ And to give props to my hometown one more time, the audience singing on the ´lie-la-lies´ actually sounded in tune. Jim Hines played the instrumental solo on the ´muted trumpet´ instrument and Paul then made a profound change in the lyric to the last verse: ´In the clearing stands a boxer and fighter by his trade, and he carries no reminders of every blow that´s laid him down or cut him til he cried out´¦.´ I´m still trying to decide how that one word changes the song´s meaning. The lyric changes in ´The Boxer´ are something that I´m going to think about for a long time. Paul introduced Vincent Nguini who played the signature guitar riff to ´You Can Call Me Al´ and the crowd responded to the video favorite. This was the fifth song of the evening from ´Graceland.´ The band went offstage and eventually Paul returned for a beautiful, solo acoustic version of ´Sounds of Silence.´ Paul changed the melody line a bit in places but for the most part this version was similar to the hit single version. Paul has characterized himself as ´an ordinary player in the key of ´˜C´´ but in the folk style of ´Sounds Of Silence,´ Paul Simon is an outstanding guitarist. To borrow an Art Garfunkel phrase, this was a ´perfect moment´ to end a perfect evening.


USA / New York - New York - Chris L

I knew this was going to be a special night even when I had to buy scalped tickets (thanks TicketMaster!). The new Beacon looked amazing. They did a fantastic job restoring the old place. It was also freezing the first night, if I remember correctly it was around 20 degrees (F). I saw Tony Cedras wandering around outside so I assumed that his usual band was going to be there, and they were. I was glad to see the addition of a ´horn´ section and I was glad to see Jamey Haddad was back. The show started with Gumboots (one of my favorite PS songs ever). I really like the way he sings it now as opposed to the record. The Boy in the Bubble was a different arrangement since the 06 tour. In my opinion, the 06 tour version of that song is not the most flattering arrangement. Slip Sliding Away is different every time he does it, and this is probably the best I´ve ever heard (even better than with Garfunkel). I was never a big fan of Proof until I heard that night´s version. The song rocked, and was very different from the record, Vincent and Mark really made it guitar heavy. I love how Train seems to be a standard song now, I can´t get enough of that song. The place went crazy when he launched into Me & Julio. Paul sang the ´Rosie´ part to Rosie O´Donnell. He also had Jim Hynes do the whistle, that also go applause after the solo. Real whistling is so much better than a recorder like previous shows, or the mess of everyone whistling from 06. Duncan, one of my all time favorites was a very good version too. After this song, the show took a turn, I knew it was going to be a different show. Paul introduced Luciana Souza, who he worked with at the BAM shows. I really enjoyed her voice, she did a few songs and she took lead on Born at the Right Time. I got a chuckle out of how she said that Paul wrote this new song but wouldn´t let her have it, so she wanted to do it that night for us. Amulet is an instrumental that Paul wrote and does not have words yet, so she scatted during the song. The Cool Cool River had a nice arrangement which included hand clapping. He did a lot of cuts off of Rhythm of the Saints and Graceland. Then Paul did Father & Daughter off Surprise. He had the little nylon guitar that he usually uses. During You Can Call Me Al, the place went nuts again. After YCCMA, he said they were taking an intermission. During the intermission, I thought I saw Paul McCartney in the doorway of the VIP room which was on the left side of the theatre. I was right, during intermission; he can out with Nancy and sat in a seat near the 7th row. The place went crazy, it was like it was a Paul McCartney show and I think he stole some of the thunder from Paul Simon and that made me mad since I am a huge fan of both, but it was Paul Simon´s night. After everyone settled down, Paul Simon came back on stage and said they were going to do some Doo-Wop from the Capeman. Now like any super fan, I own the CD just because it´s Paul Simon, but I was never really into it. Let me tell you that I now have a new love for this CD. All the singers from the play were there, and Frankie Negron blew our socks off. It was a bit comical because when Frankie and Paul had to switch for their parts, Frankie would raise the mic and Paul would lower it. After the Capeman songs, he did a great version of Graceland. The line about New York City got its usual response. He then did You´re the One from the album of the same name. I was never really into that CD until I understood the theme and now it has really grown on me. It was a similar arranglement to the 06 tour which is different from the record. During Loves Me Like a Rock, the band crowded around an old fashioned mic to sing the back up part. After this Paul did a new song called Love in Hard Times. I think Paul´s writing has only gotten better with time, just like his voice. The reason I love Paul Simon so much as an artist is, he always proves that it´s his show and he´s going to sing what he wants. He´s going to change the arrangement what he wants. So I get annoyed with these reviewers that pick on the arrangements that they don´t sound like the originals. Something strange happend with Diamonds and he skipped a few lines in the beginning part before the band comes in. Paul is still doing the 06 arrangement of this song, but for some reason it didn´t bother me like it usually does. I think the new version is growing on me. He closed the show with Late in the Evening which was also a great arrangement, it really showed off band. During the applause break, I thought I saw Kim Garfunkel walk by with a few security suits. It was dark and I couldn´t be sure. But I literally shreaked ´Oh My God, Garfunkel is here´ when I saw the stagehand bring out the taller mic and put it close to Paul´s. I had done my research and found out that Art was on tour in Florida during these shows, but had a night off on the 13th. I had said earlier in the day to my friend that Garfunkel was off tonight and how crazy it would be if he showed up. My friend dismissed me as being too hopeful. After I shrieked, the people around me started looking around and wondered if I was right. Paul came back on and introduced his partner in arguments. They sang the Sound of Silence, The Boxer and Old Friends. People were watching these two old friends do what they do best. The sound of 2 voices and a guitar was overwhelming, I became very emotional. Garfunkel made a joke about how they are good friends, and how Paul always checks to make sure Art´s hair piece is always on straight. My only complaint was that the VIPs were more interested in the booze in the VIP hut than the show, and I found it quite distracting watching the show with these ´VIPs´ walking back and forth in front of me. It was a great evening, one of the most wondering concerts I have been to in a while. I will remember this evening for a long time to come.


USA / New York - New York - Paul

I also attended last night´s Paul Simon and Mark Stewart performance at the Town Hall in NYC. They performed as an acoustic duo as part of the ´Revenge of the Bookeaters´ benefit show. The setlist was as
follows:

American Tune - beautiful version with Mark on Cello. So nice to hear this live again.


Mystery Train Intro/Mrs. Robinson - very cool to hear this as an acoustic version - Paul and Mark were really jamming on the Mystery Train part; also Mrs. Robinson got some laughs at the ´candidates
debate´ part since the second of the three Presidential debates was going on that same evening - maybe even at the actual time of Paul´s
performance.


Love in Hard Times - What a surprise!!! Mark did not perform on this if I recall correctly - instead, he just watched Paul perform it intently and even mouthed some of the lyrics (as I was doing also to a
small extent). Paul indicated that this was the first performance of the song, but maybe he was referring to the first performance in the
U.S. The lyrics changed a little from the Montreaux performance. Particularly, I believe he changed ´my heart and my mind will never last - when your hand takes mine´ to ´uneasy heartbeat, can´t relax -
then your hand takes mine.´ There were also some additional minor lyrical changes, such as ´thank God I found you in time.´ It´s interesting to see how a song evolves like this. I´m looking forward to hearing a studio version of this song. The song ended to great applause to which Paul quipped something like - ´You´re very kind, or
not kind enough!´


The Boxer - Paul and Mark´s acoustic guitar playing on this sounded so great together. Paul basically played his standard version with Mark adding some nice bluesy fills on his guitar that blended really
beautifully with Paul´s guitar playing. The audience chuckled when Paul opened the song as he has been doing recently with ´A poor boy...´ dropping out the initial ´I´m just.´


After the performance we had a chance to chat with Paul briefly as he left the theater. He graciously signed the box of my Paul Simon Complete Works Warner Bros. box set (the one with all of those great extra bonus tracks on each CD from Paul Simon all the way up to the You´re the One CD - many of which also show the evolution of songs as discussed previously). I thanked Paul for playing his new song and said something like I thought it was great. He replied ´I´m glad you liked it.´ He posed for a photo with a fan who was waiting there and even signed somebody´s two inch high bowling pin, of all things!


Here are some photos and a video from the performance. Enjoy.


http://smg.photobucket.com/albums/v517/paulfournier/Paul%20Simon%20Town%20Hall%20NYC%2010-7-08/


Paul


Washington, DC


Italy - Taormina - Nikki

I just got back from the concert in Taormina which finished half an hour ago. A million thoughts are running through my mind and I don´t know where to start. Perhaps with the best word to summarise it all is bittersweet ´“ in many ways it was a good experience for me personally, but as a concert ´“ it was meant to be perfect, but it was awful. If Lorrach was the most beautiful concert I could imagine, then this was the worst. I just don´t know what to think, what to feel ´“ I am so glad I went yet so upset that this is the memory of Paul that will rest in my mind. Sorry for all the blabbering, I´m feeling quite emotional and I will explain everything in due time. Jus tlet me begin with a sort of disclaimer ´“ this review is going to be extremely long and personal, and parts of it will seem very egotistical of me, but I am just trying to tell it all as it happened.
I´ll recount in chronological order: concert was meant to start at 9:30pm in the ancient greek-roman theatre of taormina. If you don´t know taormina it´s a tiny medieval town in Sicily, which is jam-packed with tourists in summer. The teatro can only be reached by one rd. It´s also a major tourist attration so even today it was open to the public till about 7pm. Tickets were to be collected at the box office nearby from 6pm. I was going to get there early maybe to see a rehersal if I was lucky, but got caught up in a few things and basically got to the teatro at 7pm. There were already about 20 or so people waiting with security blocking the way in, and they were ushering last min visitors out of the concert venue. We were meant to be allowed in at 8pm. I chatted for a while to a few ppl around me and even from then I knew things were not going to go well. Most were holiday makers who´d seen posters of Paul around town so decided to come to the concert for the night. There were quite a few young people but the ones I talked to asked me ´˜Has Paul written any new songs recently since Graceland?´ And then they said they hoped he´d play lo9ts of old stuff. They were surprised I was waiting so early even though I had a numbered seat. Anyway, the wait was long, the tiny street was becoming packed. It was clear it was meant to be a major event tonight because police, ambulances, even firemen had begun arriving ´“ chaos as you can imagine. From time to time ppl with VIP badges wandered past security into the teatro. Apparently Paul´d arrived earlier in the afternoon and we saw the Fiat that drove him in come back out with his suitcase. Anyway, we waited, waited, at about 8:30 they finally let us in. The teatro was massive, and it was magical. I only took two pictures tonight both of the teatro and I will try to put one up later. But the lighting, the ancient columns and arches, all just magnificent. There were 3 areas of seating ´“ about 10 rows of seats, all same level, then some amphitheatre style steps, but also numbered seating, then up the back free seating / standing. I was 4th row fr the front, extremely close to the stage, but the seats around me were basically empty. Clearly ppl thought it wasn´t worth the effort to come early if they had a numbered ticket. Now two men sat on the edge of the stage. One of them smiled at me and said in a British accent ´“ nice seat you´ve got there. I replied ´˜yeah, where are you sitting´ but he didn´t seem to understand even when I repeated my question so I said ´˜are you working here´, and he said ´˜yeah, we´re specialists´. And then they laughed so I could tell they were joking but I didn´t get what they meant, but then the man started asking me where I was from and al of that, and finally when I asked him again what he worked as, he said ´˜I´m the manager´, and I said ´˜what, Paul´s manager?´ and he said yes. First I thought he was joking again, but it was true, and I just gushed, omg that´s amazing! I kept saying that and he kept smiling and saying ´˜Not really, not really it´s just a job, it pays well though´. I told him about how I´d met Paul at Lorrach and how nice he was and he said ´˜Yeah he´s a really nice guy´ And then he had to go sort stuff out so we left it there.
By this time it was 9pm. Ppl had started filtering in. Met a nice Italian man and his wife who´d also been to the rome and Milan concerts and said they were great. They actually knew Paul´s, but didn´t know this site so I told them about it. At this point I was feeling very enthusiastic ´“ a magical setting, sitting next to nice people, but there was a problem. By 9:30pm, starting time of the concert, about a quarter of the place was empty, and worst of all, it was all in the expensive seated areas around the front. We were in one half of Row 4. The front two rows were literally half empty. Clearly for VIPs who didn´t bother to show up on itme. I am sure they were planning to make a DVD tonight because managers were running around, they had big camera, smoke machines, even some strange sign with a 60s silhouette of Paul and some writing which read ´˜Paul Simon, the little big man´ and more stuff down the bottom which I couldn´t see. The only thing missing was a proper audience. By 9:40pm, some more people were shepherded in by security looking very lost. The Italian man´s theory is that the organisers just pulled randoms off the street to fill the palce up for the DVD and I think that´s exactly what happened. At this point I was more and more worried. Surely Paul would know what was going on. What on earth would he think? How would he feel? He couldn´t come on stage because there weren´t enough people here to see him??
Finally at 9:50 he wandered on stage. He gave the slightest smile, very strained, looking more than a little disheartened. He didn´t say anything and went straight into Gumboots. Most of the songs tonight sounded slightly different to me, even from the arrangements in Lorrach. Paul put special effort into phrasing and moving around the stage a la DVD YTO (on the French forum we´d say la danse indienne). It was highly unnatural, clearly it was all a performance for the cameras. The song ended, we cheered, and he went onto Boy in the Bubble. Again relatively well received, but not the thunderous applause you´d expect for a large venue like this. Worst of all, people were all seated in the front and middle, and no one looked like they had any intention of getting up. There were still many seats which were empty, even in the first row, yet security would not let us move forward.
Paul spoke ´˜Well, what a treat it is for me to be here!´ I could see it in his face and hear it in his voice ´“ he was more hesitant in what he was saying, or had to say. Some one shouted ´˜It´s nice to see you´ and that went down a little better. He smiled, first big smile for the night, raise dhis eyebrows and said in his typical trailing voice ´˜It´s nice to see you too´¦´ someone else shouted ´˜you look beautiful tonight´, and he did. Usual ochre shirt, but black had, white trousers, and it all went perfectly with the lighting and the sandstone behind him. He heard the comment and smiled again and sort of tugged at his shirt as if to say, thanks I know.
Then he started playing again ´“ outrageous. It´s meant to be upbeat, fun, but how can a song like that work when you´ve got an amphitheatre of people seated? Mrs Robinson went down well of course. North East and Slip Slidin were magical, his voice, the acoustics, the lighting, but there was something missing. Some sort of electric atmosphere that was present throughout the whole of Lorrach but which I didn´t feel for one second here. We went on ´“ Duncan, Julio (an dsorry this is prob the wrong order, it´s just what I remember) The audience´s receptiveness just got worse and worse, and Paul knew it too. You could see it on his face. Hardly a smile during the whole of Julio, when that song usually has him grinning. Duncan was enchanting but people wre getting restless. Between songs someone shouted ´˜Play The Boxer!´. Paul heard and this is how he reacted. In a melodramatic, apparently playful way he leant forward and said, ´˜I´m NEVER going to do the boxer´. I think we here know what he meant by that. He meant, why can´t you listen to my new material and appreciate it? He went on. There were moments of lightness (like someone shouting We love you) and Paul looked up, pointed to himself then to the person shouting. But the rest of it just didn´t work. There was polite applause and cheering after every song but no enthusiasm. Throughout the songs most people sat, unmoving, arms crossed, almost in scrutiny. I kept staring at Paul, trying to ignore everything around me, trying just to absorb the music, but it was hard. It was just painful to watch the absolutely disappointed, joyless expression on his face. And the musicians too. They tried to smile and liven things up then you could tell it was hard for them too. Even Mark Stewart was not his usual insane self.
Then, it´s hard to imagine how things could get worse, but they did. During the most beautiful rendition of SOS, the man in the row across from us started talking loudly on his mobile. Everyone saw it and heard it, and people told him to shut up but he ignored them. Paul would have seen it, and what must have gone through his mind? Suddenly lyrics start to take on renewed meaning ´˜People hearing without listening´¦ fools said I you do not know´¦´.- you could almost see a cynical sad smile on his face as he was singing. During other songs there was also loud chatter. There were security people ducking in front of the stage for god knows what reason which would have been highly distrating. And when I eventually looked away from Paul to my right hand side, I saw that seats which were filled were now empty. People had actually gotten up and left! Paul must have seen that. A multi-grammy winning artist, inaugural Gershwin prize winner, twice inducted into the R&R hall of fame´¦ how can an artist of such calibre get used to such disrespect? Or indeed how can any artist? It shouldn´t happen to anyone. I think we showed more kindness and tolerance to that terrible Swiss girl in Lorrach than the people did for Paul tonight. Then, to make things even worse, there were sound problems. A technician actually had to run on stage at the beginning of a song and tune Paul´s guitar for him. Knowing what a perfectionist he is, how disappointing and embarrassing would that have been for him, in front of so many people?
Throughout the songs, I just kept staring and staring at him. He certainly did play directly in may direction for a lot of the time, and I was wearing my PS tshirt, but I wasn´t sure if he saw me because he didn´t show any signs of recognition. At the end of graceland, with his walking across the stage strumming his guitar out at people, I was hoping he´d do that again to me but he didn´t. Later on in thte night I´d find out that he did recognise me, and this is going to sound like the most conceitd thing in the world, but I know my enthusiasm and my wearing the Tshirt and my being in Sicily coming from Australia meant a lot to him tonight ´“ but I´ll explain all of that in due course.
But back to the songs, Graceland. Bakithi saved the show. Paul got him to come to the front like in the other songs and kept on saying ´˜the bass, the bass´. And Bakithi was his usual colourful self, and got the audience cheering. That made Paul smile and that was so good to see, finally. At the end of the song Paul put his hands together in his prayer bow position and I could see him nodding and mouthing thank you repeatedly to Bakithi. He meant, thank you for reviving the show.
But then there was a relapse. Back to a dead audience. The most beautiful music in the world falling on deaf ears. One of my saddest memories fr tonight is from Only Living Boy. Paul had been singing with a completely expressionless face for almost the entire evening He got to the line ´˜I´ve got nothing to do but smile´ and I watched as he forced himself to give a smile to the cameras in front of him for the DVD. It was just heartbreaking, and >I don´t know how many people noticed, whether they were all just too caught up in the excitement of ´˜finally a S&G song´. Anyway by the time it came to Diamonds, the theatre was so dead that security allowed the front few rows that we could get up and run forward right to the stage. So there I was, literally leaning on the stage with my elbows, about 30cm away from Paul, right at his feet. He seemed happy to have us there, nodded and smiled. For the rest of the concert I just looked straight into his eyes and I knew he recognised me. Diamonds, another heartbreaking moment. It was meant to be so upbeat, so joyous, and for us at the front there was a certain atmosphere but not beyond that little group. This is what happened ´“ Paul changed the lyrics. Again I´m not sure how many people noticed, and most of the audience were Italians anyway, but for the last chorus of Diamonds he sand ´˜I could sing Ooooooh, as if everybody knows what I´m talking about´. Then he looked down and shook his head: ´˜I wonder if anybody here knows what I´m talking about´. I´m not making this up, that´s exactly what he sang, and all I could do was nod at him, trying to say, yes there are still some of us who do know what you´re talking about. And for all the songs, even the most upbeat ones like Al and Diamonds, I danced and clapped but I could not bring myself to the slightest smile. It was just all so wrong. At lorrach everyone was singing along, grinning, cheering. Here everyone was dead ´“ in the audience and on stage. All I could do was try my best to smile whenever Paul smiled, to clap and dance and seem as enthusiastic as I could be. There were also people around the satge who were really really into it, laughing and dnaicng as if they genuinely thought it was the best night ever, and I wonder what Paul thought of all that. He would have been please of course, but on the other hand I think he would also have been a little disappointed. They were enjoying themselves so much and so completely oblivious to what a terrible, difficult night it was for him, and I think that would have just added to Paul feeling ´˜no, they don´t really get it, they don´t really get me´.
Then it was time for an encore break. Back on stage before long for Al. Again, things lived up a bit, but not as much as they should have. Like in Lorrach Paul tried his best to give a huge ´˜Amen and Hallelujah in the lst verse´, but for those of us fortuanate enough to have seen another concert, the difference between this time and before was crystal clear. It was so forced, so false, he shouted those words without even the ghost of a smile and just devastating to see.
Next was that was your mother. This is when I knew beyond doubt that he´d seen me, that he knew I was there and he knew I knew how he felt. He hadn´t pointed or waved at me the whole night, whereas he´d acknowledged other people. But then when it came to the Cajun girls line, he turned around and looke straight at me and pointed just like at Lorrach. The only difference being that here in Lorrach I was 10m from him, here I was 30 cm away, right at his feet. He pointed and sang straight at me and nodded and I blew him a kiss and he smiled and pointed and nodded again and I blew him another kiss. This all sounds completely insane I know. He doesn´t normally interact like that but I think tonight was different. In a theatre of indifference he appreciated any sign of respect and admiration he received and I think that´s what he was trying to say. And then during the line about ´˜along comes a young girl, pretty as a prayer book´¦ if that´s my prayer book, lord let us pray´, he put his hands together and sort of turned them down towards me. I´m not writing all of this to boast, or anything like that. There were other enthusiastic people around, just few and far between. All I mean in recounting all this is to tell you all just how incredibly disappointing a night it was, and how hurt I feel for Paul.
And the thing is, although all of my personal memories from tonight are what should be considered every Paul Simon fan´s ultimate dream come true, I can´t feel the slightest bit happy, or excited. All I feel is cynicism and disappointment. And if I found it all so upsetting, but much worse would it have been for the man on stage?
But back to the music. The Boxer ´“ again, it had special meaning tonight. ´˜wishing I was gone, going home´¦´ Paul closed his eyes when he sang that and it´s not hard to guess what he was thinking. And the last verse ´˜I am leaving I am leaving but the fighter still remains´. Again he looked so disheartened, so aware of the irony of what he was singing. And then to close the night, Late in the Evening. Can you i8magin what that song what have sounded like at the end of an evening like this - ´˜And I blew that room away´. I just hate how he had to sing that, tonight out o fall nights, as his final song, for the entire tour, and he had to force himself to sound like he meant it. Again I nodded at him. Well yes Paul in any other venue you would have blown the room away. It just didn´t happen tonight, and it´s got nothing to do with you or your music. It was just the most terrible unappreiciative audience in the world who were all so caught tin their S&G bubble world that they couldn´t even gather the basic politeness and respect to appreciate anything else.
And then the concert ended. Paul got his musicians to stand in a line as usually and the all bowed. They all gave each other looks as if to say ´˜What the hell happened there? And aren´t we glad it´s all over´. Then Paul came and shook hands with those of us right in front of the stage. It was another special moment for me, some sort of saving grace for my memories of the evening I suppose. I was slightly to the right of stage centre so when he stepped over to us he leant over and held onto my hand for what felt like a long time and said thank you twice and I could tell he tryly meant it. And to him I just said ´˜hank you, thank you, you were perfect´, and I meant it too. What a musician, what an artist ´“ to be playing the most magical music in the world to the most unappreciative audience, and yet to still put on a perfect show, making an effort to move around, to smile when he could muster a smile, to sing in the most perfect voice, not a single note out of place. But how could everything else have gone so terribly wrong?

As we walked out of the theatre I suddenly remembered Paul´s manager. I wanted to pass a note to Paul earlier in the day (one I´d written after Lorrach), but now, the note was entirely inappropriate because it was all about what a spectacular concert it was and things like that. So I wrote him another note, just the first thing that came to mind and I scribbled cos I wanted to catch the manager, I just wrote ´˜Dear Paul, the audience wasn´t perfect but you were. Thank you and see you in Australia´. In retrospect, I should also have added ´˜I know what you´re talking about´. Well I couldn´t find the manager, but we did find Bakithi a sa small group of us gathered around the palce where Paul was meanto tbe coming out. Bakithi recognised me and promised to give the note to Paul. He also gave a few autographs and so did Vincent. I really wasn´t in the mood for all of that but I just gave them my CDs to be signed anyway because I thought the musicians, like Paul had enough indifference for one night and could do with a little enthusiasm, a little displace of affection and admiration for the wonderful artists that they were in their own right. They kept saying Paul´d be coming soon. All around me ppl had cameras and thigns to be signed. I´d gotten enough photos and I had an autograph in Lorrach. I didn´t take any photos or movies tonight because I think it was only fair to give them all our full attention on a difficult night like this. But I really wasn´t sure whether to stay with the people, about 20 or so, and wait for Paul or not. On the one hand, the last thing he´d want would be to have people shoving cameras and paper in his face. On the other hand, I think he wouldn´t have wanted to come out to a deserted entrance either ´“ that would have been like the ultimate confirmation that no one cared. So in the end I decided to stay, just to clap and say thank you if he walked past. He did finally emerge and gave one of the rare genuine smiles of the night, albeit a small one, and also a bit of a wave and said thank you. He just shook his head at all the autograph requests and walked off into another building.

And so that´s it, ehre I am again ´˜in the early morning hours´ just wondering how an evening in the most enchanting venue with the most magical music could have gone so horribly wrong. I hope you can all get a sense of tonight and how it all worked out form what I´ve said. It´s not a happy recount but I think it´s important almost as a timely reminder of just how decreasing a presence Paul´s music, particularly his new music, has these days. What went wrong? Well after some reflection, just some ideas that come to mind. Firstly venue. Maybe too optimistic in size for a PS solo concert. And Taormina ´˜ such a small place, not the most convenient location, most audience members were passers by who saw a poster who hadn´t listened to Paul since Graceland or even S&G and that killed the concert. And alos, of course, management ´˜ the lack of promotion, not just for this tour but for the whole of Paul´s post-capeman career. Just recalling my conversation with the manager, saying ´˜It´s not amazing, it´s just a job´. I thought he was being modest but now I´m having doubts. I mean, if he was a real fan, he would have said ´˜yes it is amazing, it´s an hnour to be the manger for one of the greatest musicians on earth´ But he eidn´t say that, and it makes me wonder how much he really cares ´˜It pays well´ ´“ and how tha tin turn affects the promotion of Paul´s music. And then the bizarre VIP seating for people who either turned up late or left early. Who on earth were those VIPs? Why not just leave it up to the real fans?

Well I´m in Rome now and my time´s running out with the internet but basically it was just a very bittersweet night. Sure I had some incredibly special moments with Paul which I will never forget, and which I would never have even dreamed of, but on the other hand, I would give it all up without a second thought to not have seen the pain and disappointment on his face. I would rather I was all the way up the back and for the concert to be like Lorrach, than to have been in the first row and have to watch him struggle through song after song. I do hope there´ll be another tour. I hope he won´t be so disheartened to call it a day for good. I´m not sure about the release of the DVD they were filming ´“ I can´t imagine him wanting to relive tonight and for Taormina to the public representation of his 2008 tour. I´m just thankful that the rest of the concerts weren´t like this, and that we all had fun throughout this month. I hope that all those other concerts will be the ones which stay in Paul´s mind.


Italy - Taormina - antonella ricciardi

I was been in TAORMINA and it was wonderful...i saw the concert with my dad from 3rd row and was beautiful..was been in Rome two days before...excellent that concert too...Paul´s the best musician of the world ..more than 44 years of musical career..he´s big everywhere he goes and everything he does...unfortunately we don´t have such a good musician like him..only stupid music...and the same modern and silly music..nothing compares to him and to his music.bye


Italy - Taormina - replica watches

replica watches
replica watches
replica watches
breitling watches
omega watches


Italy - Taormina - replica watches

replica watches
replica watches
replica watches
breitling watches
omega watches


Italy - Taormina - replica watches

replica watches
replica watches
replica watches
breitling watches
omega watches


Italy - Taormina - Bjoern

I was at the Taormina concert too, and I dont´t agree completely with Niki. For me it was the best Paul Simon show I saw. Maybe Lörrach was better, but I can´t say anything about this because I wasn´t there. But according to the YTO Tour 2000, especially the Hamburg-concert 20th October and the DVD from Paris 30th and 31st October - they were horrible. Until today I cant´t understand why they made a DVD of this. I was in Berlin 2002 too, this was very good, but not so good as Taormina. Of course it´s a pitty if some of the audience ignore Paul. But I never saw Paul in so good mood before eihter live or on a DVD; so maybe Niki is a little bit to critical i think. But on the otherhand Niki is right - it´s annoying if people are talking during the show. For me it would be perfect if they would make a DVD from Taormina, but I don´t know which cameras Nikki saw, I didn´ see any camera neither at night or in the afternoon before the show, when I went there to see the Teatro Greco. All in all it was a great show for me. And I was also lucky to meet Vincet Nguini in a Restaurant in the afternoon and talked a little bit with him and got a photo. I will never forget Taormina!


Italy - Taormina - Jozsef


Coming back from my short holiday (just one short week, still a week which included two Paul Simon concerts) I open paul-simon.info and the first thing I see on the main page is the Taormina review. I am reading this through rapidly and a feeling of a cosmic disaster arises in me.

I´m informed I was a partaker to an event representing probably the end of Paul Simon´s live performance carrier. The angels and archangels of heaven were trembling, having seen the imminent end and humiliation of one of the biggest musician of the contemporary world. I was hesitating to write anything in contradiction with this review until a read the french forum, people becoming demoralized, filled with bitterness and disoriented. After this I made up mind and decided to write a review which has to be as objective as possible and as short as possible.

So: 1. Venue: Teatro Greco-Romano. Check the pictures on the net (including the one of the Hungarian painter Csontváry - http://commons.wikimedia.org/wiki/Image:Kosztka_Csontv%C3%A1ry_%E2%80%93_A_taorminai_g%C3%B6r%C3%B6g_sz%C3%ADnh%C3%A1z_romjai.PNG).

2. The Band: the same as throughout the tour, completed with one percussionist next to Jamey Haddad.

3. Set list: identical to the one in Rome.

4. Atmosphere: relaxed and vibrating at the same time, after only a few minute the concert was supposed to start people were clapping, creating spirals of pure rejoicing for being together. Apr. 90% of the arena is full with the participants, excepting the upper extremities of the arena AND the VIP sector.

At apr. 9.45 the members of the band appear being accompanied by a real storm of ovations. Paul Simon himself comes to the stage. The first thing which blows is not the power of his music (this is not new), but the sensation of absolute novelty of each and every song he sings. He´s practically recreating everything on a more higher level then known before. So was the case at Taormina too. SOS, Mrs. Robinson, Duncan, etc - these all were brand new, born from an immense power of cogitation and emotion, born a the very moment of the show. Paul Simon does not simply ´rewrite´ his songs, these songs are bursting under our eyes, floating within the aura of absolute freshness. The question which pops up in one´s mind is inevitably: how could PS be better then PS himself each and every time??! The songs were stairs towards an unutterable state of grace, the absolute climax being YTO (in my view), a tremendous performance, well-tempered and spontaneous at the same time, far better then any other version I know.

After YTO the mood of the band and of the spectators become gradually more party-oriented and the concert concluded in a huge dancing-party, everyone getting richer with a dozen of diamonds on the soles of his shoes.

Now: is is true that the VIP sector and the numbered seats were not fully occupied? Right, it is! Is true the some people (especially the older ones) left the place before the end? Right! (I was just laughing and saying them: ´E vietato´, the access towards the exit is forbidden, or ´You have to take your plane??!´ or ´Are you going to the Scarborough fair???´

To sum up: the Taormina concert outclassed by far the one in Rome, offering a stunning experience of masterpieces and rejoice.

So folks, don´t worry about the ´negative´ effects on PS of this performance, it´s simply not the case. On the contrary, on the contrary :)

Nikki: I am sorry you got within that area of those ignorant local VIP´s (let´s not use tougher words)and please try not to extrapolate your disappointment to more than 5000 peoples, as you can see you induced all sort of disorientation and bad feelings, though involuntarily, of course.

Cheers!


Italy - Lucca - matteo

Hi evrybody, first of all the show on july28 was in Milan, at the Arena Civica, recently open for concerts after more than ten years..it´s a very huge venue but for some of the shows of the Milan Jazz Festival (in wich PS show was included) the stage was put almost in the middle of the Arena, so the capacity was around 4-5000 making it a more intimate site, nice for a concert like this. Two nights erlier REM performed in the same venue but using the entire structure.
hearing Robben Ford opening for Paul was a surprise for me, i wasnt aware of it, and being in the first row i enjoyed very much this great white bluesman.
After 20 minutes of changing on stage then came Paul and his band.. the smiling from Mark, Vincent, Jamey, Batiki...and the man himself, dressing in jeans ,almost-orange shirt and a strange dark hat.
The show was perfect, sound was very good, setlist was similar at the previous concerts (minus Spirit Voices) Paul was in a good mood, his singing and hand movement very charmin´. I love that man.
If you reading this probably you are a PS fan but i´m sure that ´casual fans´ who were at the show were won by the infinite taste of the man, his lovely songs..the uptempo ones..the ballads...the dancin songs...
We saw a chapter of modern music history.
The band was very tight, full of gifted musicians, old and new faces went well togheter...GREAT dynamics...as usual in paul s bands... I liked the young new drummer..but unfortunatley..no Steve Gadd means no 50ways..one of my favouirites.
thanks Paul
come back soon
italy loves you
matteo


Italy - Lucca - Bruno

Hi all, I was in Milan as well two nights ago for Paul´s concert in the Arena. It was my second occasion to see him performing after the Graceland tour years ago. I´m a fan of Paul since my childhood and I practically know everything of him.

The concert was absolutely great, they played continuously for two hours, except for two one-minute breaks to get twice a standing ovation from the crowd.

I was particularly pleased by their performance of Late in the Evening, which is a hard song to sustain at that age (I´m not referring only to Paul ...) and I didn´t expect to get.

The other bonus track to me was Duncan, which I regards as Paul´s second best song after American Tune.

All in all, Paul and the band gave a very representative portrait of its career, spanning among all the various periods and styles he covered.

I guess some bootleg has been recorded, I´d love to get one sooner or later!

Ciao to everybody from Italy and ´let´s continue to live ...´


Germany - Lörrach - Nikki

Just a warning - this is going to be a mammoth review but we had such a wonderful day. Lorrach was my first PS concert and it was quite simply one of the most perfect days of my life. I should begin the review few days earlier for a bit of context. I arrived in France on 24/7/08 in prepartion for a 6 month uni exchange in Lyon. I´d originally booked later flights but after finding out about the tour i decided it was definitely worth the effort to change my plans so I could arrive in time to see Paul with the lovely members of the French forum. So the day after my arrival in Paris, I went to Strasbourg to meet Alain, his wife Anita, Lionel and his friend Tony. From there we departed early on Saturday for Lorrach. THe concert was going to start at 8pm and we arrived at 1pm. We had lunch and walked around for a bit. We were very surprised at the setting of hte stage - a relatively small one in the centre of a small plaza, surrounde don all sides by cafes, hotels etc. It seemed a bit of a strange place for a concert. There were technicians on stage doing sound checks but not Paul and his band. ANyway we wandered around a bit to check hte place out and felt a bit lost as to how ot apss the time. But by the time we got back to the stage, Tony Cedras and Mark Stewart were there doing sound checks too (Mark with the craziest tie dye shirt) and before we knew it Paul emerged on stage!! There were already about 20 or 30 ppl gathered around and of course we all cheered and clapped and he gave a shy little wave. What followed was an absolute treat - almost an hour of Paul and his band playing snippets of songs in rehersal, observing Paul´s perfectionist tendencies - all captured on video by Alain. For all of us it was like an intimate mini concert - and surprisingly the crowd didn´t get much bitter. It was ujst magical to finally see him up close, to watch him in his natural mode, out of a strictly concert setting. He seemed veyr relaxed and was really in a great mood, smiled and laughed a lot. He was wearing a red tshirt (like the Old Friends tour) and jeans - lol finally a change of uniform we thought! - and he put on his sunnies after a shile and for aquite a period of time he just sang diretly facing us. I don´t know ehre exactly he was looking but I stared straight at him for ages and I think he must have noticed the home / Internet made Paul Simon tshirt i was wearing (and coincidentally I was also wearing almost the same hat as him) and he pointed at me during the Cajan girls line of That was your mother. It was just wonderful watching it all fr the front row - albeit quite a distance still fr the stage due to the barriers (baout 10m?) Anyway they eventually wrappe dthings up but we (all of us fr Strasbourg and Anita from Belgium and some other fans) walked aournd the back to catch a glimpse of him, THe benfit of a small venue is that there´s only one exit - so we oculdn´t miss him. Lio and Anita foudn the right place first and we all followed and sure enough Tony Cedras soon emerged saying that Paul was coming but had security with him. By this time we all had cameras out and things for him to sing, though I didn´t expect much cos he´s usually quite private with things like that. But he seemed to be in a really great mood and said ´I´ll sign for 5 min´ and started taking things from us (after security said no photos). Anyway, as I handed him my ROTS booklet Alain told Paiul ´She´s from Australia´ - et merci beaucoup pour ca Alain, c´est vraiment grace a toi que j´ai eu un de plus beaux souvienirs de ma vie. Well it was a little misleading cos I was mainly in Europe for exchange, but anyway, Paul seemed very surprised and he recognised me from a few moments ago, so he said ´You came from Australia?´ and it was one of those completely unexpeceted but wonderful moments where you´re so overwhelmed you just say the first thing that comes into your head and I said something like ´Yes, you´ve got to do a tour there, I´ve been waiting forever!´ and he replied ´Yeah we´re thinking of doing a tour in Australia, maybe in March´ - so there you go, first hand info from the most reliable source of all! And then as he started to sign he asked ´What´s your name?´ and when I told him he wrote ´For Nikki, Paul Simon´. I don´t think I can truly describe how much that means to me. It was my third day in Europe and after a dose of jetlag and homesickness I had really lowered my expectations and excitement about everything - including my first PS concert. And then suddenly to have him ask for my name and sign me a personalised autograph - it´s just so unexpected and so very touching that he took the time to do that, it wasn´t necessary at all, I would have been more than grateful just to have seen him up close, and yet he made the effor tot make it special and that´s a memory I´ll always treasure.

So after that wonderful afternoon meeting we went to cool down a bit in a cafe, ready to line up buy 530 - they were meant to shut the roads and open the gates at 6. We saited at what we thought was the main entrance and was told gates would open at 7 instead. Then Lio who speaks German found out that there weas a better entrance to wait at so we went there - however giving up our first in line positions at the original place and finding ourselves behind about a dozen other ppl. THere while we waited we met Richard also from France. ANyway after a long wati the gates finally opened and we basically elbowed our way through. Anita from LIlle got the stage first and saved us perfect spots - first row, slightly right of stage centre. There was a gap of about 1.5 m to the stage, which was also very high, so no question fo handshakes but def great views guaranteed. Anyway here comes the frustrating part. We waited. Officials handed out ponchos and lollies and earplugs (lol). THen we foudn out there´d be an opening act. A swiss girl with a beautiful voice but averag emusic and sub-par lyrics sang for 45 minutes! It was unbelievable. Then 15 mins to clear the stage and basically Paul and the band came out at 9pm.

But it was definitely worth the wait because what followed was two hours of absolute magic. As I write this it´s 4:30am and my mind´s a bit hazy but to give you an idea of how great it was, it was better than any recording I´d ever seen (perhaps even CP91 included), and Alain who´d been to countless concerts said it was probably the best he´d seen too. Paul was in extraordinary shape - 2 hrs almost non stop spng after song except short breaks between encores. His voice was just gorgeous, so superfluous you could never in the world tell it was the voice of a 68 year old. But best of all, he was in an absolutely fantastic mood, and so was the audience. I think it´s always a reciprocal thing, a really important artist - audience communication which makes or breaks concerts. The communication was perfect at Lorrach. It started to rain quite heavily but no one minded 0 and the place was packed. Eveyrone was so receptive, even to the newest material, and I think he really appreicated that. I´m sure someone will give a more detailed review of the songs, but moments that stood out for me in paticular - Paul jumping up and down, literally, on stage, the absolutely enchanting renditions of Duncan, Slip Sliding, SOS and Still Crazy, Paul enjoying himself so much that he gave sang with hilarious exaggeration ´Amen and Hallelujah´ in YCCMA, the constant smile on his face, his fooling around with the musicians, his moving around on stage and strumming his guitar as if he was 40. He didn´t say anything except ´thank you´ but he didn´t need to, you could read it clear as a mirror on his face. It was absolutely sublime. THe lihgting was extremely well done and added to the fantastic atmosphere. Some more personal memoreis too, he faced our side of hte stage quite a bit and there were prolonged periods where I could stare right into his eyes as he was singing. THat was really something. ANd also at the end of Graceland, as you may have noticed form past recordings he has a habit of walking along hte stage and strumming his guitar out at the audience - well he did that, leant over quite a few times and I guess he recognised me again because when he came to us he leant forward, gave me a huge smile and a strum of his guitar straight in our direction. It was absolutely magical. Anyway all in all I htink the only way to describe the evening, or the entire day rather, is perfect - perfect from beginning to end. I know Paul has often giventhe impression fo being cold, impersonal and distant but he was the ocmplete opposite of all of the above at Lorrach. For a first concert - or indeed for any concert - I can´t imagine how it oculd have been any better. In few days I´m going to see him at Taormina but I´m a bit hesitant now because after what we had tonight I don´t see how anything could match that. But even if it can´t be as perfec,t I´m sure it will be wonderful - a superb setting to complement music from the most superb singer-songwriter I have ever known.

I am just so grateful to have discovered Paul´s music, for having now finally seen him in concert, for having talked to him, for havng a momento where he has written my name, for every memory from today and tonight because it was all just so perfect.

And of course, ahuge thank you to Lio, Alain et Anita who looked after me so generously in Strasbourg. If you haven´t visited the french forum, do come and talk to us, n´hesitez pas. Everyone there is just so welcoming and encouraging and it´s always lots of fun. It´s through Paul music that we´ve had the chance to meet each other and that´s something really special to me.

Well that´s all for now. I hope that one day everyone will have the experice we had today. More magic soon fr Taormina I hope.


Germany - Lörrach - Mimi

After the concert in Eisenstadt was cancelled I was quite depressed. The nearest possible concert was Lörrach in Germany so we decided that we will try our luck there. And what a great choice it was!

The concert took place in the Marketplace of Lörrach and was standing only, which I prefer a lot to the seated concerts. Everything was well organized and we were lucky to be there at the right time to get very close to the stage. The sound was perfect and everyone was into the music and dancing and singing along right from the beginning and Paul and the band looked very pleased with the audience. The setlist was the same as in the last concerts ´“ unfortunately ´Spirit Voices´ was left out.

I like the balance of old and new a lot and I think the setlist is a good mixture between upbeat and slow songs. The audience was very quite during the quiter songs and going crazy on the fast ones. In the area where we were standing, the atmosphere was gorgous. In the middle of the concert it started to rain, but everyone took out their raincoats and continued having fun.

There were so many highlights for me, that I can hardly remember everything. I thought Paul´s voice was really fantastic yesterday especially on SOS and Still crazy. You could hear every single instrument perfectly and the band definetly had a great time up there. It is really fun to watch when they are all grinning from one ear to another like during the solos on That was your mother. I thought the new drummer Charley Drayton does a great job and fits in very well in the band and I always loved Jamey Haddad playing. (By the way I got one of Charleys broken drum sticks that he threw in the crowd). I especially like it, when the ´horn section´ comes in ´“ they sound gorgous together. I really don´t have any complaints. I had a fantastic time and so had all the people, that came with me.

So was it worth it driving 11 hours and 850 km to Lörrach, staying there for 6 hours to visit the concert and driving another 10 hours back in the night ? There is only one answer: It was!!!


Germany - Mainz - Fabian Herzog

Am 25. Juli 2008 gab Paul Simon in Mainz ein Open Air Konzert, für das wir knapp 4,5 Stunden gefahren sind. Um Punkt 12.00 Uhr MEZ ging es los. Die Fahrt war recht anstrengend, der Verkehr war teilweise stockend, das Wetter hat einen ziemlich erschöpft, trotz Klimaanlage. Wir fuhren eigentlich ohne Pause, was wir am Schluss gegen 16.30 Uhr begrüßten, als wir da waren und uns noch schnell einen guten Parkplatz sichern konnten. Nun mussten wir die Zeit bis 19.00 Uhr in Mainz verbringen ´“ übrigens eine sehr schöne Stadt, wie ich finde.
Als es dann soweit war, wir standen schon vor dem Eingang, wurde gegen 18.30 Uhr eingelassen. Auch wenn ca. 400 Leute vor uns eingelassen wurden, konnten wir sehr nahe an die Bühne ran, weil wir fast die einzigen waren, die gelaufen sind.

Der Vorkünstler begann um 19.00 Uhr (oder etwas später?), ich habe seinen Namen vergessen. Erst dachte ich: ´žWas ist das für einer?´, denn sein Musikstil passte überhaupt nicht zu Folk, Folk Rock oder Weltmusik, die letzten beiden Lieder fand ich allerdings sehr schön und witzig, wobei ich dabei bleibe, dass er es vielleicht trotzdem nicht verdient hat, vor Paul Simon zu spielen, aber das ist sicherlich Geschmackssache.

Gegen 20.00 Uhr ging es dann mit Paul Simon los. Das Publikum war sehr gemischt ´“ viele Junge Leute, manche erst 12, manche so alt wie ich (17), viele zwischen 30 und 40 und einige, die so alt aussahen, dass ich sie auf 150 geschätzt hätte. Zum Publikum sage ich später noch mal etwas. Jetzt geht es los mit Paul.

Es lag eine allgemeine Aufregung in der Luft. Als ich Tony Cedras gesehen habe, habe ich natürlich sofort geklatscht, das war der erste, der zusehen war (aber im Hintergrund) und dann kamen auf einmal alle 7 Bandmitglieder auf die Bühne. Ich habe mich schon verzweifelt nach Paul umgesehen, aber auf einmal stand er da schon ´“ klein, im organgenen Hemd, mit Jazz-Don-Corleone-Hut, einen ähnlichen, wie Sinatra ihn trug und lächelnd. Kaum dass er sich vorbeugt hatte, fing auch schon dass erste Lied an.

Gumboots: Die Band musste sich hier erstmal einspielen. Die Tontechnik war noch nicht perfekt, Schlagzeug zu laut, Bläser zu leise. Das wurde aber während des Songs korrigiert. Beim Saxophonsolo von Andy Snitzer, Tony Cedras und Mark Stewart bekam ich das erste mal Gänsehaut ´“ es wurde wunderbar verändert und ein langer, laute Saxton eingebaut. Wahnsinn.

The Boy in The Bubble: Nach Pauls ´žThank you´ ging es weiter mit diesem Graceland-Song. Er hat eine ´žneue´ Version daraus gemacht (´žneu´ in Anführungszeichen, da das Konzert eigentlich den Konzerten der 2006 Tour glich, die aber ja nicht in Europa vorgeführt wurde), die mir persöhnlich nicht so gut gefiel ´“ auch das erste mal, dass Paul mich mit einer Versionsänderung enttäuscht hat.

Outrageous: So langsam merkte man beim Publikum, dass über die Hälfte wahrscheinlich im Glauben war, Paul wäre noch mit Artie zusammen und würde die alten SG-Schnulzen singen, denn die meisten schienen die ersten drei Songs schon mal gar nicht zu kennen. Outrageous war perfekt, man hörte Pauls geniale, klare CF Martin Gitarre, die PA harmonierte perfekt mit ihr.

Mrs Robinson: Ich habs gleich erkannt, weil ich Bootlegs von 2006 habe, aber am Anfang war es für viele sicher schwer, den Song zu erkennen. Aber spätestens nach dem Paul die Basstöne angespielt hatte (badam dam da) wusste auch die letzte Oma Bescheid, welchen Song Paul spielen würde.

Slip Slidin´ Away: Paul wechselte zu einer 12-saitigen Gitarre. Typische Slip Sidin Away Version
How Can You Live In The Northeast: Auch hier benutze Paul die 12-saitige. Der Song war sehr elektrisch, wie man ihn kennt. Perfekt wie ich finde.

So und jetzt weiß ich nicht mehr ganz genau, wann welcher Song kam, aber ich weiß, welche Songs kamen.

You´re The One: Schöne neue Version, von der Paul ja schon auf dem iTunes Originals Album berichtet hatte. Der Refrain wurde von ´žYou´re The One, you broke my heart, you make me cry-y-y-y´ in ´žYou´re The One, you broke my heart, you make my cryyyyyyaaaaaaaayy´ (ich weiß nicht wie man´s beschreiben soll) geändert. Das ´žCry´ wurde nicht mehr kurz sondern lang gezogen gesunden, von Mark, Paul, Tony und Vincent.

Train In The Distance: Ganz schöne Version, Paul hat übrigens eine mächtige Kopfstimme, wie er hier bewiesen hat.

Me & Julio: Ganz nett, aber kein Vergleich zu 1991/92. Paul hat hier während des Solos nicht gepfiffen, sondern ständig ´žThat´s right´ gesagt, was ich irgendwie nicht ganz verstanden habe. Hier stürmten auf einmal alle von ihren Stühlen nach vorne, um asozial allen hinter ihn stehenden die Sicht zu verdecken, so musste alle aufstehen.

Duncan: Wunderbare Version, besonders Mark Stewarts Soli waren Klasse und atmosphärisch.

Graceland: Naja, kennt man ja. Hier wurde aber im Songintro zu der typischen Leadgitarre noch das Klavier zugefügt.

Father & Daughter: Einfach ein schöner, recht neuer Paul Simon Song, den Paul hier mit einer Nylonkonzertgitarre gespielt hat.

The Only Living Boy in New York: Hier fand ich sehr schön die Zweistimmigkeit von Mark und Pauls Kopfstimmen, das harmonierte wunderbar.

Diamonds On The Soles Of Her Shoes: Die richtigen Fans wussten, was los war, als Paul ´žShe´s a rich girl´ a-capellierte. Sehr schöne neue Version, die aber sicher schon jeder von YouTube kennt. Wunderbares Outro von Jamey Haddad und Pauls neuen Drummer, dessen Namen ich mir noch nicht merken konnte.

You Can Call Me Al: ´žLadys and Gentleman ´Vincent Nguini´´ und dann spielte dieser auch schon das YccmA-Intro. Andy Snitzer in Topform.

The Cool Cool River: Wow, eines meiner Lieblingslieder mit einem ordentlichen Bass, schönen Lichteffekten und befreienden Saxoutro, dass Andy Snitzer alleine spielte.

The Sound Of Silence: Also hier muss ich mich mal beschweren: Was war das für ein Publikum? Ich war so ziemlich der einzige, der beim Stichwortsatz ´ž10.000 people maybe more´ geklatscht hat, unmöglich.

Dann war das Konzert ´žvorbei´ und es kamen die Zugaben:

That Was Your Mother: Auch ein sehr schöner Simon Song. Und wieder bewiesen Tony und Mark ihr Multitalent, in dem sie mehrere Instrumente gleichzeitig spielten.

Still Crazy: Sehr sehr schönes Saxsolo von Andy. Ich dachte immer, dass Andy gar nicht so gut sei, weil ich ihn auf der YTO 2000 DVD nicht so berauschend fand, aber hier hat er bewiesen, dass er ein ordentlicher ´žNachfolger´ Breckers sein kann. Hut ab für das Solo, was er da geliefert hat.

Dann war das Konzert wieder vorbei, und die nächsten Zugaben kamen:

The Boxer: Ganz schön, aber die Version von 2006 hat er nicht benutzt, was ich schade fand. Lie-La-Lie konnten alle mitsingen und war eines der wenigen Lieder, das alle Leute kannten.

Late In The Evening: Ein wahnsinns Bass, ein wahnsinns Abschluss. Aber das Lied kennt man ja, es wurde nicht großartig verändert.


Fazit: Also das Publikum ging mir teilweise auf den Keks aber ansonsten war es ein perfekter Abend. Ich hätte nie gedacht, dass Paul es noch so drauf hat. Die PA war geil, die Band war super eingespielt. Einfach Wahnsinn.
´žDanke für dieses Konzert Paul´, hab ich nur noch zu mir gesagt, als er die Bühne das letzte mal verließ. Befriedigt und doch etwas traurig über das Ende gingen wir zum Auto und fuhren um 22.00 Uhr zurück. Um 3.00 Uhr waren wir zu Hause.

Ich hoffe, Paul wiederholt das noch mal irgendwann, auch, wenn ich es kaum glaube. Aber wer weiß, vielleicht braucht er nur wieder 6 Jahre für sein neues Album und kommt dann mit 73 oder 74 wieder. Wir wollen es hoffen. Danke Paul und danke an seine komplette Band.


Austria - Eisenstadt - Mimi

The concert was canceled due to storm and heavy rain.


Austria - Eisenstadt - Botond

I traveled there with my father and spent a great time there in Eisenstadt, the day before the concert was a beautiful day full of sunshine, and we were very excited to see Paul Simon live for the first (and maybe the last) time of our lives and finally we woke up on the day of the concert, it was windy and the radios kept saying that the weather is about to get mad. We still didn´t feel that. But around 13 o´clock the wind got crazy and started to rain, and so... the open air concert in the castle-park got canceled. No extra date.


Italy - Udine - Teoman

All in all a very nice concert. Beautiful open air settings and great sound. At the start the band wasn´t very tight but they improved and were quite spectacular at the end. Paul was in a good mood especially once the audience stood up and the people from the stand entered the sitting area. My only real objection: Paul should have included a couple of backing vocalist in the band.


Italy - Udine - [email protected]

Paul Simon at Udine - Italy

Tuesday, July 22nd, 2008

MAGIC IN THE NIGHT

This guy is a piece of history; a living legend performing before our very eyes. It is the one moment when we realize that singer, who plays on stage a few meters away us, is an icon in rock music as we know it.
He does not talk much, but after a short while he is mesmerized by the beauty of the plaza in front of
the castle on top of the hill and he remarks that.
Setlist is the same as in Stuttgard last Thursday minus ´Spirit voices´. The beginning starts with great impulse with two tracks from ´Graceland´; ´Mrs. Robinson´ is introduced by an extensive solo guitar by Paul Simon, which underlines that he is not only a great musician but a talented guitarist as well.
´Duncan´ is performed with a dense yet delicate folk touch; ´Cool, cool river´ from ´The rhythm of
the saints´ is worth noting. In ´Farther and daughter´ he slightly changes a verse in ´for a fraction of a second you can´t remember who you are´.
Musicians in the band -eight of them in total- are all at a good level: bass player Bakithi Kumalo is up to expectations, since ´Graceland´ bass lines are complex. Most of them plays several instruments,
namely Cedras and Snitzer, who alternate among keyboards, winds and axes.
The list of tracks is a mix from ´Graceland´ (six songs), ´Surprise´ (three songs) and the old
production (´Mrs. Robinson´, ´The sound of silence´) which warms up an otherwise unresponsive
audience.
By the two encores people stand up and move closer to the stage; at that point Mr. Simon notes ´I was
wondering where you have been hiding until now´. Last tracks, ´That was your mother´ and ´The
boxer´, accompany all of us down to the city and back to out daily life.


Italy - Riva del Gardo - Mao

Ottimo concerto !!!
Il repertorio e´ stato vario e la set list non deluso nessuna generazione presente allo show,
anche se la differenza tra l´usura del vecchio repertorio e l´entusiasmo nel proporre il nuovo un po´ si´ e´ sentita, alla fine e´ stata trattata un po´ male solo Mrs. Robinson.
Sound of Silence e´ stata da brivido !!
Il pubblico trentino e´ stato insolitamente molto caldo, e un po´ strano da quelle parti...
Simon e´ ancora un grandissimo chitarrista e sul palco si presenta molto meglio di tanti suoi contemporanei.
Thanks Paul !!


Italy - Riva del Gardo - Roman

Was hat sich der kleine Mann wohl gedacht, während er gestern abend ´...es ist unerhört: Ich kann nicht aufhören zu denken, woran ich gerade denke´ sang. Vielleicht: ´Welchen Beruf übt mein Tontechniker aus?´ oder doch: ´Warum spiele ich in einem Zelt, welches das Flair einer provisorisch errichteten Tennishalle hat?´ oder vielleicht: ´Na ich werde mal schaun, ob mir das Publikum hier vielleicht zumindest während ´The Sound of Silence´ zu hört!´

Schade, dass es die Veranstalter beinahe zu Stande gebracht hätten, dieses geniale Konzert mit ihrer laienhaften Organisation zu zerstören. Doch Gott sei Dank standen mit Paul Simon 66 Jahre Lebenserfahrung und ein halbes Jahrhundert Musikgeschichte auf der Bühne - und so wurde das Konzert trotz katastrohaler Akustik und Zeltfest-Stimmung zum Erfolg. Seine perfekt eingespielte Band bewies Weltklasse-Niveau, Simon gönnte jedem seiner Musiker Freiräume und versteckte sich phasenweise beinahe unter seinem schwarzen Hut, der einen großen Schatten über sein Gesicht warf.

120 Minuten Gänsehaut, das konnten an diesem Abend all jene verspüren, die sich auf die Musik des Ausnahme-Könners eingelassen haben, jene also, die trotz handytelefonierender, kichernder Urlauberinnen aus dem Stimmen-Wirr-Warr den feinen Nuancen und Arrangements von ´The Train In The Distance´, ´The Teacher´ und ´How Can You Live In The Northeast´ zu lauschen vermochten. Paul Simon´s Fingerpicking bei den alten Simon and Garfunkel Songs brachte letzlich auch die in Badekleidung erschienenen Surfer-Ladies zum Zuhören - und so waren letztlich alle glücklich. Paul ist also immer noch verrückt, nach all diesen Jahren!


Switzerland - Locarno - fan

oh it was just great! perfect job, perfect weather, nice piazza. setlist probably the same as already mentioned. sound of silence acustic version, perfect mood. brilliant diamonds on the soles of her shoes. unfortunately no bridge over troubled water.


Switzerland - Locarno - fan

oh it was just great! perfect job, perfect weather, nice piazza. setlist probably the same as already mentioned. sound of silence acustic version, perfect mood. brilliant diamonds on the soles of her shoes. unfortunately no bridge over troubled water.


Switzerland - Locarno - Marco Bernasconi

oh! it was wonderful... i´ve no words... sound of silence was a long road in the breath and the heart... the boxer a fantastic journey in the simon´s soul... Great great great concert... this concert is a diamond that will shine forever in Locarno´s sky & in my ears and heart.


Switzerland - Locarno - Tracey-Lynne

Haven’t forgotten this evening with Paul Simon standing just above me, singling Slip Sliding Away while I looked into his eyes and sang along. I think he may have noticed me because I knew all the words to his songs being a Canadian and a fan and all. I’ll never forget the music, the setting, the man. A beautiful evening.


Switzerland - Locarno - Tracey-Lynne

Haven’t forgotten this evening with Paul Simon standing just above me, singling Slip Sliding Away while I looked into his eyes and sang along. I think he may have noticed me because I knew all the words to his songs being a Canadian and a fan and all. I’ll never forget the music, the setting, the man. A beautiful evening.


Germany - Stuttgart - Ans



I arrived early in Stuttgart to meet some other fans. First I had a look at the location of the concert, it was a great location in the open air with a big covered stage, at the side and back seated areas and in the middle free standing places. In the afternoon I met my friend Rosi and we walked to the hotel to meet some other friends. We had a good time with Klausi and Kerstin. We also met Susi and Mandy again at the concert location. We stood in line early to get some good spots. They let us in at 18.00 hours. At 19.00 hours there was first a performance from Raoul Midón, he played for about an hour. A very strong appearance, he sang his songs and accompanied himself on guitar and used his lips to make the sound of a trumpet which sounded very real! He told some nice stories about his songs and how he met Stevie Wonder who worked with him on a song for his latest album. He is a very good singer/songwriter. My friend and I bought a CD from him the next day. It´s worthwhile to check him out.
After a break Paul and his band came on stage and a wonderful evening started. We stood on the first row, a little to the right which was a great spot, Paul looks and sings more to the right. I had a great time, dancing, clapping and singing along with the songs, Paul must have noticed that I was completely into his music because at the song ´That Was Your Mother´ Paul pointed at me, again I was the Cajun girl, he looked at me for several seconds and smiled a big smile and made some more gestures with his hands to me and I made gestures back, telling him with my hands and a big smile how great the concert was. It was a great moment. The songs sounded all great with again great solo´s. I really like it when Tony comes out to play guitar together with Paul and Mark at The North East song and of course Bakhiti with his great solo´s. Again I liked the drumming from Charley Drayton very much. As said by so many people before, the whole band plays great! The atmosphere was terrific, Paul and the band had a great time, a great connection with the audience. You could feel how the love and energy from the audience flowed to the stage. Paul thanked the audience often and told us we were a pleasure to play for. This was my third and last concert from this tour, a great closure.
After the concert we had a few drinks at a bar to close this wonderful evening. It was very nice to meet other fans which I knew from the forum but hadn´t met personally so far.


Belgium - Brusseles - Erwin.

Just got back from Brussels. The setlist was the same as yesterday and in Liverpool. It was really great. Second time i saw Paul, First time was in Rotterdam 2002. Paul did not talk a lot to the public. Just a few lines. He was smiling a lot and seem to have a good time on stage. Public was great, also during the songs that were not that wel known. Everybody was quit. I was in the front of the stage so i could see everything perfect. Paul´s voice was good, the band also. I liked Northeast, Duncan, Cool River, SOS, Graceland and the Boxer. My favorites of this night. It was a perfect show!!


Belgium - Brusseles - Frederique

Short: A New York street kid playing some rough music and sharing some intimate moments. It was a gig (not a show), he spoke with music to his audience. You heard some trains in the distance, spiritual voices. The audience listened to the sounds and cheered when it felt to.
After six years in Brussels, the music changed although the songs remained, lovely to hear songs from ´86 (and some much older) evolving.
Thanks for this experience!


Belgium - Brusseles - Marine

Paul Simon le 15 juillet dernier était fantastique j´ai passé un moment formidable!!!! Merci à toi Paul
Continu comme ça!!!


Belgium - Brusseles - wouter vermeulen

7th time I saw Paul Simon (last time was Friday 11th in Paris:-)) and he just gets better every time. By now, he has such a wealth of great songs - nearly all of them standards - to choose from and he seems totally at ease with playing songs from every stage of his career. I thought the concert was pretty groovy and more rock ´n roll than some might expect from Paul with a great version of Ms Robinson f.e. Where in Paris the audience started to dance as of the first tones of Gumboots, the Brussels audience ´behaved´ more - probabely impressed by the omnipresent security guys - reacted enthusiastically though and danced at the end.An other difference with paris: only one percussionis. Simalirity: he wore the same clothes. They were awefull.

Paul Simon is one of those rare survivors of the sixties who is still very relevant for todays audiences. He deserves much more credit for this than he actually gets.

It was a truly great concert. Proof? Even my wife liked it!


Belgium - Brusseles - Gui

It was the first time that I saw Paul live on stage. I spent a wonderful evening (I sat on the third row!). Although the setlist contained a few less known songs (such as ´Outrageous´ and ´How can you live in the North East´, Paul could convince the audience without any problem. In general, most of the songs sounded live quite rougher and more forceful than the wellknown record versions. I heard a fantastic and surprising version of ´Mrs. Robinson´, with an Elvis-alike groove. But the climax for me was a really tremendous version of ´Train in the distance´ from the album ´Hearts & bones´ (which is for me his best album ever, even better than ´Graceland´... ) The band (with 2 drummers!) did a great job. I hope that one of these European shows will be taped and released on DVD: it would be the perfect (Christmas) present for some of my friends who missed the show yesterday :-) Thank you, Paul.


Germany - Colognia - Matthias Bunk

Es war ein absolut unglaublicher Abend. Paul ist, wie immer, als Perfektionist auf die Bühne getreten und hat mit seinem Charme und musikalischem Können eine Show geboten, die einfach unvergesslich war.

Die langsameren Song (z.B. Sound of silence,The Boxer, Duncan, slip sliding away etc.) hatten einen beeindruckenden Einfluss auf uns, also das Publikum. Man sang laut-stark mit und träumte zugleich.

DOCH SOFORT FING PAUL WIEDER AN, MIT SEINER BAND EINEN SCHNELLEN ´KRACHER´ NACH DEM ANDEREN ZU PRÄSENTIEREN. Die Halle kochte bei Songs wie ´you can call me Al´ oder ´ Graceland´ .

Ich bedanke mich für diesen wahnsinnigen Abend.

PAUL IST HALT IMMER NOCH ´STILL CRAZY AFTER ALL THESE YEARS´


Germany - Colognia - Klausi

The music was great, as it was in London 2006. As always, I was next to the sound ´engineer´. And the sound was great too.

But announcing a concert as ´open air´ and giving it in a dark ´disco´ hall with perfect weather outside let many people go before the event started (I watched them near the entrance/outlet/).


Germany - Colognia - Tommy

I go this evening to Brussels and I look very forward to my first concert of PS.

Can someone tell me if there´s an intermission during the concert?

Thx.


Germany - Colognia - Ans

The setlist was the same as in Liverpool. Although the tickets mentioned it was an open air concert it was in a small hall at Tanzbrunnen, about 1500 people I guess, it was fully packed. The concert started 15 minutes later because it took a long time before the long queue outside past the security to get indoors. About the concert, it took a while for Paul and the band and the audience to be connected, the audience was enthusiastic but not as good listeners as the audience at North Sea Jazz, in the first half the audience was too early with cheering and clapping, so several endings of the songs were destroyed. Also the sound was not as good as in Rotterdam, Paul and the band struggled a bit with that, the second half (after The Only Living Boy) things got better. Paul was as always a perfect bandleader, the band loosened up and everyone had a great time. Again some great solo´s: at North East beautiful guitar playing from Tony Cedras, he came to the front to play together with mark and Paul, two solos from Bakhiti at the Boy in the Bubble and Diamonds, a solo from Jamey on Spirit Voices, Andy was great on his sax and soprano sax. I also liked the drumming very much of Charley Drayton, it´s nice that he sits higher behind his drums, this way you have a much better view of his drum work, he is really into the music. Very nice to see the emotions on his face, the same goes for Bakhiti.
It was nice to meet David and Mandy and some other fans. After the concert we walked behind the hall to our cars and there was the tour bus, the band members were there and later also Paul. I got an autograph from Paul, Mark, Tony, Bakhiti and Vincent (who gave only a few, than he got into the bus) Tony asked what I would do with the autograhp´s, I smiled and told him I will frame the ticket with the autograhp´s :) I talked with Mark and Bakhiti, I asked Bakhiti if he enjoyed The North Sea Jazz festival, he enjoyed it very much, our performance there was very good, he said.


Netherlands - Rotterdam - Rob

The concert was great, but I wished it lasted longer. The songs were even more perfect than last times, you can see that every detail is thought about. Highlights for me were the ROTS and Graceland songs though the crowd seemed to enjoy the older S&G songs the most. They were singing along with them. Paul hardly said anything but funny was when he sang ´everybody -except you- knows what I´m talking about´. The tree voices were also well combined, on old and new arrangements.
I had a great time, and wished I could go to a full concert as well but I have no time unfortunately.


Netherlands - Rotterdam - Ans

The setlist was shortened because the performance could not last more than an hour and a half. Paul started at 18.05 hour and finished at 19.40 hour. From the beginning the audience was very excited and enthusiastic, from what I could see around me everyone clapped and danced to the songs and listened to the more quiet and unknown songs. I had a good spot, midfront 3rd row were I could dance a little, (the first two rows had to stand on an iron underground which held a small barrier between the stage and the audience, not nice to dance on), it was very crowded, everyone stood very close to each other. No shouting for S&G songs, they let the band play till the end of a song which was brilliant by The Boxer because Vincent Nguini played at the end a beautiful guitar solo. Diamonds was great, the whole crowd clapped with Paul and the band in a fast uptempo. The Cool Cool River was played different as in Brooklyn, Paul had a guitar stood right next to him where he brushed past the strings with one hand, in between he played the guitar he had on him, at the end Paul pointed to every member of the band, each played a very short solo and Paul finished with a brush past the strings of the guitar that stood right next to him, it was nice and kinda funny. The band played great, they came more up front for their solo´s, Bakithi got a back massage by Paul at the end of his solo on You Can Call me Al, very funny. The new drummer Charley Drayton played very well, Paul hugged him at the end of the set, he found his place in the band. I enjoyed the concert very much and am very happy that I will see Paul and the band two more times next week. Paul was very energetic and good by voice. After the concert I went to see other performances, Herbie Hancock, Wayne Shorter among some others and by walking through the hallways even hours later I heard several times people talking about Paul Simon and how they enjoyed the performance. I bought a very nice blue T shirt with a smaller picture of Paul and a text of Once Upon A Time There Was An Ocean.


France - Paris - ForeverPaul

As usual French people have to say they are the best... They are the best at everything...

Even Paul did his best concert in France... ´highlight of the tour´...

Have you seen a lot of concerts during this tour ?

So tired of the french...


France - Paris - ForeverPaul

As usual French people have to say they are the best... They are the best at everything...

Even Paul did his best concert in France... ´highlight of the tour´...

Have you seen a lot of concerts during this tour ?

So tired of the french...


France - Paris - LuisM.

MAGIC NIGHT SOUNDS BY THE SEINE RIVERSIDE

After having been impossible for me to attend Paul Simon´s performances in Europe; I could finally see one of my dreams come true: to see a Paul Simon´s concert at live (the only one I had previously seen before took place in Madrid, 1982, but he wasn´t alone, it was accompanied by Garfunkel).

Among all the possibilities, I chose Paris for the date and also to enjoy (my last visit had been 20 years ago) the ´city of the art and culture´, again.

The first thing I did when I saw the links for Palais des Sports on the official site, I reserved two seats on the third row (towards the corner, that´s true).

I do declare it was more than a special moment for me, so I had been waiting for a long time to see my illusion became a reality.

The high price of the tickets could be balanced with a low-cost flight that landed in Beauvais airport from Barajas (Madrid). It was a sort of stopover because it takes 80 minutes to Porte Maillot by bus (which is waiting for you, that´s true, just when the plane arrives).

Finally, it was July 10th, so we started our short trip. We got to the hotel at ten p.m. that had been chosen almost at random, by the internet. Small and simple but cosy, it provided us with a pleasant surprise: the Eiffel Tower could be seen through the window of the room.

Next day I red the French journals, trying to find some information about the concert´¦.Nothing! Not even a single advertising at the streets. I thought: is it possible they don´t know Paul Simon is coming to play today at this town?

Early in the morning we took a long walk by the Champs Elysees, cross the Seine River along the Alexander III Bridge, and finished visiting the Orly museum, where you can enjoy de impressionist pictures and the old railway station architecture, at the same time.

Just before leaving to the concert we realized there was a bus (number 80), which could leave us in Porte de Versailles (place of Palais des Sports location), and it had a bus-stop in front of our hotel. The problem was that we took it in the wrong way (although we live in Madrid, we felt like provincials in a big city, at that moment). Fortunately, Mayte asked the driver who, kindly, recommended us to use the bus-stop on the other side of the street. We would have to get off just at the last bus-stop, so we couldn´t get lost and we arrived on time.

There were no more than twenty people, but I calmed down myself when we saw the big poster on the wall.

The long hour we had to be waiting for seemed to last forever. At least, we enjoyed with the usherettes, watching people´s faces, when suggested in French (and in English if you didn´t understand) that they were in the necessity of asking you for the tip, because it was the only payment that they would receive from the organization (as if it had been them who paid the tickets).

At half past eight it was almost full. There were vacancies at the upper zone, that´s true. Mayte and I estimated, roughly, that we could be over 1.600 people.

Finally, the band turned up on the stage, Paul was the last one. A short bow with a little smile was the only prelude to the rhythm´s chords of ´Gumboots´. This freshly song from ´Graceland´ was a nice beginning, and we could realize the powerful of the percussion parts (two percussionists besides the drummer, with the help of Tony Cedras ´“keyboard and accordion- or Simon himself in some songs), and the wind instruments in the concert.

The sound was really perfect, in a echoing wonderfully place´¦ and, ten meters straight, no more, was Paul Simon in person (not could I have ever dreamed).

- He looks old, Mayte tells me, but he still sings marvellously. I agree with that remark and rush to write in my notebook, almost in darkness, the songs in the same order that are sung, just the set-list of the journey (it´s my commitment with thesoundofsimon.tk forum, specially with Mikel who will travel to Rome to watch him soon).

The next song begins with Tony´s accordion in a melody that we quickly identify. People greet ´The Boy in the bubble´ tune, noisily. Paul accompanies with the acoustic rhythm guitar, and Bakithi Kumalo does his best on bass. Good start´¦

The third song requires Paul´s leading role, following by Vincent Nguini and Mark Stewart´s electric guitars: ´Outreageus´ from the recent ´Surprise´. The level continues going up and the sounds, perfect, caress the eardrums (mines at least, I know there are many different tastes, as many as colours ´¦).

Someone with ´dual period´ nostalgia greeted effusively ´Mrs Robinson appearance´, but, in general, the audience remained little bit cold (demanding public, or are we getting old?). Paul kept some strategic silence, giving us the chance to sing the best known parts, but we didn´t start on (at that time). Anyway, spectacular ovation, that´s right.

To continue, another visit to the atmospheric guitars from ´Surprise´, with a soft version of ´How Can You Live In The Northeast?´. Great. Charley Drayton, on drums, replaces Steve Gadd´s lay off, efficiently.

At last, the revolutions come down with ´Slip Sliding Away´. The acoustic guitars lead the rhythm and Tony Cedras himself choose one guitar, showing his versatile style and good skills. Mark Stewart (and even Vincent Nguini) songs the chorus for Simon, with a good mark.

Someone makes some remark in French language and Paul (not too talkative as he is used to being), only points out to Vincent Nguini as a French specialist. He takes it personally and gives us, women and men, his best wishes for this night.

Next, a visit to the Brazilian sounds in ´Spirit Voices´. In this version the verses used to be sung in Portuguese by Milton Nascimento (´The Rhythm Of The Saints´) are replaced with wind sections leaded by Andy Snitzer, a genius, no doubt. Vincent Nguini is brilliant on guitar also.

Our beat increases when ´Me and Julio down by the schoolyard´ starts. Now we are really singing and clapping in unison. The acoustic guitars are accompanied by Paul and Vincent´s harmonic whistles. Tony visits the guitar again, and Andy performs really good. The audience awards it with an ovation.

´You are the one´ makes me shivers. Perfect sounds wrapped in percussion with the only exception of Tony Cedra´s tenor sax. Jamey Haddad, the percussionist, is accompanied by Steve Shehan who also appears in the CD credits (album with the same name than this song).

The next song was, no doubt for me, the best one of the concert, surely because I didn´t expect so high level in his performance. Simon wrote ´Duncan´ (who was dedicated to President Lincoln) in 1972, to play it with The Incas/Urubamba (an instrumental group from Machu Pichu in Peru). Paul´s performance on acoustic guitar was a real gifted show; even, he had no problems to play those difficult arpeggios.

The Andeans flutes were replaced by wind instruments, and Mark Stewart was really good what a big musician (just the way he is), accompanied by Andy and Tony. It sounded great. I clapped till to hurt my hands.

Another person shouts something in English that I can´t understand. Paul answers with a laconic ´I remember that´¦´

The concert level still stands higher with ´Train in the distance´. Andy´s sax shows the perfect contrast.

´The Teacher´, from his last but one studio recording, gives us another taste of impeccable sounds, with a deluxe percussion, and Tony is great on the accordion.

At this time I don´t remember exactly when Paul invites Jamey Haddad to come to the first line. He wears a percussion waistcoat wich has been made by himself, according to a report that I red.

After the claps for ´The Teacher´ the band goes out, but Paul still remains. With his acoustic guitar begins to play ´The Sound Of Silence´ chords. This acoustic version in a solo performance is another delight to our ears.

The band returns, with Vincent N´guini as a music star in ´The cool, cool river´. Next then, another look to the past with ´The only living boy in New York´. Paul doesn´t go too far and it seems to be better than the Old Friends DVD version (with Garfunkel). Mark, Tony and Vincent himself sing the chorus, well harmonized.

With people trying to approach the stage, other ones standing or dancing, everybody enjoys the first chord of ´Graceland´. New synchronized claps and new guitars demonstration (special mention to Mark). People are definitely devoted to the cause.

´Father and Daughter´ is the next song, played in a sweet rhythm, softer than the Oscar nominated version. Right then, although the show was really good and under control, it became a small whistle that afterwards became a big (although short) noise. The high pitch whistle gets Tony Cedras to look to the control sound switchboard little disappointed ´¦But that was the entire problem, fortunately. Simon makes another magisterial vocal performance.

The main course was yet to come, of course: ´Diamonds on the soles of her shoes´. Now there´s no respite. Everybody, till I see, is standing, dancing and clapping. Vincent´s guitar and Bakhiti´s solo on bass take us flying to the tremendous drum and percussion final battlefield.

The first act ends. Applauses and popular requests are listened when he turns up again.

Tony Cedra´s keyboards introduces the first verses of ´Still crazy after all these years´. Simon does his best and Andy´s sax seems to carry us to Central Park with Michael Brecker.

Next, one of the essential live songs: ´You can call me Al´. The people have setting nearer and nearer to the stage (just if they could, it was no possible for us). Paul gives the microphone to a beginner who sings excited: Call me Al!

This second part ends with ´That was your mother´. I think that Simon is coherent with the still alive Graceland success, but I begin to believe it won´t be possible to listen ´Wartime Prayers, American Tune, Something so right, Peace like a river, Proof ´¦.and of course Thelma´, one of my favourite songs. I assume, as well, there is no possibility to take a look at ´The Capeman´, although it contains wonderful songs.

This last song is impeccably played, with Mark Stewart at the sax section (one, specially, sounding great) and Tony´s accordion leading rhythm.

New farewell, although not too effusive this time (they´ll come back). As they delay we asked for them with vehemence. To please the audience, Paul Simon delivers us two late treasures.

The first one is another classic: ´The boxer´ chorused by the audience (very well known for all of us) and the last one is, of course, the best to put and end to the concert: ´Late in the evening´. Here, Tony Cedras is able to play keyboards and trumpet at the same time (too much!). Wind instruments delay at the entrance, but come in strongly at the end, closing this brilliant performance in the Parisian night.

Greetings from the hugged group, some shaking hands to few lucky men of the audience and, two minutes later, the workers were taking the scene into pieces. In spite of this, we remain for a while, waiting, at least, for another greeting from our small genius, but he didn´t come back.

I couldn´t find any review in the French journals the next day either; but everyone who wants it will have this few lines (in ´castellano´, my own language ´“ here translated with David Bravo´s main help-), so subjective as legitimate.









France - Paris - LuisM.

MAGIC NIGHT SOUNDS BY THE SEINE RIVERSIDE

After having been impossible for me to attend Paul Simon´s performances in Europe; I could finally see one of my dreams come true: to see a Paul Simon´s concert at live (the only one I had previously seen before took place in Madrid, 1982, but he wasn´t alone, it was accompanied by Garfunkel).

Among all the possibilities, I chose Paris for the date and also to enjoy (my last visit had been 20 years ago) the ´city of the art and culture´, again.

The first thing I did when I saw the links for Palais des Sports on the official site, I reserved two seats on the third row (towards the corner, that´s true).

I do declare it was more than a special moment for me, so I had been waiting for a long time to see my illusion became a reality.

The high price of the tickets could be balanced with a low-cost flight that landed in Beauvais airport from Barajas (Madrid). It was a sort of stopover because it takes 80 minutes to Porte Maillot by bus (which is waiting for you, that´s true, just when the plane arrives).

Finally, it was July 10th, so we started our short trip. We got to the hotel at ten p.m. that had been chosen almost at random, by the internet. Small and simple but cosy, it provided us with a pleasant surprise: the Eiffel Tower could be seen through the window of the room.

Next day I red the French journals, trying to find some information about the concert´¦.Nothing! Not even a single advertising at the streets. I thought: is it possible they don´t know Paul Simon is coming to play today at this town?

Early in the morning we took a long walk by the Champs Elysees, cross the Seine River along the Alexander III Bridge, and finished visiting the Orly museum, where you can enjoy de impressionist pictures and the old railway station architecture, at the same time.

Just before leaving to the concert we realized there was a bus (number 80), which could leave us in Porte de Versailles (place of Palais des Sports location), and it had a bus-stop in front of our hotel. The problem was that we took it in the wrong way (although we live in Madrid, we felt like provincials in a big city, at that moment). Fortunately, Mayte asked the driver who, kindly, recommended us to use the bus-stop on the other side of the street. We would have to get off just at the last bus-stop, so we couldn´t get lost and we arrived on time.

There were no more than twenty people, but I calmed down myself when we saw the big poster on the wall.

The long hour we had to be waiting for seemed to last forever. At least, we enjoyed with the usherettes, watching people´s faces, when suggested in French (and in English if you didn´t understand) that they were in the necessity of asking you for the tip, because it was the only payment that they would receive from the organization (as if it had been them who paid the tickets).

At half past eight it was almost full. There were vacancies at the upper zone, that´s true. Mayte and I estimated, roughly, that we could be over 1.600 people.

Finally, the band turned up on the stage, Paul was the last one. A short bow with a little smile was the only prelude to the rhythm´s chords of ´Gumboots´. This freshly song from ´Graceland´ was a nice beginning, and we could realize the powerful of the percussion parts (two percussionists besides the drummer, with the help of Tony Cedras ´“keyboard and accordion- or Simon himself in some songs), and the wind instruments in the concert.

The sound was really perfect, in a echoing wonderfully place´¦ and, ten meters straight, no more, was Paul Simon in person (not could I have ever dreamed).

- He looks old, Mayte tells me, but he still sings marvellously. I agree with that remark and rush to write in my notebook, almost in darkness, the songs in the same order that are sung, just the set-list of the journey (it´s my commitment with thesoundofsimon.tk forum, specially with Mikel who will travel to Rome to watch him soon).

The next song begins with Tony´s accordion in a melody that we quickly identify. People greet ´The Boy in the bubble´ tune, noisily. Paul accompanies with the acoustic rhythm guitar, and Bakithi Kumalo does his best on bass. Good start´¦

The third song requires Paul´s leading role, following by Vincent Nguini and Mark Stewart´s electric guitars: ´Outreageus´ from the recent ´Surprise´. The level continues going up and the sounds, perfect, caress the eardrums (mines at least, I know there are many different tastes, as many as colours ´¦).

Someone with ´dual period´ nostalgia greeted effusively ´Mrs Robinson appearance´, but, in general, the audience remained little bit cold (demanding public, or are we getting old?). Paul kept some strategic silence, giving us the chance to sing the best known parts, but we didn´t start on (at that time). Anyway, spectacular ovation, that´s right.

To continue, another visit to the atmospheric guitars from ´Surprise´, with a soft version of ´How Can You Live In The Northeast?´. Great. Charley Drayton, on drums, replaces Steve Gadd´s lay off, efficiently.

At last, the revolutions come down with ´Slip Sliding Away´. The acoustic guitars lead the rhythm and Tony Cedras himself choose one guitar, showing his versatile style and good skills. Mark Stewart (and even Vincent Nguini) songs the chorus for Simon, with a good mark.

Someone makes some remark in French language and Paul (not too talkative as he is used to being), only points out to Vincent Nguini as a French specialist. He takes it personally and gives us, women and men, his best wishes for this night.

Next, a visit to the Brazilian sounds in ´Spirit Voices´. In this version the verses used to be sung in Portuguese by Milton Nascimento (´The Rhythm Of The Saints´) are replaced with wind sections leaded by Andy Snitzer, a genius, no doubt. Vincent Nguini is brilliant on guitar also.

Our beat increases when ´Me and Julio down by the schoolyard´ starts. Now we are really singing and clapping in unison. The acoustic guitars are accompanied by Paul and Vincent´s harmonic whistles. Tony visits the guitar again, and Andy performs really good. The audience awards it with an ovation.

´You are the one´ makes me shivers. Perfect sounds wrapped in percussion with the only exception of Tony Cedra´s tenor sax. Jamey Haddad, the percussionist, is accompanied by Steve Shehan who also appears in the CD credits (album with the same name than this song).

The next song was, no doubt for me, the best one of the concert, surely because I didn´t expect so high level in his performance. Simon wrote ´Duncan´ (who was dedicated to President Lincoln) in 1972, to play it with The Incas/Urubamba (an instrumental group from Machu Pichu in Peru). Paul´s performance on acoustic guitar was a real gifted show; even, he had no problems to play those difficult arpeggios.

The Andeans flutes were replaced by wind instruments, and Mark Stewart was really good what a big musician (just the way he is), accompanied by Andy and Tony. It sounded great. I clapped till to hurt my hands.

Another person shouts something in English that I can´t understand. Paul answers with a laconic ´I remember that´¦´

The concert level still stands higher with ´Train in the distance´. Andy´s sax shows the perfect contrast.

´The Teacher´, from his last but one studio recording, gives us another taste of impeccable sounds, with a deluxe percussion, and Tony is great on the accordion.

At this time I don´t remember exactly when Paul invites Jamey Haddad to come to the first line. He wears a percussion waistcoat wich has been made by himself, according to a report that I red.

After the claps for ´The Teacher´ the band goes out, but Paul still remains. With his acoustic guitar begins to play ´The Sound Of Silence´ chords. This acoustic version in a solo performance is another delight to our ears.

The band returns, with Vincent N´guini as a music star in ´The cool, cool river´. Next then, another look to the past with ´The only living boy in New York´. Paul doesn´t go too far and it seems to be better than the Old Friends DVD version (with Garfunkel). Mark, Tony and Vincent himself sing the chorus, well harmonized.

With people trying to approach the stage, other ones standing or dancing, everybody enjoys the first chord of ´Graceland´. New synchronized claps and new guitars demonstration (special mention to Mark). People are definitely devoted to the cause.

´Father and Daughter´ is the next song, played in a sweet rhythm, softer than the Oscar nominated version. Right then, although the show was really good and under control, it became a small whistle that afterwards became a big (although short) noise. The high pitch whistle gets Tony Cedras to look to the control sound switchboard little disappointed ´¦But that was the entire problem, fortunately. Simon makes another magisterial vocal performance.

The main course was yet to come, of course: ´Diamonds on the soles of her shoes´. Now there´s no respite. Everybody, till I see, is standing, dancing and clapping. Vincent´s guitar and Bakhiti´s solo on bass take us flying to the tremendous drum and percussion final battlefield.

The first act ends. Applauses and popular requests are listened when he turns up again.

Tony Cedra´s keyboards introduces the first verses of ´Still crazy after all these years´. Simon does his best and Andy´s sax seems to carry us to Central Park with Michael Brecker.

Next, one of the essential live songs: ´You can call me Al´. The people have setting nearer and nearer to the stage (just if they could, it was no possible for us). Paul gives the microphone to a beginner who sings excited: Call me Al!

This second part ends with ´That was your mother´. I think that Simon is coherent with the still alive Graceland success, but I begin to believe it won´t be possible to listen ´Wartime Prayers, American Tune, Something so right, Peace like a river, Proof ´¦.and of course Thelma´, one of my favourite songs. I assume, as well, there is no possibility to take a look at ´The Capeman´, although it contains wonderful songs.

This last song is impeccably played, with Mark Stewart at the sax section (one, specially, sounding great) and Tony´s accordion leading rhythm.

New farewell, although not too effusive this time (they´ll come back). As they delay we asked for them with vehemence. To please the audience, Paul Simon delivers us two late treasures.

The first one is another classic: ´The boxer´ chorused by the audience (very well known for all of us) and the last one is, of course, the best to put and end to the concert: ´Late in the evening´. Here, Tony Cedras is able to play keyboards and trumpet at the same time (too much!). Wind instruments delay at the entrance, but come in strongly at the end, closing this brilliant performance in the Parisian night.

Greetings from the hugged group, some shaking hands to few lucky men of the audience and, two minutes later, the workers were taking the scene into pieces. In spite of this, we remain for a while, waiting, at least, for another greeting from our small genius, but he didn´t come back.

I couldn´t find any review in the French journals the next day either; but everyone who wants it will have this few lines (in ´castellano´, my own language ´“ here translated with David Bravo´s main help-), so subjective as legitimate.



France - Paris - Radseresht

This was, im sure, the highlight of the love in hard times tour. The pALAIS DES SPORTS WAS PACKED, IT WASNT FULL, BUt ID SAY IT WAS 3/4 full which was great. From the start to finish, there was complete energy in the hall. Paul seemed extremely happy, and he made sure that every note he sang lasted. There was such a build up on all his songs, the anticipation was enormous. We love paul simon. It is hard to say which songs i liked the best, becuz they were all amazing. Everybody was singing along to the end songs, like you can call me al, still crazy, and of course the boxer. Sound of silence was beautiful, but the performances of train in the distance and Duncan were beautiful. Everybody got out of their seats and hurried up to the front to dance for the up-beat songs, and sat around, absorbing the sweet music of the slower ballads. This was a truly amazing night, paul was at his best, and it is a moment i will never forget.


France - Paris - Cécilia

(My English isn´t very good, I hope everybody will understand...)

Yes, the concert was amazing. First of all, Paul was in great shape. With years passing by, I thought maybe Paul´s concerts wouldn´t be as great as before... How could I think that ??? And his voice is still the same !

It was great from the very first song : it was a very good idea to begin with ´Gumboots´. As for the setlist, I would have liked to hear more songs from the ´Surprise´ album. Only three songs (´Outrageous´, ´How can you live in the Northeast ?´, ´Father and Daughter´), it´s not much. I would have liked to hear ´Wartime Prayers´ or ´Another Galaxy´ especially. On the other hand, we had six songs from the ´Graceland´ album... and I´m not gonna complain about it ! Otherwise, there are songs I would have liked to hear which were not on the setlist, but it´s quite normal when you think about all the songs Paul has written. But there were only good songs (when I say ´good´, it´s a euphemism) on the setlist. Even a song like ´The Cool, Cool River´, which isn´t a song I would have necessarily chosen if I´d been asked to make the list, was an extraordinary moment (the end of the song was especially great).

The band (Mark Stewart, Vincent Nguini, Bakithi Kumalo, Tony Cedras, Andy Snitzer, Jamey Haddad, Steve Shehan and Charley Drayton) was tremendous. The version we had of ´Diamonds on the Soles of her Shoes´ was a little surprising compared to the original version, but it was wonderful too.

The audience was fantastic and dancing a lot. At the end of the concert, there were many people standing in front of the stage, so many that I could hardly move on You can call me Al or Late in the Evening, and I wanted to move !

Someone (I know now it´s Natacha), during the concert, shouted : ´Paul, you´re sexy !´, and Paul answered something like : ´I´ll remember that´ (or just ´I´ll remember´ ?).

The concert was about 2 hours long (a little more). And it was too short ! It was just magical, thrilling, tremendous. But all that we can say only gives a faint idea of how magical the concert was. I think Paul was as happy as we were. And it was wonderful to see how happy he was.

(And it was wonderful to shake his hand during the concert... And Paul pointed at me when he was singing ´That was your mother´... and it was wonderful too...)


So now, I hope that Paul will come back to France, and very soon...


Switzerland - Montreux - Nathanael

Surprising moments in Montreux

I´m a Paul Simon fan for more than 20 years now and I´ve seen him live on stage for the sixth time. In the afternoon I met him by accident at the lake. (See my posting in the forum). To be honest, after all his great live performances with bigger bands in 1991, 1999 and 2000 my expectations were not that high. I couldn´t imagine that this 8-piece band could create the same powerful sound that I was used to it. Well they could! They were just amazing. I think they improved a lot since they started in Island. Some songs (like Gumboots and Diamonds) got a new and longer drum and percussion ending. Loved it! It was a perfect sound for 2 hours and 10 minutes. Could have listened to them the whole night, it was brilliant. The concert hall in Montreux was the perfect location for this show. And with two big screens, everybody was able to see Paul and band very close. The whole show was recorded, but I doubt it will ever be released, although it would be the perfect DVD.

Paul itself was in a great mood during the whole show. I have never seen him interacting with the audience so often before. Actually that was a nice surprise. Before starting into father and daughter he said: ´žI should talk to you more. - But I have nothing to say. All I have to say is said in my songs, basically.´ Once he asked if someone were here the night before to see Leonhard Cohen. He said: ´žIt was amazing ´“ just amazing´. After a song someone shoutet: ´žit was great´, or something like that and Paul answered: ´žOh thank you, well I think it was good.´

But there were two more surprises. After he had finished SOS I expected the band members coming back to the stage but that didn´t happen. Instead of that Paul mentioned: ´žI wrote this song (SOS) when I was 21 years old. I don´t write new songs very often, but here is a song I finished a month ago.´ I was stunned by that announcement but very pleased to here a world premier of a new Paul Simon song. It´s a melancholic song I would say, but don´t take that for granted, I was just too happy to really get it what was going on. It´s good to know that he is still writing and composing. After The Boxer, I expected Late in the Evening as final song, but Paul didn´t change his guitar so I hoped for another song and there it was. He introduced a long time friend: Patti Austin. They performed BOTW, which was great to have on the setlist, because it pleased my girlfriend. I told her in the afternoon that he is not going to play that song´¦ I didn´t mind I was wrong.

Oh yes Claude Nobs the founder of the Montreux Jazz Festival thanked Paul and gave him two presents before he left the stage after the first encore. Paul thanked him and kissed him twice with a big smile. That was really funny. If you know Claude Nobs, then you know what I´m talking about.


United Kingdom - Liverpool - simon


- Not up to the normal high standards that we expect I´m afraid - he seemed distracted / not really up for it.
Worst sound / mix that I´ve heard at a PS show and I´ve been to plenty - we were sat 20 rows back in Block B so should have been good.
Opening lines to ´Outrageous´ were fluffed and some harmonies were badly out of sync. - I found myself waiting for the next mistake.
Sound of Silence was the highlight - get Steve Gadd back and drive it all on (he´s double booked though..).
Not a patch on the Liverpool 2002 show.


United Kingdom - Liverpool - simon


- ´that´s your opinion...and I respect that´ - Paul Simon 2003.
A review is a summary of the event as seen by the reviewer.
We should be able to say what we honestly think - good or bad and not get castigated for it.
PS has a fabulous back catalogue - he should be incredibly proud of his body of work and songs such as BOTW, Homeward Bound and American Tune should always be on the set list ahead of The Teacher / Outrageous / You´re The One on what might be his last European Tour.
Also if time was limited to 11pm at Chalbury there´s a simple answer - start earlier...


United Kingdom - Liverpool - David Knight

After waiting nearly 40 years this was the first ever Paul Simon concert I have attended.
The venue from the outside was very impressive and the staff seemed friendly enough. However, once inside I was slightly disappointed with the fact that were sat right at the back with no big screens available to see close-ups of what was happening on stage.Because we were at the back I thought what we might lack in vision would be made up by a good sound quality..not so, the sound seemed muffled and quite low in volume in comparison to other recent gigs I have attended.
Throughout the concert people were either still arriving or going to the bar/toilet or generally milling about. From our vantage point all we could see were bodies shuffling around the place which was quite annoying.
Prior to the show one of the lights above the audience exploded sending pieces of glass on peoples heads.I assume this caused a delay in the start of the concert by about 15mins.
The set list has been published here, the obvious highlight being ´Sound of Silence´ which was simply magical.
After about a third of the way through a voice from the audience shouted a comment similar to ´why do you keep playing the new songs, we have paid good money to hear the old ones´. Simon replied by saying ´ I cant hear you´ and then added ´are you the same person who called me a genious last time´ which I thought a bit disrespectful.
The band were tight but the songs seemed to be delivered without passion, soul or indeed fun. Just an old guy wanting to get his job done, grab the cash and run.
Thats what I did before the encore. I thought ´do I suffer a few more songs like this´, or be the first in the queue for the car park.
The reviews in the local press were totally wrong, they probably got all the freebies they could get their hands on before submitting a piece.
I apologise to those who may read this and be upset because their hero did not pull it off, but thats life. Hopefully it was just one off day.


United Kingdom - Liverpool - David Knight

After waiting nearly 40 years this was the first ever Paul Simon concert I have attended.
The venue from the outside was very impressive and the staff seemed friendly enough. However, once inside I was slightly disappointed with the fact that were sat right at the back with no big screens available to see close-ups of what was happening on stage.Because we were at the back I thought what we might lack in vision would be made up by a good sound quality..not so, the sound seemed muffled and quite low in volume in comparison to other recent gigs I have attended.
Throughout the concert people were either still arriving or going to the bar/toilet or generally milling about. From our vantage point all we could see were bodies shuffling around the place which was quite annoying.
Prior to the show one of the lights above the audience exploded sending pieces of glass on peoples heads.I assume this caused a delay in the start of the concert by about 15mins.
The set list has been published here, the obvious highlight being ´Sound of Silence´ which was simply magical.
After about a third of the way through a voice from the audience shouted a comment similar to ´why do you keep playing the new songs, we have paid good money to hear the old ones´. Simon replied by saying ´ I cant hear you´ and then added ´are you the same person who called me a genious last time´ which I thought a bit disrespectful.
The band were tight but the songs seemed to be delivered without passion, soul or indeed fun. Just an old guy wanting to get his job done, grab the cash and run.
Thats what I did before the encore. I thought ´do I suffer a few more songs like this´, or be the first in the queue for the car park.
The reviews in the local press were totally wrong, they probably got all the freebies they could get their hands on before submitting a piece.
I apologise to those who may read this and be upset because their hero did not pull it off, but thats life. Hopefully it was just one off day.


United Kingdom - Liverpool - Robert

40 years, why the wait? Your probably another S and G fan masquarading as a Paul Simon fan. Your type of people probably wish PS stopped writing when S and G broke up. As the man himself would say ´I am tired, tired, anybody care what i say. No´
Its like this my friend.
You went to a concert where from the start things went against you, you didnt like this and that. ( By the way are you there to see Paul Simon or the venue and its staff ) As for the volume and exploding lights and abusive ´fans´, is PS responsible for all the technical issues of the venue aswell as the ignorance of some of its patrons ´milling around´ and hurling comments in his direction. If that person wants what they want all the time they should sit in the car park with you and listen to old tapes in the comfort of your car with the ´suitable´ sound levels.
On any level, the ´fan´ was the disrespectful one, aNd you should really reserve your cash and old man comments for someone who has given nothing to the world. PS is too decent a human being never mind a musician to have that terrible abuse written about him on a computer screen. Please see sense and take it back and remove the negativity from your heart.
No need to reply to me because i know deep down you know i am right and being fair. I also know that if Paul came to your house and sang in your living room by the fireplace you would be eternally happy.
Lastly i want you to go and see him again somewhere and i hope you have a better memory of a PAUL SIMON concert and then you can ´ Preserve your memories, there all thats left you´. Best wishes.


United Kingdom - Liverpool - Matthew

I went to this concert and thought the audience was a bit restless - there was a lot of movement - probably because some people in the audience bought 4 or 5 beers with them and then found their eyes were bigger than their bladders! That was not Paul Simon´s fault.

I am always happy to hear the songs that he wishes to play. The above comment about him taking the money and running is ridiculous. It is quite clear to anyone that has followed his career that Paul Simon does not make decisions on a commercial basis, but instead for artistic reasons. This is why he made One-Trick Pony and The Capeman and stood by those artistic decisions even if they were not commercially successful.

Paul Simon made many millions of dollars in the 1960s and his income from albums such as Graceland and Bridge Over Troubled Water and all the film sountracks that feature his songs cannot be underestimated. So if he chooses to tour it is because he wants to perform and therefore he should be free to choose which songs he will play.

If he simply rested on his laurels and played the songs he wrote 30+ years ago, he would not be the groundbreaking artist that he has remained. The reason Paul Simon is such a big draw is because he has continued to stay relevant whilst his peers have become anachronistic. On the whole - apart from the requests between songs and trips to the toilets, people sang along to the familiar songs and then listened to the new ones even dancing during the coda of How Can You Live In The Northeast? - ´I have been given all I wanted...´

I am 32 and I have been to eight Paul Simon concerts. I would be a bit upset if he was playing the same set he played back in 1991. I want to hear him perform songs that I have not heard him play live before.

I enjoyed the concerts at Cornbury and Liverpool so much that I have just bought tickets (and flights) so I can see him in Milan.

Long live Paul Simon and lets hope he continues to remaim innovative and relevant.


United Kingdom - Liverpool - Daniel

Having been to the 2002 Livepool concert, I was expecting a lot from Paul & the band in the new Echo Arena, and upon arrival I was immediately impressed with the building, athough inside, it is just another MEN arena in a pretty dress.

From where we sat in the Lower tier of the gold circle, the sound was fantastic. Clear and punchy. The ambience was there when required (Sounds of Silence) but had power too (Late in the Evening) making for a thoroughly enjoyable 2 and a bit hours. I could see Paul and the band were enjoying themselves, and lets face it, PS is hardly renowned for his on-stage persona. Let the music do the talking... Train in the Distance was a real treat for me, as was Duncan, but the icing on the cake was indeed ´The Sound Of Silence´. Beautifully executed.

The audience was as enthusiastic as ever, and although a few defective individuals behave like morons by screaming at the stage from the back of the area, dedicated fans (like me) and respectful admirers applauded with equal enthusiasm. by the end of the encores, most of the audience were up and dancing. Not bad for a 66 year-old folk singer.

If you want studio quality sound, and to personally dictate the set list, stick with your LP´s, CD´s and i-Pods. Don´t spoil everyone elses enjoyment by yelling at the stage. The performer can´t hear you in any case, as PS said on the night ´it´s not that I don´t want to hear you, I just can´t up here´.

If you want live music and the ´Surprises´ that such performances sometimes throw up, you can get no better than Paul Simon live on stage. In my opinion this show was not ´quite´ as good as the 2002 Liverpool Pop´s show, but I had the most magical evening in the company of a ´genius´. B+

P.S. I do feel sorry for the people who´s eyes were stabbed by the flash of an ´exploding´ light... I hope no-one was injured.


United Kingdom - Liverpool - mikefromdorch

We travelled all the way from Dorset to Liverpool for the show and were not disappointed. It was a good blend of S&G, Graceland and some newer stuff played by an excellent band. The newer songs were for me what made it fresh and interesting, along with the re-arrangements of Slip Sliding Away and other old favourites. Sounds as if some of the other reviewers were expecting it to sound exactly like the records, which is not what I go to a live show for. I enjoyed the variations in tempo in the songs but some of the audience obviously just wanted to clap and sing along
It was not quite as overpowering an experience as the show at the Bournemouth International Centre in 2006, partly because where we sat on the floor of the arena we had to keep straining to see over the heads of the people in front. We could still see the way Paul was conducting the band, and it looked to me as if he was enjoying himself.
The sound was alright in alright sort of way, better than some arenas I´ve been to but not as warm as the BIC. We were just behind the row that was showered by the exploding light bulb and thought the staff handled it well without too much fuss.
Where the venue does score is the location - at the end of the show we came out onto the waterfront to catch the last of the sunset over the Wirral across the Mersey.
So well worth the trip, for one of my favourite artists in one of my favourite cities. As they are supposed to say up there, ´Sound!´.


United Kingdom - Liverpool - simon

I don´t think that anyone was advocating that ´the sound should be like the albums´ - infact I expect it to be better and bigger (e.g. 1991 Born at The Right Time Tour) - or that we should be dictating the entire set list -as PS says ´I´ll play what I want´ - so that answers that one. I was also at the BIC show in 2006 and it was described in the Bournemouth Echo as ´one of the best shows ever played there´ - and I should imagine it probably was.
I thought (my opinion) that of the 17 PS / S&G shows that I´ve been to that the sound at this one was the worst - obviously where you sit will have an effect - I paid for top price seats and expected good sound - in 1987 (Graceland) in The Royal Albert Hall I had one of the cheapest seats at the back / obscured view yet it was an amazing show and sound.
I´ve heard ´You´re The One´ and ´The Teacher´ now in 2000, 2002, 2006, 2008 so to me and others they´re ´old songs´ and not a patch on some of his other ´old songs´ - and I´m not talking about reeling off all of the S&G hits.
The last thing I wanted to do is to be negative - I didn´t do a round trip of 480 miles with the intention of being critical.
After all, isn´t the name of the game ´Keep The Customer Satisfied?´.........


United Kingdom - Charlbury - Matthew Semple

Paul came on stage at about 9.40pm and performed a reduced setlist.

Massive crowd (loads of people came to the festival just for Paul Simon and turned up just before his set) Everyone was dancing and singing along and when he did the less well-known songs, people listened without chatting.

All in all, an excellent high-energy performance. Paul danced, girated, did his hand movemnets and looked like he was ejoying every minute.

When he came back for the encore he said - ´We´ve got time for one more song. Well actually we can do loads of songs but you have a curfew so we can only do one more!´ Then he did ´You Can Call Me Al´

He didn´t say much apart from the above but said ´Thank-you´ a lot and ´It´s a pleasure´ just before the encore.

It was a shame he didn´t do more songs but this was beyond his control. I am sure the Liverpool concert will be a full set.

After the concert he left by the steps to the side of the stage, which were dried with white towels by a stage hand before he used them. He got into a Mercedes that had arrived during You Can Cal Me Al - then he sped off! Rock and Roll!


United Kingdom - Charlbury - David Strong

Cornbury Music Festival. Oxford

It rained, and rained. But who cares.. Paul Simon was on stage in a couple of hours...
The Bangles were fun.. Beverley Knight so vivacious, so hyper..

Paul was twenty minutes late on´¦ there was slow handclapping.. whistles and ´˜come on Paul´ calls from the impatient few.. I couldn´t help wonder what had gone wrong..

We were about three back in the crowd and were very close to the stage, only a few metres from the front of it. It was a very uncomfortable crush. When Paul came on you could see he was stressed out. The first few songs were fine, the band set up impressive, percussions, drums, keyboard and two brilliant guitarists.. and Paul Simon. Wow!

The performance got better as it went on. Graceland, Gumboots, Mrs Robinson, Me and Julio. I can´t remember the setlist it all went so quick. Cool River was the only one I did not know really well. In the end the band seemed to be really enjoying themselves; but it took time to get there.

There were a small group of kids in front of us, enjoying themselves. After each one of the first six or seven songs they irritatingly called out loudly.. ´˜America´¦play America´.. Paul eventually looked down and said out of microphone but clearly enough for us (and them) to hear ´˜ I will play what I want to play..´
That shut them up.

I´m so used to hearing Duncan on vinyl. I knew all the words so well. But to see it performed by Paul as a storyteller tells a story was awesome.

It wasn´t the greatest Show on earth. And the cold, damp evening did not help. And Paul was not at his best. He was on stage for a bit less than an hour and a half.
But his songs stand for themselves as a work of genius. And it was a live performance. And that is always so special.
I looked forward to the encore. When I saw Paul at the Wembley Arena (you needed a telescope to see him) he did three or even four encores.. we just would not let him go..
This time he did just one. And said (almost apologetically) that was all he had been allowed. He left stage at 11.15pm. 15 minutes later than the pre-published time.
It was raining again as we trudged in the dark to the car park.



United Kingdom - Charlbury - Roger Lai

I don´t even know where to start. Paul said something on his iTunes Originals session about his new interpretations on his songs, and how he accepts that it appeals to a smaller audience than his previous work. I say BRING BACK THE OLD PAUL SIMON!

Not that I think Paul should pander to the desires of the mass audience -- if he did that, we´d have to suffer through his old songs at every show and never hear any of his truely good songs. Still, I expect Paul to be a far better entertainer -- to really wow us like he did on the You´re The One tour.

It was clear that the audience was made up of some hardcore Paul Simon fans, and that everyone was looking for a great show. Personally, I was disappointed. Paul and the band simply never really got going. All those key places in songs that normally take you to the next level -- where the music makes a transition to get your body moving or really connect emotionally... all those places in Paul´s songs had been changed. Instead of the songs that take you on a journey and move you along, Paul and the band managed to play those same songs in a way that just sits in one place. There just wasn´t enough energy.

I´ve been to a lot of Paul Simon shows, and have always enjoyed the journey that Paul would take us on. I don´t know what happened this time. I don´t know if Paul´s getting old, or if his new band is taking him in dull new directions... or maybe they had an off night. Maybe I just expected too much.


Ireland - Cork - Scaaty

Great Show, Paul was quite chatty, said it was great to back home in ireland and we were the best audience in europe then added that he says that all over the world. bit of a mix up with Mark Stewart at the start of Outrageous which didn´t sound as assertive as usual. asked someone in the audience to look after the pieces he needs for the guitar as there was nowhere on the mike to put them.
Great flute /tin whistle solo from Mark on Duncan, the acoustic version of sound of silence was beautiful. there was a young guy on the centre drums who was amazing - i didn´t catch his name. Ended with late in the Evening which was done a bit like the one in the Capeman BAM with all the band coming to the front to take a bow.


Ireland - Cork - Joan

What a fantastic concert - it was the 6th show I went to at the marquee this year and by far the best. The atmosphere was electric and at times the audience was a huge choir happily singing along with Paul. He really seemed to enjoy the night himself too.
Highlight of the night was his version of ´The Sound Of Silence´ - absolutely spellbinding.
Other crowd pleasers were ´Slip Slidin´ and ´Call Me Al´
And I was lucky enough to have my own two favourites on the set list - ´The Boxer´ and ´Late In The Evening´
All in all a fantastic night, one I´ll remember for a long, long time.
Last night I truly felt I was in the presence of a legend. Thanks Paul - come back again soon.
Regards, Joan : July 4th 2008.


Ireland - Cork - Gary - Cork

Amazing, fantastic, start to finish, pity a lot of the crowd only stopped nattering when they recognised a song, but that stopped after sound of silence.


Ireland - Cork - Paul H

Paul Smon and the band gave a good show which was ruined by a terrible & low volume sound mix, hence the chattering crowd mentioned earlier. The sound of the band could not be heard above the audience most of the time. Just not good enough in this day and age, a possibly fantastic show ruined despite everyone on stage doing a great job!


Ireland - Cork - Jerry, Cork.

Fantastic Concert - was a master class from start to finish. Thanks to Paul and all the band for a truly memorable nite.


Ireland - Cork - Jason

Great man in a bad place sound was poor and the crowd were terribble felt like being at a bar everybody talking over the songs only to stop when one the reconised, saw him two years ago at the point it was much better than last night, felt a little let down in places


Ireland - Cork - Michael

Excellent concert, though the sound not great for the first 45 minutes..after that it was magic! Total set 2 hours 15 mins approx. Double encore as in Iceland. You can call me Al...euphoric! some performer, great band!


Ireland - Cork - tucker waterford ireland

this is the 6th time that i have seen paul simon live.all i can say is the man is a legend,the best songwriter of the 20th century.i have been a huge fan of paul simon since the age of 10 29 yrs ago.the concert in cork was brilliant,but the setlist was poor to many slow songs which is why the audience were talking while he was playing.with so many songs under his belt he could of choosed alot more of his upbeat songs.all in all a great show please come back to play the new 02 areana soon.


Ireland - Cork - Billy

I had a great spot for this show, front centre! We had made a sign before the show asking for ´The Late Great Johnny Ace´ but when he saw it he just smiled and said sorry... After a couple of songs, Paul tried to hang his capo on the mic stand but it kept falling off so he asked me to hold onto it for him, but told me that I had to give it back!
The performance was top notch, with too many highlights to mention, and as the show went on the crowd really got going, singing along with the songs, and by the end the marquee (a venue not very different from a big top circus) was positively heaving. Here in Cork, we´ve had a summer of great gigs, with Clapton doing a blues show a few weeks back, and Neil Young putting in a powerful performance last Monday. Paul really seemed to enjoy himself, and gave a concert that will be remembered here for a long time.


Ireland - Cork - Tom

Paul was in wonderful voice all evening and the set list was a strong retrospective of his career, from S&G days right up to Surprise. It was clear that we were in the presence of a legend and the band were right on the money also. Downside was the venue of course, at times like being at a particularly high spirited and irksome Irish wedding. The bars were doing a roaring trade and this naturally contributed to the noisy and disrespectful crowd milling in and out of the Marquee, who only shut up when they recognised one of the oldies. At times the hum of brainless chatter was overwhelming - I sat in the stand facing the stage. In short, right performer wrong place. A big top afloat on a sea of alcohol. In the right venue this concert would have been historic. No fault of Paul Simon who manfully rose above it all.


Ireland - Cork - Robert

Paul Simon is a better writer,singer,musician,entertainer,arranger,producer and most of all person than any of his contemporarys.This includes Dylan and all of the other lazy ´legends´ of the era. Let me explain.
Paul Simon has put his heart and soul into his music and musicality. He does not rest on the fact he has done whatever, sold whatever and won whatever. He is always pushing himself and learning and evolving as a player. On stage in Cork he was totally consumed by the songs and not faking it. He breathes new life intosome of his ancient songs and belief in his newer ones. His band believe too.Thet believe in him,and the songs. You can feel it. Vincent Nguini looks at him all the time with respect and love as does Mark Stewart.All of his band are Real pros and Real Players.The only people who do not appreciate this are the non Paul Simon fans. By this i mean the Simon and Garfunkel fans who just want all of the ´Definitive´ album played live. They dont want to know about Paul Simons solo career and evolution.They dont want to hear ´Northeast´ or even most of Graceland apart from Call me Al.Its sad but true.
S and G were great, but so is Paul Simon. In fact Paul is better on his own, always was, as his solo version of Sound of Silence in Cork will tell you. In novenbers Point show he did Bridge solo, again more depth of delivery and emotion on his own.
I like Art Garfunkel and the music he did with Paul but time and time again this man has proven to be better on his own with his songs, his voice, his guitar and for gravy on top, his band.
Its always the same in Ireland, people want what they know and are afraid to embrace what they dont ie. Pauls post S and G music. I have witnessed it so much now i am immune to the ignorance of it but i felt compelled to share my thoughts. i hope i havent upset any of you earlier work people but im afraid the truth hurts. Paul Simon-always evolving.
Paul Simons Irish audience-narrow minded.


USA / New York - New York - Jack Spelman

Of the three concerts in this series, this was my favorite. All of the guest artists appeared to be in love with Paul´s music as much as I am. There was no lull. There was an entire evening of magic. Paul played more than he had in the previous two parts of this series. I loved both the Capeman and Under African Skies but American Tunes was the soundtrack of my life. Every song was personal and touching in a way only Paul Simon can create. When Paul was onstage, whether singing or playing with the guest artists as they sang, it seemed he was truly appreciating it as much as I was. I was close and thought I saw a tear in Paul´s eye after a few of the collaborations. I know I had the same reaction more than once.


USA / New York - New York - Robert

I saw the show on Sunday night and you did a very nice job on the review, I agreed with everything. I was hoping that Paul would do a few solo acoustic numbers, otherwise a great show. Grizly Bear really didn´t have their act together for being asked to play for such a big name like Paul Simon.


USA / New York - New York - Ans

American Tunes, the first evening and my last show.
The Roches opened the show with American Tune. It was nice but their voices didn´t fit the song very right. After that Paul came on stage, again a very warm welcome. He sang Me And Julio with the band. Then came the Grizzly Bears, they sang Graceland and Mother & Child Reunion. Very different, they used two boards with circuits on the floor but it didn´t work very well, the bass player wanted to play the flute at one part of M&C but it didn´t work, he kept almost the whole song messing with the circuits on the floor, I think they made it too complicated for themselves. Then came Amos Lee and sang Peace Like A river and Nobody, he played the acoustic guitar, it was very good. Then the band Olu Dara came on stage, they had a very warm and humoristic style, the singer talked during the song, made some own humoristic comments to the lyrics, it was very nice, the audience had a good time with them. They performed Slip Sidin´Away, 50 Ways and Still Crazy, their drummer played very cool drums at this song, not as good as Steve but he did a good job.
The Roches came back and played Another Galaxy, a nice surprise, I liked this song better then their version of American Tune, it was very instrumental, Paul played the guitar, one of the Roches the grand piano, Mark the big bass (don´t know if it´s the right word) After this they played Cecilia which I liked best from the The Roches, Rob Schwimmer played on the grand piano and Jamey played very nice percussion, Mark used two different guitars.

Then Josh Groban came and sang America, he played the grand piano. The second song Josh sang was Silent Eyes, he did it very well, the ensemble players together with Rob Schwimmer Mark and Steve accompanied him. After the song Josh told the audience that Paul helped him to do the song together with the Ensemble players, he was very grateful for Paul´s help. The last song was BOTW, Josh and Paul sang it together, Josh the first verse, Paul the second verse and together the third verse, at the end Josh sang the last line lower and Paul added several quiet Ease your mind refrains, it sounded great.

Now it was time for Gillian Welch together with her partner David Rawlings, they were without questioning the best performers of Paul´s songs, a great mix of style on Gone At Last, sort of bluegrass/country, I liked it very much and so did the audience, a very good performance of Duncan, then together with Paul they played The Boxer, Gillian and Paul sang. Paul, Gillian and David played guitar, Andy on the soprano sax, it was very good. SOS was the last song, beautifully played and sang by Paul and Gillian and David.
After that Paul played the last 5 songs with his band. Mrs. Robinson, Train In The Distance, How Can You Live In The NE, The Only Living Boy with backup from the Roches and the last song Late In The Evening. All very well played, the audience gave several standing ovations between the last 5 songs. Again another great concert with Gillian Welch as one of the highlights. The Grizzly Bears could have done better. Now I can look forward to the European tour.






USA / New York - New York - Ans

The BAM is a very nice theatre with very good sound and holds about 2000 people.
LBM opened the show with 2 african songs, after that they sang The Boy In The Bubble with Vusi Mahlasela, it sounded very good.
Then Paul came on stage, he got a very warm welcome and played Gumboots with the band, Andy and Mark played a solo on flutes, very nice. Paul went of stage and Kaïssa and Vusi sang Under African Skies with Bakithi as one of the backup singers. Kaïssa then sang Proof, the horn players were great and Mark Stewart played a very good guitar solo. Kaïssa stayed, sang She Moves On, another great guitar solo from Mark, Cyro Baptista was great on percussion and after that Kaïssa sang The Coast beautifully and Paul was back playing the guitar, Cyro on percussion and another great horn section. Then came one of the highlights, the best performed song of the evening, The Cool Cool River! Paul sang, played and had a very good time together with the band, it almost looked like CP 91, in this theatre with great sound Steve, Cyro and Jamey played almost the roof of the building  Andy was great on the sax, Jay on trombone and Jim on trumpet.

After that Paul explained that Milton Nascimento was hospilatized, he was feeling better now but couldn´t perform, Luciana Souza, a very good Brazilian singer would sing instead of Milton, Luciana came on stage and sang Vendedor de Sonhos together with Paul. Spirit Voices lead by Paul and Luciana as backup singer, Cyro on percussion and a good horn section. Then the second highlight, Can´t Run But, lead by Luciana, Paul on guitar and backup with the other 2 backup singers, Cyro again great on percussion, the song sounded great and they all had such a good time together on stage.
Then it was time for David Byrne. Kaïssa, Luciana and David Byrne as backup singers and Paul lead on BATRT, David Byrne made his funny dance moves at the beginning, audience laughed, I was glad he didn´t do the dance moves the whole song, the laughing distracted the song a bit. Cyro and Jamey joined the percussions together, they sounded great, this was the third highlight of the show.
Then David sang I know what I know, Kaïssa backup with the other 2 backup singers. David Byrne also sang You Can Call me Al, with his funny dance moves, especially the younger fans in the audience appreciated David, Bakithi made his famous bass solo and the horns as usual. LBM and Vusi Mahlasela sang Homeless together. Then Paul came back on stage for the last 3 songs, first together with LBM on Diamonds, the hands clapping at the end of the song, great to see that live, another great drums and percussion session from Steve, Jamey and Cyro. After that Paul and the band played Graceland and the closer was a great That Was Your Mother. I enjoyed the concert very much, it was very nice to hear the songs in a different setting, with several highlights. You could see that Paul had a good time, playing, singing with or looking at the other singers performing his songs. The band was fabulous as always.


USA / New York - New York - Jack Spelman

The music of Paul Simon is always fantastic. Whether played by, with, or without Paul, it is always a wonderful adventure. When Paul chooses the musicians he wishes to either share the stage with, or the musicians he wants to play his music, there is always joy and ultimate entertainment. This was a unique collaboration of hand picked musicians who have played with Paul on his albums and whom he wanted to play his music. Whenever Paul was on stage the show took on an extra air of excitement, but to see the enjoyment that Paul took from the varied artists performances made the entire evening a wonderful and touching experience.


USA / New York - New York - Scaaty

The Capeman at the BAM

The theatre (Harvey) was quite small and intimate. The décor was sparse and the walls have been left in their original condition.. I had a very good seat in the 8th or 9th row with no seats directly in front of me. Photography was not allowed and they were quite strict about it. Little Anthony and the Imperials sang a few songs and then the Spanish Harlem orchestra came on. The leader Oscar Hernandez introduced the group and Little Anthony, saying that Paul had wanted to represent the music that inspired him during the write up of the Capeman. There was very little staging and there was no representation of the fight but the songs did follow in order to give the story. Danny Rivera played the part of the older Sal, singing most of the songs song by Paul Simon on the album. A curious omission was ´Shoplifting Clothes´. There was no sign of Paul during the first half of the show, but it was so enjoyable that I was glad of not having the distraction. The audience seem to really enjoy the performance and various artists seem to have a very strong (and loud) fan base.
The mother (Claudette Sierra) was amazing as was young Sal (Ray de la Paz), and prison Sal (Obie Bermudez). Paul did Trailways bus with Nicole Lequerica, who played the part of a young Native American who befriended Sal. Songs were very politcal at this stage and critcial of white US treatment of Hispanics and Native Americans. For the remainder of the second half I could see Paul standing in the side wings directly across from me. I was tempted to wave but feared embaresseing long suffering husband. The show finished with Paul joining the performers and singing the SHO version of Late in Evening.
Paul was dressed in a black shirt, trousers and shoes ´“ more formal that usual. As seen in recent pictures he was wearing his hair long without a cap. He looked a bit tired but his singing and dancing were as strong as usual.
Some pieces were absolutely amazing. Highlights inc the two mothers singing Can I Forgive Him, The congregation sing Jesu Es Mi Senor, and one of my favourites ´Quality´.
After the show, there were CDs for sale both of Paul Simons back catalogue and albums made by the other performers. Many people were looking for a CD of the show but were told it was only available on iTunes. The girls selling them never mentioned that Late in the Evening as sung on the show was on the SHO album. If you became a friend of BAM you got a Capeman CD signed by Paul Simon. I suppose I should have joined but I´d prefer to see him signing in person.
Ok it was a bit disappointing that there was only 2 appearances of Paul, but I knew that before going and it was well worth seeing and hearing the Capeman being performed. By the reaction of the crowd, it would not surprise me if they have another going of staging this amazing musical. As to it being an inappropriate storyline for a musical, ´The Colour Purple´, a story of incest, child sexual abuse, rape and wife beating is now on Broadway and I didn´t notice any protests!!


USA / New York - New York - Jack Spelman

This was a spectacular evening. To have the opportunity to see the Capeman´s music performed in such a small intimate setting. Although I missed the Broadway show this was a chance to hear the entire soundtrack live. To have Paul be a part of it and play a tune from the show was an added bonus. How this play was closed so quickly on Broadway is a mystery to me.


USA / District of Columbia - Washington - Roy Dripps



Most black-tie gala tribute concerts are so lame that they tend to diminish the significance of the honoree´s work. With the thought of a Paul Shaffer all-star jam featuring Joss Stone screaming ´you got the cool water when the fe-ee-eee-EEE-ver runs hiii-IIII-uh-uh-iii-uh-uh-high,´ I approached the Library of Congress´ First Annual Gershwin Award concert honoring Paul Simon with a mixture of apprehension and anticipation. The reason so many of these tribute shows are bland and, frankly, boring is that the evening´s backing band ´“ while no doubt very fine musicians ´“ are unfamiliar with the complex subtleties that make an artist´s catalog truly noteworthy. So my fears were dispelled as soon as I entered the Warner Theatre in Washington, D.C. and saw Steve Gadd´s drum kit ´“ I knew that this was going to be serious.


Choosing Paul Simon´s own tour band ´“ an outrageously talented and sympathetic group of musicians ´“ to back the guest musician´s was a stroke of genius. The band members this evening were: Clifford Carter (piano, organ), Tony Cedras (accordion, syntheziser, guitar), Steve Gadd (drums, percussion), Mark Stewart (guitars, mandolin, vocals), Harper Simon (guitars, vocals), Jamey Haddad (percussion), Bakithi Kumalo (bass), Jay Ashby (trombone, percussion), Andy Snitzer (saxophones), Jim Hynes (trumpet). The music played this evening truly reflected Paul Simon´s compositional genius and ´“ at the end of the show when the auteur himself performed ´“ substantial vocal abilities. The following is a slightly expanded series of notes that I made during the concert and gives a bit of a clue for what to expect from the PBS broadcast scheduled for June 27. The only disappointment is that the three hour concert will be edited in half ´“ down to 90 minutes ´“ for the broadcast.

The opening song was an instrumental version of ´The Boy In The Bubble´ which I assume will run under introductory credits. The first guest vocalists of the evening were Shawn Colvin and Allison Krauss who performed ´The Boxer´ in a version plagued by feedback. Shawn played acoustic guitar and sang lead, while Allison sang very nice harmony and doubled her fiddle with Jim Hynes´ muted trumpet on the instrumental verse. Following the last chorus, Jerry Douglas played an instrumental verse on dobro.
Mark Stewart on mandolin and Tony Cedras on accordion joined the dobro master to give the performance a very rustic quality.

Bob Costas introduced Lyle Lovett who performed a remarkably facile ´50 Ways To Leave Your Lover.´ Harper Simon left the stage for this number while Mark Stewart switched to acoustic guitar and the Jessy Dixon Singers contributed energetic background vocals. Ira Tucker has been with The Dixie Hummingbirds since 1933 and is still a powerful singer at the age of 87. The Hummingbirds have been reinforced recently with younger members including amazing bass singer Cornell McKnight. The horn section - Jay Ashby, Andy Snitzer and Jim Hynes ´“ gave real punch to the choruses while Jay Ashby´s mournful trombone solo between the choruses and verses was reminiscent of his ´You´re The One´ tour performance.

Bob Marley´s son, Steven Marley, followed with ´Mother And Child Reunion.´ This version was reminiscent of the original studio recording which featured members of Toots & The Maytals but featured a prominent and funky horn line. Harper Simon joined Mark Stewart on electric guitar, while Vincent Nguini played the rhythm guitar part on another electric guitar. Cliff Carter contributed tasty organ licks and the Jessy Dixon Singers sang backup.

A video clip of ´Under African Skies´ from The African Concert video preceded the entrance of Ladysmith Black Mambazo who sang a riveting version of ´Homeless,´ which lead singer Joseph Shabalala co-wrote with Simon. Shabalala maintains an incredible energy level, continuing his high kicks even though he is well over sixty years old. Ladysmith is always a joy to see and hear and this performance was no exception.

Bob Costas told the anecdote about Mickey Mantle asking why he hadn´t been included in ´Mrs. Robinson´ (Simon´s famous response: ´syllables´) and introduced a video clip of Paul performing a solo acoustic ´Mrs. Robinson´ at Joe DiMaggio Day at Yankee Stadium.

James Taylor and The Dixie Hummingbirds followed with a really nice version of ´Slip Sliding Away.´ J.T. played acoustic guitar, Mark Stewart and Vincent Nguini played electric guitars, and Cliff Carter contributed some very tasty organ licks. Hummingbirds´ bass singer, Cornell McKnight, really stood out on this performance. His voice is an operatically pure bass with tremendous range and vibrant tonal color. James Taylor clearly enjoyed singing with him.

Poet Billy Collins gave one of the few completely unnecessary performances of the evening, a recitation of his poem ´Sunday Morning with the Sensational Nightingales,´ backed up by gospel humming from ´“ who else ´“ The Dixie Hummingbirds. OK, so Collins is a former poet laureate and the poem was ok and even tangentially relevant but this was supposed to be the music of Paul Simon and not be about the music of Paul Simon. I did like the humming, though.

Lyle Lovett and Buckwheat Zydeco took the stage next with Tony Cedras also playing accordion. Steve Gadd and Jamey Haddad set up a great groove with washboard player Sir Reginald Dural (Buckwheat´s brother). Andy Snitzer and Mark Stewart each took a very hot solo, while Lovett´s vocal was (to me) surprisingly good.

Lorne Michaels introduced a collection of clips from Saturday Nite Live, including the complete ´Homeward Bound´ with George Harrison. Lorne recounted how for many years he has lived in the same building with and just across the hall from Paul Simon. ´When I´m asked how it feels to live across the hall from a genius, I always say ´˜ask Paul,´´ Michaels deadpanned.

James Taylor followed the SNL clips with one of the many highlights of the show ´“ and a truly bizarre moment. Taylor sang ´Still Crazy After All These Years´ accompanied by Clifford Carter on electric piano. Andy Snitzer took the sax solo and Tony Cedras played a string ensemble synthesizer. I´ve never been a James Taylor fan, although of course I´ve respected his talent. His performance of this song, though, converted me. I could never have imagined any singer other than Paul Simon performing this signature tune but Taylor demonstrated a skill so great it made the performance seem effortless. There were times during Taylor´s singing that I felt I was listening to a precisely tuned instrument. Bizarre moment? During the coda, Taylor vamped ´still crazy, I´d be still crazy, I´d be mad-dog f**king crazy, after all these years.´ That may be enough to get it clipped from the PBS broadcast, which would really be a shame.

A short Woody Allen (!) film about George and Ira Gershwin was followed by Dianne Reeves with her own jazz trio singing the Gershwin tune ´Our Love Is Here To Stay.´ She then sang a very jazzy version of ´Something So Right.´ Reeves has a powerful voice with a beautifully rich timbre that she enriches with a mastery of lyrical subtlety and nuance. She used those gifts to great effect here and turned in a wistful rendition that was miles away from the original version recorded by Simon. She showed that Simon´s songs don´t require his crack road band in order to live and breathe.

Charles Grodin introduced a film montage of various performers, including Roy Orbison, Elvis Presley, Willie Nelson and a military band at Ronald Reagan´s funeral, playing ´Bridge Over Troubled Water.´ At this stage of the show, Paul Simon was still seated in a V.I.P. box with Edie Brickell and their children. During the short film, Paul seemed to sag physically and I saw Edie put her head on his shoulder to comfort him.

Yoland Adams joined Jessy Dixon to duet on ´Gone At Last,´ another highlight of the evening. The band really cooked with Clifford Carter on organ and Tony Cedras on piano. The horn section gave the song a much bigger sound and the performance seemed to take off like a rocket. I gave my first standing ovation of the evening for this one, although the rest of the crowd didn´t seem as impressed as I was. ´Fools,´ said I, you do not know´¦.

Costas introduced yet another film, this time narrated by Tom Brokaw. Phillip Glass followed with Bizarre Moment No. 2, a solo version of ´Sounds of Silence´ on the grand piano. My note for this performance says only ´weird!!!´ Glass transformed what essentially is a simple folk song into a harmonically complex, even dissonant in places, work hinged on a three note minor key riff. Every few bars a trace of the original melody would come through and then Glass would shove it back under his technique. When I glanced at the V.I.P. box during this one, Simon appeared to enjoy the performance. Maybe when I see the broadcast I´ll be able to understand this one, but then again, maybe not.

Elmo and Grover from ´Sesame Street´ followed with ´The 59th Street Bridge Song.´ Grover: Wow, that song is short! Are all of Paul Simon´s songs that short?
Elmo: Yes, Paul Simon is a well-known short song writer.

Marc Anthony entered to perform ´El Condor Pasa´ with Harper Simon, Vincent Nguini and Tony Cedras playing acoustic guitars, Mark Stewart playing mandolin, Jamie Haddad playing a variety of percussion instruments and Steve Gadd moving from his trap set to stage right, by the horn section, to play a big red conga that looked vaguely like an oil drum. Anthony turned in an overwrought vocal that made it seem like he had just reached an epiphany in learning that ´a man gets tied up to the ground.´

´Late In The Evening´ was another story, however, and Anthony´s vocal abilities and personal charisma fit the song perfectly. The guitarists all switched to electric guitars and the horn section took full advantage of the opportunity to ´blow that room away.´

Alison Krauss and Jerry Douglas followed with a very country version of ´Graceland´ with Douglas playing the signature riff on the dobro. This was one of the most radically altered Simon tunes of the evening (although compared to Glass´ performance, it seemed like a note-for-note transcription of the original record). Harper played acoustic guitar, Mark Stewart played electric guitar and Tony Cedras played accordion. Steve Gadd, Jamie Haddad, and Jay Ashby played an interesting percussion line that didn´t interfere at all with the acoustic feeling of the new arrangement. Douglas´ dobro playing again was outstanding.

At this point, Shawn Colvin and Allison Krauss performed ´The Boxer´ again, presumably because of the sound problems that had plagued the first effort. This time, the feedback waited until Krauss started to play the instrumental interlude on her fiddle. Perhaps they´ll be able to edit the two versions of the song to create a single acceptable performance, but the technical problems may well prevent this song from making the broadcast.

James Billington, the Librarian of Congress, nervously introduced Paul Simon who entered the stage with Stevie Wonder. Paul sang ´Me And Julio Down By The Schoolyard´ accompanied by Wonder on harmonica. Wonder´s harmonica playing has always amazed me; he plays a bluesy style on a big chromatic harmonica which has much thicker reeds than a standard diatonic harmonica. Yet Wonder is able to bend those thick reeds effortlessly to create a stunning technique. At times on ´Me And Julio´ Wonder´s harmonica sounded like Airto Moreira´s cuico on the original recording. Simon clearly has a lot of affection for Wonder and the performance was a real standout of the evening.

Paul then introduced his ´brothers from South Africa´ and sang ´Diamonds On The Soles Of Her Shoes´ with Ladysmith Black Mambazo. This was another bright moment in an evening filled with highlights. After Ladysmith had danced off the stage, Paul introduced his old friend and partner ´in argument,´ Art Garfunkel.

Simon & Garfunkel sang ´Bridge Over Troubled Water´ in a version very similar to the ´Old Friends´ tour version. Art sang the first verse and Paul sang the second verse but without the reggae rhythm from the 2003-2004 tour. Paul strapped on an electric guitar and the two sang in harmony on the third verse until the ´sailing right behind´ part. Art gave one of his most impassioned performances, letting it all out for the last sixteen bars. I thought that he might have cut off the end a bit abruptly but that may have been planned. Art´s singing was a very fitting tribute to the man who wrote so much wonderful music.

Simon & Garfunkel continued with ´Cecilia´ although the sound gremlins returned and Art´s microphone appeared to be off for much of the first verse. Paul followed with a beautiful version of ´Father And Daughter´ that he sang straight to his children in the V.I.P. box. Paul and Vincent played acoustic guitars on this, while Mark Stewart played electric and Harper played a nylon string classical guitar. This was another highlight for me and one that I hope makes it into the final broadcast for a number of reasons, not least of which was the fact that it was the only post-Graceland song of the entire evening.

The evening ended with Stevie Wonder on grand piano, joining Paul Simon and The Dixie Hummingbirds on ´Loves Me Like A Rock.´ The group really sizzled, with Simon taking the first verse and Ira Tucker singing the second verse. Wonder missed his cue on the third verse and stopped the song. The blind singer explained that he had ´misread the cue cards,´ causing everyone on stage to laugh. Simon instructed the group to ´take it from the top´ and Wonder and Tucker engaged in an extended call and response that was nothing less than masterful.

After the performance, we repaired to the hotel bar where Simon´s afterparty just happened to be scheduled. We people-watched until about 2:00 a.m. (Steven Marley´s group taking their picture with James Taylor) and I got to talk to Tony Cedras and Phil Ramone. It was a wonderful evening ´“ look for me in the video!

-Roy Dripps


United Kingdom - Birmingham - Denis Le Prevost

I have been a Fan of Paul Simon for many years and was lucky enough to see him in Hyde park performing with Art and again on November the 11th at the NEC Birmingham United Kingdom.I would just like to say that as I have always suspected the man is a genious and look forward to seeing him again in the near future whether it be here in the UK or in his home Country of America. Keep writing Paul From your fans in Guernsey , Channel Islands


United Kingdom - Birmingham - Simon


Sorry to hear about Bodo´s problems with security at Wembley - sounds dreadful especially after looking forward to something for so long.
We were amazingly fortunate at Birmingham tonight.
Taking our 7 year old son and more importantly his toy bunny who goes everywhere was a masterstroke.
We were about 15 rows from the front (aisle seats) and as we stood during Cecelia a steward moved us forward to 3 rows from the front to some spare seats so that we could see better.
That was good enough for us but then we were directed again by the stewards to the front of the stage during Diamonds ... then it got better. I sat my son (and Bunny)on the edge of the stage directly in front of Mark Stewart and Bunny started to dance. This caught someone´s eye .... only Paul Simon and he came over thinking that Bunny was a present for him.. Bunny, my son and I all shook his hand and I introduced my son and Bunny to him. I did draw the line at giving PS Bunny as nothing would take him away from our family.
In my shock I managed to tell PS that he was a great guy - god knows what he made of me !!
Mark S also gave us a plecktrum so our night was complete - he seems a really genuine / fun guy.
Outside I shook Baghiti Khumalo´s hand and he gave my son a Hi-5 and told him to start playing the guitar now that he had a plecktrum !!
Again a fantastic night, Paul did look very down and sad during the Boxer and let´s all hope that he returns to these shores in the future.
The set list was similar to previous nights but no ´Wartime Prayers´ which was a bit of a disappointment.
Art got a mention when Paul said ´I used to be in a band called Simon and Garfunkel .... I was Simon.´
My wife and I both thought that Duncan / Only Living Boy and Late in The Evening were the highlights.


United Kingdom - Birmingham - arniebunny

You often think once is enough . . . . but it´s not . . . . . Paul Simon, TWO NIGHTS IN A ROW. First time ever, and as a 15 year old in `87 I saw the Graceland Tour.

The run from Wembley the night before was a tough one. I know I´m preaching to the converted here but I was going back to see my MUM AND DAD . . . . ok? and painting my hair the colour of mud too . . . . mud, OK? About 4 sit-ups a day, the gravity is poor up here in the Midlands.

Oh, he was geat again. I felt he enjoyed it more tonight.The NEC crowd were scuppered by the tubes of superglue on every seat. My Mum at 68 gave a great account of herself before she figured ´He´s so lively, for 65´!

Well Paul, you are. Not sure where you left ´Wartime Prayers´ last night but at 68, my Mum danced like never before´

Ladies and Gentlemen, I give you . . . . ´Mt. Paul Simon´ . . .





United Kingdom - Birmingham - matthewsemple

I first saw Paul Simon perform in the Birmingham NEC as part of the Born At the Right Time tour on 17th May 1991, so it was with great pleasure that I was able to attend the last date of the UK leg of the Surprise Tour at the same venue 15 years later.

Some things had changed - there was a stall selling Twinings teas in the lobby and the T-shirts weren´t as good. Then there was the free CD-Roms on each seat - we didn´t have those in 1991.

Paul Simon came on stage at exactly 7.45 as written on a blackboard near the entrance. Not everyone had got to their seats but the lights went down and there he was with his band and the show began.

Paul Simon performed song after song, barely pausing for breath, sometimes changing his guitar in between but rarely stopping to speak. This is what I had come to see and hear. I don´t think there is anyone else in Rock who could perform like that moving effortlessly from genre to genre with that common thread of intelligent lyrics, beautiful melodies, intricate guitar work and that pure innocent voice.

The choice of songs was superb. A nice splattering of hits mainly from his solo work but with a few Simon & Garfunkel songs for good measure. The new songs were the best for me as I had not heard them performed live before - How Can You Live In the Northeast was a amazing with that powerful coda and superb lighting to match.

It was also great to hear You´re the One - a real favourite of mine that sent shivers down my spine as it was hauntingly reworked. Duncan was another song I had not seen live before - so that was a real surprise. Yet another song to showcase the quality and purity of Paul Simon´s voice.

I would have liked to have heard Wartime Prayers but at 2 hours long the set sparkled from start to finish. Long live Paul Simon...


United Kingdom - Birmingham - Kat

Wow, this concert was amazing. This was my first P.S. concert and it was perfect. Right at the beginning, we found ´How can you live in the northeast´ CDrom on the seats which was a nice touch and then Paul came on and played for 2 hours straight hardly pausing at all, which is incredible considering his age.
Before the concert I liked Paul S. but I didn´t really know any of his music well. Since the show I have become a true fan (and maybe a tad obsessive...). I think everyone there enjoyed it immensely although at first the audience was a bit muted. Unlike others, I think it was good he didn´t include Wartime prayers (although I know it´s very popular). My sister thinks Paul pointed at her when she sang a few lyrics far too loud too early :) but the concert was great. I have nothing bad to say whatsoever. Who could?


United Kingdom - London - Dan

Great Concert, Pants Venue.

Took about 3 songs for them to get the sound right. Wasn´t until ´Me & Julio´ that the audience started to move. Set list similar to the earlier shows with the order varied. The quieter songs were better suited to the acoustics of the Wembley Shed.

After all that negativity....

Paul and the Band were outstanding and really seemed to be enjoying themselves. Managed to sound musically tight despite the acoustics.


United Kingdom - London - Thomas

Paul Simon was brilliant the setlist didnt have a bad song on it and even if you didnt know a song it was so good it didnt matter


United Kingdom - London - arniebunny

Really, what do you say about this man?

In the shadow of a rather unfinished Wembley Stadium stood a very complete and accomplished artist.

From the wonderful introdution of ´Gumboots´, through a gamut of true favourties from ´Me and Julio´ to ´Train in the Distance´ to the heartfelt and truly stunning solo version of ´Wartime Prayers´, subsequently to ´The Boxer´ and ´Homeward Bound´, he once again reminded us why he was voted one of the top 100 icons of our century.

He´s no longer a poor boy, but his story is so often told, and required.

Thank-you Paul.


United Kingdom - London - Denis

I´ve attended most of Paul´s English concerts since the early seventies and Friday´s concert was up with the best of them. If anyone thought that only Art could sing Bridge then they should have been at Wembley, Paul´s version was superb.

Other highlights included Graceland, The Only Living Boy in NY, Diamonds, Wartime Prayers, You can call me Al and Me and Julio.

Paul singing The Boxer, accompanied by the whole of Wembley Arena was also very special.

His voice has never sounded better. The audience reacted enthusiastically throughout the evening. At one point someone shouted ´˜I love you, Paul, to which Paul responded ´˜So do I, about thirty percent of the time.´

A magnificent night.


United Kingdom - London - hannes

One of his best shows ever. Little mistake at the beginning of 50 ways (the answer is all inside your head...) The fact that he was laughing about this misstake shows that he was really relaxed. Also his answer to someone screaming ´I love you Paul´ ( I love myself too) showed that he was enyoing himself. Of all the shows I attended this was #2. Paris olympia is still #1 for me.

Hannes


United Kingdom - London - Bodo

Have to reveil that because I read it now the 2nd time. The joke ´I love myself too...at least 30% of the time´ has been done at EVERY show.

So, this is it about talking during concerts - it is always the same (and I am glad Paul does not do more), but people in the audience always feel very special and think ´Oh, he must have especially enjoyed this show in my town´ :-)


United Kingdom - London - Dan

Continued from above after accidentally hitting ´Save my Review´!...

Best songs in my opinion were ´Me & Julio´, ´Only Living Boy´, ´That was your Mother´, ´The Boxer´ and ´Homeward Bound´.

Any of the songs when Vincent Nguini sang his bass harmonies were brilliant. The man is a legend. Robin DiMaggio was a good partner for Steve Gadd. Robin´s stick juggling was impressive! I loved Andy Snitzer´s sax solos. The acoustics meant that the best of Mark Stewart´s guitar, Tony Cedras´s accordian and the bass player´s (sp?) work was indistinct. Though all were brilliant.

Paul himself didn´t dissapoint. His voice is still good for his years. The back catalogue kept the crowd moving. The ´Surprise´ songs came across well.

Just wish it had been in a better venue.

Dan


United Kingdom - London - Jocke

paul simon Wembely arena.

when me and my dad come to wembely arena wee first heard paul simon music playing on the front side of the arena, I was so happy to be ther.

we get in tow ouer possisions in the concerts hall, it was wounderful sits we saw the big stage and all the peapoel. and then around about 8:30 the lights turn of and the band came In! and then Paul came In and the audiance was was happy too se him, when I saw paul Iam feeling I was in haven, hi talk i litel bite, and then hi start to sing.

when hi sing Brigde Over Troubled Water Iwas nearly cray, it was so beautiful, and In the boxer when hi sing, lay lay lay, the adiance sing whit him:) it was amazing. pauls band is so great.

It was sooooo good, this is the concert I never gorget....


United Kingdom - London - Bodo

Some pictures I have taken on that show.


Paul with his new guitar




Andy Snitzer doing his sax solo on Still crazy.








United Kingdom - London - Dave Chapman

What can I say? Excellent doesn´t seem to cover it. This is, by far, the best concert I have ever had the joy and pleasure to attend. Sadly, it was the quickest two hours of my life.

Paul has always been a generous performer, crediting his fellow musicians on the stage, but his good grace was demonstrated further by his dedication of this show to his friend Ed Bradley, who sadly passed away the previous day. He also complemented us, the audience, by saying it was like playing his hometown. Well, we do all love the man.

It was a joy to hear so many songs, all of which were a showcase in their own right. A number of people have made mention of the fact he opened with Gumboots, which he considered to be Graceland´s weakest track. True, but that doesn´t mean he doesn´t think its any good. I loved what he did with The Boy in the Bubble. Increasing and decreasing the tempo. All the songs were met with tremendous approval and appreciation, but none more so than those from Graceland I felt.

I´ve been to several concerts and NEVER have I seen a performer smile so much. Me and Julio (which finally shed the crowd´s inhibitions), Call Me Al (which must have had the entire arena on its feet) and many others prompted him to smile all the way.

It was also amusing to see the look on his face when he sang some songs from his duo days (most notably Homeward Bound). He looked so bemused by the obvious love the audience had for those old songs. They are after all what established him. He may have cause to re-evaluate the importance of these songs.

As I´ve gotten older his songs have increased in their meaning to me. I remember thinking when I was younger (I was 15 when Graceland got me not into Paul, but music generally) what does that mean. The passing of years has clarified several things for me. One thing that I never considered is what his songs mean to others. When he gave his beautiful rendition of Wartime Prayers and sang ´for every family, scattered and broken´ a lady, not too far from me called out ´Thank you, Paul´. Now, I don´t know what she meant exactly, but if she meant that she has had the grief of loosing her family I would like to echo her gratitude to Paul, its an important issue, but I would like to thank her myself for taking the blinkers off. Its really very humbling, especially as I cannot begin to imagine what it must be like to have to go through that ordeal.

The only downside was that he didn´t perform any Rhythm of the Saints songs. I did call out for Proof but the cheers were so overwhelming there is no way Paul could have heard me.

Thanks to the stewards for not ushering us back the second time we descended to the front.

Finally, thanks to the fans. The fans made this a special night for me almost as much as he did. A truly international audience, breaking down so many boundaries and reinforcing my faith in humanity and that we can be multi-cultural.

Just please come back soon Paul. Please.


United Kingdom - London - Leigh Woolford

I just got back from Paul´s gig at Birmingham NEC and just wanted to say that the sound was frankly astonishing. I didn´t hear Paul thank the sound engineers but they deserved massive praise. The NEC is like an aircraft hanger and I´ve only ever heard one other band conquer it´s acoustics (that being Steely Dan). On Saturday I could hear every single instrument in every single situation and Paul´s voice was mixed in to perfection.

The performance was pretty amazing too and I found myself liking the less familiar songs as much as the ´standards´. ´Outrageous´ was brilliant. A real tour de force.

Final thanks to a pretty special group of musicians anchored by the legendary Mr. Gadd and to Paul himself who seemed to be really enjoying himself.


Ireland - Dublin - Finian

One of the very best concerts I have attended at The Point ... worth it alone for Andy Snitzer´s hair-raisingly magnificent sax-solo on ´Still Crazy After All These Years´ - only one of so many many many highlights! ´Wartime Prayers´ with Paul Simon singing to his own guitar backing was breath taking and the hushed audience responded to the prayers with reverend raptured attention. On the way out many people simply said ´wasn´t that just brilliant?... but asked of strangers as though to share the experience of hearing the soundtrack to so many of our lives sung with passion and respect, sheer brilliance and a lot of joy. Well done Mr Paul Simon ... you certainly made up for the wishy-washy S&G Concert in the RDS some time back!


Ireland - Dublin - Brian from Belfast

What a show, how does he continue to churn out these exceptional performances? This was my third Paul Simon concert and without doubt the best so far, no monetary value can be placed on witnessing this lyrical genius live. There were so many highlights of the night from the ´Graceland´ classics to ´Bridge..´ and ´The Boxer´, but the masterpiece for me was ´The Only Living Boy in New York´, quite simply an immense performance. Keep coming back Paul.


Ireland - Dublin - Jason from Wexford

what can you say about it.It was something very special and very lucky to witness,He seemed mesmorised by the crowd at the end and genuinely happy at what he had just done, A marvelous night and a true genius at work, Thank you Mr Simon


Ireland - Dublin - Kevin

I saw S&G way back in the 80´s at the showjumping arena, then Paul Simon on the Rythm of the saints tour in Belfast King´s Hall, S&G at the RDS again and finally Paul in the Point. Two things stand out in my memory - Hearts and Bones and Wartime Prayers. Astoundingly beautiful guitar work, atmosphere you could cut a knife with and respect for a genuis in his element.


Ireland - Dublin - Anna from Dublin

It was a splendid night at the Point, Dublin. An outstanding performance with great musicians. If I was being hypercritical, I found it a bit annoying the amount of movement on and off the stage. Musicians kept coming and going if they weren´t needed and in the middle of the songs too and then they slithered back in later in the same song. And roadies sneaking in down low at various times. I really felt it lacked discipline but hey you couldn´t fault the music and that´s what it´s all about. I never was at a concert with so many encore numbers; we all certainly got our monies worth. My highlight was Homeward Bound - just Paul and a guitar and a few thousand Irish voices - all of them in tune! Magic!


Ireland - Dublin - Scaaty

Once again a magnificent performance!! This was 6th time to see Paul live, 2 S&G and 4 solo, the solos are always better. Highlights Train in the distance, wartime Prayers. new versions of YTO and BTOW wow!!
Early in the show Paul had problems with his guitar - he said something to the effect of - the kind of person I am this will throw me out it´ll take an hour to get back to this place. Told us a few times how he loved being in Ireland even if it sounded like a cliche. (most Americans say that!!)
Got right up to the stage for the encores and was very close to Paul. I was standing beside someone who was blowing him kisses, and he kept giving us funny looks. So caught up in watching the band I forgot to use the digital camera for a video and only took photos without flash.
Mark Stewart was having a ball, I think he felt it was really him we all came to see.
The crowd gave Steve Gadd a great cheer when Paul intoduced him nice to see his brilliance is recognised. He did a great solo on 50 ways.
Paul got a bit lost on Slip slidin starting with ´I know a woman´ but the ending of the song made up for it... the sounds only bit if you know what I mean.
I sent a request for him on a late night radio show thanking him and hoping he´ll come back soon.
since this was just the ´UK tour´ maybe Paul will include ireland when (not ´if ´ I´m sure) he visits the mainland Europe next year :)


United Kingdom - Bournemouth - Pete

Absolutely wonderful and moving . He does not say much but lets his singing do the work . If you get the chance go !


United Kingdom - Bournemouth - Denny

I chose to see PS in Bournemouth - a smaller, more intimate theatre to witness the great man´s music. I was not disappointed. The low-key set brought the band and their master to the forefront. It was great to hear the old songs again but I thought the best performances were of Outrageous and How Can You Live In The Northeast?. The album ´Surprise´ is arguably his best body of work and, as a fan of 40 years, I don´t say that lightly! The audience were slow in getting to their feet but young fans are needed to get us oldies rocking.
Thanks for coming to Bournemouth, Paul, Please come again soon.


United Kingdom - Bournemouth - Richard Large

It was great to return to my home town after leaving in ´69 with few return visits, to see this musical genius perform so many of the best and most popular songs, which also happen to have been written by him. What a wonderful concert. Perfect set list giving the magical mix of poignant & rocking moods.
Being a fan for nearly 40 years, but having only seen Paul live once before on the Graceland tour, it was an honour & privilege to witness. Many thanks Paul. This really was the soundtrack to my life!


United Kingdom - Bournemouth - Jill

Some time in the mid 60s - pre-Bookends - I happened upon a young Paul Simon with Garfunkel at a concert in Edinburgh at the Usher Hall and Paul´s lyrics have embellished the ups and downs of my life ever since. Around about 1970 we met again at the Albert Hall and then much later during the Graceland Tour in Brighton. Hyde Park was an unexpected gas - last minute ticket. Bournemouth was a concert covering the many facets of Paul Simon. Many, many favourites, always performed to perfection. Paul and guitar alone on stage singing his heart out was my highlight, plus the wonderful Train in the Distance............ Thanks Paul.


United Kingdom - Bournemouth - Jill

Some time in the mid 60s - pre-Bookends - I happened upon a young Paul Simon with Garfunkel at a concert in Edinburgh at the Usher Hall and Paul´s lyrics have embellished the ups and downs of my life ever since. Around about 1970 we met again at the Albert Hall and then much later during the Graceland Tour in Brighton. Hyde Park was an unexpected gas - last minute ticket. Bournemouth was a concert covering the many facets of Paul Simon. Many, many favourites, always performed to perfection. Paul and guitar alone on stage singing his heart out was my highlight, plus the wonderful Train in the Distance............ Thanks Paul.


United Kingdom - Bournemouth - Bill & Lyris

Tickets cost £50.00 a head, no matter where you sat. I was late to hear about this gig, but picked up a couple of fine seats up in the balcony.
A consumate performance. A warm crowd, who got to their feet once Paul asked if we were allowed to dance - He said it was ´good for the circulation´. Don´t forget Bournemouth is a depository for God´s waiting room!
If you were at the front then chances are he shook your hand.
Crack band, lovely sound, and very probably one of the best bands I´ve ever seen here. A back catalogue to die for. Hardly a song was played that wasn´t appreciated. Some solo spots reminded you of a Paul from long ago, but the new live performance of the current single (North East) showed how a live band can reflect an Eno production to great effect.
Top Notch, period.


United Kingdom - Bournemouth - Mike from Dorch

The show started late, only twenty minutes but that was enough to upset some of the pampered burgers of Bournemouth who did the slow hand-clap, and when the band appeared someone shouted ´What kept you?´. So when a small figure in a baseball cap and baggy trousers came on stage to mild applause it all seemed a bit low key. By the end, a generous 26 songs later he had them all dancing in the aisles and screaming for more.
The band were superb, well set up for the sound of ´Graceland´ from which we got six songs. Two drummers and percussionist, a lead guitar in the bright jangling African style, another guitarist who also played sax, and a versatile horn section. The harmony singing was excellent and Paul himself was in fine voice. The sound balance wasn´t quite right for the first couple but settled down to a fine warm BIC sound. The arrangements were close to those on the albums but with subtle musicianly variations.
The set list played the changes in mood to keep us glued to our seats - that is until Paul encouraged us to get up and dance to Diamonds. We got several Simon and Garfunkle numbers, which got the biggest applause except for the immediate reaction to the first bars of Fathers and Daughters. One highlight for me was Train in the Distance - one of the best songs ever written in my opinion. Another was a moody rendering of Still Crazy after all these years. Then in the encores we got the finest song ever written on Wigan Station and a sing-along version of the Boxer to send us home. First timeI´ve ever heard him live, and I hope it won´t be the last.


United Kingdom - Bournemouth - Wendy Hobbs

Wow! What a fantastic concert. Last saw Paul Simon at the Simon and Garfunkel reunion concert in Hyde Park a couple of summers ago and also saw him at the Graceland concert in Birmingham about 20 years ago. As a lifelong fan I also saw him in 73 (aged 13 years old!) at the London Palladium and also saw the ´other Simon and Garfunker reunion concert at Wembley in the early 80s. I´ve always managed to get good seats but at the BIC in Bournemouth on the 6th November we were in row 4 so extra special to be so close. The music as ever was superb, he was on stage for hours and all the favourites plus the new songs were there too. This guy never fails to put on a good performance and his concerts are just magical! Come back soon Paul - it was great to be able to see you so close to My Little Town!


United Kingdom - Manchester - Roy Wood

I agree that it was a great night all round. However, it is a pity that some of the arrangements were played a little too fast which meant that the lyrics seemed difficult to sing without losing some of the feeling, and I thought that the band,whilst providing a good solid backing had arrangements that at times were predictable and laboured to deal with them. It is also a pity that people whistle and shout at the most inappropriate times, after all, Paul Simon is a poet, his words mean something and deserved to be listened to.


United Kingdom - Manchester - James Bennett

WOW!!!!!!!!! My first ever Paul Simon Concert as i am only 21 i never got to see all them years ago. I though it was absolutely amazing. Great version of Bridge Over Troubled Water.

Well Done Paul

James xx


United Kingdom - Manchester - David

Fabulous gig, as well as Paul and the Band being great, great crowd, especially those who braved security to bring some atmosphere. Thanks for posting the set list, I agree with the first post. Am I the only one who thinks he also played ´I don´t believe´ from the new album though? also, did anyone catch who the bass player was?


United Kingdom - Manchester - David Farthing, Ipswich UK

If there is a song-writer who has written and performed their songs so consistently over such a long period, I can´t think of her or him. Paul Simon is the man and for him to serenade those of us in the M.E.N. on Saturday night in his 3rd and final encore with, what is for me, his signature tune - Homeward Bound (depends where you joined his long trail of success I guess?) was more than I could have asked for in buying my ticket. Paul couldn´t find the words to express his thanks although he certainly found the songs. The words I would use are ´a privilage to witness´. If anyone who got to the front has any footage or a picture, it would be great to hear from you on [email protected] as a souvenir would be very welcome!


United Kingdom - Manchester - Adam Draycott

From start to finish the show was sensational. Paul, you are are a true legend, and I look forward to seeing you again soon.


United Kingdom - Manchester - Andy Briggs

Mr Simon is pure genius. This concert was amazing, second only to the Simon & Garfunkel concert 2 years before. I too, like the first reviewer on this page, managed to get right upto the stage and I was within a few feet of Paul. Towards the end of the set Paul seemed truly touched by the warm loving reception he got from a great crowd. When he had sung his last song on the 3rd encore, with tears in his eyes, I could clearly hear him say ´I really wish there was more I could sing, I really do´. To cap off a wonderful night, when the lights went up, I managed to persuade one of the roadies to pass me something from the stage, I came away with Paul´s set list from his mike stand, a treasured possession.


United Kingdom - Manchester - M Pollard

Paul Simon´s show at the MEN was quite simply brilliant. It was a lesson in letting the songs talk for themselves - and how the audience responded!

Every song was a highlight, so there is no point in singling any one out. The previous review has the set list as I remember it (plenty of surprise, given the static nature of Paul´s set lists in the US).

The sound for the opening two or three numbers was a little thin from our position a third of the way back, Paul´s voice being a bit lost in the mix. This was soon solved, for Boy In The Bubble and Outrageous, which received enthusiastic applause as it started which was good to hear for a new song.

Security let through a group of people to the front of the stage for Me & Julio which immediately seemed to enliven Paul and the band. Those at stage front must have had a great time, and certainly made the rest of the people in the MEN start dancing to the music! When the crowd was told to go back to their seats during Diamonds, they still seemed happy, dancing and twirling with pints held aloft all the way back. They really lifted the mood of the whole show, and while those who may have had their view (and wallet), obstructed by them might have complained, Paul certainly liked it!

The encores all seemed genuinely performed by a man who had had a great night himself, and Homeward definitely appeared to be a special extra for the Manchester crowd who had been singing along to every word since Cecilia.

If you have tickets for any of the remaining UK shows, then you will not be disappointed!

Come back soon Paul!


United Kingdom - Manchester - Jimmy Sheldon

My first ever concert at the M.E.N arena and i was skeptical about 2 things mainly, first the price of the tickets and second the size of M.E.N and i thought it may difficult for Paul to achieve the atmosphere he deserves in such a huge place. However both of these doubts were cast aside almost straight away. The genneraly old audience seemed reserved to get up from there seats and have a jig. But when Paul played ´me and julio´, as has been mentioned in other reviews, security let people to the front. I was lucky enough to get down there quickly and be right at the front along with me 4 other friends. From that point the intensity of the gig was phenomenal (spelling?) everyone was dancing and singing all the way through.
To begin with at the front, a few people were slight rowdy and perhaps slightly intoxicated to say the least. And during such songs as ´How can you live in the northeast?´ the drunkerns were shouting ´Paul Simon!´ and ´Come on Paul!´. He knows his name and he knows your infront of him, so show a bit of respect and let the man sing his songs. These few people, i believe, were the reason everyone else was sent back to their seats.
None the less, after several attempts to get back to the front we suceeded just in time for the 3rd encore which seemed to last forever, with not wanting to leave the stage. After an astonishing and special performance of homeward bound he took a step back and seemed to be muttering to himself, counting all the songs hes played and trying to find something else to play, only to say ´theres notihng left for me to play´. This for me, made the night, the fact that Paul Simon, after an already extended set wanted to stay for more.

As a final note my skepticism was locked away for ceratin as a beautiful acoustic ´birdge over´ which was, like many other songs, worth the ticket price on its own.

Thankyou everyone who made it a special night, especially Paul and the band.

Jimmy


United Kingdom - Manchester - Rick

Setlist (I think)

1) Gumboots
2) Boy In The Bubble
3) Outrageous
4) 50 Ways
5) Slip Slidin´ Away
6) You´re The One
7) Me and Julio
8) Train In The Distance
9) Northeast
10) Loves Me Like A Rock
11) That Was Your Mother
12) Duncan
13) Graceland
14) Father and Daughter
15) Cecilia
16) Only Living Boy in NY
17) Diamonds on the Soles of her Shoes

Encore 1

1) Call me Al
2) Still Crazy
3) Mrs Robinson

Encore 2)

1) Wartime Prayers
2) Late in the Evening
3) Bridge Over Troubled Water.

Encore 3)

1) The Boxer
2) Homeward Bound


I think I got the setlist right. Please correct me if not. I think I may have got the encores mixed up, although he DEFINITELY played Homeward Bound! I know it´s not been played elsewhere on the tour (I don´t know if it´s just a UK thing, or just a Manchester thing since it´s the closest concert to Widnes station?). Whatever the reason, he played it, alone and acoustic, right at the end. Wow!

I won´t go on about how brilliant this concert was. The man´s a legend, we all know that. Suffice to say that it was the best I´ve seen him out of the three concerts I´ve been to before (Liverpool ´02 and S&G Hyde Park ´04). He seemed relaxed, very smiley, and very appreciative of the audience. I´ll let other people say how brilliant it was.

As ever he wasn´t very talkative. Lots of ´thank you´s mainly. The only variation from that was this conversation:

Fan: Welcome to Manchester!
PS: I couldn´t tell it was Manchester, you´re all sat down!
Fan: I was here in ´˜04
PS (mishearing): I thought you said ´It´s still ´04!´ I thought I´d missed out on the last third of a decade!

And that was about it for chatter. Apart from at the very end when he said ´I wish I could think of something more eloquent to say than thank you, but I mean it very much.´

He was on top form, as were the band. Steve Gadd especially. This is the best band I´ve seen him with. And the best show too. All the songs were very well received, and the set list was a brilliant mix.

After ´Me and Julio,´ about 50 fans at the front stayed stood up beyond the front row, right at the foot of the stage. I joined them (I was only 7 rows back to start with), and we were literally only about 6 feet away from Paul for the rest of the show, before being sent back to our seats before the encore by security. This was amazing, to get so close to him! He didn´t seem to mind, as we all seemed to be the biggest fans, knowing all the words to the songs ´“ even the less famous ones. The atmosphere down there was incredible, although I don´t know how it was elsewhere. At one point one of the people at the very front (a man) shouted ´I want to have your babies Paul!´ which made Paul smile. And people were shouting that they loved Edie too. I can´t believe I was so close! Far closer than I´ve ever been to anyone at a gig before. It was unreal. I wasn´t allowed to take photos at the very front, but did sneak a couple, and you can see them, together with some from my seat, at www.pbase.com/rickbaum/paulsimon.

A cracking night. Thanks Paul.


United Kingdom - Manchester - Hurricane

Manchester last night was my fourth Paul Simon concert - and what a blast! (Wembley, 1990; Seattle, 2001; Edinburgh; 2002) After the fantastic music in the previous concerts I must confess to having been a little disappointed in the BBC concert earlier this year but I need not have worried for Manchester. The addition of Robin DiMaggio on drums really filled the sound out and everyone else´s multi-tasking made for a new and equally memorable Paul Simon sound.

The concert came alive after Me & Julio, which was taken at a fair lick (seeming even to shock the band!) Then there followed classic after classic, each one having been re-worked. Although I´ve been to 4 PS concerts, I´ve never heard the same song performed in the same way twice - a mark of a truely great musician. Yesterday the live sound was enhanced by an Apple - expanding on Eno´s influence. Diamonds - the first ending - was spectacular; completely different to the original but equally as memorable.

Part of the job of being a fan is wanting more and I certainly could devour much much more from Mr Simon. If his obvious enjoyment of last night is an indicator of the future we´ll have a live album and then another studio album in no time at all! (Oh - by the way, my T-shirt is copywrited 2007 - a mistake or maybe he´s coming back again soon? I do hope so!)


United Kingdom - Manchester - Mr Morningstarr*

Mr Simon took to the road this Autumn promoting his latest album ´Surprise´, his first in six years.

The Arena was far from sold out, with the top tier closed off to the public and still empty seats available. With seating fixed on the main arena floor the usual capacity was far from complete, possibly a reflection of his status which is long past it´s heyday. Paul still managed to woo his audience with many of his classics dating back to his career with wild haired Arthur Garfunkel.

The set list was as follows:

Slip Slidin´ Away
You´re The One
Me And Julio
Train In The Distance
Northeast
Loves Me Like A Rock
That Was Your Mother
Duncan
Graceland
Father And Daughter
Cecilia
Only Living Boy In New York
Diamonds On The Soles Of Her Shoes

First Encore

Call Me Al
Still Crazy
Mrs Robinson

Second Encore

Wartime Prayers
Late In The Evening
Bridge Over Troubled Water

Third Encore

The Boxer
Homeward Bound

This mix managed to keep his fans more than happy, with highlights being ´Me and Julio´, ´Bridge Over Troubled Water´ and a marvellous cover of Chevy Chase´s hit ´Call Me Al´.

´The Boxer´ has long been a personal favourite of mine, and the Manchester audience were treated to a special solo rendition of ´Homeward Bound´, a song missing from his usual setlist and possibly an aknowledgement to Manchester being his closest tour date to Widnes, where the song was originally penned.

The show was quite a low key affair, concentrating on the songs rather than performance or showmanship. In this age of Stadium or Arena rock, his stage set couldn´t be compared to the likes of U2 or similar stadium rockers. One could be forgiven for feeling short changed on their £45 ticket price. For die hard Paul Simon fans I´m sure the songs alone were worth the money, I´d have rather seen a show of this type in a more intimate venue. This certainly wasn´t the case for everyone who attended, a large crowd gathered right at the foot of the stage, just a few feet away from the man himself, despite security´s best efforts to get them all back in their seats. This was obviously the best thing to do, because at what looked like just over four feet tall, Mr Simon was quite difficult to spot from the back of the room.

All in all I enjoyed myself, just wish he´d done that one from Watership Down.

You can read and comment on my review here:
http://morningstarr.co.uk/forum/showthread.php?p=27198#post27198

I hope you liked it.


United Kingdom - Manchester - Barry Dyson

Review by Barry Dyson
Paul Simon Manchester ´“ UK ´“ 4th Sep 06

First Paul Simon gig for me and my mate who attended MEN arena. Absolutely gobsmackingly fantastic. The set list was a well thought out and we left totally satisfied that we had heard all the songs we would have hand picked ourselves.

No song was played by the great man in a way I´ve ever heard before. Nothing sounded like it was straight from a studio album as with some concerts. Let this be testament to the fantastic band. It was great to see the wonderful Steve Gadd showing his usual loyalty to his mate. As for the rest of the band, PS knows how to get some of the finest musicians to achieve the highest standard to match him. The band was awesome!

My only gripe was the reluctance of the crowd to get to their feet and instil a greater atmosphere. Our seat was pretty much at the back, (Crikey, tickets sold far too fast to get nearer the front), but the sound was superb, (after the first 3 or 4 songs). We seemed to be alone at the back when getting to our feet, except for two equally as enthusiastic young girls from Liverpool. It left me feeling that I´d love to be part of the gathering crowd at the front ´“ which unfortunately were moved on after a while. I appreciate why security moved them on, but I would´ve loved to have got close to the maestro for a few minutes.
I have never been to a concert with three encores, genius! I just think he loved playing for us so much that he didn´t want to go.

But eventually he did go, but do come back Paul.


United Kingdom - Manchester - Michiel, Netherlands

This concert was the best I´ve seen from Paul Simon.

I´ve seen quite a lot (in February 1987 I attended the first Graceland show ever in Rotterdam, in June 1989 also Graceland in Goffert stadium Nijmegen (Holland), in 1991 Rotterdam, 2002 Brussels, 2003 S&G Boston, 2004 S&G Amsterdam, Koln and Rome). And now in 2006 Simon in Manchester UK!

As I was lucky enough to see half of the show from a distance of 4-5 meters from him, it was really possible to watch the details of the man from such a short distance. I noticed his voice was very good. I mean very, very good. I never saw him singing live this good. For example, when he played Duncan it was as if I heard the live record Live Rhymin´ (track 5), decades ago now. The part ´survival´ in ´I think that girl was the road to my survival´ was perfectly sung.

I saw Simon was a little bit emotional when the crowd applauded. Maybe this has to do with his love for England (nostalgic).

It was a great concert, with a voice in great shape. Thank you Mr. Simon.

If you are going to the concert as well, be prepared to see a good show. I hope they will decide to visit the rest of Europe as well.


United Kingdom - Manchester - kevin chesters

This is one of the best concerts i have every seen.The upbeat version of Mrs Robinson was brillant. Also do not understand why people did not get up at all. It was one of the most beautiful concerts i have every had the pleasure to be in. Had to leave my seat and dance in the isle at the side. Then about 20 minutes into i was very annoyed to see the beautiful/lucky people that were at the front. Been told to get in their seats. M E N where bang out of order. Was also told to seat back in my seat. It did not spolt it. He got better and better as the night when on. Got on really well with the people next to me when where the only ones looked as we were haveing fun. Was told by some of the Live meeting people that i was in for a treat, my god i was. It was only half full. Thought it would have been fuller.Really nice meeting The Live Meeting people. Hopefully there be another concert to go to soon. Think i would spend good money to see this brill man.


United Kingdom - Manchester - Dave

Ooooo what a night, oh what a garden of delight. Even now,that sweet memory lingers.
The memory of that night will stay with me for ever. Other reviewers have paid testament to how great the show was but the night was extra special to me for a few reasons. A fan of nearly 40 years,this was my first concert.I think my wife and i were first to the stage.I´m still pinching myself,was i dreaming or was Paul Simon only two feet away from me, singing some of the greatest songs of all time.Wow!
It just couldn´t get any better,but it did. Later in the concert i actually got to shake the great mans hand. ´Thanks Paul´i said. ´No,thank you´ he replied.
To top the night off,one of the guys on the stage handed me the handwritten set list that had been taped to the floor in front of Paul.
Ooooo what a night!


United Kingdom - Manchester - Matt R

Fantastic show!!! My 2nd Paul Simon gig (at the age of 24 I´m proud of that) and I wasn´t dissapointed. The start of the set seemed a little weak, everything was being done differently but the atmosphere didn´t quite seem to suit the show. However things started to get going shortly after.

Me and Julio got everyone dancing which changed things around, although I couldn´t believe how many people refused to get up and dance. The show i saw in Edinburgh had a similar start but as soon as a few folk were dancing that was it, everyone to their feet. However, Saturdays show was full of people who would rather complain at those dancing and stay seated. As soon as we ran to the front the show improved ten fold and you could see it on Pauls face that he was enjoying it. It must be nice for someone who is used to playing such big arenas to play to a standing crowd feet away from them.

The worst thing was to be told to sit down or be removed, understandable, but they were playing Diamonds!! Come on!

Anyway enough about dancing, the show was fantastic, every song was done to such a high level, different arrangements, varying melodies, everything you´d expect from Paul Simon. Particular tracks were, You´re the One, the middle section was truly awesome, Call me Al was amazing (I´m a bassist though so that goes without saying), and the new songs were done very well although i was dissapointed to not hear ´Everything about this is a love song´ as that could have been amazing.

All in all a brilliant and enjoyable concert. My mum told me that i may never see him again, I´d like to think she´s wrong. An artist I´ve grown up with has to be something special, and Paul Simon doesn´t dissapoint. I just wish i could have seen him with a standing audience.

Matt R


United Kingdom - Manchester - Gary Stewart

Having had a few days to let the magic of Saturday´s concert sink in,I feel safe in saying that this was the best Simon gig I´ve been to(I´ve seen him 5 times previous-not bad for a guy of 25!!).

Paul´s voice was the best it´s ever been-my girlfriend said to me that if you closed your eyes(which I did many times),you´d think a man of 20-30 was singing.She was right-his voice is timeless.

Being a singer/songwriter and performer myself,it was great to see Simon revelling in the performance he and his amazing band were giving;Simon has recently stated that he enjoys the gigs when the band is really gelling and pulling out the nuances of the music-well,safe to say the band were on fire tonight.What a talented band of consummate performers they are.

We were lucky enough to get to the front of the stage midway through ´Me and Julio´, and got to see the middle of the concert less than a few feet away from Simon´s(by the way, he was sporting a lovely pair of black trainers(that´s english for sneakers)with a white stripe : ). I can´t begin to explain the feeling I had,being this close to a man who has shaped my music and life since I was twelve.

A phenomenal performance,start to finish. Highlights are too many to mention, but BITB, Outrageous,Wartime Prayers and Duncan are prominent in my mind.Simon´s guitar playing in Wartime Prayers was amazing-singing while playing those lines on the guitar-brilliant : )

I don´t want to gripe,as a Simon concert should hold none IMO,but I really wish the stewards weren´t so militant and fun-quenching-the whole arena could have been on their feet for this gig-I feel Simon wanted that;he stated early on,when someone said ´welcome to Manchester´;´This is Manchester? I couldn´t tell, everyone is seated!!´

If you are lucky to be going to the London gig, I´ll see you there-I´ll be the small bearded one with the red beanie hat-and permanent grin on my face : ))))))

Gary


United Kingdom - Manchester - C

The people saying that the concert was great in manchester because they got to the front- thanks for ruining our evening, one lady next to me who could not stay for the gig as people were spilling beer on her wouldn`t have said it was great. If you want to jump and dance, go and see an appropriate band as we wanted to sit and listen to the excellent music.
I didn`t get there on the morning of the ticket release date just to have 50 people stand in front of me, pushing and spilling stuff on me.
Paul was of course great but I doubt that paople can say he loved them standing there as he kept pulling faces to us as if to say they were a bit crazy, and looked relieved when they went. Arethey the biggest fans as one person said or just the same idiots that chat and throw stuff in the cinema?
Us people sat down are not miserable, we just like LISTENING to good music and may not actually like dancing. In future go and see U2 as mentioned by one band or some other cheap band. P.S You can Call me Al is not a Chevy Chase cover as one ´fan´ said and Art Garfunkel sings Bright Eyes not Paul Simon, yeh great fans.


United Kingdom - Manchester - Ryan Cosford

What words can be used to describe the greatest feeling in the world? None i think. I cant beleive i have actually seen my life long idol, i say life long but i am only 18, i have loved paul simon and Art Garfunkel (as a duo and paul simon on his own) since i was about 8, my aunt and uncle used to play the definitive S&G album in the car and i asked for a copy(8 can ya believe it) and i have always said, I hope i get to see them (or just one (PAUL)) in concert before i die and on the 11th november it came true, i really wanted to go on stage and shake his hand but i guess i was hoping for too much, i have to admit that when he wlked on stage i got a shiver down my back as though this is better than sex, and i burst out in tears when it was over.
Paul your the greatest.
Ryan Cosford
Sheffield
18yrs old


United Kingdom - Glasgow - Isabel

Paul Simon kicked off his UK tour and the concert at the SECC in Glasgow last night was incredible! Paul and his band were at their best. The crowd unfortunately did take an hour at least to get to their feet! I was told to sit down by an SECC ´usher´ early on so this didn´t help any!!!!!
Despite this I loved every minute of it and hope Paul doesn´t leave it too long before his next visit to Scotland.


United Kingdom - Glasgow - Debra

I was at the concert at the Secc, 6 Nov 2006. I was so awe struck by the sound of Mr. Simon´s music. Several times I found the bass and drums were in sync with my own heart beat, what a sound!!!! Thank you Mr. Simon, for your hard work, dedication and labour all of these years. What beautiful music you have given all of us and I thank you. From a fellow American, living in Scotland.


United Kingdom - Glasgow - gordon

i was at the glasgow gig last night and have to agree totally with karen and fortunately, only living boy in ny is my favourite s&g song so i was teary-eyed singing my heart out with the wee man. the band were a bit crap with the first song, i think it was slip sliding away but from the second song till the 4th encore, it was sheer class peppered with some spine-tingling moments. the wee man seemed to be genuinely moved by the audience appreciation and there was a feeling of mutual admiration between himself the band and the audience. his voice is still spot on but he does struggle to get his mouth round some of the quickly sung songs like you can call me al. overall, superb! the best gig i´ve seen all year and will take some beating next year too!


United Kingdom - Glasgow - Alex Nairn

There is nothing I can say that hasn´t been said before but I still want to say it. I was lucky enough to be in the front row and without doubt this is the best concert I have ever attended (and I attend dozens every year). The complexity of the melodies, the musicianship of the band and the trip through memory lane when he played songs we have known forever had me and the entire audience on their feet and demanding )and getting) 5 encores. I now wnat to see him again and again. Amazing!!


United Kingdom - Glasgow - Alex Nairn

There is nothing I can say that hasn´t been said before but I still want to say it. I was lucky enough to be in the front row and without doubt this is the best concert I have ever attended (and I attend dozens every year). The complexity of the melodies, the musicianship of the band and the trip through memory lane when he played songs we have known forever had me and the entire audience on their feet and demanding )and getting) 5 encores. I now wnat to see him again and again. Amazing!!


United Kingdom - Glasgow - Karen

Wow! What an awesome experience. I came away from this concert unable to speak in case I would cry. The shear quality from start to finish was amazing. Paul and his fantastic band (where did he find these incredible musicians?) played for over two hours without a break and covered a wide range of tracks from different points in his career. ´The only living boy in New York´ brought a tear to my eye, as it did others around me, and the up-beat numbers were just brilliant, especially ´Graceland´.I would have liked my favourite ´America´, but who´s complaining! The Glasgow audience loved him - don´t leave it so long to come back Paul! A special moment was when the audience sang along to ´The Boxer.´It is now the following day and I still feel all emotional when I think about this concert. How often does that happen? Practically never! If you get the chance to see him on this tour, don´t hesitate. You won´t be disappointed.


United Kingdom - Glasgow - Ans

Meeting Paul Simon in Glasgow November 3, 2006.

When I found out Paul would give a concert tour in England my husband and I decided to go on a short vacation. We were able to buy very good tickets for the concert (second row mid front) and had very pleasant days in Glasgow and Edinburgh.
At the day of Paul´s concert I went early to the SECC by myself, my husband went sightseeing, he likes Paul´s music but is not a crazy fan like me who hangs out there hours before the concert. I was very lucky because there was one door open to the music hall and I heard the strumming of instruments. I walked in and there were some guys who where tuning up. I sat at the back and waited for about 40 minutes, then Paul and the band came out and started the sound check. I stood up and walked up to the 10th row, nobody stopped me and I sat down and listened to the whole sound check. They played 7 songs and rehearsed the instrumental part of Mrs. Robinson, Paul wanted to make some minor changes. It was great to see them play and deliberate with each other. When they were about to finish the sound check I stood up and walked further to the stage. And after they finished I asked Paul for an autograph, I told him that I flew in from the Netherlands for his concert. He asked my name and signed my Surprise booklet. Then I told him about the forum on the internet and how fans all over the world talk there with each other and that we made a scrapbook with birthday wishes for his 65th birthday which was given to him at a concert in the USA just before his birthday. He said he didn´t see it and asked which show it was, I couldn´t remember which show it was but that it was given to him by a backstage worker. He said he would look into it, he had to find out where it was, he said that he gets more presents and that he appreciated the gift, and repeated again that he would look into it. I thanked him for his time and his autograph and walked out very happy to find my husband. The concert was superb, I enjoyed every minute of it. I love it how Paul and the band keep changing the songs, to keep them fresh and give them new emotions in concert. I stood up early to dance and felt I was the only one, Paul pointed at me dancing during ´That was your mother´ when he sang the line of the ´Cajungirl´, he recognized me from the sound check and looked at me several times during the concert. Later everybody around me stood up and danced and everyone had a great time. Paul and the band got several standing ovations and I could see that Paul was touched when he thanked the audience.

After the concert I got the set list from Vincent Nguini, at first nobody wanted to give anything, after a while the stage manager walked up the stage, I asked him for a set list, he said; you are the dancing girl from the second row, of course you can and he gave me the set list from Vincent. All in all a great adventure in Glasgow.


USA / Pennsylvania - Philadelphia - Griffin

This was my first Paul Simon concert and I have to say it was the best experience of my life...and I´m only 18 years old.
I knew Paul as part of Simon and Garfunkel and after watching The Graduate, I fell in love with their music. Then I got into Paul´s solo work and I became somewhat obsessed.
This concert in UpperDarby PA was outstanding to say the least. I actually had 2 mid-term exams the next day, but said to myself ´screw that...Im going to see Paul Simon.´ I left at around 5:30 pm and didnt get home until around 1:00 am
Jerry Douglas as the opening act was quite good. It actually got annoying though after 35 min...particually because I was too anxious to see Paul. Then They needed another 25 min to set up for Paul´s band...I got restless...got some snowcones and popcorn.
Finally he came on...His presence was shown by a vociferous applause and some standing ovations.
I dont quite know the whole setlist, but here is some of it:

He did 5 songs from ´Graceland´:
- The Boy In The Bubble
- Graceland
- That Was Your Mother
- Diamonds On The Souls Of Her Shoes
- You Can Call Me Al

Then 5 songs from his Simon and Garfunkel days:
- The Boxer (final encore)
- Bridge Over Troubled Water
- The Only Living Boy In New York
- Cecilia
- Mrs. Robinson

Also did songs from ´Surprise´ duh...it was his Surprise tour
- Wartime Prayers
- How Can You Live In The Northeast
- Outrageous
- Father And Daughter

Also did:
- Me And Julio Down By The Schoolyard
- Still Crazy After All These Years
- 50 Ways To Leave Your Lover
- Loves Me Like A Rock
- Slip Slidin´ Away
and others I cant recall

It was funny because I had to stop for gas on the way...and on the radio ´Kodachrome´ was playing. It was at that point though I had to stand outside in the freezing cold and couldnt listen to it...Paul didnt do it at the concert and I was a little disappointed.

I bought a t-shirt that said ´Paul Simon Live In Central Park´...30 bucks, but well worth it.

After the concert ended, I couldnt get over it...it was SO GOOD. As the last song was playing (the boxer) I headed up to the top of the theatre so that I could get out of the parking garage without any hassle.

I did get through my 2 mid-terms and the concert was well worth the trip...Im still thinking about it.

- - I´m surrounded by the sound...the sound... - -


USA / Pennsylvania - Philadelphia - linclink

GREAT SHOW!! I didn´t actually see it (I did see the July 4th show in Cooperstown, NY at the baseball hall of fame stadium & it was this great too)...
This whole show was broadcast on NPR & is archived & available to be heard at:
http://www.npr.org/templates/story/story.php?storyId=6355008
Here´s the setlist...
*
1. Gumboots
2. The Boy in the Bubble
3. Outrageous
4. 50 Ways to Leave Your Lover
5. Slip Sliding Away
6. You´re the One
7. Me & Julio Down By the Schoolyard
8. Train in the Distance
9. How Can You Live In The Northeast?
10. Loves Me Like A Rock
11. That Was Your Mother
12. Duncan
13. Graceland
14. Father and Daughter
15. Cecilia
16. The Only Living Boy in New York
17. Diamonds on the Soles of Her Shoes

Encore 1:
18. You Can Call Me Al Play Video
19. Still Crazy After All These Years
20. Mrs. Robinson

Encore 2:
21. Wartime Prayers
22. Bridge Over Troubled Water
23. Late In The Evening

Encore 3:
24. The Boxer


USA / Massachusetts - Boston - Jonathan

First time seeing Paul Simon and I must say...it was an incredible experience. I had bought the Suprise album and at first wasn´t too impressed. It sounded too studio animated but to hear Simon play it live was amazing. His bandmates are equally as talented. He came out for a total of three encores including THE BOXER as a closer. A incredible experience ...I hope to see him again.


USA / Massachusetts - Boston - Monika

This was my first time seeing Paul Simon in concer and I was very much impressed by the expanse of his repetoire he played. Also, I was impressed by the energy and changes made to some of his slower songs to give them more energy than they originally had. The energy seemed to give the audience a greater connection which brought Mr. Simon out for three encores. Closing with ´The Boxer´ was spectacular, as was the entire concert.


USA / New York - New York - Robert Sav

Concert was awesome. Highlight was Wartime Prayers performed on acoustic guitar as a solo without any backround musicians. Guitar work was incredible and he nailed the vocals. The one song was worth the price of admission.


USA / New York - New York - jasonconsolacion.com

SURPRISES EVERYWHERE!

This was my seventh time to see Paul Simon (my first time was during 1992 Born At The Right Time Tour, and twice during 2003/2004´s Simon & Garfunkel reunion). Surprisingly, I can´t say I was the most satisfied with this show, but it was my first time to see him in New York and it was one hell of an experience.

Opening with ´Gumboots´ was such a daring move I thought, but it was genius because it basically sent a message that resonated throughout the entire set list: ´This is my show and I´m going to play what I damn well please and how I damn want.´ And despite a couple of hiccups on the way, it was, by no surprise, pretty awesome.

Mixing SURPRISE songs with his 42-year-old catalogue, Paul showed off the new while keeping the old fresh and ... well, direct. New arrangements made to fit the Brian Eno-style of the latest record gave the hits a hip approach to walk hand in hand with an audience that ranged from pre-teens to college kids to flower children.

The biggest surprise was his new approach to ´The Boy In the Bubble,´ the second song of the evening. With it´s verses already laden with blues riffs, drummer Steve Gadd added a funkier twist to the back beat, making the song sound far from the other tunes it sits next to on the GRACELAND album. The chorus still rang familiar, but edgier verses provided a feel that removed at least 40 years off of the 65-year-old Simon.

Other hits followed, including ´50 Ways To Leave Your Lover,´ ´Slip Slidin´ Away,´ ´Me and Julio Down By The Schoolyard´ and ´Loves Me Like A Rock,´ without any overbearing element of surprise, but the crowd was presented with rare and updated treats like ´Train In The Distance´ (admittedly, missing the fingers of the late keyboardist Richard Tee) and ´Duncan.´

Simon & Garfunkel favorites were definitely present. ´Cecilia´ brought the crowd to its feet while an understated ´Mrs. Robinson,´ usually a crowd favorite, was surprisingly underwhelming. But beautiful renditions of ´The Only Living Boy in New York´ and yet another take on ´Bridge Over Troubled Water´ (as a die-hard Paul Simon fan, I´m counting at least six different ´tour´ arrangements of this since the album´s release in 1970) gave the older fans something to smile about on the way home.

For the first of three encore sets (not songs ... SETS), Paul gave us a sweet acoustic rendition of ´Wartime Prayers,´ a song I´m not overly crazy about on the SURPRISE record (mainly because it abuses Herbie Hancock´s abilities and it kind of interrupts the flow of the album ... it would´ve been better at the end of the disc), however his unplugged version was reminiscent of ´Can I Forgive Him,´ my favorite track on THE CAPEMAN soundtrack. He then led into the new version of ´Bridge´ which is pretty much a concoction of the original album version, the LIVE RHYMIN´ version, and the CONCERT IN THE PARK version.

After a rocking ´Late In The Evening,´ Paul surprised the crowd by inviting the opener, bluegrass slide guitarist Jerry Douglas, to join the band on a sweet performance of ´The Boxer,´ after which the singer-songwriter left the stage while ... ´the fighter still remain(ed).´

I for one am in love with SURPRISE. I think it´s a dramatic move for Paul´s music and I wouldn´t have minded hearing more from that record at Saturday´ night´s show. I love ´Everything About It is a Love Song´ and ´Sure Don´t Feel Like Love.´ Personally, I would have preferred those tunes over a lackluster ´Mrs. Robinson´ and another tired crack at ´Still Crazy After All These Years´ (which really doesn´t speak to me much unless Michael Brecker is playing sax).

However, the new approaches to ´Boy in the Bubble,´ ´Train In The Distance´ and ´Bridge´ were all worth revisiting anything from Paul´s past, even though his present work, with every listen since its May release, continues to surprise me.


USA / New York - New York - Cal

Backstage, Paul said that the New York crowd ´gets it´ (in contrast to the L.A. crowd which ´didn´t get it, ´I can´t help it if they don´t get it.´ Berkeley and Minneapolis also ´get it´ by the way.) Paul doesn´t measure the success of the crowd by the noise or whether they stand.

In the middle of the show a girl lept on stage and began dancing next to Paul. Paul motioned security away when he realized she just wanted to dance and was not going to touch him. He let her dance and the crowd roared. If you are going to jump onstage, just don´t touch him or get in the way of him playing.

He said he was pleased with his voice tonight. It was in register. (Paul does not think he has a great singing voice, he thinks its only ok.)

As you would expect there was a large crowd backstage including some family members and many of his friends. This is his hometown after all and he said while onstage that this wasn´t ´just another show.´ Clearly he is electrified by New York.


USA / New York - New York - Richard

The marquee on the front of the building that houses Radio City Music Hall said: Paul Simon Sold Out. This is a very famous, huge theater. It claims to be the largest theater in the world (which I doubt) at 5800 seats, but at any rate, it is the largest theater in NYC for certain. It is a masterpiece of art deco design and has been renovated lately so it is an impressive venue, to say the least.

I had traveled from the Virgin Islands to see the Holmdel New Jersey show earlier in the tour, but when I learned that Paul was going to play in NYC I decided to spend the money to see him again. Wow, was it ever worth it!

As noted in the previous review, Paul seemed energized by the crowd. At one point, he paused and said in a very conversational tone, ´You know, I tried to tell myself this was just another show´¦ but´¦ it´s not.´ The band seemed tighter and more into the music than in Holmdel (of course that was an outdoor venue on a night of almost record heat). Adding Train in the Distance and Late in the Evening definitely improved the show. The order of the songs had improved too, as I felt the encores were much better by using the songs in the order he did them.

The acoustic version of Wartime Prays was really stunning. Six thousand people were on their feet, cheering and yelling for another encore when Paul came back out alone. He picked up his guitar and paused in the spotlight for a moment. Everyone went quiet and sat down. He played a marvelous acoustic rendition of the song. A pin drop could have been heard. The audience seemed absolutely still and almost awed by the performance. As he finished, a roar went up and everyone jumped back up to their feet.

I was with two people, someone who has been to many PS concerts (and S&G concerts) with me and someone who had never seen PS live. My friend who has seen almost as many shows as me felt that this was the best PS concert he had ever seen. The woman who had never seen him was amazed. She had really just been a Graceland fan (although she remembers S&G and was a so-so fan of them), but she was stunned. Previously I have felt that the Still Crazy tour when he played Lincoln Center or the Born at the Right Time tour were the best. However, this one is right up there, to a large part the energy and feeling of the room and how it interacted and seemed to move PS, too.


USA / New York - New York - Matthew F

This was a magical concert from start to finish. Paul Simon was most certainly on top of his game. He is a New York Musician playing on New York´s grandest stage. Paul Simon was showered with ´We Love you Paul´, ´Welcome Home´, and ´Ryhmin Simon´ screams through out his performance. With his amazing voice, trusty guitar, and humble approach he did what he has always managed to do, Capture the heart and soul of his audience. His fans were treated to an evening of Classic Simon. ´Late in the Evening´, ´Still Crazy´, ´ The Boxer´, ´You Can call me Al´. New songs at Concerts, no matter how strong their quality, can usually turn into a dash for the bathroom or concessions stands. No so with Paul Simon, his new material was eagerly awaited. And he did not disappoint. Paul masterfully mixed new an old . He pulled songs from his legendary catalogue and the crowd enthusiastically received each and every one.
In a strange way the songs that Paul Simon played did not seem to matter nearly as much as the fact that Paul Simon was back home and on stage in New York City again, happy and healthy. When most fans go to see a concert they want to hear certain songs for themselves. At this concert the New York Fan´s were happy to hear the songs that Paul Simon wanted to play for them!! After three Encores which could have easily been 33 encores Paul Simon finally said thank you and farewell. The fans would have stayed all night if they could. But in the end it was time to go home and as his thankful fans filed out into the city streets. The same streets that propelled Mr. Simon to such remarkable career decades ago. In the air the was a feeling of gratitude. And maybe after all the years of sold out shows, Concerts in the Park, and awe inspiring performances that is all Paul Simon could have ever asked for!!


USA / New York - New York - Chris

This is was the fifth time seeing Mr. Simon (solo or with Garfunkel). I really enjoyed the set list for the second leg (not that Mohegan was bad, but Train was the highlight for me). I almost forgot he was going to do it, and didn´t recognize it when he started it. We were very close to the stage and we saw all the musicians walking around the stage before Jerry Douglas came on. I saw Andy escorting someone to the VIP pit. I was with my friend who had never seen Paul Simon but is a real Graceland (album) junkie. Eddie Simon was in the crowd and he was mingling. He came to talk to someone in the row behind us and my friend who didn´t know that Eddie looks a lot like Paul was bugging out. He thought it was Paul Simon, I told him to relax, and said ´Hello Eddie,´ he didn´t hear me because he had cotton in his ears already. Jerry Douglas was very good as usual. The only complain I have was that Paul came on a lot sooner then he usually did. I missed the first half of Gumboots and ran past the lady who wanted to see my ticket. I was knocking people over to get to my seat. The show was amazing, and Wartime Prayers was a highlight. He sang it solo. During the first line his voice cracked (the first time all night, and to quote Paul McCartney ´It proves we´re not on tape.´) I was really expecting some of his friends or even Garfunkel to make a cameo, but I didn´t see anyone. Before Jerry Douglas, they played a solid 45 minutes of Edie´s songs, which a lot I had never heard before. All in all, it was and I repeat a life changing event, one that I will remember for a long time.


Canada - Toronto - Melanie

His concert last night was amazing.
Fresh and new moves to the oldies
His new stuff was fantastic
People were dancing in their seats
Critics suck and don´t know what they are talking about
The guy is 65 afterall...
Let´s see them move like that after 3 hours of playing to an audience.
See him in concert if youcan!


Canada - Toronto - Mark Korolnek

The concert was as good a performance as I have seen in years. A very tight band a great mix of old and new, brilliant new arrangements on the the songs from the old days.....not a single thing to complain about,it was perfect. Come back soon please Paul! If you are in New York Or Boston for his next shows, run to see him, it was great.


Canada - Toronto - Matt

Great concert.
Was way up at the top of the hall - only wish I would have had better seats.
Played a wide selection of tunes from many periods which was fun.
The crowd were really into the show and gave several standing ovations, which got 3 or 4 encores out of Paul and the band. For one encore he came out and did a solo version of ´War time prayer´ which was particularly beautiful.
Paul mentioned that he ´liked the room´, and it is a a good venue - the sound was excellent.
I´d love to follow the show for 3 or 4 concerts.
I think it´s great that the tour is playing smaller venues, the feeling of his songwriting comes across very well.


Canada - Toronto - Ben

I´m a sixteen year old, who went to the concert not knowing THAT much Paul Simon, but being a big fan of Simon & Garfunkel, and the little amount of Simon songs I know. I don´t think it could´ve been any better, even if I knew every song. This band is so incredibly talented, Paul Simon is such an unbelievable songwriter and performer, and to see a room full of people so much older than me at a show where I felt more energy than so many other shows I´ve been to with people closer to my age, was a really unique experience for me. Somehow I managed to get third row seats for this, and it´s a night I know I´ll remember and cherish for the rest of my life. Highlights for me were ´The Boxer´ with Jerry Douglas on dobro, and Still Crazy After All These Years. I also loved when everyone got up and danced up and down the aisles.


USA / Michigan - Detroit - Mike

This was my first time seeing Paul Simon live (crossed the street next to him last fall near Central Park, but that doesn´t count) and I was BLOWN AWAY! His voice was in top form and his energy was impressive. He seemed to enjoy the spirited Detroit audience and the overwhelming beauty of the Fox Theatre. It was a great evening!


USA / Illinoise - Rosemont - David H

Great Show....played mostly ´hits´ with new and fresh arrangements. Made it almost impossible to sing along which was a shrewd move, forced people to listen to him instead of drowning him out. Band was top notch and seemed to be into it.
Highlights: An amazing ´Mrs. Robinson´, by far the best of show. ´Only Living Boy in New York´, ´Duncan´ and 4, count em, 4 encores. One thing that struck me was the lack of ´young´ fans. Made me wonder what will happen to Paul once he and his fan base ´go´. How will he be remembered and by who?


USA / Illinoise - Rosemont - Charlie L.

I saw Mr. Simon play in Rosemont ILLINOIS (spell it right people you don´t pronounce the ´S´) and he was amazing! I was so glad he ended with the boxer. I would be very sad if he didn´t becuase that is my all time favorite song. I really wish I could have gone up there and played it on my guitar and sing it, but it´s not easy to play without looking at your strumming hand. Keep up the good work Mr. Simon! I think it would be nice if you could get together with Mr. Garfunkel and play at Ravinia again, since the name Simon and Garfunkel didn´t ring a bell, although I heard some of your songs when I was younger. You rule Mr. Simon, and if you ever need a back up singer let me know.

Charlie


USA / Illinoise - Rosemont - Miguel

I saw Paul a couple times back in 91´and consider that to be the ultimate display of the greatness that is the Paul Simon catalog. For those of you who were witness to that show you know the monster world sound that he presented (go buy the Live in central park cd set if you dont own it already). The sound is a MONSTER!!!

** Disclaimer*** - Rosemont Theatre has just about the BEST SOUND of any theater in the entire world. Amazing quality!!!!

That being said, I was extremely psyched to see him 15 years later, and I was NOT dissapointed. While his music style continues to evolve (as well it should given his amazing talents), I find myself all that much more hooked by his ability to reinvent his own persona....I shall elaborate.

The setlist was typical of those posted in earlier shows, so there aren´t too many surprises during a Simon show. I´m okay with this..if I want a different setlist I´ll go to a Rat-Dog show.

The set opened with a good ´warm-up´ tune; Gumboots I think. Nothing fancy just losening up the fingers all around.

Post that - The show tightened up with solid,crisp and impressive versions of his new material. These were sandwiched in between well arranged renditions of some of Paul´s ol chestnuts´ dusted off and and served on a clean plate.

The sound that Paul´s band bings to the stage pays homage to his past sound, and infuses his new style with great effectiveness. There is a definite ´rock´ sound to this new tour. It effectively breaths new life into songs that have been masterfully played in previous tours.

I was extremely pleased that the whole show was not a repeat of the last tour I was witness to. Not that I would have complained...Just new material for the money.

Highlights:
Cecilia (rocking good fun!)

The Boxer (encore) (accompanied by Jerry Douglas on slide guitar..a serious treat!!!!)

Father and Daughter - tight!

Duncan - Just a cool song, brilliant live.

Wartime Prayer - Brilliant acoustics in the Rosemont.

Its unfair to exclude anything played, but these stick out right now. (did I mention Train in The Distance was outstanding?)


Being a huge fan of Pauls guitar playing, I found this show especially ´great´ due to the ability to hear every single note he played.

I held on to a fantasy that he was gonna dust of Anji...but since it wasnt in the cards (see earlier comment about no surprises), I was happy knowing that Paul still sounds great and puts on a show that is impressive ´after all these years´.


USA / Illinoise - Rosemont - Mike

Paul went on stage at about 8:35 p.m. and finished around 10:55. That´s a two hour, twenty minute set. How many people can play an outstanding set of that length without a letdown? Paul definitely still can.

The first two songs were fine, but it seemed that the audio was being sorted out as the bass dominated and the vocals were a bit too far under the tune. At that point, a fan yelled out ´Turn up the vocals´ to which the audience cheered and Paul responded by saying, ´Okay. Now the sound of the show for the whole audience might be being dictated by someone who could very possibly be hearing impaired.´ There was much laughter and the sound did seem to be more in balance from that point on - so thanks to the person that did the shouting! Sadly, there wasn´t much more conversation from Paul, though he was right with the audience with the performance.

What impressed me the most was the variations on the well known songs. Often, when an artist tries a variation on a hit song, the audience can be left feeling disappointed that they missed one of their favorite tunes. In this case, Paul reinvented many of his songs, but somehow managed to do it while maintaining enough of a familiar quality to satisfy on all accounts.

The highlights for me were Slip Slidin´ Away, Mrs. Robinson, Train in the Distance...and many more. Perhaps the most surprising song was ´Wartime Prayers´ which, I think, fell in the first encore and had the audience riveted to it´s intimacy.

This is definitely a great band that is playing with Paul as well. There are a lot of diverse songs in the list and they are all covered tremendously by the eight piece unit. It´s unusual to see guitar players suddenly grab a horn and take on a completely different role, but there was no drop off in the sound throughout.

So, great job guys! Keep it rolling and please make through the Chicago area again!


USA / Minnesota - Minneapolis - Mike D

WOW WOW WOW...what a show! I was right there in front of his mic...after the show paul was nice enough to take him SURPRISE cd cover with him back stage (shake my hand)and bring it back signed ! He was so nice he forgot my sharpie and asked if I needed it back!
I said no, but thanks....he was in full voice, band right on all the way, only problem...... 4 curtain calls, we wanted at least 100.....
wow wow wow at 65 too cool
[email protected]


USA / Minnesota - Minneapolis - J-Zee

Just got back from Northrop and an early birthday celebration, just a couple of hours before the clock ticks midnight and Paul turns 65. The set was quite similar to the reports from previous shows, but with the songs mixed around a good bit (sorry can´t remember the precise setlist) and a twist or two added: As it sounds like he did in Denver, he added Train in the Distance midway through the set and it really chugged along. It was one of the show´s highlights, I thought, along with Only Living Boy in New York, Duncan, Graceland and a very spirited rendition of That Was Your Mother. From reading the other reports, it sounded like he switched the encores up a bit, pairing You Can Call Me Al with Still Crazy After All These Years and Mrs. Robinson for the first encore, a solo acoustic version of Wartime Prayers with Bridge and Late in the Evening and finally ending with the Boxer. He didn´t bring Jerry Douglass back out for the finale, but instead had his son Harper (previously mentioned Thursday night in Train in the Distance lyrics) join him and play guitar on the final two numbers. When Paul came back out for the finale, he said he never would have imagined 35 years ago that he´d be singing the Boxer on such a milestone birthday. Several yahoos yelled Happy Birthday to him throughout the show and his spirits really seemed to build as the evening progressed. A great venue (4,500-seat Northrop Auditorium), the sound was dandy and a pretty magical evening that seemed to have a little extra special significance for him.


USA / Colorado - Denver - Becky

Three days later and Iīm still rockinī from Tuesdayīs concert! My first time @Magnus Arena and I must say I appreciated the smaller venue and enjoyed the show 100%. I canīt think of a better singer/songwriter, NO exceptions! We love you Paul! And Happy Birthday today!


USA / Colorado - Denver - Chris Watkins

Paul played beautifully, a great mix of old and new songs. I have never witnessed four encores within a single concert. Paul led his band back for each one and completed the concert with his heart felt thanks and his comments of how he enjoyed the night as much as we did. This was one of my favorite concerts of all time. I hope he returns to Denver soon!


USA / Colorado - Denver - Tim Dwenger

Paul Simon wrote the words īEverybody loves the sound of a train in the distance,ī almost 25 years ago and last night at Magness Arena I felt for a time that he had foreshadowed his own career. When the band dusted off this old favorite for one of itīs only recent performances about a third of the way through the evening, I have to admit that I was a bit unhappy with the show. I was second guessing my great memories of the 3 other times I had seen Simon, and feeling like Iīd ībeen hadī by my own memory. Like loving the sound of a a train in the distance but being horrified by itīs thunderous roar as it rushes by you, had I romanticized my other Paul Simon experiences? At that point in the show I had to say īyes.ī

Let me recap what led me to that conclusion. The show opened with what should have been a powerful one-two punch of īGumbootsī and īThe Boy in Bubbleī off of Simonīs 1988 masterpiece Graceland. However, the band seemed flat, no one in the audience had any energy at all, and quite frankly I blame all this on the fact that the sound couldnīt have been worse. Simonīs voice was hidden under layers of reverb and echos and you couldnīt tell the keyboards from the guitars. This is what a sound check is for gentelmen! Fix the problems before the band takes the stage and if you do have to do a little tweaking (as is expected) do it right away during the first verse of the first song. It shouldnīt take 3 or 4 songs to get sound issues ironed out. I assume Simon is travelling with a profession sound crew and not hiring kids from local garage bands to do his sound. Bad sound may be a pet peeve of mine, but if I am paying $80 to see a concert I fully expect the sound to be, at worst, tolerable.

It wasnīt until about 4 songs into the set, as the instantly recognizable drums of ī50 Ways To Leave Your Loverī broke through the wall of the mud that was the soundstage at this point, that the audience showed any signs of life. This was the beginning of a long road up for Simon and his band as they tried to climb out of the deep hole the sound crew tossed them into.

A veteran performer it was clear that Simon was up to the challenge and he was going to do his best to win over even the harshest critics in the crowd. They really seemed to feed of the energy that the crowd was starting to show and really got things going when they took us back to the 50Ä«s for a old time rock-n-roll version of the classic Ä«Me & Julio Down By the Schoolyard.Ä«

With the sound problems finally fixed (for the most part) and the crowdīs energy level rejuvenated I began to remember why I shelled out my $80 to see him again. The first highlight of the night came a little before the halfway mark when the first few notes of īDuncanī rang out. Always one of my very favorite Paul Simon songs, it was a thrill to see him perform it live. Lyrics like īHoles in my confidence, holes in the knees of my jeans,ī and īwell I told her I was lost and she told me all about the Pentecost,ī have been burned into my memory since I was in middle school. īDuncanī is, in my opinion, one of Simonīs most well written songs. The genius of making up words like īdestitutedī to suit his purpose and rhyming īhock itī with īpocket,ī are marks of a truly creative soul.

īOutrageous,ī īHow Can You Live In The Northeastī and the solo encore of īWartime Prayers.ī were the three songs that Simon chose to weave into the set from his most recent effort Surprise. There were a few cheers for the new numbers but sadly they largely served as opportunities to run to the bathroom for most people. Simon has an established and well loved catalogue of music and unfortunately most of his fans just arenīt at a point in their lives where they are broadening their horizons anymore. Surprise is an album that shows the youth of Simonīs mind and his love for music. He has been reinventing his sound for decades and his reliance on the ambient soundscapes created by Brian Eno on the new album yeild truly rewarding results that proves he is still the musician he was all those years ago.

Simon reinvented a couple of his old favorites throughout the night both intentionally and unintentionally. He dumbfounded most of the capacity crowd when his band turned up their amps and rocked through the coda to īBridge Over Troubled Waterī and a fantastic new arrangement of īDiamonds on the Soles of her Shoesī brought the crowd to their feet to close set that steadily gotten better for me. On the unintentional side, both Lindsay and I noted that he often seemed to come in early or late causing him to alter the phrasing on many of his songs. New arrangements of older tracks I understand and respect, but outstanding phrasing is one of the many things that have made Simon one of the best songwriters of the last 100 years. Maybe 30 years of singing the same songs is taking itīs toll.

In perhaps his most moving and spot on performance of the night Simon wowed the crowd with a stellar rendition of īThe Only Living Boy In New York.ī I recently read that Simon introduced the song this summer in Connecticut by saying that he had forgotten about it until he recently saw Garden State. He didnīt introduce it to us that way, and in fact he spoke very little from the stage the entire evening, but maybe the freshness of the song in his mind brought him back to a time when it was new to him. Back to a time when he sang it with the passion that one has when they are knee deep in the creative process.

Though he wasnīt very personable from his perch up there on the stage, and he may not have nailed every song, it was a hell of an evening. Simon is a legend for so many reasons and there is something about being in the presence of greatness, even if it isnīt as great as it once was. To use his words īoh, what a night, oh what a garden of delight, even now that sweet memory lingers,ī and it will linger for years to come and next time Simon comes to town Iīll be in line early to get my tickets. Maybe heīll become the train in the distance that he wrote about 25 years ago but along the way heīs helped to make some wonderful memories.


USA / Colorado - Denver - LISA

I saw Paul Simon in August at Lake Tahoe and I was very DISAPPOINTED...He looked tired and bored by the whole thing...It is honorable that he tours for his fans, but the audience didnīt respect him and he didnīt rise to the occasion...The audience was embarrassing because they didnīt have any energy, but he didnīt either...His band was below par...However, heīs still Paul Simon and I love his music...I feel like he would do better if he only did a few concerts a year at bigger venues....I worry that heīs not feeling well physically and mentally..You get this sense that something is wrong in his life...He didnīt even say hello to the audience nor a good bye which made me sad because I love to hear his voice and he owes it to his audience to thank them and greet them...


USA / Colorado - Denver - Ari

This was my first time seeing Paul live (well, solo - I saw Simon and Garfunkel in ī03 or whenever it was). I have to say, I enjoyed it thoroughly. The set list was excellent and the musicianship impeccable (as it always is with Paulīs bands...especially when Steve Gadd is on drums.) I donīt know where the first reviewer was sitting, but where I was the sound was decent. Not the best Iīve seen in that venue, but good considering that itīs a wierdly shaped, hockey-specific arena. I agree that the crowd could have showed more energy at first, but they woke up for some of the biggies. Besides, to me itīs the music alone that makes or breaks a show. I donīt care what other people do with their time and money - IīM going to enjoy myself. And I definately did that.

I think the best part for me, speaking as a musician, was the way Paul rearranged some of the songs. The half-time feel on īBoy in the Bubbleī was really cool and I loved the groove they put behind īBridge Over Troubled Water.ī Closing with The Boxer might not have been the best choice. As much as I love Jerry Douglas, his help wasnīt enough to make this a closer. I like leaving shows after something that grooves harder (i.e. īLate in the Eveningī). But that was my biggest problem with the night. Song selection was great: 4 or 5 off of Graceland, 5 S&G tunes (including one of my all-time favorite Paul Simon compositions in īThe Only Living Boy in New Yorkī), some new stuff, a rarity or 2 (as mentioned in earlier reviews), and all the classics (ī50 Waysī, etc.).

The musicianship: Steve Gadd was in top form all night (they donīt call him īFather Timeī for nothing) and I really appreciate how Paul has adapted his melodies to fit his voice as heīs aged (i.e. not hitting the high note in the chorus of īMe and Julio...ī is smart - better to go down than to try and hit that note and screw it up.) He just doesnīt have that range anymore, but despite the loss of the high end of his register, he sounds phenominal. The horn players were decent. Heard a few cracked notes, but overall it was good. And the sax solo on īStill Crazy...ī was 100% pure cheese baby-making music. Classic.

Overall, a very strong show from the band.


USA / Colorado - Denver - Scott

I have seen Steely Dan, Bob Dylan, and Bruce Springsteen all this year and this show was better than all of them. Well the Seeger sessions was pretty dam good. The sound was straightened out by the third song and the show was great. The problem is the lame energy from all the old timers wishing they were back in the early 60Ä«s listening some acoustic Simon and Garfunkel and complaining about how much the ticket was and how late its was on a Tuesday night. This is why he has to play 4 encores, in order to create a sense of urgency with the crowd. Paul played to the crowds energy. The band sounded great and I really liked how they re-worked some of the classics. Mrs. Robinson with Jerry Douglas was amazing, that guy is a master of his trade. My highlight would have to be Wartime prayers. I have his new album and I pretty much skip by that song but after Tuesday night that might be my new favorite. As he always has done, Paul has captured the pulse of our culture right now in this song!

To all the old timers who were complaining about us standing and dancing: īWhoīs gone a love ya when your looks are gone!ī


USA / California - Santa Barbara - Donellan La Vigne

As a serious Paul Simon fan,the only words that come to mind to describe his gig at the bowl, are beyond belief.Paul Simon truly gives it up for the fans,and that is deeply appreciated.The sound quality was spot on,and Paul´s voice has remained strong.We are talking about one of the top song writers of the 20th century here,to be sure.I enjoyed the show with my daughter Natalie,who was as blown away as her dad was.I will close by thanking Paul Simon for sharing his wisdom and his incredible gift with the world.


USA / California - Santa Barbara - Mike B

I told my wife a month ago, ´Don´t schedule anything for Oct 7 ´“ I´m taking you out on a special date.´ She´s been in suspense, getting more excited as the date approached. ´What should I wear?´ I said, ´Casual, and warm, since we´ll be traveling by Vespa.´ The concert was at the Santa Barbara County Bowl, an outdoor natural amphitheater, which, by the way, is one of the greatest places to see a concert I´ve ever gone too ´“ right up there with Red Rocks in Colo, but smaller, more intimate.

After an excellent dinner at Pascucci´s (how can you go wrong?) on State Street, we headed over to the Bowl ´“ as we approached, she figured out where we were going, but had no idea who was playing. The Vespa enabled us to bypass all the traffic (parking is really a hassle at the Bowl, which is in a residential neighborhood). When she saw it was Paul Simon, she simply said, Oh, Paul Simon ´“ hmmm.´ Turns out she wasn´t a great Paul Simon fan (how can someone NOT be!?) ´“ but she is now!

Paul´s voice was solid, his energy level never wavered (he did look JUST a little tired for one of his encores) ´“ same basic setlist as previously stated in earlier reviews, although order was a little different, I think ´“ someone else please post the order ´“ last encore was The Boxer. Cecelia really cranked up the crowd, Wartime Prayer and Bridge Over Troubled Waters brought tears to our eyes, and everyone left happy. The sound was perfect, a full harvest moon rose from behind the hillside early in the evening, and the light show accompanying the music was superb.

And the Vespa handled the outgoing traffic with the same smoothness as the rest of the evening´¦


USA / California - Santa Barbara - Dave Congalton

First time to see Paul Simon in concert. Four of us cruised down from San Luis Obispo and it was worth every mile, every dime spent on gas. I´m a huge fan of ´Surprise´ and wanted to see how he performs live.

By the way, kudos to opener Kelly Sweet. Strong voice. Bright future. Her debut album comes out in March. Nice way to start the show.

Paul Simon took the stage around 7:55 and ended right around 10. As expected, he said hardly a word the entire evening. What´s up with that? I wanted to yell out from the audience ´Say a few words,´ a la ´Live Rhyming,´ but resisted. He did pretend like it was his birthday, but mostly he was down to business.

Great set! A bit too much emphasis on ´Graceland´ for my taste, but glad to finally hear all those songs performed live. As others have noted, Paul puts a twist on all the arrangments and that was just fine. I didn´t want to hear a folk singer from the ´60s. I also was blown away by the order of songs -- he just seemed to drop in songs. For example, ´Still Crazy´ as an encore? Saving ´Only Living Boy´ for towards the end? Hmmmmm. Interesting.

Ended with ´The Boxer,´ though there seemed to be some miscue. His third encore was ´Night´ and he left the stage and the lights came up and people leaving. Suddenly the lights go down again and Paul scrambles out to do ´Boxer.´ Another hmmmmm.

Anyway, great, great concert. Generous time on stage. Professional musicians. Good sound. Audience energy strong, particularly towards the end. Hope to see him again!


USA / California - San Diego - Chad Deuschle

Same Set list as before. Great weather in San Diego. Jerry Dougless comented ´I like what you´ve done with the place´ Also said he was here with Allison Krouse. Paul Simon commented on the Padres losing and them playing agaisnt St. Louis. He said ´ I am not going to St Louis at all on this tour.´ Which was great. Crowd was calm for most of the show but loosened up for Me and Julio and Diamonds on the souls of her shoes. One drunk woman standing up until security calmed her down. She was a great source for entertainment. He felt the crowds good vibe and performed all the encores ending with Late in the evening. Great show and I hope to see a Live Album/DVD soon.


USA / California - San Diego - tony a.

santa barbara 10-7-06

paul sounded and looked great. commented that he ´enjoyed playing here everytime.´ it was a beautiful night at the bowl and the full moon rose directly over stage. crowd was a good mix of young and old and unfortuatly security was tight but polite and good over all. (we were unable to sneek up to the front.) same set of classic songs as usual. paul teased the crowd that it was his birthday and how good he was feeling. he made an amazing comment on nature creating evolving shapes: The clouds, the ocean´s wave and a flame. and commented that love is the same and can not be confinded or defind like a simple shape. concluded the show with the boxer (which we got better seats for.) a fun show all in all.

tony a.

ps i dont know if i did this right. hope you can use it. LOVE your site.


USA / Oregon - Portland - nancy sandwick

It was the best concert I have ever attended. Paul and the band were great in New Orleans, even better in Lake Tahoe, and absolutely spectacular in Portland. The sound was superb, and we had fabulous seats. The crowd was very enegetic, and Paul seemed to be enjoying himself immensely. We got the three encores and they played part of ´Diamonds´ again after someone yelled out ´play it again´. I feel sograteful to have been able to see this man three times this year. He is still at the top of his game. The outpouring of affection for this man was almost overwhelming. It brought me to tears several times.


USA / Oregon - Portland - Jason Moore

I echo the previous review. I see a lot of shows every year and this is one of the best of my life.
Great seats. Sat behind the second guitar players mom. Great lady with a brillant son. Never have a seen an artist respond so quickly to an audience with the play it again statement! Band in top form and a joy to see Steve Gadd again (saw him with Clapton a couple of years ago).
Excellent arrangements from a legendary songwriter. Thank you Paul for all the love and joy you´ve brought to the world all these years!!


USA / Oregon - Portland - Langst

Well, Paul and company were fabulous. I´m a longtime fan, though this was the first time I saw him live. He played such a nice mix of old favorites as well as new ones from Surprise. When someone yelled to ´play it again´ (after Diamonds), Paul kind of smiled and the band on stage started laughing. He ushered them to continue and we were treated to another 5 minutes of a Diamonds, only with some awesome solo drumming with Steve Gadd. The last encore of Late in the Evening was full of so much energy, especially when ´He blew that room away.´ Jerry Douglas is a talent too. Would like to see the two of them work together in the future. Awesome show :)


USA / Oregon - Portland - Whimsy Anderson

The concert was amazing and I am greatful to both him and his band for giving me one of the happiest days of life!!!!


USA / Oregon - Portland - Jeremy Barrett

This was the first concert I have ever attended and it will remain with me for the rest of my life. It certainly is a story to tell the kids. I have seen many performances of Mr. Simon on various websites and DVD´s, but nothing beats it live! Thank you for the experience.


USA / Washington - Seattle - emmyloukay

The concert was AMAZING! Paul gave a great show, and Jerry Douglas sounded good.

Same setlist, except I believe Still Crazy and Only Living Boy were switched... It was odd, Still Crazy was part of the enchore instead. Aucostics in Key Arena sounded great, visability was good. The crowd started somewhat spiritless but had really loosened up bye the end. Paul also seemed to relax as the evening progressed and seemed to be very invigorated and enjoying himself. Third enchore of late in the evening was played.

Very rewarding show, great concert.


USA / Washington - Seattle - Jessica

The concert was wonderful, and I agree, the people in attendance seemed lethargic to begin with and then warmed up later on! Both Paul and Jerry Douglas put on a great show and it was well worth the money! Does anyone have a setlist?


USA / Washington - Seattle - Ben

Having only seen Paul on his tour with Garfunkel a year or two ago, I was excited to see Paul perform on his own. He did not disappoint! The S&G show was fairly bland, although the music was great. There was a lack of personality at that show. This show was something different. Paul danced around and was clearly energized for the night. His voice sounded fantastic. Outrageous was a highlight for me! I am surprised to say that I enjoyed this show more than the S&G show!
Thanks Paul!
Ben


USA / Washington - Seattle - scotty

I thought paul sounded great.However the people around us(on the floor)were the most stuffiest and rude fans ive ever been around.When i pay 100$ per tkt.I want to stand up and sing.That annoyed several around us and made it strange.Those people need to loosen up and enjoy,,,FYI,,,This was a classic rock concert.I heard he is better with Art.Had a good time however..scotty


Canada - Vancouver - Patrick

I was there the same night and I have to agree - wonderful show, especially in such an intimate and and beautiful room. It´s where the Vancouver Symphony plays! A great opportunity to experience Simon and the amazing ensemble he plays with.
We were lucky enough to basically walk right into him out back! Spoke briefly and got an autograph - very classy guy.


Canada - Vancouver - Toni

I had second row almost centred seats for last nights show and it has to be the best concert I have ever been to. When we arrived the security at the door told us the show wouldn´t be starting until 8pm, and I think it started pretty much on time. After reading the reviews for the previous night´s show it sounds like there was a lot more energy at this show. Most of the crowd was on it´s feet before the end of the regular set and by the second encore many people had moved up closer to the stage and were dancing. I don´t think I have ever clapped so hard in my life. My personal highlights were ´Me and Julio´ because it has always been my favourite song and ´Call me Al´ because the energy in the building was so amazing. He didn´t talk much during the show, just to say that Vancouver was beautiful and he had gone biking in Stanley Park that morning; he also made a few jokes and seemed to be enjoying himself. We went outside after the show and he came out to sign autographs, unfortunately there were a lot of people, so I never got anything signed. It was truely awe-inspiring to see someone who I have admired for so long on stage.


Canada - Vancouver - Zack Mitchell

Amazing Show! I was in the very front row right in front of Paul and got to shake his hand at the end. He played all the songs I wanted to hear. There was also 3 encores which I have never seen!


Canada - Vancouver - Brian

The Orpheum Theatre was very near full capacity. I sat in the second-last row of seats, very high up, and it was getting hot and sweaty! I was glad I brought binoculars because I couldn´t see much otherwise. I saw quite a few people with them in my area. The show was for 7:30, but Paul came on at 8:15. Needless to say, a lot of people got restless, and there were many times people started to clap and get impatient.

Paul was casually dressed with a black cap. The show was great, and the set list was the same as the previous ones except for the addition of ´50 Ways to Leave Your Lover´! It was played near the beginning. Near the end of that song, someone shouted - ´Don´t need to be tall, Paul!´ No reaction from Paul, but the song ended at that moment. He didn´t talk much, but at one point during the show, he said ´I will not play The Sound of Silence´. Some person in the crowd shouted ´Play Beautiful´ several times.

When the show ended at 10:15, I went outside by the back door where the truck was. There was a small crowd, and one of the employees there said ´When Paul comes out, don´t immediately surround him. He doesn´t like that.´ I didn´t want to stay long to get his autograph, but judging from what he said, it sounded like he was going to appear soon. At 10:25 (that was fast!!!) he came out, shook hands, exchanged a few words with the fans, and signed autographs. I gave him my pen and the ´Sounds of Silence´ booklet to sign. Someone said to Paul, ´oh, I don´t know if you should be signing Simon & Garfunkel´. Paul then mumbled something agreeing with him, but he still signed it of course! I walked away a satisfied customer.


Canada - Vancouver - Jonah Cunningham

Paul and the band put on a fantastic show at the Orpheum theatre last night. I had good seats in the second row of the dress circle, and it was great to finally see the man perform so many of the songs I grew up with. Paul seemed relaxed and in good spirits, commenting on how much he seemed to be enjoying Vancouver, and aside from a couple of minor technical glitches, the band was tight. For someone who has had problems with his chording hand in the past however, Paul´s fingerwork- and playing in general- was pretty nice. If I have any complaints about the show, and I´ve noticed that this seems to be pretty common with Vancouver crowds, it ´s with the lacklustre response. I was almost ashamed at the lack of energy the crowd was giving back to the performers. The couple next to me sat through the whole show with their arms crossed...
Here we are now, entertain us.
Thanks again for a fantastic show Paul. I loved every bit of it and had a great time.
Without sitting on my hands...







Canada - Vancouver - Greg

I accurately predicted I would enjoy this show more than the last time I saw Vancouver in 1999, simply because that time he was at GM Place, a hockey arena, and my seat seemed ten kilometers away. The Orpheum is a much smaller, better venue and this time I sat in the 17th row. With binoculars I could almost make out the writing on Paul´s cap. (I later learned that it said ´CCM Classic.´ CCM is a major manufacturer of hockey equipment.)

As mentioned above, the show began quite late. Although my ticket said it was a 7:30 start, there were still people getting their seats at ten to 8, so maybe they knew something I didn´t. All was forgiven when Paul finally appeared. Perhaps the three encores were to make up for it.

Highlights: Gumboots, Outrageous, Loves Me Like a Rock, That Was Your Mother, and Wartime Prayers. (But then I would say that, since those are either new or performed less often.) The harmonies on You´re The One were also wonderful.

Low points: None, although Father & Daughter wasn´t as impressive live as I expected. I couldn´t hear the guitar lick that well.

Other things: The only time Paul spoke other than introducing the band, he said: ´It´s great to be back in Vancouver, one of my favourite cities.´ Pause for applause. ´One of the great cities of North America.´ Another pause for applause. Then he chuckled: ´That´s shameless pandering.´

I was among the delighted fans who got his autograph outside after the show, and exchanged a few words. I told him it was great to hear Outrageous live. ´Oh, you liked it?´ he smiled.

Wish I actually lived in Vancouver, so I could be at tonight´s show as well. Alas, I had to fly home today.

There is a minor mistake in the setlist above: Still Crazy and Only Living Boy should trade places.


USA / New Jersey - Atlantic City - Watson

Went to the show. Here are a couple of observations:

The setlist did not change from the summer tour; except Paul played a small snipet of Willie Nelson´s ´Crazy´ before he went into ´Still Ctazy´.

The band sounded great, especially for being off since the end of July.

The crowd started off pretty quiet as Paul commented on the ´tepid response´. However, things picked up as the show went along and the joint was really rockn´ by the final song ´Late in the Evening´. This was a strange crowd; mabye because of the high ticket prices, or the venue being in a casino/hotel. I suspect there were beteween 2500-3000 in attendance.

Paul also apologized for missing the show in July and thanked us for our ´loyalty´ in coming back to the make-up show.

Paul was in fine voice; especially on Duncan...he honestly sounded 25 again. The new songs were highlights for me, especially the acoustic version of ´Wartime Prayers´. Also enjoyed the re-worked ´you´re the one´ and ´Diamonds´. Great show...here´s hoping he comes back to the NY, NJ, Philadelphia area after the UK tour!!!




USA / Texas - Dallas - Slu

Here´s a brief review for what turned out to be a brief performance by Paul.

The first part of his 7 song set featured Paul with the New Bohemians as his back up band, apparently the first time he has performed with them. The first song was a humorous number that I don´t know, but was sung as a duet with Edie from the perspective of a couple who has been married for too long. I wish I could remember the lyrics, but Edie might sing ´You´re the reason I never go to the beauty salon´ and Paul would reply ´you´re the reason my hair fell out´. The chorus made mention of the kids being ugly.
The middle of the song was spoken banter between Paul and Edie

E: Why can´t you be nice to my mother when she comes to visit?
P: I am nice- the first two or three months
E: Is eight months too long?
P: A guy can only take so much Wheel of Fortune

Edie goes on a rant about NY being cold and she´s used to the Texas heat to which Paul replies ´the heat´s fine- if you´re a Pizza. I just thought a nice girl from Highland Park would...´ Edie cuts Paul off to say ´I´m not Highland Park, I´m Trailer park!´

Paul w/ the New Bos worked- they were pretty well rehearsed. The last two songs were done acoustically- Wartime prayers and BOTW. The first was quite lovely.


USA / Nevada - Lake Tahoe - nancy

What a wonderful concert. Paul seemed very comfortable and energetic. The crowd was a bit quiet at first, but people were up dancing by the end. We luckily had good seats, and it was wonderful to be able to see Paul and the band so well. All the people around me seemed to know and appreciate the new songs which surprised me in a good way. I thought that ´HCYLITNW´ and ´Outrageous´ sounded great performed live with Paul´s great band. As I said elsewhere, we were able to watch the sound check which was a mini-concert in itself. We met Mark Stewart, Vincent Nguini, and Tony Cedras after the sound check, and I was thrilled. They were so gracious and even seemed to enjoy signing autographs. Vincent thanked me for asking for his autograph-how sweet was that?
The songs were all inspired and the crowd enthusiastic. ´The Boxer´ with Jerry Douglas was wonderful and ´Bridge´ was the loveliest I have ever heard Paul do. It was so fun to hear ´Duncan´ after all these years, and I was thrilled to hear ´Only Living Boy in New York´. ´Still Crazy after all these years´ is still one of my all time favorites. What an entertainer is our Paul. None of us could stop smiling and there were some tears as well. I couldn´t help but raise my hand when Paul sang ´who´s gonna love you when your looks are gone´?..and,could it be? I think he looked my way and smiled.


USA / Nevada - Lake Tahoe - Chuck Halladay

Paul Simon´s Proposed Lake Tahoe Set List

Dear Paul, Steve, Vincent and the Band & families thereof :

Welcome to Lake Tahoe! My little town. I´ll be flying my kite over your stage at the foot of Heavenly…

We were late for the show the last time I saw you. You were performing at the Costa Mesa Amphitheater, the Hearts and Bones Tour. We mistakenly thought the show was at the Universal Amphitheater in L.A. So we unwittingly missed the first couple of songs desperately driving down the 405 to ´O.C.´

Shocked that only 1500, (an ´enlightened few´), showed up for the concert, my brother and I settled in about 25 rows back and began to revel in our first PS show. It was you, 3 guitars and a ghettoblaster back up band. It was, and still is, the best show I´ve ever been to.

You were obviously as disheartened as we were by the size of the crowd. However, you left no one disappointed. You talked to us like we were family in your living room, sharing your inspirations for songs; chicken and eggs, teaching your son to rhyme, even taking requests such as Kathy´s Song. Your presence and humility will always be rejoiced in my mind.

Now, we´re feeling more and more excitable seeing you beginning to wrap up the night and we haven´t heard our family´s new theme song: Slip Slidin Away. (Formally ´Born to be Wild´ until we all got sober.) Yes, you can call me Al(coholic). So, in a moment of coming silence, just as you´re finishing a song, and in a fit of hysteria, we scream at the top of our lungs: SLIP SLIDIN AWAY! You were absolutely dumbstruck for a comeback, you must have been thinking ´what the hell kinda audience is this! requesting material already played?! Finally, you say, ´What do you want me to do, change my repertoire??´ It was then that a very considerate one of the enlightened few, (even though she was laughing), leaned over the aisle to tell us that you had, in fact, played it as the second or third song of the night´s set.

Well, you can bet that I won´t be late to tonight´s show. In fact, I´ll be there early looking for you to autograph the cover of the best album you´ve ever written: Surprise. If you here someone shouting out for ´Beautiful´, you´ll know you´ve once again heard from a heartfelt fan. A fan that has, over the course of a lifetime, run a worldview subliminally instilled by you...A fan that bleeds, (now more than ever: at 2 in 15), Dodger Blue…(and Paul Simon too.)

Speaking of fear and loathing, part of the Dodger ethos, I was at first frightened by your collaboration with Eno (now I rejoice in it) and more frightened after hearing War Time Prayers performed on that morning talk/misinformation show, and more alarmed at the opening and continuing thunder of …Northeast, heard on the radio, I have to admit that I put off buying Surprise in favor of some Dvorak and again for some Tchaikovsky. When you announced that you were coming to my little town, Lake Tahoe (I actually thought it was a cruel joke at first), I, of course, had to get it. It was just a matter of time, and patience, and understanding.

It’s the second pop album I´ve purchased since 1998. The first was You´re the One. I find that you alone stand out in the world of pop as the only living savior of it. (I´ve felt for years that Rock is just doggedly slurping it´s own urine for sustenance and I could really care less if it has or does die. In fact, I look forward to it´s final demise- in hope that something better will rise from its ashes.) You, and perhaps David Burne, are the only reasons that I occasionally look back. I actually cried seeing him play Naļve Melody with his ´Rhythm Section´ composed of 2 String Quartets on Austin City Limits several years ago.

That said-here´s my set list

(In no particular order)


Hearts and Bones (The greatest love song since Beethoven´s Moonlight Sonata)

Spirit Voices

Beautiful (surely Al Gore´s favorite song)
Just play the new album in it´s entirety-it is, without hesitation, your best ever.
Thank You!

Something So Right

Kathy´s Song (!!!Please!!!)
The Coast

Old Friends

American Tune (For an ´America Hater´)

A twenty minute guitar solo/duet with Vincent Nguini: The very thought of it shoots Kundalini waves right up the spine

…Mardi Gras (for Harry Shearer´s hard work keeping us informed on Norlins, too))

Tenderness

Me and Julio…

Diamonds…

Graceland

Love

Hurricane Eye

Slip Slidin Away

Duncan

and in memory of my Mom: Still Crazy…
(She had the acronym SCAATY as her CA. vanity license plate.)

I am Yours,

Chuck Halladay
The South Lake Ski Bum

[email protected]


USA / Nevada - Lake Tahoe - Eileen

First time posting (or even reading) here, and I have to say that I only found this site when I was scouting around for any reviews of the Lake Tahoe show... surprised (hmm, pun there, I guess) that absolutely none have been posted since Sunday evening´s show.

Back in early June, when I read that there was going to be a concert up in Lake Tahoe on July 30th, we decided to plan a weekend around the event, since there were no shows announced for the Bay Area, and since my oldest son would be celebrating his 21st birthday around that date. We (husband, older son, and younger teen) had seen Paul Simon on a very odd afternoon at the Shoreline Amphitheatre several years back, when he had Brian Wilson opening for him. The boys were very impressed by Paul´s performance then, and even with the hot sun glaring right in his eyes, he delivered an inspiring, solid show. I can´t remember the make-up of that backing band at this point, since we were all very disturbed by the opening act. If I recall correctly, it was Brian Wilson´s birthday and Brian´s band sang him Happy Birthday during the opening set, but Wilson himself never stood up after arriving at the stage, sat behind the keyboard, and seemed totally out of it, completely zombied, for the entire set. It was very sad, and I had make a point of cataloging the Beach Boys´ hits and telling my sons that this guy really had been/was still a solid artist; a musician with much talent who had had his problems along the way. Still, it left an odd pall over the whole afternoon.

So for their next Paul Simon concert, I think they were approaching it a little warily, and when we arrived at the Harvey´s Casino outdoor theatre, my younger son took a look around and asked us why his dad hadn´t received ´the memo´ that all men had to have grey hair and wear flowery, tropical shirts. OUCH (on all men attending´s behalf)!! But as we sat there in the folding chairs in the space which must have held less than 3,000 folks, with a late afternoon/early evening darkening sky over the lake area threatening a rain shower, a beautiful double rainbow appeared over the mountains and the casino buildings, and everyone started to smile, pull out the cell phones and cameras to record the moment, and turn to talk to their neighbors. A really nice start to the evening.

Jerry Douglas and his group opened the show, and I was impressed, not having heard about them before. It seems a lot of the audience was not familiar with their work and tended to ignore the talent on stage. Later, I spoke with a co-worker who knew of his work and was wowed that Paul Simon (he seemed to be indicating surprise (um, again!) that ´Paul Simon, a pretty mainstream guy, choosing Jerry Douglas, *the* dobro maestro´!!!) had selected Jerry to be his opening act. I´ve since found out that Jerry Douglas will be playing at the Hardly Strictly Bluegrass Festival in San Francisco in October, so will check him out again there. Ok, that aside taken care of, Jerry´s music seemed tepidly received by the crowd awaiting Paul Simon, which is always a little awkward for the audience, the performer of the opening act, and the headliner who has set this up. I hope that it was just an unrepresentative pocket of audience that we were sitting in, and that the applause was much louder closer to the front. They were good sports, however, and acknowledged that the audience was really waiting for the main act.

Simon and the band came out just as it was getting dark, and received a mighty welcome. As I said before, I am an admirer, but not an avid follower of the tours, so I can´t begin to talk about the technical aspects of the show or relate it back to many other shows that I have seen. Please forgive the newbie-ness there. I can say, though, that the set list seems to follow pretty closely to the Costa Mesa set list, and if I had only read that review before the show, I would have taken some notes. The show seemed to start out pretty tamely, and while it was entertaining, it wasn´t until the first 25 minutes or so (after even the new radio-friendly ´Outrageous´ had been played, among some classic tunes) that things seemed to kick into gear and the audience was really engaged. The more lively ´Diamonds on the Soles of Her Shoes´ and ´Graceland´ had folks on their feet and dancing, although in our section, everyone seemed to be overly-polite and not wanting to block the view of those behind them, since the folding chairs were on a flat plane. Nice and polite, but also a little disappointing, since some of the other sections were up and having a great time moving, we could see. T

There was a nice swing/balance between the slower ballad-type songs and the rocking tunes, and between the newer and the classics which everyone knew. ´Cecilia´ seemed to be a big crowd-pleaser, although I have to admit that out of the faster tunes, even with the nostalgia factor, that´s not one of my faves. I really enjoyed the way that many of the arrangements were a bit different than the recorded version, and surprising, the tempo a bit different, especially on the tunes later in the show, such as ´Mrs. Robinson´ and ´Bridge over Troubled Water´. I have been to Tom Petty concerts which turn into big ol´ sing-a-longs where the audience drowns out the singer and the musicians, since the notes and the arrangement are so similar to the recordings; this show was definitely not the case, and I SO appreciated that fact. Any time the audience thought they knew which way the melody was going to take them, it got changed up a bit. Wonderful!! So, in the end, we were left humming the tune ´in our heads´ and just following and appreciating the music and the instruments themselves. Did I mention that this was wonderful and surprising?

Highlights of the show for me were ´Still Crazy´ - wow, a great personal storytelling going on there, and a nice, solid arrangement (remember, I apologized for not talking about the backing band and the tech side before!), and again, WOW, when Paul called Jerry Douglas out to play his dobro on ´The Boxer´ - it was as if that instrument filled in some way for Garfunkel´s vocals, and it really was a magic 5 minutes or so. This was one song that Simon turned to the audience and granted them leave to participate in, and the soft but not-at-all-tentative ´Lie-la-lie´s filled the smallish arena and the night air with a tender spirit that seemed to really soar up the sides of the mountain bowl. A really special few moments.

I think a lot of the audience (maybe those of us who had not been following the tour) were very surprised that there was not just the one standard encore, but two more after that. In fact, we got caught by surprise a bit with the second encore and ended up sprinting to the side bleachers and settling in again, for (if I remember correctly) ´Wartime Prayers´ (very moving), ´Bridge Over Troubled Water´, and then when we thought that was the end, the VERY end, we headed out of the arena, and as soon as we were out of the gate, we heard the horns starting up and leading into ´Late in the Evening´, which is one of my very favorite ´fast´ Simon tunes, and although our feet were dancing along the pavement, we weren´t allowed back in. Small price/pain to pay for such a long, fantastic set. It sounded great outside as well...!

All in all, a great concert, and we were very impressed by the strength of Paul´s vocals - after all these years - hardly EVER missing a note, and impressed by simply watching his gestures and ease on stage, just telling his stories. The adroit songwriter that Simon is, and long will be, is his legacy, and it´s a privilege to experience this firsthand.


USA / California - Paso Robles - Linda

Playlist: same as previous shows:

Gumboots
Boy in the Bubble
Outrageous
Slip Slidin´ Away
You´re the One
Me & Julio Down by the Schoolyard
How Can You Live in the Northeast
Mrs Robinson
Love Me Like a Rock
That Was Your Mother
Duncan
Graceland
Father and Daughter
Diamonds on the Soles of Her Shoes
Still Crazy After All These Years
Cecilia
E1:You Can Call Me Al
The Only Living Boy in New York
The Boxer
E2:Wartime Prayers
Bridge Over Troubled Water
E3: Late in the Evening

What a great night!! Thank you Paul, your band, your crew, the audience´¦.

The opening band was Amos Lee, who, according to Web info, was the opener for Paul in Costa Mesa the night before (don´t know why he didn´t identify themselves that night, as he did here). And Stateline, you´ll have someone else tonight, as Lee is playing in San Francisco.

Mother Nature could not have been nicer, as the weather last evening was absolutely PERFECT!!! I´ m guessing it was around 68, with just a nice mild breeze. Paso Robles is notoriously hot at Fair time; but the worst heat spell in 40+ years abated this week; and even the uncharacteristic humidity of the day before (that was also present down in Costa Mesa) was absent. Amos got the setting sun, and it was dark by the time Paul began, with a beautiful crescent moon hanging in front of him to the west ´“ and Paul made a nice comment about that, along with the colorful Ferris wheel visible off to his left.

The grandstand holds about 14,000. Security guys told me about 6,000 seats had sold by that day. Don´t know how many ´walk-ins´ added to it; it was definitely not a sell-out, but it still looked like a pretty good turnout, at least from what I could see from my 10th row center seat. The various bleachers were only partly occupied; I did find myself in a small bit of envy of the folks in the bleachers immediately to stage left: even though they had a very angled view, of not only the stage but also the 2 video screens now installed at the fair, those folks could and DID stay standing and boogying the entire show.

But many others of us were on our feet a lot of the time, too, from early into the show. As I´ve followed the other reports on Paul´s tour here, I was a little worried about being hassled for standing and dancing (at least I can boogie pretty well in my seat, too, as needed ´“ ´˜cause I sure can´t keep still to great music like this!) I sat for only the slower/quieter numbers. There was obvious good feeling in the audience, and nobody seemed particularly bothered by those of us up and dancing.

As on his other stops, Paul didn´t talk much, but he did seem to enjoy this show and audience. Again from reading these posts, I was prepared for the different arrangements of these classic songs; but they weren´t quite as far removed as I thought they might be, and I loved all of them.

The friend who went with me has a musician background, so he enjoyed the concert on additional levels beyond my level of knowledge and appreciation. He particularly phrased the band as ´tasty,´ in terms of not only each member being a really good musician (and with a neat variety of instruments), but also the fact that they were each restrained enough to make every song just right and a beautiful, cohesive group effort, without any excessive ´showing off´ by anybody.

I knew the playlist from following the tour here; and I was surprised at how quickly we were already down to Cecilia -- boy, the time flew by! I was hoping he would ´reward´ us with the 3rd encore-which he did; and for that number I ended up boogieing down to the very front.

I remembered after getting these tickets that one of the very first concerts I ever saw was during my freshman year at UC Davis, when Simon & Garfunkel played there in spring of ´67. So this concert sort of brought things ´full circle´ for me. Low fixed income has pretty much killed concert-going for me for many years now (big bummer); so last night will stay large in my memory for a long time to come. As I said at the beginning: What a great night!!!!!


USA / California - Costa Mesa - Callista

This is the best Paul Simon concert I have ever attended. The crowd was very receptive and Paul felt very comfortable with the audience. He talked and joked more than he usually does with an audience. It was great.
This ampitheater held only about 3,000 to 5,000 people, so it was a pretty small but intimate crowd. I think Paul likes smaller crowds better. No matter where you sat you got a good view of the band. I sat in the orchestra section, so I had an even better view!
The weather was perfect, not too hot and not too cold. It was humid, but what can you do eh?
At 7pm, this nameless band came on and sang about 5 songs. They were okay, but you could tell that the crowd was getting restless by the 5th song. Even the leader said that his band had no name, and wasn´t even sure if they wanted one (OOKKAAYY....) which told me that it was time for them to get off the stage.
Once that was over, Paul came out at around 8:00pm.
The first song was Gumboots. I thought it was a good way to get the concert going. Paul was very energetic during the song.
The second song was Boy in the Bubble. It was a regge version of the song. I personally didn´t really like it as much as the original, but that is just my opinion. The crowd really seemed to love it though!
The third song was Outrageous. As said in the other concert reviews, most of the crowd did not seem to know this song, or the others from Paul´s newest album. I really found that kind of sad. Those who did know it though, got up and danced, myself included....it was awesome!!!
The Fourth song was Slip Sliding Away. Before he sang it he joked with the crowd by saying, ´Sure am glad to be back here....I grew up here only a little ways away.....This use to be all cotton fields!!´
Everyone laughed because we all knew that he is really from New York, but he was right about Orange County being all cotton fields at one time.
The fifth song was You´re the One. I really LOVED the new way that Paul sang this song. He changed the order of some of the lyrics and gave it a harder, edgier beat. It was awesome! I hope that Paul comes out with a concert album beacuse I really want a copy of that version of You´re the One.
The next song was Me and Julio, always a crowd pleaser!
Next was How Can You Live in the Northeast. What upset me about this song was the fact that after everone had a blast dancing to Me and Julio, when this song came up, a song obviously no one was really familiar with, it is then that everyone chooses to leave to either take a bathroom break or get more food or alcohol. I noticed this everytime Paul sang something from his new album, but when he sang the old standards, everyone came rushing back. Maybe it´s just me, but I found that highly insulting.....anyway...
After that, everone came rushing back for Mrs. Robinson where Paul did a fantasic guitar solo in the middle. What makes this unique is that Paul rarely does guitar solos. I was in heaven!
Next was Loves Me Like a Rock, a great sing along song, and believe me, everyone did!
After that came That Was Your Mother where we all got a chance to see Paul strut his stuff :)
Next was one of my favorite parts, and that was Duncun. Paul said that this song was of course from his first album and that the only reason he mentioned it was that he could see a lot of the people there looked as if they were not even alive when that album came out...well he was right! I can count myself in that group! Paul sang it so beautifully it brought tears to my eyes...( and a lot of whistles and screams when it came to the part where Duncun loses his virginity!!)
After Duncun came Graceland which of course put everyone on their feet. Paul played his guitar with a lot of energy....it´s hard to believe he´s really 65!
When Paul followed with Father and Daughter, I was a little disappointed not to see Adrian there. I had read a lot of the concert reviews where Adrian sang on stage with his dad, but alas, it was not here :(....though the song was of course still sung beautifully!
Diamond on the Soles of Her Shoes was hysterical because something in the audience ( don´t ask me what) kept making Paul laugh so hard it took him two tries to even begin the song! When he finally got it going, the whole theater stood up and sang it with him! It was amazing! (I wish I knew what made Paul laugh so hard!!)
Next was Still Crazy After All These Years, which again the whole crowd sang with him. The Sax solo in the middle was so good, I think it was better then Micheal Brecker!
Cecilia (another great crowd sing along!) wrapped up the first part of the show. Paul left the stage to thunderous applause which of course brought him back to do his first encore which was You Can Call Me Al. Everyone was singing and dancing with so much vigor, I thought I was going to go deaf! (At least where I was sitting!) Paul, Mark Stewart, and the Bass Player really rocked out with their guitar on this song. I wish that any reviewers who have said that Paul looks as if he is tired or does not have a lot of energy at his concerts could have seen him at this one. The man moved as if he were in his 30´s!
He left the stage again, to of course, more yelling whistles, screaming, and this time the added bonus of a few hundred people hitting the backs of their seats! It sounded like thunder!
Paul came back out and did The Only Living Boy in New York ( The acapella sung in the middle with Vincent and Mark was stunning. Paul took the high voice and never once faltered.) and The Boxer. When he sang The Boxer, Paul let the audience sing the La La Lie parts and believe me, we sang. I wouldn´t be surprised if Edie heard us over in Texas during her own concert!) I wish that Paul had sung the extra verse in the Boxer, but I know since the 80´s he stopped using it. I´ve always wanted to know why he dropped it in the first place.
Afterwards, he once again bid everyone thanks and left the stage. The same scenario occurred with the screaming and such, so out comes our Paul to sing my favorite Song of this concert which was War Time Prayers. It pissed me off that during this song is when a large amount of the crowd started to leave. I don´t know if it was because of the song (which only got a lukewarm response from the crowd. No applause before the song and only minimal after.) or perhape people just wanted to beat the crowds when leaving.
Paul sang War Time Prayers with such emotion I started to cry myself. Especially when he sang the verse: I want to rid my heart of envy and cleanse my soul of rage before I am through. You could see the intense emotion in his face. It almost looked as if he were crying too.
After he finished he went right into Bridge Over Troubled Water. It was a good rendition and the crowd loved it. It started out with just acoustic strumming but by the time he reached the middle of the song, it became much more rock. I liked it because it was a breath of fresh air to a very much well heard song.
Paul left one last time and after the usual crowd hysteria, came back to sing the final song of the evening, Late in the Evening. It was a great rocking final to a memorable and absolutley fantastic night. It was by far, the best concert I have ever attended. I am so glad that I was able to be a part of it.
One last thing:
Before the show started, Mark Stewart was walking around everywhere just checking out the people. At one point I even overheard him having a conversaion with someone who might be his wife on his cell phone. I kept wanting to approach him for his autograph, but I didn´t want to disturb him. Now I feel like kicking myself!
Also, since I arrived an hour befor the concert began, I saw walking around onstage Gabriel Simon,(One of Paul´s young sons in case you are not familiar), Paul´s brother and manager Eddie Simon (He looks just like Paul...except a little shorter and less hair!) and Harper´s girlfriend Leva Imsa who sat near the front of the stage. I may not have had the guts to approach any of them, but it was still cool to actually see the people you always read about!
I hope this review was helpful for everyone!


USA / California - Costa Mesa - Callista

I am so sorry! I was so tired from the concert last night, I forgot to add Outrageous to the setlist!
Outrageous was the third song done! But I am sure that you already knew that!
Once again it was an amazing concert!!!


USA / California - Costa Mesa - Nate

Agree with what has been written, but I believe the Pacific Amphitheater´s seating capacity is more like 10,000, and it was definitely a sell-out crowd.

What impressed me even more than Paul Simon´s artistry was his apparent humility and honesty. The lyrics from his ´Surprise´ album show a man reckoning with himself and his life as honestly as he can, hoping for salvation or transformation, and not quite reaching it. Time magazine was right ... he has really given us so much by sharing so much of himself.


USA / California - Costa Mesa - georgie

What a great concert! I sat in row-T, and had a great view!! Paul was incredible and sang with such emotion and heartfelt sincerity. He sounded impecable. I also had great neighboors, or people sitting near me in front and by side. lot´s of energy!! What a great concert, and a great crowd, i felt like everyone was connected through Paul´s Music. IT was so inspiring to wacth.


USA / California - Costa Mesa - Patriquem

Paul Simon (Pacific Amphitheatre/Orange County Fair, Costa Mesa, CA 7/28/06)

SETLIST:

Gumboots
Boy In The Bubble
Outrageous
Slip Slidin´ Away
You´re The One
Me & Julio Down By The Schoolyard
How Can You Live In The Northeast?
Mrs. Robinson
Loves Me Like A Rock
That Was Your Mother
Duncan
Graceland
Father and Daughter
Diamonds On The Soles Of Her Shoes
Still Crazy After All These Years
Cecilia
--------
You Can Call Me Al
The Only Living Boy In New York
The Boxer
--------
Wartime Prayer
Bridge Over Troubled Water
--------
Late In The Evening

BAND:

Steve Gadd ´“ drums
Mark Stewart ´“ guitars, baritone sax, penny whistle, vocals
Andy Snitzer ´“keyboards, tenor, soprano saxophones
Robin Di Maggio ´“ drums
Vincent Nguini ´“guitars, vocals
Tony Seagus (sp?) ´“ accordion, zyedco washboard, keyboards, guitar, vocals
Bakithi Khumalo ´“ bass

Paul Simon fronted an eight-piece band at the Pacific Amphitheatre Friday night, playing a diverse selection of tunes that included cuts from most of his solo albums and even the occasional Simon & Garfunkel number.

Simon appeared a little more at ease than he did at any of the other shows I´ve seen him do, as if he´s now comfortable with the performance aspect of his career. I´m sure it helped that the audience gave him a rousing ovation when he first came on stage, and it was that same enthusiasm which may have impressed him enough to come out for a third encore (most stops on his current tour only get two).

The first thing that surprised me about the band setup was that there were two drummers. Steve Gadd regularly tours with Simon, and most headliners aren´t so lucky. So why then was there a second drum kit on stage, and not the rig of a percussion player? As the show wore on, the answer became more obvious.

Simon had four guitars on stands behind his microphone position. The one he picked up for the first song of the set, the rousing ´Gumboots´ from the Graceland CD, was the same wood-grained Strat with the missing bridge and neck pickups that is depicted on the cover art of 2000´s You´re The One. Simon likes to gesticulate as he sings the story that is ´Gumboots´, so that guitar didn´t get a lot of use. It could hardly be called a prop, since Simon isn´t afraid to put the guitar down altogether and simply sing without one if the song calls for that.

By the time the band launched into ´Outrageous´, one of the airplay songs from the new Surprise CD, he had switched to a six-string dreadnaught and was finger-picking licks on it. His two guitarists were returnees from previous tours: stage left, Mark Stewart, who impressed Simon during the You´re The One sessions with his musical versatility, opened on a white Gretsch Country Gentleman, and as the evening went on, played a couple of Strats, a Tele, a Gibson Firebird V, and even helping out with penny whistle and baritone sax (the baritone stayed on a stand as he played it while a guitar was still strapped on). Stage right, Vincent Nguini, a Nigerian who had worked with Simon on Rhythm of The Saints, played a number of Gibsons, including a gorgeous burgundy L-4. Both Stewart and Nguini provided background vocals; Stewart, whose vocal range still gets into the highs that Simon can´t muster any more, took over for Simon on some of the higher harmonies, including the ´whistle solo´ on ´Me And Julio´. No wonder Paul likes him.

Simon wasn´t afraid to crack wise with the audience, even if might have been the same wisecrack as at the show from the night before, or the night before that: ´It´s good to be here!´ (Without mentioning where ´here´ was; I always love that.) ´I was born only a half mile from here´, he deadpanned (Costa Mesa will not be mistaken for Newark Heights, NJ by many), and then, while sweeping his arm over the breadth of the amphitheatre, added ´This was aaaalllll cotton fields back then.´ Nyuck, nyuck. Hint to Paul: It´s called Orange County because once upon a time, say, 65 years ago´¦oh, never mind.

A couple of the more familiar songs in the set got renovated arrangements since the last time I heard him play them live: ´Mrs. Robinson´ was turned into a funky, riffy number, almost bordering on reggae. It was refreshing to hear it played that way. Simon had picked up a tobacco-sunburst Strat (with full pickup complement) midway through the song and led the up-tempo mid-section with his chords, but by the end of the number had switched back to his 6-string dread. He also had a 12-string dread that he used on a couple of songs.

The band had two other multi-instrument musicians: Andy Snitzer, who bills himself as a saxman (and who indeed played tenor and soprano during the show), was mainly relegated to #1 keyboard player. That a Mac monitor was atop his stack made me wonder if some of the keyboard parts (this was not a keyboard-heavy show) were pre-recorded samples. Tony Seagus played accordion on several songs, guitar on one, keyboards on a couple, and also kicked in some vocal harmonies.

The bassist was Bakithi Khumalo, who played some of the bass parts on You´re The One. He played a five-string version of an Ovation B778, and he was pretty good on the complex bass lines within ´Diamonds On The Soles of Her Shoes´.

It was on that song that the presence of second drummer Robin DiMaggio (he´s on Surprise, as is Gadd) was put to good use. A rhythm passage (it wouldn´t be fair to call it a ´solo´, since both drummers were at it at the same time) near the end of the piece was fantastic. DiMaggio, like most of the bandmembers except Simon and Gadd, was allowed one or two ´break´ songs on which they did not perform. DiMaggio played the zydeco washboard on ´That Was Your Mother´, moving over to Gadd´s riser and standing behind him as he did so. Gadd is such a well-known drummer (Simon even introduced him as ´the great Steve Gadd´) that he got the biggest round of applause from the audience of any of the bandmembers, and he is so steady at what he does. If it were me, I would not have upstaged him with another traps player, but it was not me.

Introducing the song ´Duncan´, Simon pointed out that it was from his (1972) first solo album. ´I mention that,´ he said, ´because there are some (in the audience here tonight) who weren´t alive then.´ Looking around me, I surmised that there weren´t very many people in that category. (In fact, it amazes me how the audiences at the concerts I see keep getting older and older all the time.) For the ´benefit´ of those youngsters not around for that album´s debut, he also informed them that the song had won the Nobel prize.

The well-paced main set concluded with a bouncy rendition of ´Cecilia´, a Simon and Garfunkel piece from the Bridge Over Troubled Water album. After a few minutes, encore # 1 kicked off with the audience´s favorite song of the night, ´You Can Call Me Al´. Simon, by now, knows what a cornerstone this song is of any concert set, and when he gets to the climactic moment in the lyric, he does one of these: ´´¦and Betty when you call me you can´¦´ at which point he extends his arms to the crowd, who obligingly sings the ´call ME Al´ line. Simon has obviously picked up a thing or two watching Springsteen perform.

´The Only Living Boy In New York´ also from the BOTW album, got the crowd to sit back down, and ´The Boxer´ was well-rendered, with a flash of up-tempo that was never associated with that song before.

Another exit and return, and then ´Wartime Prayer´, from the new CD, a song that got a polite reception, but the audience was obviously hoping for something with a little more of a groove to it. Instead, they got ´Bridge Over Troubled Water´ itself, but a pleasant version in which Simon slides effortlessly around the twists and turns that, when Art Garfunkel sings it, are melodramatic and way out of Simon´s range. Paul sings it in a more laid-back, philosophical way, and never exhibits a trace of awkwardness with the song.

Most shows on this tour ended with that song, and knowing that, we were out of our seats and on our way out, but then we noticed that the stage lights were still on, the house lights weren´t yet on, and it wasn´t quite the Pac Amp´s witching hour of 10 o´clock. Sure enough, they came back out to close the show with ´Late In The Evening´, from 1980´s One-Trick Pony, and that sent every home happy. And what do you know? It was exactly 10 o´clock.

-PM


USA / California - Costa Mesa - Jason Daniel

The show was fantastic. I walked away with a few deep thoughts: Simon´s music is just as relevant and ´classic´ as it was when the classics were first written; it´s not disrespectful to sit down and listen, but it is horribly rude to scream, ´WHOOOOOOOO!´ at the most sacred of silent moments; and the large margarita containers looked more like bongs than large margarita containers.

Paul sang beautifully (along with the relevance of the music, he still has his voice) and communicated with the audience with and inviting spirit ´“ enjoying the evening along with us. The band was fantastic, stepping up and delivering well-polished musicianship and enthusiasm throughout the entire set (an understatement.) The evening had a great flow to it, peppered with infectious grooves and poignant, reflective moments. I´m not 100% certain that ´Bridge Over Troubled Water´ is necessary in the setlist. It felt flat and forced to me ´“ the uptempo reprise forced me to disconnect from the inherent magic of the song ´“ perhaps I just expected something else, because it still had beautiful moments. The set was almost two hours to the minute, thanks to an unexpected, extended inclusion of ´Late in The Evening.´

For the now-initiated: the opener was Amos Lee and no, his band does not have a name; neither does Paul´s. Lee was fantastic in voice and gracious to those that lent an ear. Those that did gave the former school teacher a rousing applause that called out for an encore (one that did not happen.) The sound was heavy and dreamy, inviting the listener in to feel´¦ like aural tequila.


USA / Arizona - Phoenix - Jeff

Well, Paul was great. The crowd was pretty energetic and I could tell Paul appreciated it. He was in top form. Impressive and energetic performance. Hope to see him again!


USA / Arizona - Phoenix - Jane

Great concert! The two hours of the concert went by too quickly. The crowd included people of all ages. Paul is a great entertainer, and had great musicians with him, especially drummer Steve Gadd. What fun that the arena is right near Surprise, Arizona, and Paul´s new album is Surprise!


USA / Arizona - Phoenix - Rog

Paul jammed as always. Even though the decrepid phnx crowd was boring and elderly (usual for phnx.) Paul still managed to get them out of thier seats by the 1st encore. Fantastic Paul, truly a man that transcends all generations.


USA / Arizona - Phoenix - Holly

I thought he was energetic and great to finally see in person. I know that the crowd was mostly older folks, but I think they were moving their feet even sitting down. I know alot of them were clapping to the music . PAUL SIMON is one artist really worth seeing, I had a great time and would see him again if I could.


USA / Texas - San Antonio - Wade

Tired old people should dance more.

You almost ruined Mr. Simon´s show.

Dance. Dance. Dance.

And to the guy who told the hippie chick to shut up and sit down. Stand up, make noise.

Peace and Love









P.S. I got Paul´s setlist. Na na na na na


USA / Texas - San Antonio - Lisa

The tired old people at the concert Monday night in San Antonio are the teenagers from 40 years ago that helped create the Icon that is Paul Simon. We understand the lyrics and are most comforable in his presence with our eyes closed, drifting off to a place that will never again exsist. His passionate rhythms and perfect lyrics are the reason that this music is timeless.The new songs intertwined with the old,are a testament to a long and consistant song writing career. Paul Simon reminds us that natural rhyme is still possible, that mastering an instrument is still important and mostly for us old folks, he understands us. He is one of us


USA / Texas - San Antonio - Wade

You know, he may be old, but he probably doesn´t want to be thought of that way. Otherwise he would not have hired Brian Eno. All artists, no matter what age want to be appreciated by the youth. Is it fun for Paul to stand while everyone is sitting? Probably not. Why do you think Bob Dylan plays almost exclusively college campuses?

I respect your position, and maybe someday I will sit at a concert. Actually, If I won´t stand, I probably won´t go. Whats the point?


USA / Texas - San Antonio - MeanWeenRules

One of the most interesting shows I´ve seen. I was very shocked at how empty the arena was. Would have thought San Antonio could have filled, or almost filled a 5000 seat arena for Paul Simon. Austin ain´t that far away. I worked a full day in Austin drove down, and was in my seat well before Jerry Douglas took the stage.

I thought the first two songs, and the last five were outstanding. Those performances raised the emotions I´ve come to expect from Paul Simon´s music. The middle part of the show was spotty. There were a few highlights, such as Lincoln Douglas, but most of the songs in that part of the show seemed flat.

I was glad that he did different arrangements of many of his old songs. This was not a nostalgia show. It seemed to me that he was trying to play some of his old hits, like Mrs. Robinson, in the style of the new album. I really like the new album, and really like Eno, so I enjoyed hearing the different versions.

All in all it was worth the $, time, and being extremely tired all day today, to catch a few brilliant glimpses of one of my favorite artists. However, I´m still longing for a performance like he was giving in the early 90´s.


USA / Texas - San Antonio - Triana & Richard

My wife and I came up from Laredo for this show and, besides the minor side issues of the small turnout and the old folks failure to boogie (actually, we sat up front and the watched the security guards call for reinforcements to hold back those same sedate old folks charging the stage ´with their canes´) I must say this was one of the best concerts we have seen in a long time--fulfilling almost every expectation and desire we had about Paul Simon. He and his band seemed genuinely to be having fun and trying to put on what I considered to be a great show. I have to respect the showmanship and artistry of a real ledgend of American music who wants, despite the success and the ego that must go with it, to want to please his fans. As we age we all learn a little about getting older and less eager to please and I really respect Simon for sharing so much of himself with us. The set list was incredible, including many new songs from Simon´s two latest CD´s. Anyone who learned to strum a guitar in the 70´s knows Duncan, which was beautifully rendered, and of course The Boxer, an wonderful duet with Jerry Douglas. I loved the mix of old and new, songs and sounds, and although there are many old favorites I would have like to have heard, Simon´s songbook is so extensive that would be impossible. Simon himself seemed so gracious and seemed to take the small crowd with a grace and lack of ego that, if the ealier review is accurate that he was upset he did not let on in his performance. We have seen a number of good performances from older masters recently, Guy Clark, Mary Black, Butch Hancock, Dylan (tho that SA show, of many incredible Dylan concerts we have seen, was a disappointment), the Stones, and this performance and Simon´s band, music, and accompanying musicians is among the very best in recent years.
I suppose music and art is subjective, but to my mind, this was a wonderful concert and a wonderful opportunity for the ´enlightened few´ to experience an artist with a finger on the pulse of America the way none other has.


USA / Texas - San Antonio - blu

Kinda long, guys :)

We arrived at the auditorium at around 4:00 (the concert starts at 7:30). We went around to the back where they were unloading the busses and set up camp, hoping to catch Paul walking by so he could sign my Graceland album. We got blown off by several roadie-types when we asked where we could get an autograph.

A couple of hours later, we saw Paul´s bassist B.K. wandering around looking lost. I waved at him and he came over, asking how to get to the front of the building. We told him, and then I asked him how I would go about getting Paul´s autograph. The next thing we know he´s saying that he´ll be back with backstage passes. 30 mins later he returns, passes in hand. He gave them to us and said he was glad that he now had friends in San Antonio.

So the concert starts, and the opening band was awesome. The place was pretty barren. Less than half of the auditorium was full. But then again ´“ it´s San Antonio ´“ not the prime place for sophisticated and meaningful music. As bad as this sounds, the percentage of ´cultured´ people here is quite low. Country and rap shows sell out, but someone like Paul Simon is just not appreciated here.

Finally Paul took the stage and played three songs before opening his mouth. He looked over the audience and said ´And here we have the enlightened few!´ Everyone laughed. Then he said, ´That´s alright ´“ I know how that is´ and continued into the next song. He later talked about how he likes the evenings in San Antonio. Also when he was talking about Lincon Duncan, he mentioned the year in which he wrote the song and said ´that was probably before a few of you were born´ and then said something about winning a Nobel Prize.

The concert was wonderful. My only complaint is that we were sitting too far. The music was wonderful, as I expected, although people didn´t get into it as much as I had hoped. But then again, this is a much different crowd of concert-goers than my generation is used to. For a 65 year old, Paul´s definitely still got it. Oh, and no third encore for us :(

At the end of the show, I rush to the front and a couple of band members come out. The other VIPs seemed to know them already, so I was the only real newbie. I´m frustrated how we´re not going backstage, and I ask the guitarist what´s going on. He asks what I´m waiting for, and I say ´I want to get Paul´s autograph.´ He gives me a sad look and goes ´I don´t think Paul´s coming out.´ WHAT?! ´Yeah, he´s prolly in his PJ´s already´ Another lady standing there agrees. I ask what was the point of having backstage passes if you don´t get to go backstage or get an autograph? Both of them look upset about it, and the lady says ´honestly, I don´t know..´ in a sad voice. So we stand around for a minute while the shock sinks in, and then the other band members have to go. The guitarist gives me a hug and looks really upset (I think he realized how much I wanted to meet Paul) and said he was sorry, and then they all leave.

When I go outside I run into a security guard who apologizes for what happened. He says that Paul was really upset since there were only 1600 people there and therefore took off as soon as he could.

I was hurt, disappointed, and just about any other emotion you could think of to throw in there. Not only does he make the most beautiful music and poetry in the world, but from everything I knew he was a good person. He gets upset that the crowd was small and runs off like a kid throwing a tantrum? Please! It´s SAN ANTONIO! You had a small crowd when you were here 5 years ago, and you still have a small crowd. That´s how this town is, what did you expect?! Besides, like someone in the crowd screamed at the beginning of the show, Quality over quantity! We are his fans just like a group of thousands are his fans. How hard is it to take 10 minutes out of your life and shake some hands and do some autographs? We´re the people who make you what you are ´“ we buy your records and pay $80 ticket prices to see you live. Show some gratitude.

Of course, this all could have been prevented if I never got that backstage pass to begin with. The fact that I did made my hopes rise to a level I never thought possible, which in turn made the heartbreak all the more painful.

I must say, Paul ´“ I am disappointed with your attitude.


USA / Texas - Houston - boxer-girl

Wow. PS rocked... funny actually, he looked just like my dad. What was with the people in the pit though??? Bunch of bored yuppies who got the tickets for free or for watercooler material. They were going up and down for beers every song. PS actually threw his hands up at one of them! Audience on the whole was older/lame. Hardly anybody was on their feet dancing but I was, I didn´t care. Nice reworkings of Boy in the Bubble, and Mrs. Robinson. Thanks, Paul for the 3rd encore, I love Late in the Evening.

3 things I´ve never seen on stage before (and I have actually been to a lot of concerts):
- dude playing guitar with a paintbrush,
- dude playing washboard on his chest,
- changing guitars in the middle of a song for a solo (Mrs. Robinson)

Super-sweet show!


USA / Texas - Houston - Bonnie

Another great performance.

I went to the Dallas and Houston concerts on two consecutive nights. Several people thought I was crazy for doing so, but (despite being a tad tired of feeling I need to justify my expenditure of time or money to anyone), I´m very glad I went. Two different nights. In my opinion, two different shows, despite the singing of the same songs.

Dallas (the preceding night) ´“ indoor, air conditioned venue with stadium-seating and cup holders on the seats in front of you. Polite, respectful audience, dressed nicely on a Friday night.

Houston ´“ outdoor, amphitheatre setting where those who came out to sit on the lawn or in the uncovered section of the pavilion did so after a rainy afternoon on what is a typical humid, sweltering, summer day. Very casually dressed on this Saturday evening.

Performance-specific events:

- Firstly, something Jerry Douglas did caught my attention. The previous night, in Dallas, I am positive he introduced the bassist, Todd Parks, as ´a local´ guy ´“ ´Dallas´ own.´ In Houston, JD introduced him ´from a city/town you´ve probably never heard of: Cleveland, Tennessee.´ I googled Parks just prior to writing this review and, indeed, he does have ties to Cleveland, TN. I was thinking JD just made a game of giving Parks a different birthplace each night. Perhaps he does or this was a one-night joke. Whichever, you might just want to listen if you attend a future concert, just for grins.

- After 2-3 songs into the set, Paul Simon gave his introductory remarks. He started by commenting on the sunset. Then he said something like, ´I have good memories of here. I was just thinking that I came here shortly after meeting my wife, Edie, back when her grandmother was still alive.´ Then he paused and said, ´and now I´m just thinking about my wife´ and he stared off into the distance and just smiled, as if lost in thought. It was sweet. However, something about him mentioning Edie´s grandmother, though not crucial to his joke, was so lovely and warm and personal. It gave an added dimension to the anecdote. It was touching.

- Later during the concert, someone obviously must have yelled out, ´I love you!´ because PS replied, ´I love me, too.´ After the laughter, he said, ´´¦ 1/3 of the time,´ then smiled/laughed and played the next song. (I wouldn´t read too much into this. Whether it´s true or not, I would guess PS meant it to be taken as a joke.)

- In Dallas, my 9-year-old was with me at the show. I turned to her so excitedly when PS returned for the 3rd encore, ´Late in the Evening´ and explained they hadn´t been giving 3 encores previously on the tour. This led to quite a discussion about encores and are they planned or aren´t they and how do you plan to do something that is supposed to be spontaneous, etc. That´s why I found it rather funny when, in Houston, after PS came out for the 2nd encore, he looked at the audience before playing and remarked, ´It´s a funny ritual: encore.´

- One irksome event that occurred: After PS returned for the 3rd encore, some ´moo´ (as I believe Micky would say) from one of the first three rows reached up to give him something. PS took it, then looked at it, and it seemed clear to me was disgusted at what had just occurred. It looked to be about a 200-300 page document (manuscript, perhaps?) and PS either figuratively or literally (I´m not even sure which) seemed to grimace/shake his head/roll his eyes, either at his aggravation with himself for taking the document, upset at coming out for the 3rd encore which set up the scene in which the opportunity presented itself, or disgust with the audience member for being so impolite/bold/presumptuous as to hand him this stack of papers in front of a crowd in the midst of a performance. Whatever the reasons, I shrank in my seat, embarrassed to be in the same audience as such a person and hoping that wouldn´t put a damper on PS´s memories of performing in Houston. His earlier recollection of playing there shortly after meeting Edie, when her grandmother was still alive, created a much nicer memory, I´m sure.

Side notes, for those who are interested:

- No anecdote preceding ´Father & Daughter´ and no son accompanying him on this song in Dallas nor Houston.

- I didn´t look in the lobby in Dallas, but didn´t see any anyone coming into the theatre with tour merchandise for PS. I saw someone with a Jerry Douglas CD. In Houston, there were 2 main entrances into the pavilion. I didn´t check out both of them, but I can´t imagine it would vary from one entrance to the next. I didn´t see t-shirts nor CDs there, either.


USA / Texas - Grand Prairie - Bonnie

Amazing show. Amazing man.

I had a wonderful seat, perhaps 12 rows back in the front section, on the aisle. Close enough to watch his every move and enjoy it all tremendously. So close as to be kicking myself for the rest of my days for not bringing the camera, after being sure to load the digital with a high-capacity memory card and take it on the 4-5 hour trip to Dallas. But, I was chicken-hearted and didn´t want to face taking the camera to the theatre, just to be turned away and sent back to the car. As it was, cameras were permitted and I had the perfect seat in the perfect venue to take unobstructed photos. Lesson learned: call ahead, plan ahead and you don´t have to second guess. Of all the things in the world to regret, this is a small error, but... the same opportunity never presents itself exactly the same way twice. So, this show on this night will never be performed again and I don´t have the hard-copy photos to remind myself of this wonderful evening.

But, enough about me... on to the show:
Musically, I´m very naive, so I haven´t much to say about that aspect. Discussion has been made about ´the sitters´ and ´the standers/dancers´ and I´ll not revisit that issue hear except to say that I don´t think musicians require dancing in the aisles to know when audiences appreciate their music. At least where I sat, and in the section next to me (I didn´t look back to know about those behind me), there were several standing ovations throughout the night, beginning with the moment Paul Simon took the stage. I´m guessing there were 12-18 standing ovations during the course of the concert. And, yes, the setlist stated above (although I did not post it) correctly shows a 3rd encore. I think the entire audience stood/danced/swayed/rocked through it!

A few items specific to the Dallas show:
(I know it is said often that Paul Simon is a private man and likely doesn´t appreciate his family being in the public eye often, so I apologize if this crosses the line at which he would prefer such a topic not to be written. It´s part of what I think is so interesting and much of what I think so heart-warming about him.)

- Unfortunately (from my perspective), PS didn´t say much. Not even the anecdote preceding ´Father & Daughter´ which he stated in other concerts as he dedicates the song to his daughter. Neither did his 13-year-old son accompany him on stage to sing it.

- During the first song, I am pretty confident it was his younger (8-year-old) son who came into the theatre and sat in the front row. It was so beautiful to watch as PS catch sight of him and then (trying to catch his son´s attention?) waved to him. I say it seemed as though he was trying to get his son´s eye because of his manner, leaning over slightly, and smiling, as if he found it amusing that he was on stage and his son wasn´t looking at him, but he (PS) was looking at his son. You can usually tell when PS sees one of his family members -- he smiles then like he does as no other time. His entire face just grins and you know at that point that he isn´t just up on stage singing at a performance and ´stage smiling,´ he actually just saw something or someone who makes him happy. It was tremendously endearing.

- Although PS only made comments a few times during the show, there was one time he just started laughing (giggling/chuckling) and I have no idea why, except it didn´t seem to be anything anyone said or did, but appeared to me to be something he was thinking or considering saying. It was between songs or at the beginning of a song, before any lyrics had been spoken and he might have had an anecdote, but he didn´t speak it. Still, it was ´funny´ and ´fun´ just to hear him giggle and wonder about its source.

- He mentioned his wife a couple of times. (Remember that she is from the Dallas area.) He mentioned that he had just been in the city a few weeks prior, watching her perform. Then, after the 3rd encore, he said, ´I really had a good time. I´ll tell my wife.´ The last line seemed to me such a funny kind of line, as if he was at an intimate dinner party with a bunch of people who knew his wife (who was not there) and he was going to send back their regards.

So, for those who want to know about the music, my ´review´ isn´t very helpful. Some of you like the man because of his music. I like the music because of the man. What a gift!


USA / Georgia - Atlanta - Elmore

This was my first Paul Simon concert and I was rather impressed.
I am a somewhat of a student of the histroy of popular music, and
play guitar as well. Great mojo at this concert, the guy really
delivered. Outstanding guitar work from both of his guitar players.
I never disliked his music, but never went out and bought it either.
I remember Graceland being good. Paul Simon really won me over, and I
would paid a decent amount for a DVD of this concert. He has to be
one of the best songwriters ever. Great singer as well. Great concert.
Gotta go and get that new album. The kids (musicians especially) of today
would be do well to investigate this music.


USA / Georgia - Atlanta - Heath

Paul waited till the heat cooled down and played until he couldn´t play anymore. Chastain´s kinda funny with their curfew. Having seen him at the OMNI before ( no longer there,) it was a real treat to see him outdoors. Any idea how I can buy a bootleg of that show?......Please notice I said buy....Go Paul


USA / Georgia - Atlanta - Kev.

I must admit, this was my first Paul Simon concert. However, before you make assumptions about me, rest assured that I have been waiting years for this experience.
First the venue... Chastain Park Ampitheater - snuggled in the heart of residential Buckhead - is not exactly my cup of tea, with it´s uncomfortable lawn setup, wine and cheese atmosphere, and general stuffiness. I prefer a more loose feel to my venues, but it did deliver in one very important aspect - one´s ability to bring in one´s own alcohol and food. Never underestimate the power of not paying eight dollars for flat draft beer!
Like clockwork, at 7:30 Jerry Douglass appeared to play his opening set. It was brief and generally unnoticed by the mostly 40-50 something crowd as they preferred rather to discuss which wine went better with their Havarti Dill.
When the lights went out, I knew it was time. I had been waiting years for this opportunity. I was dead set on him opening up with ´How Can You Live in The Northeast´, the first track from his new album ´Surprise´. I was so adament about it, so sure it would happen, that I almost jumped out of my shorts when I heard the opening riff to ´Gumboots´ start off the evening.
It was refreshing to hear new arrangements for old classics such as ´Boy in the Bubble´ (much slower, with different vocal arrangements) and ´Diamonds on the Soles of Her Shoes´ (same intro, but a decidedly more reggae influenced groove underneath the same melody).

Here´s a few things about this show that I found noteworthy...

1) The lack of dancing.
My wife and I are feverish dancers. This was perhaps never more evident than during this show. Everyone else, however, seemed content to sit on their laurels until they heard a song they knew. ´Cecilia´ brought even the stiffest fans out of their seats, but that outburst was definitely the exception rather than the rule.

2) The overall venue sound.
WAAAAAAY too quiet. In the lawn where we were, it was almost impossible to sing along without drowning out the band. That is unacceptable. The band sounded great, but you almost had to be quiet to hear them. Dancing and silence generally don´t go hand in hand.

3) Two kit players.
I went to this show expecting to see a full on Steve Gadd-O-Rama. What I got, however, was Mr. Gadd seemingly holding back to accomadate the other drumkit player. It would´ve worked much better to support Gadd with an auxiliary percussionist rather than a full kit player. He is arguably the best drummer in the world, why tie him down?

3a) The lack of horns.
I understand Paul Simon wanted to tour with a much smaller band this time around (see number 3)but there was a definite lack of horns. They didn´t play ´Late in the Evening´ which surely ruffled the feathers of the aforementioned hoity-toities. Guitarist Mark Stewart traded his axe for a sax on a few occasions, but it wasn´t nearly enough to fill out songs like ´Diamonds´.

4)Crowd interaction.
Before playing ´The Only Living Boy in Mew York´, Paul made this comment...´So I´m going to play a Simon and Garfunkel song now. I don´t know how many of you realize this, but I was a part of that group. Tonight, I will be playing the part of Simon´. That´s as much as we got, but I was thrilled to get it.

Overall, I thought the setlist was well chosen, incorporating four songs from ´Surprise´, plus a few gems I thought I´d never hear - ´Slip Sliding Away´ and ´The Only Living Boy In New York´. I thought the band played great, a bit reserved, but still tight. Paul´s voice was on point all night, and it was great to see him so active on stage. I´d have to say - for a first timer, I sure hope it´s not my last.


USA / New Jersey - Holmdel - Sam

Excellent show, Paul was amazing. The crowd didn´t know some of the songs (especially the new ones) but he was on fire. I danced a lot in the second half and had a great time. Paul looked like he was having the time of his life during Me and Julio. You Can Call Me Al was probably his best song. Mark Stewart and the whole band was great too. Just a great show, Paul always delivers.


USA / New Jersey - Holmdel - Dan

This was a joyous, rhythmic, exhilirating show, which many beautiful melodies, soul-rocking beats, sweet harmonies, elegant guitar lines, and a beautiful bottom which packed a punch with two drum kits and a rock solid bass player.
Man, this was tasty.
I would have loved another half hour of music, too.
But what the heck. Paul is 64 years old, it was hot and humid as it could possibly be, and the music cut through the night air like a cool, crisp, refreshing breeze that made you glad to be alive.


USA / New Jersey - Holmdel - Tom

seeing Paul for the first time since 1982, it was real exciting. The Jerry Douglas Band were great. and as the crowd was getting a little anxious to see Paul, when he came out he played a phenomenal set. Coming out for encore 2 & 3 playing great despite the heat and humidity I certainly had the time of my life.. I was slightly shocked that he didnt play 50 ways or Kodachrome, but I guess if Paul Simon had to play all his hits the concert would be a heck of alot longer and The band would have melted out thre. Thanks again Paul and the band for a great night of music


USA / New Jersey - Holmdel - kronsk

I personally thought the crowd was a little lame. We got yelled at for dancin twice... We heard the sound check at around 5 and the where rehearsing late in the Evening so I was thinking they would play it but no...I think they could of used another horn or two in the band...Northeast was by far the best new song live and one of the best period.


USA / New Jersey - Holmdel - Buzzy Levine

Bravo Paul- you gave us what we came for- all your old stuff and a sample of the new. Excellent show!! Thanks


USA / New Jersey - Holmdel - Jen

Okay, it´s 2 a.m. and I just got home, and my review is rather long. I had the BEST night ever!

I started out with 2 lawn seats, and the person I was supposed to go with bailed on me, so I ended up going alone. I had a little extra cash, so I went to the box office and asked if I could upgrade my tickets. They told me I could do it for $60, but I figured I would see how the lawn seats were first. I knew right away that the lawn wouldn´t be fun, as soon as I spilled a drop of water on a woman´s blanket, turned to her and said that I was extremely sorry, and she looked at me like I was the devil. I sat down for a moment, and thought to myself that I did have the money, and I had been waiting for this day for so long, so I might as well go for it and get better seats, and hopefully be in better company. I went back to the box office, and I got 3rd row on the left of the stage. When I got to my seats, I was so excited to see how close I was.

The Jerry Douglas Band was VERY good...I was very impressed with them, and now I want to get their CD. After they were finished, I noticed there was an empty seat in the first row, so I asked the security guard if I could move there once Paul came out if it was still empty. Sure enough, Paul came out and it was still empty! I moved to the front row, and that´s where I stayed the entire concert!

I must say I enjoyed every single song that Paul sang. There wasn´t a bad one in the bunch. The audience, at least from my perspective, was very responsive and fun. After reading some of the other reviews, I was afraid that the audience wouldn´t be into it, or would yell at people who wanted to stand and show appreciation (I´ve had this problem at other concerts). But, ss soon as Paul came out everyone was on their feet. There were standing ovations after many of the songs, and as soon as he started doing songs like Me and Julio, You Can Call Me Al, Cecelia and The Boxer, to name a few, everyone up front was on their feet and dancing the entire time. I felt like I was part of the world´s biggest Paul Simon party, and it was so amazing to be part of that experience.

I have been a fan of Paul Simon since I was 5 years old, when my mom would play his music in our house. So basically, for as long as I can remember, I have wanted to see him live. This is the first chance that I had to do this, and it was more than I ever could have dreamed it to be. I have grown up on his music, and it has greatly influenced me and become a big part of who I am. This was, honestly, the best concert I have ever attended, and I couldn´t have asked for anything more. I feel like now, I can die happy. Thank you, Paul!


USA / New Jersey - Holmdel - JL

The Jerry Douglas Band appetizer was OK, but not who I was there to hear -

Paul initially has us annoyed for making us sit there in the sweltering heat until he decided to grace us with his presence - didn´t come on until well past 9; for what amounted to a 90+ minute performance - he could just have easily shown up by himself, (without the steel guitar guy), started at 8:30, perormed his set, and had us home at a relatively godly hour - I guess they don´t sell enought beer that way...

Anyway the show was great, with outstanding arrangments of classig S&G, solo, and more recent tunes.

If only I could enjoy them , without having to dodge people were constantly walking in and out the of show (why people can´t sit still for two hours is beyond me), cell phones, drunk frat-boy shouting screaming - I don´t that anyone really heard what a great group of musicians Paul had up there, and what really great perfomances we were hononered with. His rendition of ´You´re The One´ was haunting, but heavens - that´s a new one so no one felt like they needed to hear it - despite the fact the Paul´s voice get´s better with age - we found out after the show that he had cancelld a sho over the previous weekend due to ´illness´, but he was in fine voice last night...

Looking forward to the DVD release, so I can hear it without drunk-mom go-go girl getting in the way...




USA / New Jersey - Holmdel - John Jason Iannuzzi

I write this ´review´ only because I do not know where else to sound off. I am soooo tired of being expected to ´sit still´ for 2 hours at Paul Simon concerts. Having been to roughly 30 PS shows over the last 20 years, all across the country, I can say without hesitation that the audience has become more and more lifeLESS. I can count on one hand when the audience appeared to be alive and responsive to the rhythm and melody coming off that stage when Paul and gang (Mark, Bahkiti, Tony and Vincent and Steve Gadd) are in top shape. Nothing compels me (and many other people) to get up and dance, than hearing a song like Cecilia or Outrageous, or even Loves Me Like A Rock. I think the reason for the ´stiff´ feeling in the crowds of late, is the high ticket prices. At last night´s show the house lights went up before the first encore. A signal that everybody is invited to get up and dance. I saw people in my row (230) looking at each other as if to say ´is it ok to get up´??? Really, really sad. There was one exception in recent memory. It was during the Your the One Tour. A show in Boston. The crowd was on their feet for the lion´s share of the evening (save for ballads). As far as the PNC show last night...it was really, really good. The new drummer joining Steve Gadd was really good. It is also cool to have Duncan and Gumboots in the set. A good show, and Paul seemed to have fun. Too bad I could not!!!!


USA / New Jersey - Atlantic City - jenny Galiani

This concert was so great! I loved it because it wasn´t that crowded and the setting was intimate. The music was amazing! Just was life in my veins....he is so terrific! Hadn´t seen him since his simon and garfunkel tour in Philadelphia....he still is such an amazing performer! I felt so blessed to be there hearing him once again....


USA / New Jersey - Atlantic City - Sean

Arrived in AC had dinner, and, unfortunately were informed that show was canceled or possibly postponed due to illness. Nothing official, but, some of the security said it was because of laryngitus/sore throat. No word on tomorrows show


USA / Maryland - Columbia - Brian

Set List same as the other concerts. Show was amazing. Crowd was huge and seemed to enjoy ever minute of the show, including responding favorably to new songs, especially ´Outrageous´ and ´How Can You Live in the Northeast.´ ´Slip Slidin Away´ was simply beautiful, as was ´Only Living Boy in NY´. Best concert I have been to in a while. Can´t wait for Sunday and Round Two in Holmdel.


USA / Maryland - Columbia - Liz Grosch

Wowwed again! Paul did an excellent job of mixing in some new songs with many of the old classics. He even sang some of the S&G greats. I heard all of my favorites!!! He has done an excellent job of slowing down some of the older tunes. The musicians he is touring with are fantastic as well.


USA / Maryland - Columbia - Rob Filbert

The show at the Merriweather was amazing...I was very impressed with Paul and his World Class band! I do think however he could hve played a bit longer...
Personally I would have loved to her Born at the Right Time, and Late in the Evening...two of my favorite songs....but as a whold this show was great!!!
Wish I could find the complete selist.
if anyone has it please send it to me
[email protected]
thanks.


USA / Connecticut - Uncasville - Liz

The show was amazing. Paul and the bad rocked! I saw him a couple of years ago when he was touring with Art, and that concert was just plain bad . . . no energy. This time was one-hundred times better. I liked that he mixed old favorites with some of his new stuff.


USA / Connecticut - Uncasville - Jay

The Paul Simon concert at Mohegan Sun Arena was opened by an instruemental bluegrass group led by Jerry Douglas. The group began at 7:30PM and played six upbeat bluegrass instrumental numbers, lasting till about 8:00PM.
Once the stage was cleared and set, the show began at about 8:30. There was no type of introduction--the lights were lowered, the band entered the stage, then Paul Simon walked onto the stage, receiving cheers and applause. He was dressed in a green button-down shirt with a faded red hat, loose black pants and white sneakers. He seemed to be in high spirits, smiling continuously throughout the show.
His first song, ´Gumboots,´ is one with which I am not familiar, but was very enjoyable. ´The Boy in the Bubble´ received much praise from the audience, the same audience that apparently has not purchased Paul´s new album yet as nobody seemed to recognize his next song, ´Outrageous´ (or any other songs off the new album for that matter).
Following ´Outrageous,´ Paul said his first few words of the night, ´Thank you, it´s great to be here,´ before continuing on to ´Slip Sliding Away.´ The beginning of this song featured Paul on solo guitar, later joined by the rest of the band including his backup singers. The song was played a lot slower than usual, and a live muted trumpet added a wonderful addition to the instrumental portions of the song.
The next songs were ´You´re the One,´ then ´Me and Julio down by the Schoolyard.´ This song was (obviously) a big hit, and was very upbeat. Paul did his own whistling in the middle of the song.
´How Can You Live in the Northeast´ was next, and again, very few people in the audience seemed to know it. As he did on Saturday Night Live, he sang the first chorus before and after the first verse, rather than only after the first verse like on the album.
The next song was ´Mrs. Robinson,´ in the middle of which Paul switched to an electric guitar and played a minute-ling electric guitar solo.
´Loves Me Like a Rock´ was next, followed by ´That Was Your Mother.´ During this song, Paul sang with no guitar in hand. Though this is unusual, I am not surprised, since I have noticed that Paul is playing his guitar less and less and using it more and more as a place to keep his hands while he is singing.
At the end of this song, a group of young women sitting near me stood up and randomly began screaming, to which Paul just stared at them, appearing to think of something to say, but I suppose nothing came to mind, as he moved right along to a slow, quiet solo-guitar rendition of ´Duncan.´
´Graceland´ was next, to which the crowd went absolutely wild; followed by ´Father and Daughter´. An unidentified boy (maybe 12 or 13) was on stage to sing the backup vocals for this song, and Paul never said who he was. I´m not sure if he has a son that maybe that age, or if it was someone else, or if it was even the same person that sang the backup vocals for the studio version.
Once the crowd stopped cheering for ´Father and Daughter´ paul walked up to the microphone and simply spoke the words ´She´s a rich girl.´ Once the audience caught on and started cheering, a slower introduction to ´Diamonds on the Soles of Her Shoes´ was sung, leading into a very upbeat and well-balanced version of the song. The background vocals were very reminiscent of the studio version of the song.
´Still Crazy after All These Years´ was next, followed by ´Cecilia´. The house lights were turned on during this song, Paul took a short bow and left the stage.
He and the band then came out for the first encore. ´Call Me Al´ again received thunderous applause, and the majority of the crowd could be seen standing and dancing at their seats. Once the song was done, paul spoke his second and final set of words for the evening: ´The next song is an old Simon and Garfukel song...because there aren´t any new Simon and Garfunkel songs.´ Once that comment was made with a smurk on his face, he sang ´The Only Living Boy in New York,´ followed by ´The Boxer.´ The opening act, Jerry Douglas, was brought out for this song, and he played the instrumental verse on a slide guitar. The crowd was given the task of singing the ´Lie la lie´s´, and an extra instrumental verse was added to the end of the song.
Encore #2 seemed to bring disappointment to the crowd, as the first song was ´Wartime Prayers´ off the new album, and again nobody knew it. The final song of the evening, ´Bridge over Troubled Water,´ seemed to me to be one of the weaker parts of the show. The beginning of the song was played with solo guitar, with other instruments joining later; but somehow I think he could´ve ended with something better.

All in all, I thoroughly enjoyed the concert. I think I would´ve enjoyed it more if the crowd was more lively, but I guess that´s a factor that can´t be altered. If anyone is going to see him anywhere on this tour you are in for a treat, just make sure you know all the songs first ;-)


USA / Connecticut - Uncasville - Chris

It was a life chaning experience. I saw Simon & Garfunkel twice at the same venue during Old Friends I & II. But a Paul Simon solo show takes the cake. Jerry Douglas was awesome as well. I know Mohegan pumped a lot of money into making the room sound good, and it did. It is one of the better sounding arenas. Paul did some new takes on old songs. I liked most of Boy in the Bubble, and Diamonds grew on me as the night went on. He opened with Gumboots, which some people either don´t know, or don´t like, so they were panning it. I think it was a great song to open with. Paul did not talk to to crowd a lot, but he never really does. After Outrageous, he scanned the crowd and stood on one of the floor monitors to get higher to see, very unlike him. It was great to see the usual suspects in the band, in particular Bakithi Kumalo. He came through crystal clear all night. Andy Snitzer´s talent was lost on the YTO DVD from Paris, because there were so many other horn players, but last night, he was very good, he was just by himself. Graceland shook the house, and received a standing ovation. Most of the Graceland songs did (at least from me). My row was filled with VIPs, so at least I didn´t have to deal with drunk or rude people. Mohegan saves the first three sections for their high rollers, who usually show up drunk and or late and leave early, because their tickets are free or cheaper. The outro to HCYLITNE was very loud, but clear. There was very little feedback all night, most occured before he sang The Only Living Boy in New York. He did the usual Garden State intro, which was the reason I went to see the movie three times. One man on house right of the arena was shocked when he started to sing Duncan, and expressed his surprise by using explatives. It was funny, to me atleast. It was very nice of the Mohegan security crew not to stop people from taking pictures. Usually they do, that´s why I didn´t bring a camera, but there were a lot of people with cameras and flashes. Mark Stewart continues to amaze. Steve Gadd was a pleasure as usual. All in all the concert was spectacular and I will remember it for a long time.


USA / Connecticut - Uncasville - Susan

I have seen Paul three times solo, and once with Art Garfunkel...he keeps getting better, which always amazes me; like myself, the guy´s getting up there!

His opening act, Jerry Douglas, was known to the friend accompaning me, so that was a real kick.

Paul took the stage at about 8:30, and never entirely relinquished it until 10:30; my friend said she went in with the thought that he was an aging folk singer, and came away with an entirely different perspective. She said, and I agreed, that he can kick butt big time.

Opening with an excellent performance of Gumboots, from the groundbreaking Graceland album, he went on to sing The Boy in the Bubble and this year s Outrageous.

Next came Slip Slidin Away, and most of the people in my section (26) were singing along.

You re the One, from 2000 s CD of the same name followed, and was well received, but it was the next number, Me and Julio Down by the Schoolyard, that helped fans find their feet.

How Can You Live in the Northeast?, which, like Outrageous, was pulled from his new CD, Surprise, The Only Living Boy in New York, and Mrs. Robinson and Loves Me Like a Rock followed; Simon s impressive ability on electric guitar wowed the crowd--and, again, I can speak only for my particular area. We were close to the big screens, so a lot of the other crowd reactions got by us.

That Was Your Mother is a song that always makes me wonder if the quiet kid who wrote The Sound of Silence was responsible for it--it´s a fun song, and the band did it justice.

Duncan, from Simon s first album following the split with Garfunkel, drew a good laugh from the guys sitting in front of us; when Simon cracked up over the line thanking the Lord for my fingers , they were howling.

The Oscar nominated Father and Daughter provided a touching moment--even if a lot of fans do not seem to know Adrian Simon, Paul´s 14-year-old son...and, yes, he provided the harmony on the recording of the song. I understand from people who have seen other shows that Paul does sometimes introduce him, but, apparently, it makes the kid feel a little shy--typical for the age, I suppose--so he doesn´t always do it.

Diamonds on the Soles of Her Shoes and Still Crazy After All These Years, preceded the set closer, Cecilia, and all three had the baby-boomers in Sec. 26 on their feet--in fact, several people went over to Sec. 27, which was unused, and were dancing like mad.

The encores (2) included The Boxer, You Can Call Me Al, and Wartime Prayers--I loved the line Because you cannot walk with the holy, if you re just a halfway decent man ; and, finally, Bridge Over Troubled Water, which I think was one of the best performances he has ever done of it.

I hope this tour results in a DVD, since this was a show worth seeing again.


USA / New Hampshire - Manchester - Glenn

It was a great show. Definitely a plugged in Paul Simon. He was rockin´ on Mrs. Robinson. I love the new stuff. How Can You Live In The Northeast was awesome. Wartime Prayers was beautifully done. His audience seems to have aged to the point of forgetting how to really enjoy a rock show, it´s really hard to get them out of their seats. I was sitting center floor, row 23 (WW) and for a lot of the songs there was no one standing and dancing in front of me. I heard a voice a few rows in back of me say sit down. Sheesh. The energy flows both ways. The band was great, show them you´re diggin´ it.


USA / New Hampshire - Manchester - Glenn

A couple more things. I think that was his son Adrian singing the chorus on Father and Daughter. Nicely done.

Jerry Douglas was a no show. What happened? I was kind of looking forward to seeing him. Instead we got Kelly Sweet.


USA / New Hampshire - Manchester - Gary Engler

It was an amazing night. He sang. He danced. He smiled. He introduced the band. And at the end, grinning from ear to ear, he said ´I´ve really enjoyed myself tonight ´“ I really have´.

The start of the night did not auger well. A slow trickle of people ´“ old people - entered the 10,000 seat arena. I´m in my 50s myself. But these people looked old. I kidded to my wife that her daughter and husband would be the token young people at the concert. When they arrived, step-daughter noted that they were the night´s the young people at the concert. Getting Old. ´˜nuff said.

Perhaps it was the atrocious PR for the show (none of my friends knew about it) or the fact that Paul had played 3 hours to the north in this sparsely populated area of New England the previous night. Regardless, when the lights went down for Kelly Sweet (who my daughter nicely summed up as a red headed Mariah Carey) the house was barely half full. By the time Paul took the stage, it was about half full with the area behind the stage curtained off, and the rear half of the seats at all levels empty.

I was disappointed to say the least, and also a bit concerned that Paul, who is reputed to be, a shall I say, a somewhat temperamental artist, may have felt slighted to the point of changing a lyric to How Can I Play in the Northeast? (According to the newspaper, 4,000 Vermonters attended the previous night´s show in Essex Junction).

I was also disappointed on a personal level, because my wife was reluctant to join me at this concert. A previous show with Paul was a real disappointment. We saw the stage persona recorded for posterity in the You´re The One and Old Friends Tour DVDs ´“ meaning an extraordinary level of awkwardness, diffidence to the audience, and a variety of hand motions and genuflections that make Paul seem really odd, awkward and slightly disconnected. Still, the opportunity to see him on home turf, and my enjoyment of Surprise lead us to Manchester, daughter and husband in tow. (The latter responded to the invitation with ´Well, I´m not a big Paul Simon fan´¦.´

By the end of the night he was.

The band went into Gumboots, which still strikes me as an odd choice to open the show. The audience responded respectfully, not quite recognizing this somewhat more obscure choice from Graceland. What struck me was Paul´s animation in conveying the lyrics in the song. And I´ve always thought that Gumboots has the greatest pickup line in the history of pop-rock ´Hey senorita, you´re astute I said / Why don´t we get together and call ourselves an institute´¦?´)

When the intro to Boy In The Bubble started things began to perk up ´“ some folks around me voiced what many in the audience must have been thinking ´“ ´Oh good, he´s playing older stuff´. And as many readers of these reviews already know, he did in fact play lots of older stuff. The key point related to how he played those songs. It wasn´t that they were merely reinvented or played with fresh arrangements. They were played very, very lovingly and soulfully.

Like most of the material played this evening, Boy In The Bubble was played with the warmth, and familiarity of a song that has percolated into our collective unconscious. Paul´s music is both evocative in its own right, and evocative of personal memories - where we were when that song, album was first released. For myself, it is impossible to listen to the introduction to Boy In The Bubble without seeing my own daughter in 1987, an infant barely holding herself upright, hands up in the air bouncing madly along to the infectious beat. The moment the accordion filled the room with its reedy sound, my daughter was there, weaving and bobbing to the beat.

Outrageous caught many people off guard. This is a song, like so many on the under rated Surprise disc, that really grows on you over time. Paul enunciated the lyrics carefully, as he did throughout the night, and by the time Paul got to the infectious hook (who´s gonna love you when you´re looks are gone´¦) the crowd was starting to move in their seats.

Similarly, Slip Slidin´ Away has also gained from our collective experiences. Who among us has not experienced the minor epiphanies Paul describes in this song. Who among as ´“ as we look back on our lives ´“ does not recall the mornings when a good day has no rain, and a bad day involves lying around thinking about what might have been. Can the song have any less meaning for its composer, the man who produced the ill-fated Capeman? I don´t think so. The audience loved this song.

An early highlight for me was You´re The One. The rhythmic drive of the song was cut way back, allowing Paul to bring the lyrics to the forefront. And what extraordinary lyrics. I advise you to go back and read the little booklet in your CD case. The lyrics are very wise, and hauntingly beautiful. Again and again, Paul made direct contact with audience members using unusually fluid body language to convey the lyrics meaning.

Me and Julio brought the excitement up another notch. I noticed that I was not the only member of the audience squirming in his seat, eager to move, to dance. What is it with our generation growing up to sit in our seats so sedately? A woman across the aisle and her friend began dancing in the isle. My wife and I soon joined them. Others stood up. Soon the front floor was up on there feet. Paul broke into his first smile. We were listening to music that wasn´t merely good, but was beginning to perform miracles. It was transforming us. We were joyously happy, suddenly these old people, myself included, were feeling young again. We were being lead by a 64-year-old pied piper to a state of communal bliss.

Perhaps it´s a good point to say something about that 64-year-old imp. Our generation from the 1960s is changing what it means to be in one´s personal 60s. From 18 rows back, Paul looked great. Running down to dance in front of the stage, Paul looked, well ´“ pretty darn tired. But if he was, it never ´“ came through in the performance (well, a moment or two at the end, but I´m getting ahead of myself here). He looked trim and fit and danced around the stage. But Paul, please ´“ take off the cap. It´s OK. Really. You´re among friends. Old friends. We have hair issues too.

How Can You Live In The Northeast was powerful. Kudos to the extraordinary Mark Stewart for laying a foundation of absolutely massive chords for this song. If you´ve seen the S&G Old Friends DVD, you´ve already seen this incredibly talented, and very long haired guitarist. This guy rocks.What struck me during this song was how the audience was not merely hanging in there for this and other, lesser-known songs. This audience was really listening, and for many they seemed to be truly hearing this material for the first time. Again ´“ people were really listening to the lyrics, catching the imagery in this song, with its oblique references to Katrina, Middle Eastern conflicts, national divisions and other aspects of the changing, divided world we live in.

Mrs. Robinson, well, was Mrs. Robinson and the first of three times that I really missed Art´s voice, the other two being Cecilia and BOTW. But Paul´s electric Buddy Holly break was fun, and the crowd loved it. Other ghosts, those of the Jessie Dixon singers, haunted love Me Like A Rock, another crowd pleaser. Still the crowd loved it.

That Was Your Mother was kick-ass. This band tore into that song like a motha. Seeming more topical than it was when it first appeared on Graceland due to the reverberations from Katrina, this song was amazing.

Duncan followed ´“ it was amazing that Paul was able to bring the energy back down so quickly without having people walk out to take a break. Again ´“ people were really listening to the beautiful lyrics of this story.

Graceland followed, and frankly, it didn´t reach the heights of the previous songs from that album. Maybe it was the slightly slower pacing of the song. I don´t know. It didn´t catch fire the way I expected it to.

Father and Daughter followed ´“ charming little song that it is. I assume that the adolescent kid singing backup was Paul´s Adrian, but he never introduced the him.

Diamonds On The Soles Of Her Shoes marked a threshold for this concert. The transformed the concert from a very, very good one to a uniquely great musical experience. The group began the acapella introduction. At first, I feared another ghost ´“ that of LBM singing backup. Then all of the sudden, the deep, resonant, ebony voice of Vincent Nguini broke out and the crowd went wild. All the pent up energy and the desire of this audience to be sparked to the point of wild abandon was reached. I´m not sure what Glenn was referring to in his earlier review, but I was in Row RR on the floor and I saw everyone up and dancing to this tune.

People rushed the stage. People danced and people sang. When we got to tana-ta-nana, tana-ta-nana it was a giant communal mass. Paul exchanged smiles with his band, then, still smiling, turned to the audience and said ´you´re great´¦I´m really enjoying myself´. The first of three times is said that!

Still Crazy was another amazing transition. The audience settled back into their seats, and once again listened. There were lots of knowing smiles during this song. Now in our 50s, and our 60s, we had just finished tana-ta-nana´ing our butts off. All of us were still crazy. None more so perhaps, than Andy Snitzer who played a blazing sax solo in the middle section, again bringing the crowd to an uproar.
Cecilia was another communal celebration, with audience members supplying the missing ´“ and very much missed ´“ backup vocals from Artie. Several of us yelled out ´making love´ at the critical point.

After another rapturous response, Paul offered his second reflection of enjoyment.

A brief repose, then You Can Call Me Al, which was met with the same enthusiasm as Diamonds. People, including myself, rushed the stage defying security´s increasingly beleaguered attempts to keep the aisles clear. When Bakithi Kumalo played the iconic bass run that links the riffs, the arena went wild. Every time. Just wild. Paul smiled. Paul looked beat. Paul had a right to be tired. Singing with eyes closed, with seat streaming down his face, I turned to my wife and remarked that he looked his age. What was remarkable was that it didn´t affect the energy of the performance.

There was a moment or two when I thought I saw Paul´s ears search the foot of the stage after pausing in mid lyric. Memory lapse? Does he work with monitors? Don´t know. Wouldn´t blame him if he did.

One of my personal favorites followed ´“ Only Living Boy In New York. Paul introduced it as a little song off the BOTW album that he had forgotten about, ´until it showed up in a film called Garden State´. This is a song, like Hey Jude, that has an elegant, inevitable simplicity that builds to magnificent spiritual heights. The closing harmonies of the aaahhhhssss were a little weak, and missing Artie, but again, it was wonderful hearing was still there.

Paul then offhandedly and affectionately said, here´s another old Simon and Garfunkel song. With the opening strum someone shouted out ´oh YEAH´. It was The Boxer. Beautiful, simple, and timeless. I miss the ´ain´t it strange after changes upon changes we are more or less then same´ verse Paul added in the 80s, but the song was beautiful.

Another brief repose, then Wartime Prayers ´“ elliptical, hauntingly beautiful, dare I say a classic? That beautiful couplet at the end ´“ leading us into Bridge Over Troubled Water.
BOTW is one of those rare songs that has taken on a life of its own. I´m not sure Paul even feels like its his anymore. It is so many things to so many different people. And while I missed hearing Artie sing it, being what it is, it simply became different, equally great with Paul singing it, triumphantly, once more at the age of 64.

The audience ´“ long ago submitting to the pleasures of the night ´“ broke into explosive applause. Someone passed a cardboard sign up to the stage. One side of it said ´We Love You´ the other, more pragmatically, asked ´Will you autograph this´. Paul motioned that he needed a pen, and then signed. He shook hands, he waved, he put his hands together and bowed his head, and he smiled some more, and then, for a third and final time, told us that he had really enjoyed himself.

So did we Paul, so did we. Thank you Paul. Thank you for the music, for the memories, for your continued risk taking and for your continuing growth as an artist. You´ve enriched all of our lives.


USA / New Hampshire - Manchester - Steven Devino

As a 40 year+ fan I had a great time!

The band was awesome, Paul was in great voice, and was great to hear some variations on the original arrangements. I really liked bridge over troubled water done on guitar vs piano. It was just something different.

We were 4 rows back from the stage and yeah security was a little over bearing but who cares. I also don´t care if people dance or don´t dance as long as they don´t talk! Let everyone enjoy it in their own way.


USA / New Hampshire - Manchester - Ernie

Sparse crowd, Which I also believe to be due to poor local promotion. I feel this had something to do with the laid back atmosphere. Also, less than half the songs are get the up and dance type

The set list was overall a good choice. I missed Kodachrome though. I think he should play it in every solo show. Weak second encore. The first one got us off our butts with Call Me AL but Waretime Prayer and Bridge Over Troubled Waters made us all sit down again. BOTW I felt was a bad choice as it mainly highlights Garfunkle´s vocals.


USA / New Hampshire - Manchester - Shannon

AMAZING concert. He did more of his well-known hits than I expected, but changed them up in interesting new ways. Honestly I did feel that ´Mrs. Robinson´ could have been replaced by ´Cool, Cool River´ or one of my other favorite songs, but that´s just a matter of personal preference. He sounded as good as he ever did, and the band was phenomenal.


USA / New Hampshire - Manchester - Linwood

Jerry Douglas wasn´t scheduled for this date (or VT). I thought Kelly Sweet was fantastic. Watch for her...only 17? with first album coming in Sept.

The crowd was laid back but I think you can blame the ´security´ on that. They were lame, constantly stopping people up front from dancing. If upfront people were allowed to get into it, it would have flowed throughout. I was bummed the crowd was only 7-8000 people (out of 10,500 capacity.

It was a great show despite. Paul was really in to it, but how could he not be with the band and talent he has behind him. ´Gumboots´ being included in set in my opinion is a poor choice, I wish he´d included ´Proof´ or ´The Coast´ from ROTS instead or even ´That´s Me´ from Surprise. I think ´That´s Me´ would be a great concert song the band could really get in to.

The set list changed slightly from earlier shows.
I was major bummed when he skipped ´The only living boy in NY´ but it was just dropped deeper in to the set just before ´The Boxer´.

I love the way he gives certain songs a new tweak or arrangement, and it really showed in ´You´re the One´....was very much better than original.

I really like ´Wartime Prayers´ and was wondering how it would be in concert without any choir vocals but I was not disappointed. I must admit though that I was disappointed with BOTW. I saw the ´You´re the One´ tour with it and the arrangement in that tour was much better.

This was my 3rd different solo tour of Pauls I´ve seen and am hopeful to see one more in his lifetime
for sure.


USA / New Hampshire - Manchester - Belinda

This show was terrible! I expected so much more from Paul Simon, one of my all time heroes. Opening with ´Gumboots?´ BAD IDEA. During the obscure songs, the wannabe frat boys who were sitting one section away from me continued screaming ´PAUL SIMON!!!´ or song selections from their best of disk that they knew the words to.

His new material is not fitted for a summer concert where you could tell that everybody wanted to dance. As soon as ´Slip Slidin´ Away´ came on, the crowd seemed relieved to know a song and that maybe he would start doing more recognizable or upbeat Paul Simon songs. WRONG. Instead he decided to throw in songs which no one knew and were slow, boring, and an excuse to get up and go to the bathroom. ´Late in the Evening´ would have gotten them all up on their feet, but instead he chose to promo his new album, which really isn´t summer concert type material.

What´s sad about someone like Paul Simon touring is that the crowd going to see him is a dichotomy of those who want to see him before he bites it, and those who just want to see a live version of his greatest hits. I wouldn´t have minded the new songs if he broke them up in between songs that I know and love. The crowd was a weird mix of young, college-age kids who know ´You Can Call Me Al´ (but don´t appreciate ´Graceland´) and older people who wanted to see if the old boy still has it.

Paul seemed tired and like he didn´t get into the show until the encores, though the band mate who wore the pink shirt kept me fully entertained by dancing up a storm on stage. He seemed more excited to be there than Paul.

The choice of venue was all wrong - next time they should put him in a smaller arena, so the crowd seems bigger and it´s a more intimate setting than cold, plastic foldouts. The publicity for this tour was TERRIBLE...most of my friends didn´t even know that he was touring. They could have sold a lot of those empty seats if they had promoted him properly.


USA / Vermont - Essex Junction - Greg Haggard

My very first Paul Simon concert but certainly not the last. Pure Perfection! My wife and I are in our mid 50´s and the whole night was magical, from the new song´s - which my oldest daughter chose ´ A Father & Daughter´ for us to dance to together for her wedding in September 2007, to the older classics - which brought many tears to our eyes from the memories. I thank you for making our summer!


USA / Vermont - Essex Junction - Scott Kelley

The Paul Simon show at the Verizon in Manchester, NH was by far the best concert I have ever attended. Even better than Aerosmith!


USA / Vermont - Essex Junction - Ian Koeller

Paul Simon Brings Surprise To Vermont



12 time Grammy winner Paul Simon brought his Grammy winning hits and his magic to the Champlain Valley Fair Grounds this summer. Paul´s July concert was the 10th stop on his ´surprise´ tour promoting his 2006 CD release ´Surprise´. His first in 6 years.
18 year old Kelly Sweet opened the show showing off her talents promoting her own CD. Paul and the band walked out with no introduction at about 8:15. The first song was Gumboots from the Graceland album which I though was a surprise because this was not a song that was to popular though the crowd seemed to enjoy it after that was The Boy In The Bubble this got more of a welcoming from the crowd this was also from Graceland though he played it in sort of a reggae feel the song Outrageous from his new release Surprise flowed because it was so new it really did not get much of a reaction from the crowd. Paul said a few words about the recent rain and about the already forming dancers on the side of the stage. Paul started the guitar part to Slip Sliding Away which got a good crowd reaction. You´re The One followed this from his 2000 release which some of the crowed knew but not much. Then Me And Julio Down By The School Yard started pumping and the crowd really started dancing and loving it. How Can You Live In The Northeast again from Surprise followed. Again not a lot of people recognized it but after the song he said ´for all you northeaster´s´ then Paul started riffing the Guitar to Mrs. Robinson and the crowd started to dance again. Then was Loves Me Like A Rock the crowd again dancing. That Was Your Mother the Cajun style song from Graceland followed. At this point the crowd really was engaged but he slowed it down for a song from his first solo album the song was called Duncan. He went right in to Graceland the title track of his 1987 release Graceland that he did in South Africa this was a Grammy winner. The song Father And Daughter from surprise but done for the wild throne berries sound track Paul´s 14 year old son Arian makes a guest appearance singing back up and wears a big smile when he is announced and gets a big round of applause. Diamonds On The Soles Of Her Shoes follows from the Graceland album this features a incredible drum solo by Robin DiMaggio and the Great Steve Gadd. The vary popular synthesizer intro for Sill Crazy After All These Years Erupts and features a great sax solo by Andy Snitzer. The song Cecilia Starts going and the crowd joins in by dancing and having a great time by this time the band leaves the stage and crowd wants more. So after a good solid minute of screaming Paul and the band walks out for the first encore and he starts out by saying ´latelys and gentleman Vincent Nguini and he starts the guitar part to the ever popular Call Me Al and the crowd really starts moving this was where Paul really started to dance and sing and try not to look 65. after the Great bass work of Bakithi Kumalo. ´Paul Mentions I used to be in a band called Simon And Garfunkel´ the crowd really goes wild ´I played the part of Simon. Then goes in to The Only Living Boy In New York a old Simon And Garfunkel Tune. The Boxer Follows the crowd sings the Lie Lie la Lies Paul leaves for a second time but then comes back out again and starts singing his new song Wartime Prayers from his surprise and thanks the crowd and starts singing Bridge Over Trouble Water as the last song. And if the nigh could get any better almost timed perfectly fireworks started exploding in the night sky it was truly a magical night


USA / New York - Cooperstorn - BobMac

What a great night. 4th of July.....Doubleday Field.....Hot Dogs.....PAUL SIMON !!!! He still sounds superb at his age. His voice still has the quality it did 30 years ago. Lots of great music. Although on the 4th of July I wished he had performed ´American Tune´. It would have been a perfect 2nd encore. All in all, it was pretty ´magical´......4th of July......Cooperstown......Doubleday Fiend.....Paul Simon...


USA / New York - Cooperstorn - Bill

This was a fantastic show - Paul and his band sounded great and of course the venue was fun. Did anyone get any pictures - I´d love to have one to save as a memory - [email protected]


USA / New York - Cooperstorn - Ron

A great venue and music to match. Loved the new arrangements of old favorites, especially the updated Mrs. Robinson, which left nothing on the table. Without losing the original feeling, it leaped off the stage.
The mix was delightfully unexpected; old and new, original and reinterpreted. This was not nostalgia, it was an artist who is not afraid to adapt to new ears but without selling out. I wish there were more like him.


USA / New York - Cooperstorn - TomR

Great Concert at a great all American venue in beautiful Cooperstown NY. The concert was so moving that at points I found myself close to weeping tears of joy. This is what great concerts are made of and anyone who was there will agree. ´ God bless the US of A ´

:)


USA / New York - Cooperstorn - Phil

All I can say - it was an amazing night. I think because PS is older, I´m older, it was a concert filled with agreat emotion. The band was great - the arrangements we refreshing and right on. His voice was in excellent shape. The addition of BOTW was a fitting end. I do wish he had something from ROTS, and one more from Surprise (tho I love it, I don´t count F&D as a new song). But to hear Duncan, Only Living Boy, the beats of Graceland, Northeast, etc. all magical. And YTO was an incredible performance - mezmerizing.
Yes, Doubleday field, Cooperstown 4th of July was an incredible venue. The crowd was what I have come to expect: the loyal, knowledgeable up front, on the lawn, grooving to the music. The others, the majority, sitting in the bleachers waiting to hear an oldie. Not sure what the crowd size was. I was told it holds @ 10k for concerts. There were a few empty bleacher seats. I´d say maybe 8k out of 10. Wish there was more merchandise: got a 900 sit ups a day shirt. There were awesome posters in shop windows: PS July 4, Doubleday. My wife tried to talk a couple of merchants into selling/giving one, no luck. Maybe ebay.
Throughout, I was listening to a friend, a member of my generation who never sold out - who consistently has given words and music to the human condition of our times, individually and collectively. Who´s many songs, were not just songs, but prayers - a constant road across the wilderness. And through it all just 3 words in my head: ´thank you, Paul´.


USA / New York - Cooperstorn - Nick

The concert was great! Paul sounded really good and the setlist was very good as well. We arrived in Cooperstown at around 5:00 PM and we could hear ´Father and Daughter´ playing. At first I thought it was a recording coming over the loud speaker but then we walked down a side street and into the back parking lot of a bank which overlooked Doubleday Field and there we could see Paul in a bright pink shirt doing soundcheck. It was really coolto see Paul telling the band and sound people how he wanted the sound to be. He then played ´Outrageous´ which sounded great and then he and the band made some changes and then played ´Outrageous´ again. After that he played ´Diamonds on the Soles of Her Shoes´ and when they finished playing that they practiced the opening harmony of the song. After that the band played ´Still Crazy´ and Paul sang some of the lyrics but mostly adjusted his equipment. Then Paul practiced ´The Boxer´ with Jerry Douglas. It was really cool to see Paul for an extra 45 minutes before the show even started. Once the gates opened, we could see Paul playing catch with his kids behind the stage before Jerry Douglas took the stage. It was funny to see Paul running around in his pink shirt with his kids. I thought that Paul sounded great and the show was very very good!!










USA / Ohio - Toledo - Truk Flow

I was absolutely stunned by the strength and expressiveness of Mr. Simon´s voice - he sounded like a 30 year old singer, but one with all of the experience and musicality of a mature talent. I have booked tix for the Fox in Detroit, hoping the set list might expand a bit and that we will hear more acoustic sets.

Still, this concert was the best outdoor event I´ve ever attended, although it was far too short!


USA / Ohio - Toledo - Chris Heban

Best concert i have ever been to. I was in th tenth row and i felt like i was sitting on stage with him. I couldn,t wait for Fox theater in Detroit. What an amazing day.


USA / Wisconsin - Milwaukee - Cooper

What a GREAT SHOW! I was 3rd row center and unlike whaty other reviews said from prev. nights, Paul Simon was having a GREAT time. Maybe people in certain towns dont understand a New York attitude.


USA / Wisconsin - Milwaukee - Rebecca

I was able to attend this show with my parents. I was moved beyond my comprehension of music. My father introduced me to the love of music that we now share together, I am grateful for the passion!


USA / Wisconsin - Milwaukee - gumboots

Wow! Once again Pauldelivers such poise andstage presence. I was fifth row center and it felt like Paul was singing directly to me. The set was a perfect blend of all his genres. I was brought to tears during Father and Daughter. Paul gave a sincere anectdote about his daughter and finger painting that was touching. It is nowonderthat this man is as tender in real life not just in what his lyrics reveal.

Show was definitely on the short side even though he threatened a 3 hour show nd paing the whole Bruce Springsteen catalouge...With Pal´s long repetoire of music he could have kept the audience entertained for hours.

Speaking of the audience, they were a bit on the ame side. I got hassled for dancing durin the opening song...I just don´t get how people could go see Paul Simon and SIT! His music makes me move...I don´t pay for fifth row center seats to sit...C´mon people even though you are a couh potato at home, it might do you a bit of good to shake your thing every once in a while!!!! All in all itheld for the this was everything my expectations held for the mst talented artist ever to live.


USA / Wisconsin - Milwaukee - Dr. Winston O'Boogie

I have seen Paul SImon several times over the last few years (w/Robbity Bob Dylan, w/Brian ´I Can´t Beleive He Is Opening His Set List With The Barenaked Ladies song, ´Brian Wilson´ Wilson and a couple of times with Artie in ´03) and Paul had NEVER sounded better than he did last night. The arrangements were remarkable, nothing short of awesome. Paul was in stellar voice and, somewhat surprisingly, that kick ass band of his harmonized so well together it was nothing short of awesome.

Paul always puts on a wonderful show. You always leave thinking, ´Amazing´, ´Perfect´, ´Beautiful´, ´Inspiring´, etc; but, until now, I never thought I would actually say this about a Paul Simon concert: ´It ROCKED!´

Yes, ladies and gentlemen, Paul Simon ROCKED.

*A little advice about the people bitching when you were dancing: Just ignore them. We did. They eventually had to get up and dance too.

*Any disappointments? Just three, hee hee - No ´Sure Don´t Feel Like Like Love´, no ´Once Upon A Time There Was An Ocean´ and no ´Everything About It Is A Lovesong.´ My roomate and I would have been ecstatic if he had just performed the whole new album from beginnning to end (like Brian Wilson did on his ´Smile´ performances). We didn´t think anyone would agree with us, though. So we asked the other young couple sitting next to us we just met who we could tell were true Paul Simon fans, and they were like, ´Hell yeah! Wouldn´t that be great?´

Wouldn´t it?

Peace. Love. Simon.

Dr. Winston O´ Boogie

SET LIST:

1. Gumboots
2. The Boy In the Bubble (sweeeeeeet arrangement)
3. Outrageous (awesome played live)
4. Slip Sliding Away
5. You´re the One (thank God! I love this song!)
6. Me and Julio (permission finally given to dance from the sitters)
7. How Can You Live In The Northeast? (so moving live)
8. The Only Living Boy In New York (kudos to Mark Stewart singing)
9. Mrs. Robinson (interesting arrangement, very serious tone)
10. Loves Me Like A Rock (Is it OK to dance again? OK, thanks)
11. That Was Your Mother (What? No Take Me To The Mardis Gras?)
12. Duncan (I thank God for your fingers too, Paul)
13. Graceland (hell yeah, best song ever written)
14. Father and Daughter (With Lulu on Fingerpaints)
15. Diamonds on the Soles of Her Shoes (Steve Gadd in top form)
16. Still Crazy After All These Years
17. Cecilia (Brought the house down)
18. The Boxer (please people, remember to only sing the lala´s)
19. You Can Call Me Al
20. Wartime Prayers (subtle ´remember what´s really going on´ reminder. Thanks, Paul.)


USA / Wisconsin - Milwaukee - O'Boogie's Roomate

As the roommate of the aforementioned reviewer, I just wanted to add that I had never seen Paul Simon live - so I had no expectations.

But what I found was someone genuinely grateful to be there, happy, warm, open and VERY VERY personable. My roommate has seen Paul several times and said that it was very unusual that he was as ´chatty´ as he was last night.

His interaction with the audience was intimate for such a large venue and he somehow captivated such a close one on one feeling with us. It was truly magical.

Maybe not as magical as the night we ate a few shrooms and played the ´Bridge Over Troubled Water´ album, the S & G 2003 live album and ´The Graceland´ album, but you know what I mean.

Hmmm....shrooms and ´Surprise´, anyone?


USA / Wisconsin - Milwaukee - suzi

The show was amazing. I was up higher where no one complained about the dancing because almost all of us were. I was surprised by the number of young people. My daughter and I were surrounded by kids in their teens and twenties. Maybe because we were in the cheaper seats. The three young girls next to me said the had all worked at the same resurant and his Greatest Hits album was always playing when they were cleaning up after closing. When they heard he was coming to Milwaukee they just had to see him. They were on their feet the whole concert. The young kid next to my daughter knew the words to every single song.

Paul was full of life and humor and his voice was in great form. The audience carried on after every song and he actually had to wait to get into the next number several times. The band was so full of life and enthusiasm. People went crazy when Bahtiki did his licks on You Can Call Me Al. Paul did the last song with Jerry Douglas and it was excellent.

We had a wonderful time. It was outdoors and lucky for us, the rain held off.


USA / Wisconsin - Milwaukee - Proof

Can´t add a whole lot to what´s already been said. My girlfriend and I were 3rd row with our curstom-made t-shirts (´Speedo´ and ´Human Trampoline´). Most of the people down front were really, really lame, especially for the first half. I was standing for the opener and getting shouted down, having stuff thrown at me, etc. I turned around and reminded everyone that ´this isn´t the goddamn handicapped section.´ It´s ok to dance! The band was great, the arrangements were great. The show was a bit short, I really missed the R. of the Saints songs, and Paul wan´t moving around as much as on the You´re the One tour it seemed. Otherwise, great. Before one of the encores, he tripped on something on the stage and shot his stage manager a very severe ´go to hell look´ - ouch, hope she still has her job, he should watch where he´s going! Good time by all.


USA / Ohio - Cleveland - Joe K

Paul Simon finally came on stage after 75 minutes of the warm up band. If you are looking for classic Paul Simon or the Simon and Garfunkel songs that gave him his celebrity, don´t bother coming to concerts in this tour. The painfully few songs from the 60´s and 70´s that he performed were well received by the fans present, but 60% or more of what he played left people scratching there heads and asking one another if they had ever heard this song before. No worries though, it was over in short order after 1 hour and 22 minutes of actual play time including the three songs in the encore, two of which were completely unrecognizable. Oh and, seeming like you were actually interested in being there might be a nice touch if you´re reading this Paul.


USA / Ohio - Cleveland - Eric D. Goodman

Surprise Pilgrimage

Hitting the Road in Search of Paul Simon´s America

I´ve long been a fan of Paul Simon´s work. But I´m no fanatic. Sure, I have all of his albums -- all the way back to the UK release of The Paul Simon Songbook. Yes, I have a good portion of his Graceland and Rhythm of the Saints rhymes embedded in my mind. And sure, I´ve listened to his new album, Surprise, more times than I´d care to admit. But that doesn´t brand me as a fanatic.

I admire Paul Simon´s talent. His lyrics are poetry; liner notes from a Simon song could rightfully be featured in literary journals and poetry anthologies. But set to music, his lyrics take on new energy. Add to that Paul´s knack for surrounding himself with diverse and talented musicians and it´s easy to see why Paul Simon has glided down the highway of success rather than slip-sliding away as many of his contemporaries have.

I was turned on to Paul Simon during his Graceland period and cemented my fan status with the release of Rhythm of the Saints. While those are, for nostalgic reasons, my two favorite Paul Simon albums, there´s not a record he´s done that I don´t admire.

So when I heard that Paul Simon was on tour, I knew I had to see him. I was fortunate enough to score front row, center aisle tickets to the kickoff show of his Surprise tour in Columbus, Ohio ´¦ and second row seats to his second show the following night in Cleveland. Sure, I live in Baltimore, Maryland. But these were good seats to the first shows, well worth the drive. What´s fanatical about that?


Who am I to Drive Against the Wind?

When I told my wife about my plans to venture to the Midwest to see Paul Simon, her first reaction was to ask me if I was crazy. ´Still crazy after all these years,´ I answered with a grin. But she one-upped me. Nataliya smiled and encouraged me to go to the show: ´Who am I to blow against the wind?´


I set out early on the morning of the show, wearing my Simon and Garfunkel Old Friends tour shirt from when I´d seen them in Baltimore a few years back. It was a good show, but I remember thinking, even as I sat listening to them singing their old tunes, ´I wish Paul would do a solo tour.´ Simon´s talent flourished after his split with Artie.

My iPod loaded with all of Paul Simon´s albums and anthologies, I climbed onto the root of I-70 from Security Boulevard. I´m still amazed that I no longer have to decide which few CDs to bring along for a road trip; my entire catalog is at my fingertips. I set my iPod to ´Graceland,´ all the while replacing the title refrain with ´Cleveland.´ Although that would be the following evening. First, Paul´s first show was in Columbus.


Well before leaving, I´d contacted friends in both Columbus and Cleveland who were as gung-ho as I was about seeing Simon in concert. But the drive was a solo one. Freedom blew through my hair as I glided down the highway. By the time I´d reached Libertytown, Graceland had ended and I was on to Paul´s newest, Surprise, accented with Brian Eno´s sonic landscapes. The lyrics of his new album are pure Simon, although the music sounds different. From any other 64-year-old artist, one might consider the change an attempt to reconnect with a youthful audience. But Paul Simon has always been one to experiment with new sounds, whether the African music of Graceland, the Brazilian background of Saints, or the Puerto Rican Doo-Wop of Capeman. The new techno sound is just another footnote in Simon´s songbook.

A sign welcomed me to Maryland´s Washington County as the song ´Beautiful´ played. I looked around at the trees on the mountainsides and agreed -- it was beautiful. Despite the weather reports for possible showers, was a sunny day. The only clouds in the sky were white accents to bright blue. When I crossed the boarder into Pennsylvania, I felt like I was passing into another galaxy.

When the last track on the new album, ´Father and Daughter,´ played, I called my own 8-year-old daughter. She was getting ready to go to a movie with her summer camp. She was planning to see the new Superman movie. I remembered a time before I knew Simon when Superman was a hero of mine, too. I remember Christopher Reeve battling it out with Gene Hackman. I smiled at the thought of Nicole enjoying the same a generation later.

´Father and Daughter´ is a beautiful song. One review I read of the Surprise album described the last song as ´tacked on.´ While it doesn´t share the same techno vibe as the rest of the album, it´s an appropriate way to end an album all about growing old and painting your hair the color of mud, about how everything changes and stays the same. Perhaps one needs to have a daughter to understand the song.

Later, in Lover, PA, I listened to Paul sing to his baby son in ´Saint Judy´s Comet,´ and I thought of my own 15-month old waiting at home, probably fighting sleep but fading fast into his afternoon nap.

Although Paul Simon sang about the New Jersey Turnpike, I listened to ´America´ as I took my toll ticket and boarded the Pennsylvania Turnpike. I listened to his 1964/1993 anthology, and considered how many different styles he has, and yet how very unique his individual style remains. Lavender grew from the red, rocky mountainside along the turnpike.

As I entered the tunnel into Allegheny Mountain, ´Mrs. Robinson´ began. I remember reading that Ms. Robinson was originally Mrs. Roosevelt -- a tribute to the days of Eleanor Roosevelt - until his friend, director Mike Nichols, persuaded him to change it to Robinson for his movie. ´Coo-coo ca choo,´ Paul sang in the third verse, and I realized how similar this sounds to the Beatles´ ´Goo-goo g´joob´ in ´I am the Walrus.´ That connection reminded me of Paul playing on Saturday Night Live with George Harrison, and co-presenting with John Lennon on the 1975 Grammys, Art Garfunkle accepting for Olivia Newton-John.

Around Flushing, Ohio, I took a bathroom break and got Mrs. Wagner-like pies and coffee from a charity booth. I rolled back onto the freeway.

Was a sunny drive, until I hit Zanesville, Ohio, about an hour outside Columbus. But the rain only lasted a few songs, then moved on. In fact, I didn´t see another drop of rain the entire trip. Fresh grass grew from the rocks on the side of the road. Before I knew it, I was bouncing into Columbus.


My Little Town

I used to live in Columbus, Ohio -- capitol of ´the heart of it all.´ Spent five years in the city. So I drove through my little town and remembered yesterday before meeting up with some friends. We talked about some old times and drank ourselves some beers before venturing to the Ohio State University Schottenstein Center. I´d been listening to Simon´s songs all day long as I coasted along the highway. Now, the moment had come and I was charged.

We presented our tickets and entered the arena. I´m used to having seats several rows (or even sections) back; this was my first time being in the front row of such a big show.

´Front row is an entirely different experience,´ my friend said. He was right. There wasn´t a better set of seats in the entire house. We were directly center stage, front row. I remember thinking that if his wife, Edie Brickell, were here, she´d be a few seats away from us. Of course, I was too set on watching the stage to get a good look around me. The lights dimmed and the opening act came on stage.

I was pleasantly surprised by the Jerry Douglass Band. I´ll admit that I´d not heard of them before, but I learned that Jerry´s won 12 Grammys and has worked with such diverse musicians as Ray Charles, Emmylou Harris, Reba McEntire and James Taylor. The band did an instrumental set that mixed bluegrass, country, rock, jazz and blues.

After playing about 40 minutes, Jerry´s band left the stage around ten after eight. By 8:30, Paul and his band of nine musicians had begun.






Everything about it is a Love Song

I sat directly in front of Paul, and it was amazing to actually make eye contact with the poet and his band members on virtually every song. He dressed in a faded orange-red ball cap, a tee-shirt and jeans. At one point, he looked right at my tour shirt -- Paul Simon & Bob Dylan written over twin trains -- and smiled at me with a nod.

Paul opened with two songs from Graceland: ´Gumboots´ and a reworked, slow-tempo version of ´Boy in the Bubble.´ With two complete drum sets, an accordion and African guitarists, the songs sounded fresh, but familiar. Paul then offered a song from his new album: ´Outrageous.´

Surprisingly, Paul only played four songs from his new album: ´Outrageous,´ ´How Can You Live in the Northeast,´ ´Father and Daughter´ and ´Wartime Prayers.´ He played more songs from Graceland than any other album -- a total of six songs. One song -- the title track -- came from his 2000 release, You´re the One. The rest (nine songs) were from what I, as a thirty-something, consider his ´old stuff,´ from his pre-Graceland solo career. Many of the songs were loud and electric, different enough from the album versions that it would be nice to see a concert album come of this tour.

The controlled environment of the Schottenstein Center added to the experience: the lighting was simple, effective, colors flashing and fading with the moods of each melody line; fog and mist added to the stage. The musicians, including the versatile Mark Stewart, two African guitarists, an accordion player, and about nine musicians all of whom seemed to play at least a couple instruments, did a great job making each song sound fresh, supporting Simon´s lines.

´What do I think of the current administration?´ Paul asked. ´Maybe this song will give you an idea.´ Then, he proceeded to sing the lines, ´We´d like to know a little bit about you for our files, we´d like to help you learn to help yourself,´ and seemed to give renewed meaning to ´Mrs. Robinson.´

The set ended with ´Cecelia,´ and the crowd went wild. Throughout the show, Paul was kind, throwing waves and smiles to the crowd. He did so for several moments before leaving the stage. He returned for an encore and performed ´The Boxer´ and ´You Can Call Me Al.´ Then, as he said his goodbyes once again, he held his hands in prayer formation and thanked us. Then he reached down and touched some of us in the front row. I shook hands with Paul Simon.

Paul was called back for a second encore. He ended with his new anthem, ´Wartime Prayers.´ Paul left the stage for the last time at 10:30, having played for nearly two hours. Not bad for a senior citizen on his first night back on stage.

After the show, I heard others discussing the show. Some of them hadn´t heard the new material, and ´I like it´ seemed to be the consensus. ´He´s still got it.´ Young and old folks alike talked on cell phones with reviews such as ´awesome´ and ´it was great.´ My friend and I agreed as we exited the center. In fact, I was still discussing the concert around 2 in the morning when I decided it was time to lay my weary body down.






I´m Going to Cleveland

The next morning I awoke with a tune in my head.

I´m going to Cleveland, Cleveland

Cleveland, O-hi-o

I´m going to Cleveland.

My iPod is with me, it´s loaded, and we are going to Cleveland.

And my traveling companions are hippies and yuppies,

I´m looking at old and young fans

Maybe I´ve a reason to believe we all will be received in Cleveland.


Okay, so they´re not up to par with Paul´s lyrics. But the tune remained with me as I hit the road and headed for Cleveland for the second Surprise show. I shuffled my Paul play list and listened to songs as unpredictable as a concert play list on opening night.

As I listened to ´Renee and Georgette Magritte with their Dog after the War,´ I remembered that the song was inspired by a picture caption Paul happened across. Then came the song ´Train in the Distance,´ and I could nearly hear one as I proceeded along I-71.

Paul is graceful enough to not rely on his old hits as a crutch, but he knows when to pull them out and how to make them fresh. For example, when he played ´The Boxer´ in Columbus, I didn´t think of the original version; I instead remembered him standing on stage for Saturday Night Live and opening the first show of the season right after September 11. Now, halfway between Columbus and Cleveland, as I listened to an old performance of ´Take me to the Mardi Gras,´ I picture an older Paul Simon performing the same song at a Katrina benefit concert just a year ago. Not only do his new songs have something to say, but his old work evolves to give meaning to new events.

Recently, Paul said that he found it harder to write these days. Not so much because it´s a more difficult task, or because he´s older, but because in the wake of 9/11 and Katrina, it´s important that his songs tell the truth, and that they have something to say. After a couple hours, I turned off the shuffle option and decided to play a comfortably predictable album.

After the six and a half hour drive of the day before, my two and a half hour drive from Columbus to Cleveland seemed little more than a coast. I drifted into Cleveland over the smooth lines of Rhythm of the Saints.

Paul played the Plain Dealer Pavilion in Cleveland, a very different venue. For this show, I was in the second row. Still good seats, but no comparison to the Columbus front and center seats. Paul and his band played the same songs in the same order -- a play list to follow the entire tour. Many of his songs are musically complex and it would be a lot to ask him to ´mix it up´ from one night to the next.

After having seen him inside, it was nice to watch Paul play under the pavilion´s tent with an old bridge in the background. He referenced the bridge, talking about how the last time he´d done Cleveland he played somewhere else. He saw the pavilion from the bridge and said he wanted to check that place out. The crowd cheered. Then Paul laughed and said, ´That´s better than just saying Hello Cleveland, isn´t it?´ The crowd roared, and he said, ´All right, I´ll try that in Milwaukee.´

Paul began playing in the sunlight, but the night had come before he was through. The Cleveland show had more of a festival feel to it, although I´ll admit that I felt the Columbus show was a far cry better, if only due to the controlled environment and front-row seats. After the show, we talked about the concert and had ourselves some beers.


The next day, after spinning some old Simon and Garfunkle vinyls, I ventured to the National Rock and Roll Hall of Fame and took in the regular exhibits as well as a special Bob Dylan display.

Paul Simon is of a rare breed, inducted into the Rock and Roll Hall of Fame twice. First, in 1990, he was inducted as half of Simon and Garfunkle; in 2001 he was inducted as a solo artist. The museum notes that Simon´s solo career began in 1965 -- before Simon and Garfunkel hit it big -- with the UK recording and release of The Paul Simon Songbook, never released in America.


Homeward Bound

I hit the road, homeward bound. I put on ´Kodachrome´ as I proceeded down the Ohio portion of I-76, and remembered reading that the tune was originally called ´Going Home.´ While my Graceland-style pilgrimage had been fun, that´s where I belonged: home, where my family was waiting.

The rides to Columbus and Cleveland were driven by anticipation, but the way home was more reflective, my thoughts escaping. I listened to Paul Simon and his wife Edie Brickell on my iPod and thought about the show, Paul´s handshake, his smiles and nod and music. The music sounded good, but somehow not as exciting as it had just days before. Now, it seemed more comforting than exhilarating.

My wife and children waited for me back home, and that was something to be excited about. The old vintage issue of Playboy from the 80s with the Paul Simon interview was waiting at home, too. I´d purchased the magazine for the purpose of researching this story. For some reason, my wife had the idea I bought it for the pictures. ´Pictures?´ I asked. ´What pictures?´ The Playboy, the concert tickets, the road trip -- it was all about dedication to my work, to my writing, I´d rationalized to her. The drive home always seems to take longer.

I got a phone call as I crossed over the Maryland boarder from a friend in Baltimore. ´I got tickets to Simon´s show at Merriweather, July 12! Wanna go?´

I laughed and said, ´Who am I to blow against the wind?´


Surprise

When I got home and saw my wife and kids, they had a bit of news for me. ´Guess who´s on Letterman tonight?´

´Who?´

´Paul Simon!´

So, for my third night in a row, I watched a legendary songwriter perform live, knowing that he´d be in town in just a couple weeks. It´s outrageous ´¦ but there´s nothing fanatical about that.

####


Eric D. Goodman is a full-time writer and editor. His work has been published in On Stage Magazine, Travel Insights, Coloquio and The Federal Voice. He recently received an honorable mention in The Baltimore Review´s annual fiction competition and is currently at work on his novel in stories, TRACKS. Visit Eric´s weblog for writers and readers at www.writeful.blogspot.com or visit http://www.writers.net/writers/40995 to learn more about him.



Surprise Concert Set List


Gumboots

The Boy In The Bubble

Outrageous

Slip Slidin´ Away

You´re The One

Me And Julio Down By The Schoolyard

How Can You Live In The Northeast?

The Only Living Boy In New York

Mrs. Robinson

Loves Me Like A Rock

That Was Your Mother

Duncan

Graceland

Father And Daughter

Diamonds On The Soles Of Her Shoes

Still Crazy After All These Years

Cecilia

Encore:

The Boxer

You Can Call Me Al

Second Encore:

Wartime Prayers


USA / Ohio - Cleveland - Joe K followup

Wade, its his music, but even on the classics, Simon took great liberty in changing melody, arrangment and instrumentation combined with a mix down that made his vocals so reverberant you coudn´t even understand lyrics on familiar songs. I´m no Paul Simon expert, but an average 40 somthing fan, like most of the other people at the pavillion, who I believe, left dissappointed in the performance. Local radio promotion for the concert featured classic Paul Simon playing in the background, but that was mostly missing from this concert. If you saw Simon on his ´Old Friends´ tour at the Gund in Cleveland in 2003, you left the Plain Dealer Pavillion on Thurday night wondering what happened to the guy we´ve had a musical love affair with since the 60´s?


USA / Ohio - Cleveland - Mike

The people above obviously missed that this is a Paul Simon tour, not a Simon and Garfunkel tour.

One does not go to the Surprise tour expecting to hear more than a handful of S&G songs, especially given that the two just united for an amazing tour. The song selections were great for real fans, maybe not for casual ones.

The concert in Cleveland was a solid performance, as Simon always gives. He is experimenting with some new takes on classic songs, some of which work better (´Diamonds´) than others (´Bubble´). I´m sure these will develop as he continues to tour. If one looks at the venues, it seems this is the preliminary tour to a more major tour in the future, perhaps this fall. I´m sure that will be the no-miss tour, but I never miss a chance to see Simon.

He played over 1/2 of the ´Graceland´ album, not overly shocking, though I was amazed that he did nothing from ´Rhythm of the Saints´ (okay since those songs were the bulk of his 1999 tour), only one from ´You´re the One´ (title track), and kept current material to the standouts from his new album. That he only played 3 from Surprise (4 counting ´Father and Daughter´) speaks to his attempt to keep fans happy by playing from all eras of his career.

True fans will love what he´s doing. The choice of ´Duncan,´ highlighted my night, as did his S&G selections (´Only Living Boy in New York,´ ´Cecilia.´).


USA / Ohio - Cleveland - howard c

have to disagree with some of the above. i´m not a big Simon fan but obviously familiar with S&G and Simons´ better known stuff. I thought this was a terrific show, with lots of innovative takes on old songs, great playing, crowd having a great time and simon looking like he was having fun, at least as much as he can. he always strikes me as pretty low key and not a natural performer, but he seemed to be interacting a lot with the front rows.
I thought the new songs worked well and were appreciated and I like them a lot, though I have not heard the album, but think I will buy it after this. loved boy in the bubble, very dense and throbbing..loved the 2 drums which is always great imo and was used well. set paced nicely, enjoyed having ´only living boy´ one of my fav S&G songs..
lots of dancing with ´diamonds, cecilia
great night as far as I was concerned and as I say i´m not a great fan (only own S&G greatest hits)..you can´t not have a good time at this show.


USA / Ohio - Cleveland - Chris

Any time to see Paul Simon in concert is a good time and Cleveland was no exception. The venue was smaller than I expected (max 3500) which was nice and the sound was great.
A few comments: After hearing that Paul was reworking some of his songs I was reading this to mean that there would be some big changes. I was looking forward to hearing Paul´s new take on old songs. This was not the case. There was some different sounds but overall pretty minor.
I am disappointed in the number of songs he chose to play from Surprise. It is a great album going in a new direction but I guess it doesn´t transfer well to the live setting. ´How can you live in the Northeast´ was good but ... it seemed as though none of Brian Eno´s ´soundscapes´ and envelopements where used live. Pity.
Finally, the overall choice of songs is getting, well, old. The highlight for me was Duncan, a rarer beauty. As you can see from the setlist most of the songs have been played on the last several tour Paul Simon has done. To me this shows that Paul is only doing this a) for the money and the popular draw of his ´hits´ or b) he doesn´t want to tour and the record companies are making him. My suggestion from him would be a small venue, intimate ´no-hits´ tour. Paul, play those sounds you love but never play.
Overall, a good show: his band sounded great and will only get better as the tour progresses, Paul sounds as good as always, and I had front row seats ;-)












USA / Ohio - Columbus - BB

I thought the show was very fun as well. My first time seeing Paul. The tempo changes caught me a little offguard, but still I enjoyed the show. I thought the crowd was lame, basically sitting down the entire show, except for a few upbeat hits. I wanted to dance and nothing annoys me more than some old ass telling me ´down in front´.

I got an email from the venue the week of the show giving me a link to Ticketmaster where you could buy tickets for free and just pay a roughly $4 service fee/print at home fee.

Taking a date to Paul Simon and getting good seats for $8. Can´t beat that!


USA / Ohio - Columbus - DeLappa

Beth, your review was right on. The only thing is you need to find the PERIOD button on your keypad...a lot... of... run-on... sentences! Ha! Seriously, the best part of the evening for me was hearing Duncan and Only Living Boy in New York. Wasn´t expecting either of those. Great experience. Had my 20 year-old son with me and he is now hooked. Great to show the younger folks what we were ´raised on´. Truly a voice for our generation in so many ways. And now, Wartime Prayers continues the cycle. Yes Paul, you are still crazy (like a fox) after all these years...


USA / Ohio - Columbus - Tom Van Kuiken

Absolutley amazing! Paul Simon is my all-time favorite singer/songwriter and I finally got to see him play live. He was and is brilliant and beautiful!!!


USA / Ohio - Columbus - Connie Corbett

Very disappointed in the concert. I waited all my life to be able to see Paul Simon live in concert and spent a lot of money on seats only to hear arrangements that were different and songs I couldn´t sing to. The only time we had fun was when he sang the songs that made him famous...but there weren´t many. Sorry.


USA / Ohio - Columbus - David J. Coyle

I won tickets to this concert on the local oldies station just for singing a snippet of ´Kodachrome´ at 7:30 in the morning (the stipulation was ´any song the DJ can RECOGNIZE´). Shortly after we got to the venue, it was apparent the show was not a sellout, so we got upgraded to a lower tier.

Jerry Douglas was good, but like so many others, I was just counting the time until Paul came out.

Long story short, I was underwhelmed by what to me may turn out to be a once-in-a-lifetime experience. The band, in my opinion, overpowered Paul´s vocals, and so many of the arrangements were not what I was hoping for. I would have been far more pleased had Paul at least included an acoustic mini-set without the band....


USA / Ohio - Columbus - Beth

Surprise Tour´¦..Columbus 6.28.06

This was the first concert of the Surprise Tour´¦
I bought a ticket from an online scalper that put me center stage´¦third row´¦getting a great seat is worth the extra money´¦..But getting any seat for PS is also great´¦..
The Jerry Douglas Band, a bluegrass ensemble, played from 7:30 PM until about 8:10 PM´¦no vocals but nice guitars´¦..Jerry Douglas is from Ohio and said his brother attends Ohio State´¦the rest of his band was from all over the south, mostly´¦..It was so difficult to concentrate on what that band was playing because I was getting so antsy to see Paul´¦..(One of Jerry´s guitars had very nice tiger maple wood on the side)´¦..The crowd was polite´¦appreciative of a good sound´¦..When they left, the stage was reset for Paul and Co. who came onstage around 8:25-8:30PM´¦..
Paul wore a prewashed red ball cap and t shirt (I posted a picture)´¦He was smiling´¦joking with the band´¦...big, big grins´¦very relaxed atmosphere on the stage´¦..The first two songs, ´˜Gumboots´ and ´˜Boy in the Bubble´ were not the traditional versions´¦lots of improvisations´¦one song ran into the next´¦..not any stopping´¦.Someone not familiar with his songs may have had trouble deciding what they were´¦´¦All sounded very ´˜Graceland´ CD with the accordion´¦and 2 drummers´¦.But when these two selections were finished´¦I could tell that he was pleased with the playing and the crowd reaction at this first Surprise Tour concert´¦´¦And he looked around at the different band members with a big grin´¦like a little kid´¦..almost giddy´¦.And one of my first thoughts was that this concert would not be business as usual´¦would be surprises´¦. Different mixes´¦..´Outrageous´ was next´¦and I looked around and could tell that many of the concert goers did not know this new song´¦..Actually, in conversations with many ticket holders in the lobby waiting for the concert gates to open, I was surprised that so many didn´t have the new CD yet´¦(Doesn´t everyone have 8 copies of ´˜Surprise´?)´¦but the crowd liked it´¦.Then ´˜Slip Sliding Away´ was the first song that everyone knew the words to´¦and I could feel the comfortability of the crowd´¦..singing along´¦Next, ´˜You´re the One´´¦a fabulous rendition´¦.and when he sang ´You are the air inside my chest´´¦he almost closed his eyes´¦.put his hand to his chest´¦and said those words twice´¦very meaningfully´¦slowly´¦.so much inner emotion´¦..was a deliberate rendition of this song´¦.and more band improvisations´¦´¦I´ll always remember how he sang this song last night´¦.and the depth of feeling I had ´¦..Then another crowd sing along´¦´Me and Julio´´¦´¦.and then ´˜Northeast´ which people liked even though most weren´t all that familiar with the song´¦everyone knew what he was talking about´¦with the ´How can you build on the banks of the river when the flood water pours from the mouth´´¦Katrina is very much on everyone´s mind, still´¦´¦.his voice was very clear´¦every word sung with precision´¦clarity´¦..Next ´˜Only Living Boy in New York´´¦´¦.very familiar to everyone´¦..sing a long´¦crowd liked it´¦..Then he asked the question what did we think of the Bush administration´¦something to that effect´¦..I said ´boo´´¦mostly negatives from the crowd on that subject´¦..and he said that maybe the next song would clarify´¦I actually didn´t get his exact words´¦but the idea of some insight´¦..and then he started ´˜Mrs. Robinson´´¦when he got to the part about Joe DiMaggio´¦´a lonely nation turns its eyes to you´´¦I got it!.....and so did the crowd´¦...Then came ´˜Loves me Like a Rock´´¦very familiar to everyone´¦.and ´˜That Was Your Mother´´¦´¦.love the accordion´¦.Then he said this next song is from my first solo album´¦.and made some humorous comments about his first solo album´¦I missed exactly what he meant´¦maybe how long ago that was´¦am not sure´¦..or the title´¦.maybe his words will be clearer in upcoming concerts now that we will look for them´¦..and he sang ´˜Duncan´ which was a nice surprise´¦.but when you think about it´¦fits into the idea of reviewing one´s life and going back to one´s first experiences´¦.and seeing transitions from what was then´¦..to what is now´¦and the future´¦.ergo, as now ´wearing my father´s old coat´´¦.Next came ´˜Graceland´ a crowd pleaser´¦..and then the new, for some, ´˜Father and Daughter´´¦and I could tell from his expressions that he was thinking of LuLu as he sang that song´¦and that he meant every word´¦..and the parents in the crowd related´¦.I felt that connection´¦..Then ´˜Diamonds´´¦I truly love this song´¦.and everyone jumped to their feet´¦dancing´¦.lots of improvising from the band´¦..and repeats of the ´ta na..na´¦..ta na na. na´¦She got diamonds on the soles of her shoes´´¦went on for quite awhile´¦Paul has a good sense of when to stop´¦.but at the time, I didn´t want this sound to end´¦´¦Next came ´Still Crazy After All These Years´´¦and he made some arm motions that showed how crazy he still is´¦I was picturing the chicken suit on SNL´¦´¦very apropos to who he was and who he still is´¦..in his own eyes´¦..Then ´˜Cecilia´ brought everyone to their feet´¦.really great song´¦..lots of hand motions from Paul on this one too´¦very fun´¦lots of dancing´¦people went crazy´¦..

He thanked everyone for the warm response at this first concert´¦then the band left the stage´¦he followed´¦´¦lastly....

Lots of wild clapping´¦.they returned´¦´¦but everyone knew they would´¦..

1st encore ´˜The Boxer´´¦oohs and awes from the crowd´¦..sing along´¦´¦
Then ´˜Call me Al´´¦everyone on their feet again´¦singing´¦dancing´¦and he would hold the mic to the crowd every time to sing the refrain ´˜Call me Al´´¦lasted a long time....

I thought maybe he would sing another song, one of the band members started to hand him his small guitar´¦but he motioned him off (I think that was at this point)..or maybe that was after ´˜Cecilia´´¦not sure´¦.

Left the stage again´¦´¦

2nd encore

´Wartime Prayers´´¦.This song was sung so beautifully´¦so deliberately´¦the lady next to me had tears running down her cheeks´¦´¦All that we have been though in this country´¦in this world´¦the healing voice of Paul Simon´¦..This song is very effective live´¦´¦.

And then it was over´¦´¦.10:20 PM

The Schottenstein Center (Value City Arena) venue is large ´¦. was not sold out´¦but a great, large crowd who loves Paul Simon´¦..mostly baby boomers like me´¦but there were people of all ages´¦one 24 year old sat near me who has been a fan since he was 14´¦´¦plans to attend the other two Ohio shows´¦..I will be attending the one in Toledo Sunday night´¦´¦

I bought the only PS merchandise available ´¦a gray t shirt with ´¦. nine hundred sit-ups a day´¦on the front´¦..and Paul Simon Surprise Tour 2006 on the back´¦´¦.
And a milk chocolate brown t with a lime colored silhouette of PS paddling a lime and brown canoe´¦ underneath, the words´¦.. Paul Simon surprise
Each was $30´¦´¦and very quiet shirts....not stuff all over them....

This concert a memory I will carry with me for the rest of my life´¦´¦

I wish you all could have been there in person...but I felt you all with me.....

Beth Withrow


USA / Ohio - Columbus - ...Mudshark

Excellent concert review Beth. The set list was dead on.

As she said it was one heck of a wonderful concert. Opening act Jerry Douglas is a master of the dolbro. If you get a chance pick up one of his cd´s. If you like Leo Kottke you´d probably like Jerry.

I was glad to see as many people in the house as there were. We got tickets by an advance e-mail promo the Schottenstein center does. Two weeks later we got another e-mail announcing 67% discounts. The last week local radio stations were giving away a lot of tickets. But at least it pulled in a large, energetic crowd.

As Beth said, and Paul was quoted in the local paper, he definitely changed the arrangements enough so that they were ´fresh´ to him and still fun to perform. Ever want to hear Black Sabbath perform ´Boy in the Bubble´? This version is close. Slip Slidin´ had a definite C+W twinge. The sax solo on Still Crazy is still there and will bring a chill to your spine. Since this is the first show there were some definite rough edges, but that helped make the show special. One of the workers there said he ran the band through Cecilia 4 times in rehearsal. I´d say they got it right after that!

When he was joking about his first solo album he said it sold a good 300 copies, ´but thinking back I guess I wasn´t that good back then!´

One of the best concerts I´ve ever been to was Paul´s ROTS. Saw him at an outdoor venue in Columbus Ohio one a clear night with a beautiful full moon. This Surprise tour was every bit as good. Go. You won´t be disappointed.

The *only* thing I´d change (and yes, I know, I´m the one paying to listen to the concert. Not the guy that wrote the songs and put ´˜em together) would be not to end on Wartime Prayers. That threw a bucket of cold water on the crowd. My Wartime Prayer was that they´d come back out and do Hurricane Eye´¦´¦. But still, a wonderful show.

´¦Mudshark


United Kingdom - London - Ahmed Assar

You feel Paul understands himself now more than ever before. He has reached the shore of his musical journey. His brilliance is astonishing sometimes, particularly exemplified in the purity of his lyrics and the flow of his chords and tunes. I respect this man and his music so much, it shaped my muscial knowledge. Thanks Paul,
Ahmed Assar
Egyptian fan


United Kingdom - London - Sumit

The last time Paul Simon graced a London stage was two years ago, when he deigned to become half of Simon and Garfunkel one last time and crooned the old hits in front of 50,000 fans in Hyde Park.

An audience one hundredth the size was lucky enough to see the man at close quarters last night, playing solo in the capital for the first time in six years. It was an hour-long set for competition winners that will be broadcast on Radio 2 a week tomorrow, but he was generous enough to do much more than simply plug his new album.

Opening proceedings with the casual a capella of Diamonds On The Soles Of Her Shoes, the 64-year-old singer-songwriter went on to revisit numerous corners of his extensive career.

His magnificent five-piece band confidently recreated the complex African funk of several tracks from Grammy-winning Graceland, as well as stripping back to a bare acoustic sound for the vintage folk of The Boxer.

Dressed as though preparing to deal with some bedding plants, Simon seemed cold and serious as he strolled around the stage, making the occasional florid hand gesture when he wasn´t strumming his guitar.

He barely spoke between songs, which might explain why he does not seem to make the personal connection that wins some musicians of his generation fevered adoration. This crowd gave him more of a kind of awed respect.

One fan dared to shout a request, for Simon´s new single. Unfortunately he mistakenly called it Father And Son - a Cat Stevens title - rather than Father And Daughter.

Including that gushing ode to Simon´s little girl, four new songs were aired from the imminent Surprise, his first solo album since 2000´s You´re The One.

They lacked a dimension here without Brian Eno´s mellifluous production, full of subtle shimmering sound effects (described as a ´sonic landscape´ in the sleeve notes), but Outrageous was a strong highlight. A soothing, fluid chorus was countered by scattershot funk in a verse so packed with smart lines Simon was almost rapping.

That pure, angelic singing voice, unscathed by the years, was what made the frequent striking lyrics stand out as though written in neon. The new tracks were as strong on imagery as ever.

´We watched the fireworks ´til they were fireflies´ in How Can You Live In The Northeast?, a song about America´s immigrants; ´A mother murmurs in twilight sleep and draws her babies closer´ in the mournful ballad Wartime Prayers.

But there was genuine fun to be had too, in the tumbling tomtoms of Cecilia and the milkman whistling of Me And Julio Down By The Schoolyard. Simon may only need to please himself at this stage in his career, but thankfully he has not forgotten how to please a crowd, even one as small as this.


USA / Louisiana - New Orleans - Bodo

The band included:
Paul Simon - guitars, vocals
Vincent Nguini - guitars, percussion
Steve Gadd - drums
Mark Stewart - guitar, saxophone
Bakithi Kumalo - bass
Andy Snitzer - Saxophone, Synthesizer
Tony Cedras - accordeon, piano, trumpet

Guests:
Buckwheat Zydeco - accordeon on That was your mother
Allen Toussaint - piano on Bridge and Graceland
Irma Thomas - vocals on Bridge


USA / Louisiana - New Orleans - colleen thomson

Can it be the same paul simon concert that i saw in new orleans at jazz fest? Surely not. What i saw was a lacklustre performance by a performer who did not seem to realise he was standing in front of thousands of excited fans hoping for a hint that he was pleased to be there. The person I saw did not put on a concert or entertain the audience, he simply walked on stage, perfunctorily performed a few songs, many of which did not do justice to the original, and left the stage. His seeming disinterest was put into even sharper focus in light of the amazing, stirring performance of bruce springsteen and his band of merry men and woman the week before. Now that was entertainment and a real boost for good ol´ Nawlins.


USA / Louisiana - New Orleans - Stacy Miller

I left work on Saturday night at midnight and dorve 14 hours to see him, and then I drove 14 hours directly after the concert to make it back to work on Monday. It was totally worth the exhaustion though. He sounded so good,and I was really glad that he played some of his new stuff. If I had all of the money in the world I would become a professonal Paul Simon groupy. I was especially glad that he played Graceland because that song sounds the best live. The first song wasn´t Crazy Love Vol. 2 though it was Gumboots.


USA / Louisiana - New Orleans - Newspaper


Paul Simon´s set at the Acura Stage was a final healing balm for a population desperately in need of it. Cultural collector Simon´s search
for fresh sounds and inspirations has taken him from Lafayette to South Africa and many points in between. His gift is his ability to weave
strands of indigenous music into his own pop tapestry in a way that enlivens his songs while honoring the other traditions. His finely
honed band easily charted his musical travelogue on Sunday, even as Simon, in fine voice, stamped his signature acoustics on ´Slip Sliding
Away,´ ´Me and Julio Down By the Schoolyard,´ ´Still Crazy After All These Years,´ ´Loves Me Like a Rock´ and an absolutely delightful
´Cecilia.´ In the 20th anniversary year of his landmark ´Graceland´ album, he revived ´Diamonds on the Soles of Her Shoes.´

Simon, an early supporter of the Hurricane Katrina relief effort, also went out of his way to shine the spotlight on Louisiana stars. For his
zydeco treatise ´That Was Your Mother,´ he enlisted Stanley ´Buckwheat Zydeco´ Dural to provide accordion accompaniment. Allen Toussaint took a seat at a grand piano and led Simon´s band on ´There´s A Party Going On,´ an unrecorded Toussaint composition that he rehearsed with Simon´s band in Connecticut recently. During a joyous swing through the ´Graceland´ title track, Toussaint underscored such lyrics as ´there is a girl from New York City who calls herself a human trampoline´ with bouts of boogie-woogie piano.


And Irma Thomas turned up yet again for a magic Jazzfest moment. In 2005, she brought her audience to tears with a devastating take on Sister Rosetta Tharpe´s ´Beams of Heaven.´ This year, she sang lead on ´Bridge Over Troubled Water,´ building slowly and methodically to an inspiring finale with Simon providing harmony. The set ended with Simon, Thomas, Dural and Toussaint gathered at center stage, arm in arm, huddled together, in an affirmation of Louisiana´s musical bounty by a performer who is more than happy to celebrate it.




USA / New York - New York - Nw York Post

Singer Paul Simon appeared as the special guest Sunday at an impromptu Amagansett charity concert for local chef Sean Rafferty, who was diagnosed with a bladder tumor two weeks ago.
Simon joined two local bands, Little Head Thinks and The Nancy Atlas Project, at the Stephen Talkhouse, wearing a Yale baseball cap, black T-shirt and jeans. He said he was there to help out a ´friend of the family,´ while confiding to staffers he wanted to give back to the East End community, which has treated him so well.

For a suggested donation of $25, hundreds of guests packed the bar in support of Rafferty and wound up hearing an acoustic quartet of Simon classics: ´Homeward Bound´, ´America,´ ´Me and Julio Down by the Schoolyard´ and ´The Boxer.´

The enthusiastic crowd caught Simon off guard when they began singing in unison the ´lie-la-lie´ chorus of ´The Boxer,´ his last song of the evening.

The singer grinned and then pointed to the bartenders and declared, ´Literally, everyone can have a beer on me.´

Before wrapping up his act, Simon looked at the audience and quipped, ´I have to figure out how to pay for the beers now.´

He walked off stage and immediately offered up his credit card.



Simon showed up at the request of Sean´s older brother, Ron Rafferty, who was the former caretaker of Simon´s Montauk estate and is now leading the charge to help his sibling, who´s already facing bills of $20,000 and has no medical coverage.

When the concert finished, Sean, 37, a chef at Nichol´s, summed up the evening: ´It was really wonderful - I have a lot more friends than I realized.´

As Simon was leaving the building, Sean´s wife, Kathryn, rushed out to thank him for playing at the event, which raised about $10,000 through donations and the evening´s bar profits, which the Talkhouse gave to the cause.

The good-hearted Simon replied, ´Your husband´s going to be fine . . . When he´s fine, I´ll come sing again.´

Donations for Sean can be made by calling him at (631) 267-7619


Italy - Rome - Stephan

Hi!
I had the big luck to stand in the first row right in front of them. I was there with my girlfreind who fighted really hard during the whole day beside me to finally get in the very first.
We met some very nice Itlian people there. Well the concert of course was tremendous. I never saw anything like it before. Although my italian friends told me that this was quite normal for Italian concerts I have to remark that it was a very dangerous situation during the whole day because nobody of the security really knew how to prevent a chaos as it was sometimes on that day. but anyway: thanks tom & jerry

That was (as a fan shouted) ´grande´
I took some fantastic pictures. Maybe I´ll send one or two to this site.


Italy - Rome - Jesse

It was a once in a lifetime concert!We slept in a beautiful penthouse just a stone throw away from the colosseum. No hurry just enough time to inhale this experience minute by minute. There were two sisters with their mum standing behind me. The gospel performance from Paul on Bridge blew me away.He gave us back the roots. And as Art catched his high note....I looked behind and saw tears rolling down this mum her face.
Just perfect.


Italy - Rome - wheninrome

we were lucky enough to be on holidays in Italy and joined the crowd of 600,000 for this once in a lifetime experience! They were amazing, a concert to tell generations to come about!


Italy - Rome - Micky

Posted on Sat, Jul. 31, 2004

The Miami Herald
Herald.com

Simon & Garfunkel Play Roman Colosseum

By FRANCES D´EMILIO
Associated Press


ROME - With the Colosseum and a swollen golden moon rising above it as a backdrop, Simon & Garfunkel closed out the European leg of their Old Friends tour with hundreds of thousands of adoring fans stretched before them Saturday night.

Rome Mayor Walter Veltroni told the crowd that 600,000 people had turned out for the free concert, 100,000 more than the crowd for a free concert by Paul McCartney last year in the same setting.

That might make cause some wincing for fans who paid an average of nearly US$140 a ticket for the first leg of the tour in the United States, which began last autumn.

The concertgoers in Rome rocked and stamped their feet in encouragement. Many members of the audience were in their 60s and grew up with the songs of Paul Simon and Art Garfunkel. The pair´s songs were so popular their lyrics were translated into Italian and the melodies sung by Italian groups.

The crowd roared as Simon crouched low with his guitar, getting into the grove of ´Mrs. Robinson,´ their hit song recorded for the cult movie hit ´The Graduate.´ While he sang the song, Garfunkel toyed with the buttons of his shirt cuff.

Thousands of fans showed up hours ahead of the performance to find a decent viewing place, but some of the best seats in the house went untaken. Those were balconies and terraces of apartment buildings overlooking the Colosseum. Their occupants were among the hundreds of thousands of Rome´s 3 million inhabitants who have fled the city these weeks for vacation.

Simon and Garfunkel grew up in a middle class neighborhood in the New York City borough of Queens. But the boyhood pals have been famously estranged over the years, splitting up bitterly in 1971.

The European tour started in Manchester, England, on July 14, and took the pair to 10 other cities before Rome. The tour also featured the Everly Brothers, who joined Simon & Garfunkel in a rendition of ´Bye Bye Love.´

Songs performed included many of Simon & Garfunkel´s biggest hits together, including ´Sound of Silence,´ ´My Little Town,´ ´El Condor Pasa´ and ´Bridge Over Troubled Water,´ which brought tears to the eyes of many in the audience.

In separate interviews last month with The Associated Press in New York, the two artists disagreed on whether Simon & Garfunkel have a recording future.



Italy - Rome - Matthew Evans

Hey everyone,

Well I´ve just arrived in Venice from Rome. I was at the concert last night, I am travelling around Europe with a friend for the Summer and we stopped off in Paris to see the concert too. Rome was quite an experience. One that I will certainly never forget.

I went on the 30th July to the Colesseum to see the stage and the road where the audience would stand and there was a small tent on the roadside with two guitars where members of the public could play S&G songs so I stayed a while and heard 3 American guys playing America and 2 German men playing The Boxer which was quite fun. I was like a little kid on Christmas Eve, seeing Paul Simon before your very eyes isn´t something that happens every night (unfortunately). That evening I went to see Nicolas who I had met up with in Paris and we had a look at the stage and planned the strategy for the morning, he was with Claudio and we saw Mandy and Nicole camping outside the fencing of the concert area. We decided that a 7am start was the way to go and arranged to meet by the stage in the morning.

I got up, bleary eyed at 6am, got ready and headed down to the Colesseum on the Rome metro and met up with Nicolas and Jean-Christophe. A few people who had camped were still locked out of the very front section by the security. After an hour or so they moved us around halfway down the road and made us wait at a barrier. It wasn´t the most well organised event ever with regards to crowd control (an understatement). There were around a dozen security guards patroling the barrier and we were told (via the Italian fan´s translation) that we would be moved down the road section by section as the day prgressed. We met up with Claudio again and the soundcheck started around 11am and that was like a concert in itself they played Hazy Shade of Winter, America, El Condor Pasa, I Am a Rock, Keep the Customer Satisfied and Sound of Silence. My friend Paul who is travelling with me isn´t really a Simon and Garfunkel fan so he didnt really have the motivation to stand in Rome´s baking heat all day (and I don´t really blame him!) so he could stand by the side of the stage in the unpatrolled area for the soundcheck while we could only listen down the road. He said that Art´s son joined them on stage and Art was filming everything with a big camera (possibly for a DVD?) and that Paul was telling the band off, especially Warren Bernhardt about his playing on Keep the Customer Satisfied, my friend was impressed with Paul´s authority over the band, saying that everyone repected him and followed everything he said.

The day wore on it got hotter and hotter and reached 36 degrees celsius, we were burning, dehydrating and our legs were achhing, I think I nearly passed out at one point but luckily the local fire brigade (I think it was the fire brigade anyway as I couldn´t see the truck properly) sprayed us with water through a hose pipe and the red cross gave out free bottles of mineral water so we could keep cool. They kept parting the fans so that vehicles could pass down the road so it got more and more cramped and eventually all the people who were there (which could have been no more than 1000) rushed the barrier right passed security and on to the next barrier. I have never run so fast in all my life, at each point it felt like school sports day all over again but this time the prize was far greater and victory was far more important! Claudio summed it up perfectly by saying ´It´s not a case of when you turn up it´s how fast you can run and how competitive you are.´ We waited here a little longer and and the same happened and we eventually got to the final barrier without the organisers even authorising our movement down the road. The final barrier was a solid one with just two gates to gain entry to the front section. I was a little anxious but I was with Nicolas who was very competitive and a veteran at this kind of thing, he told me the strategy we would follow at each point! As people barged through the fences into the front section I saw Nicolas right at the front motioning for me to come as he had saved enough space for the four of us and so it was we stood right in front of the stage, slightly to the right (Paul´s side) for the concert! I think Paul must definitely pick the pre and post concert music as beforehand it was George Harrison and afterwards Edie Brickell.

It was a magical experience, after 15 hours in the heat S&G came on stage at 9:40pm and it felt so strange to be at the head of 600,000 people. The Colosseum was a spectacular backdrop, there were big screens everywhere, and the place was packed, it was as close as you could come to reliving the S&G central park concert and I apologise if this offends anyone but I think the music was loads better on this tour than that one, the band tighter and the arrangements finer. I love the arrangements of Hazy Shade of Winter, My Little Town, Cecilia and Feelin´ Groovy particularly the trombidoo and the stand off (which was the same as in Paris) between Mark Stewart and Rob Schwimmer. Add to this the classics (The Boxer, Mrs Robinson, Homeward Bond, Sound of Silence)and Paul joining Art on Bridge, I think the harmonies on the last verse are finer than on some of the songs which were written for both voices, it was quite the event. After the Boxer and before the last encore the crowd sang ´Lie-la-lie´ for a minute or two to S&G and they looked so proud, they turned to each other as if to say ´Look, we may have had our differences but look what we have created, only we have experienced this journey which has culminated in a truly international audience of 600,000 people singing one of our songs to us in front of the Colleseum in Rome.´ I appreciate that´s a lot to read into one look but I am fairly certain I´m right, they joined in for a while and then applauded the crowd.

I thought Paul´s singing was spot on all the way through, Art strayed a little in places but nailed the Bridge note and Larry Saltzman should be a dead cert for the forthcoming (hopefully) Simon solo tour. He was brilliant.

It could be the last time S&G ever play together, I think it was worth the hard day of waiting but I felt sorry for Mandy and Nicole, they slept outside all night and really gained no advantage, there were people around us who had arrived at 3pm which made the system seem really unfair.

I will never forget this experience and I was privileged to share it with some truly nice people, Nicolas, Jean Christophe, Claudio and all the other people we met along the way. I can´t stress how historical it felt, I walked around Rome alone for an hour and half after the show, partly because I wanted to reflect and partly because I was lost but I had a great feeling of anti climax mixed with satisfaction.

I hope now that we can look forward to a Paul Simon solo album and tour after this brief but much appreciated interlude of Simon and Garfunkel. Maybe we will get a DVD of the event? It would be a shame not to have it recorded for posterity. One thing I am certain of is that it has raised the profile of Paul and Art because everyone has been talking about it. As I said I have been travelling around Europe and everyone I have met has been so jealous of me coming to these concerts... and rightly so.

Thank you for reading (if you got this far!)

Matthew


Italy - Rome - Gabriele Gramaglia

I definitely was there! Yeah, let me say that once again: I WAS THERE!!! And I´m incredibily proud (much more than words can describe) to have attended this great and unforgettable event.
I came to Rome in the morning with a flight from Milan (where I live)and as soon as I checked out my hotel I stepped towards the Colosseum to have a glance of the location.
Of course the stage was already complete and a bunch of brave people were already standing there. A few pretty assistants were giving out postacards with the two ´old friends´ in the front to the people passing by.
The big mess about the capture of a very dangerous bandit (which happened quite close to the stage), stole my attention and I missed the sound check.
Anyway i got back in the early afternoon. it was supposed to be another ´touch & go´ but I noticed that the people had grew in the meantime and I said to myself ´This is the time: only the brave!´.
And I stayed. It was 3 p.m. or so.
There was an incredible hot sunshine, no clouds, no trees... NO SHADOW AT ALL! only the road. At that point there must have been a few hundreds people... we stood for a while then somebody started to sit down. We slowly did the same but the road was incredibly hot. It was like staying seated on a grill!
Well, I don´t want you to get bored any longer about that because i´m sure you are interested about the concert...
So let´s get to it! A little later than expected (9.40 p.m. instead of 9.30) the two guys suddenly appeared on the stage. I don´t know why I had imagined their appearance in a different way. I thought that the band would appear before them and that they would reach the stage in the dark... on the contrary much to my surprise they did it very humbly. In the afternoon, by the height of the microphones bar, we all knew that Paul would be on the right and art would be on the left. And so it was.
They opened up with Old Friends... and the sound seemed a little low. But as soon as the crowd stopped screaming we all could hear very well.
I myself have been playing guitar for almost 30 years now and Paul has been my vistual teacher. I can play almost any of his tunes perfectly. So once again I aimed my attention on him and on his technical way to play the guitar.
I love Paul also because he quite often makes mistakes while playing. That gives me the idea that he is ´human´ just like us. Anyway even in this concert he made some mistakes but he ´covered´ him and I am sure that most of the people didn´t even recognize them...
Paul seemed a bit sad at times (except when he explained the reason why they called themselves Tom and Jerry saying ´Well, Art was tom and I was.... oh well, it doesn´t matter...´).
Artie was on the seventh sky. He said a few words in Italian and greeted the audience with a big ´Ciao Romani!´. I´m from Milan but I pretended that the greeting was for me, too.
Musically speaking I was a bit disappointed not to see the great Steve Gadd at the drums... When I saw Paul on ´You´re The One´ tour he was the percussionist... And of course we all remember him at the ´Concert in Central Park´... (especially in ´Fifty ways to leave you lover´ and ´Late in the evening´ solo performance). Also I hoped there would be at least two or three wind instruments. In short, even if I don´t want to offend anyone, I think the band might be much better than that. The only one appreciated a great deal is that incredible guitarist with the long hair that can play almost any instruments (but I can´t recall his name now... sorry).
Paul and Art performed almost any single hit of their musical career.. the thing could be possible even because most of these songs are very short. There were a few jam session but most of the times the song was performed exactly in the oryginal version. I was so glad that among the others it was included ´The Only Living Boy in New York´... and I appreciated that Paul explained where that song came from. It was so tender to find out that it was written for Artie... that sign of friendship is much stronger than any following misunderstanding between them.
Very funny and very ´groovy´ the version of ´The 59th Street Bridge´, and again very touching when the audience unexpectely started to sing the chorus of ´The Boxer´. The two guys looked sincerely impressed and thankful of such a gift...
I must say that Artie sang very well... I have no mistakes to report. Even the hard final part of Bridge Over Troubled Water was performed perfectly. In a way it seems that the years did not pass for him (even as for his looking).
On the contrary Paul looked a bit older, maybe a little fatter than it was. He has changed a lot in the last five years (I don´t know if you agree with me)
After three encores the two guys finally left the stage... Even if there were over 600.000 people, no problems in leaving the place were reported...
While getting to my hotel I found a bunch of people singing S&G songs... I joined the group and when we stepped in front of a little Restaurant close to Via Cavour, screaming ´keep the customer satisfied´, the owner invited us in for a Pizza. There was a guitar in the Restaurant and I could play most of the songs of the concert while the people sang along. We were all strangers and yet we were one family...
Another miracle of music.


Italy - Rome - Allyson Riggs

Hello all!
I made it to the concert, and it was one of the most stressful journies of my life. But of course, the reward was worth me doing it 10 times again:
My dad who accompanied me on this trip had meetings on the 29th so we had to book a flight for the 30th, having us arrive in Rome the next morning, the day of the concert. Before I go any further, I dn´t want to sound like some spoiled rich kid jumping on any flight she wants to: my mom is a flight attendent for Delta and we fly standby for free, so we´re never assured a seat, but if we can get one, we can go anywhere in the world for nothing. It´s magical! Our flight from Seattle to New York was 2 hours late, so when we arrived at JFK we had missed our connection flight to Rome! I was in tears. but my dad being the greatest guy in the world got us on a flight to Milan, Italy, and we regrouped. We planned to get on a short plane ride from Milan to Rome once we landed, but of course there was no room on the flight and we were forced to take a train- four and a half hours long! We were planning on getting to Rome at 10 in the morning originally, but buy the time we got there, it was 7:00 PM! I WAS SO NERVOUS!
I wanted to get there super early like all of you and meet some friends, and get a spot right in front. All the stories of people running through barriers sounds so exhilerating and FUN! But when I got to the concert sight, I only had 2 hours to make my way to the front. I felt so guilty squeezing through all the people who had been there all day, but I had to get closer! I had come all that way to see Paul and I wouldn´t settle until he was right in front of me. I jumped over barriers, ran past security guards, got caught, ran past them again, got caught, pretended to be part of families that weren´t mine so i could go through the security barriers, begged a police woman to let me go through, cried for sympathy, asked tall people if I could switch places (I´m only 5 feet 1 inch tall!), and within 10 mintues of the first song I had my hands on the front railing. I don´t think I have to tell you how great the concert was; everyone who was there knows that and you can read what they have to say. All i can say was that it was THE BEST night of my life! I cried for joy when my two favorite people on earth started singing the words of Old Friends. When Artie said ´grazie´ to the crowd, everyone around me screamed ´PREGO!!!!´ and it was magical. I´ve never heard so many people sing the words to all my favorite songs at one time! The american concerts aren´t like that. The only thing that spoiled a few minutes for me was when some Italian guys lit up a joint right next to me and weren´t even watching the concert, in the front row! I couldn´t believe it! I was a little to the left of the stage, near the piano, and I was breathless a few times when I kept realizing that They were only 20 yards away. I know I´ll never experience anything like that again.


Switzerland - Basel - günter leinders weil am rhein

it was one of the big five in my live. dreaming into the sounds that i know over the years. it takes a time that i realised: it was live.
thank you paul an art


Switzerland - Basel - Nathanael

I saw them last year in Las Vegas at the MGM Grand. Some slightly chances in some of the arrangements. I must say, that especially Paul, was in a great mood yesterday. After the concert my friend was very impressed by Paul´s voice. His voice was strong and clear, (very powerful during bridge) this guy is singing better and better the older he gets. Like good wine! I´m really looking forward to Pauls next solo album, especially what he will come up with his voice.


Switzerland - Basel - Ildikó Gombos

Uups! I´m still out of my mind I think,because I
forgot to brag my invention.So let me to tell you,
Paul and Art smiled at me many times!Because I call
their attention to me by a papermade-Simon and Gar-
funkel figure.I waved by it,I put to my head some-
times and it worked!Paul gave me an unforgetable,
extra beautiful shinning-eyed smile,a long-long
smile!

I had to tell you,PaulPals.


Switzerland - Basel - Anna

they were fantastic. they sang very well, but i´m saying nothing new...
Art introduced more songs than Paul, but the only moment when he speaks he made laughing all... He said: ´...first we were called Tom&Jerry, he was Tom and... I... ehm.. But it doesn´t matter, actually..´ and smiled.


Switzerland - Basel - hardy

finest concert in my whole life.
great vocals by art and simon.
had the possibility to watch sound-checking.
was even greater.
hardy from southern germany


Switzerland - Basel - Ildikó Gombos


Hello PaulPals!

I´m so tired to write,but I MUST tell you how wonder-
ful was the show!We had a very warm day in Basel,the
sun burned the many excited fans.It was the first
time to me to see this Brilliant Duo at concert,alth-
ough I´m a fanatic for my age of ten.

I enjoyed all of minutes of the concert by unconscio-
us way!It´s too hard to express.Paul and Art were ve-
ry fresh and happy,enjoying the singing crowd.Artie
wore a white shirt and a claret-coloured tie,on the
way as he usually does.Pauly didn´t give us surprise,
because he wore one of his ´twodollars t-shirt´ /but
that was orange,for a change:)/and jeans,of course.
I very like this puritanity,but I feel so sorry why
Pauly doesn´t give his t-shirts to auction as Elton
John does annualy.I´m sure I would pay for them hyper
price;)

The quality of the sound was awesome!Their voices
filled the Jacobstadium and flew to the sky.I must
tell you that my favourite instrument is the trumpet
and I always like the parts of the wind instruments on Paul´s songs.I would have liked if some trumpet
had had in ´My little town´.But It was absolutly O.K.
I think ´Homeward Bound´ was on the best way I´ve ev-
er heard.The guitar and the piano solo both casted a
spell upon the song.SOS was so soul-cleaning!The
little lights in the stadium like many-manyfireflies.
Pauly returned to his childhood,behaving like a young
kid-rascal.His guitar in his hands seemed to me the
same I imagened him in his room by useing a broom to
strumming.And,the best was in the show:his navel.Like
one of Snow White´s seven dwarfs.I almost passed out.
.....that´s all folks.


Switzerland - Basel - M.F. de Bruijn

Old Friends
´Hey mom, did you know there some famous old guys coming to the Saint Jakob´s stadium?´ my daughter said, in passing.
´Oh who?´ I replied, unable to muster any interest. Her idea of famous seldom jibes with mine.
´Oh, I don´t know, I can never remember his name. Gar, Gar, I can´t remember. Anyway, he´s an old guy and he´s coming to Basel. I know, you like him. His name´s Gar-somebody.´
´Garfunkel?´
´Yeah, I think that´s him.´
´Simon and Garfunkel?´
´Yeah, both of them.´
´Geez! to Basel?´ My enthusiasm level started to sky rocket.
´You see. I told you it was somebody you´d like.´
´You don´t like Paul Simon? Rhythm of the Saints?´
´Diamonds on the Soles of her Feet,´ her dad added.
´Daaa-ad, That´s soles of her shoes.´
´Whatever.´
´Yeah mom, you know, lots of old famous people come to Basel.´
´They do?´
´Yeah mom, you don´t pay attention.´
´Well maybe not, but Simon and Garfunkel aren´t old guys.´
´Sure they are.´
´Whaddaya mean old? When was Sounds of Silence?´ I looked at her dad. ´1966-67? That´s not ol....´
´Mom, that´s like more than thirty-five years ago.´
´Yeah so?´
´That´s old mom.´
Undaunted, by our daughter´s scorn, we set off on our bikes to Basel. There we mixed easily with the other cyclists, pedestrians and tram takers. (No traffic jams for the sensible Swiss.) Unfettered by metal detectors and body searches, the fans, aged anywhere from a bare-midriffed sixteen to a support-hosed sixty-six, staked out a comfortable territory on the plastic mesh-protected playing field with their collapsible chairs, picnic blankets and beach towels. Some munched Bratwurst, others drank beer and a few, a very few it seemed, smoked a joint. If you had the good fortune to find yourself by a pot smoker and inhaled deeply, well who knew? Maybe the experience would be herbally enhanced.
Eight thirty arrived-and left. By 8:35 the punctual Swiss got a trifle testy in a low-key Basel sort of way. Up flashed the photographs of old friends, Simon and his pal Paul from childhood to, dare I say it? old age´¦.older age, oldish age? Buddies for more than fifty years, the slightly paunchy duo appeared and sang Old Friends-a gentle nostalgic start. I looked about me. Were there many ´˜old guys´ among us? Not really, if I take the starting point of my own age. Every song an anthem, the audience accompanied the performers by singing the still pertinent lyrics. Clearly Simon writes from his heart while Art sings from his soul.
By way of introduction, Simon said he and Garfunkel used to imitate the Everly Brothers and then they appeared, complete with Hollywood hair. Three tunes later, the pace picked up. With trepidation I awaited my daughter´s early warning signs of a body being transported aloft to the area near the stage. ´You have to be on the alert for that,´ she counselled. ´And, if you´re close to the stage you´ve got to be physically fit owing to all the push and shove.
´The people in the mid-section will sway to the music,´ she said, ´and if the mood is right you´ll go into a trance.´ They did, I didn´t.
´Be ready to duck, lift or get smashed in the face,´ she cautioned. I began to look more and more forward to the evening. She hadn´t finished There was more fun to come. Apparently, with any luck the hoisted spectator would ultimately be tossed toward a group of youths buff as broncos-always better than into a gaggle of girls, known to step back at the last moment and not carry their load. There was none of that. Perhaps no one trusted his body to the old fogies´ weak wrists and crumbling bones.
Simon was twenty-one when he wrote one song, he´s sixty-two now but he won´t be for long. Had they aged? Of course. Could they still sing? You bet.



Germany - Munich - Stephan Herrmueller

It was a cloudy day-then the sun came out-and it became a wonderful night in Munich,Germany

My father and I were approaching the Munich Olympic Stadium and there were so many people wairing-the traffic in the center of munich collapsed and everybody was waiting for...well....SIMON AND GARFUNKEL.....they came late..30minutes!!!...then they were brought by two vans with dark windows-driving in the stadium-then the little history film started-and suddenly---------..´old friends...sat on their parkbench like...´ they starded singing...i could not believe it it was the most exciting moment in my history----they made an excellent concert....BEST 5 PERFORMENCES.1. leaves that are green 2.bridge over..3.the only living boy in NY 4.America 5. byebyelove

let us thank the police department, the fire department, the park commisioner-and ED Koch..


Germany - Munich - David

Okay, so here we go again. Probably my last review of a Simon AND Garfunkel concert!

The show started late, as usual. This time a thirty minute delay. This was needed, because even a ahlf hour after the start people were still trying to find their seats.

The audience was very appreciative, giving a standing ovation as the Pair came on stage and applauding wildy after the hits. Biggest cheers of the evening was during SOS which literely raised the roof! Fantastic.

Art was obviously very impressed which the location, the Olympic Stadium, and the lighting was fantastic. Clearly a lot of effort had gone into the positioning of the lights, and some of the big screen shots were breathtaking! Add to this that the weather was perfect, over 20 degrees celcius, not a cloud in the sky and a three quarter moon overlooking the stage....brilliant. The only downside was again the rather poor sound. At times the echo was so bad, especially during narrative, that at the end of a short sentance you could here the begining of it. Thus it took Paul ages to tell the ´We started arguing 48 years ago´ story, waiting for the two sound to travel to the opposite side of the stadium.

THe crowd had obviously been taking lessons from the New York audiences......many seemed incapable of going for two hours without the need for refreshments!

Musically there was no change from the other concerts. Set list the same. Art spoke only a little german this time round, wiht only the odd word or phrase here and there. He obviously got the countries mixed up once or twice, as instead of saying Dankeschön, the german for ´Thank You´ he chose to use the dutch ´Dank je wel´. Must have been some joint he smoked in Amsterdam to burn the dutch language so colourfully into his memories!

Paul introduced the Alice in Wonderland story as per the USA concerts, and missing in the KölnArena. He seems to take on a more homosexual pose everytime he tells the story. He seemed very camp during this rendition.

Both their voices held up well, Arts´ breaking a little during Bridge where he had to change key, but then we´re used to that! Paul rescued him well.

Paul looked to be having a fantastic time, smiling a lot and seeming genuinely greatfull and appreciative of the crowd. When saying ´Slip Slidin´ Away was not a Simon And GArfunkel song..........but it should of been!´ he seemed very genuine. Then again at times it seemed that he could hardly bare to be anywhere near Art. Art often wanted to hug Paul, but mostly Paul pushed him away. Still they manged a cuddle at the end!

I was lucky enough to be sitting very near the front, and at the aisle. The crowed were allowed to ´rush the stage´ before the first encore, so I was lucky enough to get ´pole postion´, right in front of the couple. Unbelievable. To stand only three meters away from them (there was a ´moat´ seperating the stage from the arena) and to see them together was so good.

It was good to see so many faces in the crowed that were familiar. Nicole and Mandy, Rosi, Katrin et al. A truely wonderful night, made better by the ´security´s´ complete disregard for any ´camera´ rules. Hence everybody could take as many pictures and videos as their cameras would allow. Perfect.

After seeing this show for the fifth time, in the third location this autour is happy to say this was the best of all the concerts. (Including the three in Madison Square Garden!). I leave you with the immortal words of Ed Koch......Ladies and Gentlemen.....Simon, And Garfunkel.


Sweden - Stockholm - Anders Osterman

Thanks Paul & Artie with orchestra for a wonderful music show. Also thanks to the Everly Brothers. This evening in ´The Globe´ will sure be one of
the greatest memory in my life. I ´ve seen Paul & Artie 1982 in Stockholm, and also seen Paul tree times alone in Stockholm, but this yesterday show
was extraordinary. Pauls superb finger picking on his Martin guitars together with Arties voice was like a magical dreamn to come true.
It is not easy to pick out the favourites among all the beatiful songs from this super-duper evening, but I was impressed by ´Kathys song´, ´American tune´ and ´The leaves that are green..´ And of course Arties high tunes in ´Bridge over troubled water´... / Thank you - Anders



Sweden - Stockholm - daniel

Simon and Garfunkel in the Globe 2004-07-25 is the best concert I´ve ever seen, and probably ever will see. I myself work as an A&R at one of the major record labels in Sweden and I´ve seen about 2000 gigs in my life.

Even though I´ve been a fan of S&G´s for years I never expected that this 26 year old would dry his eyes from tears at least 8 times during the 2 hours with S&G on stage.

Simply a magnificant evening... and the concert of my life!




Sweden - Stockholm - Pelle Karlsson

Simon and Garfunkel keep their customer satisfied and much more. Very good version of only living boy in new york and keep the customer, sounds and bridged better can nothing be, american tune and slip sliding wourth too die for. Somthing negative a bad version off homeward bound but why complain it was a very very good evening in copenhagen.


Sweden - Stockholm - Laura

I´m a 17-year-old girl from Finland and a great fan of S&G. I thought I could never see they live on stage until I noticed last spring that they are coming to Sweden. I had to pay 500 euros to get to Stockholm but the concert was really worth that. It was one of the greatest evenings in my life... I still talk about the concert almost every week with my best friend who was there with me. It was an unforgettable moment when S&G came on the stage and began to sing. Their voices sounded as good as (or even better than) then when they were young. I cried almost the whole evening...


Sweden - Stockholm - joakim svensson

Its was wery good!wonderful concert It was amazing to se paul and art stand at the stage.




Sweden - Stockholm - Leif Geiger

A purley magical night. Above all expectations! Same play-list as earlier - no Brighet Eyes/Graceland though.

Stockholm Globe Arena July 25

Old friends
Hazy Shade of Winter
I Am a Rock
America
At the Zoo/Baby Driver
Kathy´s Song
Hey Schoolgirl

- Everely Brothers (looking even younger than S&G :)

Scarborough Fair
Homeward Bound
Sound Of Silence
Mrs Robinson
Slip Slidin´
El Condor Pasa
Keep the Customer Satisfied
Only Living Boy i N.Y.
American Tune
Mt Little Town
Bridge Over Trouble Water
1st Encore:
Cecilia
The Boxer
2nd encore:
Leaves That Are Green
57th St Bridge song/Feelin´ Groovy

They sang ebtter than I´ve ever heard them, a flwless performance of truly professional artists and band! And what a duo they make :)


Sweden - Stockholm - Micke

It is near the evning, as we passes down Sockholm in the subway, as we get to the globe I really starts to feel the atmosphare, there was so much more young people than I could ever imagne to se a band that had hang on while before their time, a history back in the 1960´s. I thought I was one of the few teenagers who really enyojed the musik of the 60´s, I was wrong. As we steped in to our seats we saw all the people who had gathered here for one reason: to see ´Simon and Garfunkel, Old Friends Tour´, and once again I started to feel the enormus excitment that lied heavy in the air. As the Friends started, i was enchanted by hearin the very same voise I have heared so many times in radio or on a CD, yet hear it was more real and thus I felt the music within me. And the very same feeling as the Simon and Garfunkel feeling, this is two brothers who had played in the early 60´s and still like to play!


Sweden - Stockholm - Edward Mulholland

I remember this gig like it was yesterday. Thank God I finally found a bootleg of this wonderful show. Growing up in Belfast, Northern Ireland in the 1970’s everyone had a record player. My parents didn’t have a lot of records, but we did have the Greatest hits/Best off album.
Just to be in the same room with them created an incredible vibe. Audiences in Stockholm are usually spoiled rotten ?- everybody comes here. Not that night - from the first song they sang there was an electric spark in that room.
I remember when they played Sound of Silence the awe that swept through the Globe - the hair on the back of my neck stood up.
One of the best gigs I’ve ever seen. And The Every Brothers were the icing on the cake.
Wonderful.


Norway - Oslo - Trondheim234

They chose Oslo to give us a treat! We didnīt get American Tune but 2 solo song!

Paul said īWe want to play for you now what happened after Simon and Garfunkelī, He went off stage and Art sang Bright Eyes then the band struck up graceland!! It was the best thing ever, Paul came out and sang as Art went of stage.

No American tune though. The rest of the concert was amazing!


Norway - Oslo - Norwegian Simon & Garfunkel lover

I must really say that this concert was the biggest thing that has happened to me in my whole life! (though Iīm just 17). I donīt care if Art maybe missed a few times and they both sounded a bit older; you canīt expect anything else form two guys in that age. And it was fantastic anyway! I really thank God that I got the one chance in my life to experience my favourite artists ever! I brang two of my friends, whoīd never listened to Simon & Garfunkel before, and after the concert they thanked me for it! They did really love it too! The only song I missed was Bleecker Street, but I canīt complain. once again, I did enjoy every second of this evening in Oslo! And if itīs true that a DVD will come, I surely canīt wait for it!


Norway - Oslo - Osloguy21

A truly excellent preformance by the pair! Garfunkel even reached that high note on ītroubled waterī. Heīs sounding a little horse, but thatīs probably due to his age. Paul however, whas in excellent shape, both vocally and physically! He really flared with energy, especially on his guitar openings. Truly excellent! But i donīt understand the review by Trondheim234.

He Said:

īThey chose Oslo to give us a treat! We didnīt get American Tune but 2 solo song!

Paul said īWe want to play for you now what happened after Simon and Garfunkelī, He went off stage and Art sang Bright Eyes then the band struck up graceland!! It was the best thing ever, Paul came out and sang as Art went of stage.ī

They didnīt play ībright eyesī, or īgracelandī, but they DID play īAmerican Tuneī! I have no idea where he got his facts =).

But anyways, to summarise:

They truly fulfilled my expectations and more! Great Show!!!


Norway - Oslo - Erik Faarlund

So yesterday was our great night!
I had invited all the Norwegians registered in the fan database on The Neck of My guitar, and we had a small gathering at my place (100m from the venue) before hading off.

I had seen the show in New York in December 2003, so I had an idea of what to expect.

During the fist part of the show, neither S&G nor the audience gave their best. Garfunkels voice cracked or failed once or twice. But the Everly Brothers came and changed everything. Even though neither Dream or Let it be Me were performed superbly, their performance woke up both the audience and S&G, and from there it was a really tremendous show. The sound was good (I am sorry to hear that neither Amsterdam nor Copenhagen had good sound), their voices were good (allthough Garfunkel cheated on some of the high tones, espessially during Bridge), and they looked like old friends.
Seeing Garfunkel sitting on a stool, with Simon standing next to him with his guitar was just like seeing a picture from the sixties. This was the real thing!

Garfunkel still claimed that he had lived in England and played on the street with Paul and their friend Kathy, but he no longer said that American Tune was from Paulīs firs solo album.

The arrangements were the same as last year, but I generally like them a lot. A bit faster and more Rock Ä«n Roll.

After the concert a few of us met again to discuss the concert, and the general view was that this was one h*ll of a concert, and that we would never go and see another S&G concert again, because they could never top this one! Also, another concert would not be interesting, since they hold concerts together every 11 years or so, thwy would be VERY old next time (How terribly strange to be eighty four). We tried to dicuss what was the best song of the show, but most of us refused to grade them. They were all terrific. But I got the impresson that Bridge and American Tune were among the favorites. Personally I tink that Hazy shade of Winter and I am a Rock were improved the most, compared to the original versions.

We are all so thankful to get this chance to see them together. This was their first concert in Norway, and probably the last one too. A few of us had seen them in USA last year, but none of us had seen them before that, so this was our chance. We took it, we all loved it, and we canīt wait for the DVD :-)

If anyone has a recording of this concert, I would really love to get hold of a copy.

On behalf of the hard core of Norwegian fans
Erik

ps. I donīt understand what Trondheimboy is taliking about. They played American Tune.


Denmark - Copenhagen - MM

They were incredible. However, I was right in front of them and the sound was horrible - totally echo and muddle. The performances, I could tell, were great, but the promoters committed pure blasphemy by not making sure that this rare possible last chance to see these geniuses was quandered. I would be interested to hear if anyone else had this experience. Still, of course, 3 cheers to Simon and Garfunkel and the Everly Brothers for still being there for us!!!


Denmark - Copenhagen - Lars

Great koncert, many great spine-chilling moments and brilliant arrangements of old classics.
I hope you will be back and play somewhere else than the horrible Parken, which is build for 2 things: Watching soccer and cashing in on large crowds. Impossible for music enjoyment.
Evening was saved by the songs and the great performance. Paul McCartney did an open air concert in Denmark this summer. It did rain, but the sound was a lot better - may that was an idea?!


Denmark - Copenhagen - Phoebe

Fantastic concert!! I was eleven at the time, and already a fan... We (my family and I) hadn´t got tickets, so we sat right outside at what seemed to be a secret backstage entrance, during the whole concert. We could hear every single word, and it was simply great!!! The sound was very good, though it sounded somewhat strange when they talked. So, altogether, it was a truly great concert.


Denmark - Copenhagen - Mick

WOW what a concert...

Old Friends/Bookends Theme
A hazy Shade of Winther
I´m a Rock
America
At the Zoo/Babydriver
Kathy´s Song
Hey School Girl

Everly Brothers:
Wake up Little Suzie
All I have to do is dream
Let it be me

Everly Brothers + Simon & Garfunkel
Bye Bye Love

Simon & Garfunkel
Scarborough Fair/Canticle
Homeward Bound
The Sound of Silence
Mrs. Robinson
Slip sliding away
El Condor Pasa (If I could)
Keep the Costumer satisfied
The Only living Boy in New York
American Tune
My Little Town
Bridge over Troubled Water

Ekstra:
Cecilia
The Boxer

Ekstra-ekstra
Leaves that are green
The 59th Street Bridge Song (Feelin´ Groovy)


Denmark - Copenhagen - Kenneth

Hi!

It was certainly a very wonderful concert. A life time experience.

Event though it can´t spoil my fantastic experience, I have to comment that it´s such a shame that the concert were held in ´Parken´, since this place has a horrible acoustic. Too much concrete. Paul Simon commented during the concert that ´I have to say, this is a strange place to listen to music´, and he´s right. I don´t know if he ment acousticly, but that makes is even more strange: the echoes are too plentyful and dominant and they muds the sound terribly.

The only way to get a reasonable sound in ´Parken´ (and to get the best sound at any concert) is to be some 20 meters away and in front of the scene, such that the direct sound is maximal powerful in relation to the echoes, and that the delay of the echo is sufficiently long for one to better ´filter´ the echoes out.

At a earlier Springsteen concert in Parken, being ´fixed´ to my seat too far back, I was totally frustrated, cause it was totally impossible to enjoy the concert. Shame on the promoters that they don´t check these things, and as a minimum at least only sell tickets for the spots where the acoustic is to some degree tollerable.


Netherlands - Amsterdam - Wim

It was during ´El Condor Pasa´ Amber, Jan wrote about it. It was the first stanza and Art was supposed to sing it. He had problems with his microphone - he got to far back with it and the thing was starting to ´sing around´ (do you say it like that in English?). He put the microphone back in the keeper but was so angry that he refused to sing the rest of that part.
It was only a small demonstration of the fact that Paul was the better one this evening: by voice and in the way he showed that he was having a good time.


Netherlands - Amsterdam - Jarno

I must say the songs were beautiful, but the live-band (especially the drummer) were far from that.
You kinda miss the qualities like Steve Gadd and paul other bandmembers with this music. Although it might sounds easy, it takes good musicians to play every note right. Only the Guitarplayer tonight was very good and did an oustanding job. Paul was better on vocals then Art, who seemed to be on some sort of auto-pilot. Nothing wrong with that, but nothing spectacular either. All in All a night of beautiful music but not in their best shape brought.


Netherlands - Amsterdam - marije

I had a great time at the concert... !
The voices of these two men are magic together (eventhough Art sometimes had some trouble with the high tones last night ).
The sound in Arena isn´t that great, no. It would have been better if they´d played in the Heineken Music Hall, but that holds less people ofcourse. I noticed Art stopped singing during one song also, but from where i was sitting it looked like he lost the words to the song or something. I had never seen them play before, but loved their music ever since i heard my parents play it when i was younger (25 now). This concert was the best gift anyone had ever given me!!


Netherlands - Amsterdam - Johnny O.D.

I would really like to thank the people who decided to hold this concert in the Amsterdam Arena, because where I was sitting (2nd ring) the sound was really awful. Paul´s guitar volume was way to low, whic really was a shame. But still, it was brilliant :-) Bridge over troubled water has never been one of my favourites, except the concert in the park 91 version, but last night.. man! When Art hit that high note at the end of the song, and the verse paul sang, it was absolutely magnificent! I hope Paul comes back soon and please, choose a normal venue that time, like Ahoy last time, or maybe De Kuip...?


Netherlands - Amsterdam - Lefty

Well, I might be prejudiced because I am a big fan of Jim Keltner and his drumming during the records he played on in the seventies. I´m a big George Harrison-fan, and teherfore I was thrilled to see Keltner drumming, because he is on every record George has made. Did you notice that they played five songs from George´s posthumous album ´Brainwashed´ before Art and Paul came on stage? I knew Paul and George were friends, I liked the gesture.


Netherlands - Amsterdam - Johnny O.D.

What a coincedence, I was in 422 too! I´ve been to a lot of concerts, and I must say, I´ve never seen so many irritating people before. Thanks for *almost* ruining my night. If you wanna get drunk and disturb everyone around you, go to a bar or something.


Netherlands - Amsterdam - Alie

A great concert. I´m a fan for 26 years now. I´ve seen Paul Simon solo three times and Art Garfunkel twice. I have been waiting for 22 years to see them both at the same time. What more can I say. I enjoyed every minut of the concert in the Arena. It was AMAZING!!!!!!


Netherlands - Amsterdam - Carolina

I went from Lisbon, Portugal, to see Simon and Garfunkel (specially Paul) at the Arena, in Amsterdam. I am only 14, but a great, great fun of them, so you can imagine my emotion to have had this oportunity. I think the show was good, but I was expecting a little bit more: more songs and more relation with the public. Anyway, the show was fantastic and if you, Mr.Paul Simon, read this, do know that «I´m still crazy (about your music), after all these years», and that even if I am only 14, you have in Portugal a GREAT FAN.
Carolina Martinho Rodrigues


Netherlands - Amsterdam - Eric

I attended the concert at the Amsterdam ArenA. It was great fun, but terribly overpriced (cheap place somewhere in the back for EUR 70), and the acoustics just plain sucked. Constant feedbacks even forced Art to stop singing at one point (I believe in ´Cecilia´), while the band kept playing. They should have stopped playing for a while and have the sound problem fixed, but they didn´t even repeat a song.

Contrary to what other people here think, the concert was not sold out. I got a ticket on the same day, and it was by far not the last one.

Conclusion? I´m glad I had a chance to see them live eventually, but was very disappointed because of that sound thing. Taking that into account, asking 70 Euros for this is just disgusting.


Netherlands - Amsterdam - Lindsay

Just enjoyed every minute of the whole concert ... I sat back and let the music take me places I´d never been ... if you read this Paul ... Thank you


Netherlands - Amsterdam - Jasper Kok

´what a strange place for making music´ Paul Simon said as they stepped on stage, and it was but nor the weird acoustics of this stadion nor the fact the vocalist were getting pretty old could make it less beautiful. The last time I heard Art sing live was a couple of years ago and it didn´t go so well, so now I was really curious and a bit nervous to. But their voices were brilliant! And the sound was carried round the stadium over 10,000 people (maybe more) as a cool, cool river...
A great night and boy am I glad these guys are immortal.

Jasper


Netherlands - Amsterdam - Elvis

I was in 422 too and everything happened in that place. There was a man who was getting a heart atack(I read in the newspaper he is doing fine now).

But if you don´t like it that people walk in front of you during the concert youh ave to open your mouth, just tell them to sit down, and not complaining after the concert, that´s too easy.

The view wasen´t that good from 422 so I bet you came for the music. And if you wan´t to see them good buy the concert in central park DVD.


Netherlands - Amsterdam - Joost







Netherlands - Amsterdam - 123456



Netherlands - Amsterdam - Amber

Just got back from the concert.

It was terrific. Sound was great ( at least where I was sitting ) Afterwards I heard many people complain about the bad quality of the sound, but that is what the ARENA is infamous for.
The setlist was the same as in Cologne, only they did not play still crazy ( damn... )

I had a great time, the performances were great and their voices have not changed much.
Arties hair was almost as orange as a carrot.
I must say that Art sometimes sang a little bit false.
He was trying to overrule Paul in singing and that did not do any good to his voice. Also at one time he grapped the microphone and walked away with it, wich created a terrible sound and he and Paul were so confused about it, that they left out a whole verse. ( don´t know which song that was anymore )
Paul was feeling well. I have read other reviews in which was written that Paul was very much to himself, but this time he was at ease.
He looked around all the time and kept smiling and waving with his hands. A few times he even wove with both his hands high in the air, and that I found special because I never had seen him doing that before.
I wished that the feeling I had this night could last a lifetime.

Amber



Netherlands - Amsterdam - Amazing

Waaaw, what can I say? After all is said and done, these two old friends showed that in the end: it´s all about the music. Memorable was the moment when Art got a standing ovation for singing ´Bridge over troubled water´ and then he turned around, looking for Paul who was standing behind him and he nodded, grabbed Paul by the arm and pulled him close to himself, as if to say to Paul: ´This ovation is also for you.´ Furthermore, Paul was in great shape, he looked younger then I imagined him. He had a lot of energy and was laughing a lot.
Funny moment when Paul said: ´Well, this is an early song....well, in fact they are all early songs´, and then he had to laugh with what he just said.
It was an evening full of nostalgia and melancholy. And it is with sadness that I notice that the generations that came after simon and garfunkel do not have such great pop icons.
There´s one thing I do hope, and that is that I´ll have the opportunity to see Paul again on one of his future solo tours.
Simon and Garfunkel old friends 2004 tour: time it was, oh what a time it was...


Netherlands - Amsterdam - Jan

Great concert. I loved it :P

Amber, it was during the Song ´El Condor Pasa´ when the microphone made that terrible noice. Artie even improvised during the text of that song after what happened with his microphone. He sang someting like ´...I´d rather sing within a perfect world...´ or something like that... referring to the mice-problem. I couldn´t hear it that clear, because of the loudness of the people that were sitting next to me. But after complaining to them a few time, they stopped beeing that loud. I mean, ain´t it rude to burp out loud during such a good concert? Or making bad jokes during S&G´s performance?
To the people of block 404... shame on you!

They´re performance has been my very first concert ever. I´m 21 years old and I ain´t interested in nodern music. I´ve been a big S&G fan for as long as I can remember... my mother used to play their songs a lot... so when I got home from school, I could always hear them sing :) This performance even overruled my highest expectations :D


Netherlands - Amsterdam - David

Simon & Garfunkel ´Old Friends´ Tour - Amsterdam ArenA July 21st 2004 8.30pm

Started at 8.55pm and ran to 10.55pm with barely a pause.
Some nice, relaxed chats and nostalgic film footage on big screens behind, before & in the middle.
Attendance - very approximate, but can´t be much less than 80,000 (I believe this is the capacity of the arena, but it looked like 100,000 to me).
Tickets EUR 70-85.
Irritatingly the ArenA bars don´t take cash but you have to buy an ´Arena Card´ to buy drinks electronically.
I refused to buy one as I hate being compelled to spend more when I already spent EUR 80 on a ticket.
But that was the only frustration of the evening. Great value even at that price.

Set List:

Old Friends
Hazy Shade Of Winter
I Am A Rock
America
At The Zoo/Baby Driver
Kathy´s Song
Hey Schoolgirl

Everly Brothers:
Wake Up Little Suzie
Dream
Let It Be Me
Bye-Bye Love (with S&G)

Scarboro Fair
Homeward Bound (bad feedback)
Sound Of Silence
Mrs. Robinson
El Condor Pasa (bad feedback)
Trying To Keep My Customers Satisfied (this song badly missed having a brass section)
Only Living Boy In New York
American Tune
My Little Town
Bridge Over Troubled Water
Cecelia
The Boxer
The Leaves That Are Green
57th Street Bridge Song (my absolute favourite - what a finish!)


Netherlands - Amsterdam - walter

Amsterdam 21/7/04
A feeling of full circle. My first LP was BridgeOTW. (I´m 47...)
What a performance!! Amazing craftmanship of music and harmony, and extraordinary feeling for music, composition and reality.
Accoustic qualities of Arena proved quite poor for this kind of subtle songs. Resonance and echo. The problem was solved by singing somewhat slower it seemed, and ultimately raising the volume. A bit heavy on the third row, but music like this sounds great no matter what...
With my old friend Peter, his son (13!) and my girlfriend Margriet I enjoyed a memorable evening. Even more than usual, we realised the lyrics (regretfully) still apply to our times and haven´t lost their essence, some 40 years later (American Tune, SoSilence, Keep Customer Satisfied, etcetc.)
What a sound those two guys are able to produce, with just a guitar to accompany them. Timing and articulation especially are sublime. A the match of these two voices is almost as if touched by God (Amadeus..;) And with a own repertoire like that. Almost unbeleavable, to a levell as to have been priviledged to witness such a event.
Sorry to experience the bitterness and resent between them, though. Probably genious takes its toll... But thanks Paul&Art (or the other way round) very much.
Why not dive into a studio and have some fun? And make this world a better, more beautifull place?
And if somehow not feasible, a DVD of the tour would be (very) nice.


Netherlands - Amsterdam - Maria

I fully agree with Johnny O.D. The Amsterdam Arena was totally unsuited for a S&G concert. I was sitting second ring (422) and hated every minute of it. Not only was the sound quality very poor, I was also surrounded by a beer guzzling horde of Neanderthals who kept going up and down the stairs to satisfy their alcoholic needs. Why do people go to a concert? To listen to the music? To sit in awe and admiration for angelical voices, wonderful songs, the embodiments of our hopes and aspirations when we were young? No, not last night. Most people of 422 were only there to block my view, spill beer over my head and shoulders and to make a terrible nuisance of themselves. They ruined the concert for me. Fortunately, I shall be in Rome on the 31st of July, and hopefully will find a seat at the Collosseum.


Netherlands - Amsterdam - Lefty

I don´t really care if the concert was identical to the other concerts, as long as they give me the feeling that I am experiencing an unique night. I payed for it (85 euro, my goodness!), but it was well worth it. I was lucky enough to sit next to the stage in the lower regions, so I don´t have the complaints as some of you have about the sound qualities. I´m really sorry to hear that, pity it spoiled some of the pleasure that evening.
For me, Art stole the show. In the past I never gave him much attention or credit, because I know Paul is the creative genius behind it all. But I think Art´s voice gives something special to the songs, somehting that turns songs into a almost heavenly experience. I loved his rendition of ´Kathy´s Song´.
The band was good, the guitar player with the long hair did a fantastic job (not just on guitars) and I loved Jim Keltner´s drumming parts. He was (after Don & Phil) the fifth legend on stage.


Netherlands - Amsterdam - Michiel

A great show in the ArenA by Simon and Garfunkel. I liked it very much; I’ve been to the concerts of them in Boston (December 13, 2003) and also in Cologne (July 20, 2004). Some people are complaining about the quality of the sound in the ArenA, but I must say it really was better than in Cologne and Boston. Maybe it depends on the place where you were sitting in the ArenA. I was sitting in the back. But as you might remember, Simon also had some thoughts about the place, he said “What an unlikely place for music”. Great show, with two great singers. Garfunkel sometimes had some voice problems, he did not dare to sing with full power (as in Scarborough Fair), strange as the day before in Cologne his voice was even better than in Amsterdam. Hopefully they will ever play in Holland again, but I’m afraid that chance is very small.


Germany - Colognia - Smiley

Hello David,
it was quite interesting to read about the differences between German and US concert goers ... I never had thought that serious numbers of people would leave DURING a concert just to buy beer or snacks. The sound of the ´Koelnarena´ is unfortunatly known to be bad ... worse ... worst (maybe in whole Europe); I live in Cologne and I was in the Cologne Arena for many concerts, 2 times McCartney last year, Eric Clapton this year, now S&G ... and this time the sound was kind of REAL bad during some songs. I didn´t hear echoes like you (I was sitting front of stage row 14), but we had some deep noise from some technical equipment that did disturb the sound during the quiet or lower parts of some songs. So maybe German audience is more enabled to enjoy concerts than German architects are enabled to build concert halls?!
Yor write that you made some pictures / videos .... would it possible to share them? I would be REALLY glad not only to have my memory to preserve this phantastic evening. So if its possible to share some of the pictures or sound just send me an email at:
[email protected]
Thanks!


Germany - Colognia - David Owen

As usual, this concert began thirty minutes late. And of course the set list was the same as for every other concert! What made the difference was the behavior of the patrons and the performance of Art and Paul.

The accoustics were worse than in most arenas, with a noticeable echo to the rear. This meant, basicaly, that the same sound could be heard twice, about 0,5 seconds apart! But after a few songs most people stopped complaining and started to enjoy the show.

The audience kept sitting during the entire show. Nobody got up to buy popcorn and beer. Nobody started talking during the less ´familiar songs´ and the arena didn´t empty out for everyone to go the toilet during the Everly Bros. It put the American Concert goers to shame and showed how little respect the american concert goers have for the artists. No wonder that both Paul and Art were in great form, especially during the classics! Paul was as triumphant as ever during Bridge and really let himself go during the rock numbers. Art stood around as usual and tried to find something to do. Hands in pockets time again.

Contrary to other concert reviews this patron found Paul to be in a fantastic mood! Obviously Edi did some nice things to him last night, because Paul couldn´t stop grinning and laughing. He was very clearly enjoying himself a lot. Something that was seriously missed when I last saw him in New York, six months ago. On theat occasion he looked like his dog had just died. Last night´¦´¦.well´¦..he was just fantastic.

Art wooed the crowed by speaking not an inconsiderable amount of german! Much to everyone´s surprise! He welcomed everyone with a´¦.´Guten Abend meine Damen und Herren´, (Good evening ladies and gentlemen) and then said that was all the german he knew. This he immediately confirmed as untrue by saying´¦..´dies ist der fünfzigster Jahrestag seit bestehen unsere Freundschaft welche ich sehr schätze´ (This is the 50th anniversary of our freindship which I treasure) and when introducing American Tune he remarked ´ždas ist ein Lied über mein aufgewühltes Heimatland´. (This is a song about my troubled home country). Throughout the evening came the odd ´ždankeschön´ and toward the end of the night Art remarked that he has always been so fantasticaly received when in Germany and that he dearly loves to be here.

Paul spoke a lot less during this show. No stories about Alice in Wonderland, for example, and only one or two shorter speaches.

The video screen remained in colour for ´žOnly Living Boy´, which was a pity, because the black and white of the previous shows was a haunting touch.

The rearangements of ´ž59th SBS´, ´žCecilia´ and the alternate opening to ´žAmerican Tune´ were nice touches, but it would have been nice to see a couple of changes to the set lists.

Still, all in all a very enjoyable experience. Looking forward to München.

Oh, one thing in the favour of the Kölnarena´¦´¦´¦there was no problem for anyone wanting to use cameras. I took some great pictures, and even managed to video Bridge, Cecila Sounds and Boxer in reasonable quality with sound. No where to upload it to anymore with the closure of the mutimedia part so the memories will remain unshared. There I can only urge you all´¦´¦´¦.go and see them one more time. Only a few concerts left, and then that will be it. I doubt they will ever come to Europe again!!


France - Paris - cece89

Je les attendais depuis longtemps en France et enfin ils sont venues.

Un concert d´une qualité exceptionnelle, tout les grands standart revisité, remis au gout du jour.

Un très grand bravo à simon and garfunkel sans oublier le groupe de musicien hors pair qui a rendu cette soirée inoubliable


France - Paris - Mathieu Simard

It was a quite good concert but the sound of the POPB was really bad when the band was behind. The Everly brothers where so good and feelib´groovy, at the end of the concert was exciting!


Ireland - Dublin - Anne

Absolutely brill!
Surprised at how much I enjoyed myself - I really really enjoyed it!
There was unfortunate couple beside us who wree drunk as skunks, complete with rucksack of cans of budweiser and bulmers - worst thing about them were that they were at least 55 and kept dancing/singing loudly at all the wrong times.
Normally this would really tick me off but the magical music prevented an outbreak of concert rage.
The arrangements were just superb.
was with a friend who hates Homeward Bound and even he had to admit that it was good.
Quote of the night - at about 9.45 pm a guy in his 20s stood near where we were and asked ´is simon the small guy?´ ;-)


Ireland - Dublin - Garret Byrne

Simon and Garfunkel just know what songs you want to hear. I mean I was at the Dublin concert. I´m born and raised in Dublin all my life and thought I´d never see the famous duo ever on stage in Dublin but low and behold there they where I grab the tickets and me and my mates went to see Simon and Garfunkel and let me tell you. The best concert I´ve ever seen and now I´m not just saying it. They sounded perfect together. Even the Brothers where perfect, sounded great (for there age)

All in all it was a really great show.

Garret (When are the going to make a DVD of It)
[email protected] let me know?


Ireland - Dublin - Garret Byrne

Firstly may i say what an honour it was to watch Simon and Garfunkel perform live.. I´m 22 now and was 21 then and i taught it would never happen. But when i heard the tickets where going on sale. Slap bang my CC was waiting and 4 tickets where bought.

Paul Simon is such a great artist.. I´m listening to Graceland the South Africa Concert and it´s really good a must have for any paul simon fan.

So yes i was very pleased with how the concert went it went great. I´m a bit anoyed now i could have brought my minidisk and recorded it because there not selling it the concert i was at which sucks.

But other then that, Great

Garret


Ireland - Dublin - Cank

I was at Simon and Garfunkel in the RDS an Dublin and it was the best concert I´ve ever been at. They really know how to entertain the crowd and I hope they will return to Dublin again soon.

They are two living legends.


Ireland - Dublin - yvonne

After a delay of half an hour and several attempts to make a safety announcement, images of S & G over the years appeared on the screens, interceded with events (e.g. Berlin wall coming down) that took place at the same time. The lads themselves then appeared and as with all the other tours launched into Old Friends.
The banter was pretty much the same as other concerts, although Paul paid homage to our Nobel Laureate Seamus Heaney. In addition, during the Cheshire cat and white rabbit story Paul insisted on letting us know that his was the main part while Artie was in the supporting (albeit important!!) role. During Artie´s long intro to Kathy´s Song Paul whispered something to him that appeared to get a grinning Artie to call the song a ballad rather than a love song (Is Edie objecting I wonder?).
There was no doubt as to who the main star of the show was. The crowd kept cheering Paul, Artie kept groveling and Paul himself joined in as well. In fairness he was in great voice while Artie was a bit husky, and he dominated most songs. However there seemed to be a good report between the two.
The band was fantastic and Mark Stewart certainly caught the attention of the crowd. Bodo you were right about his playing during SOS. As mentioned in the Hyde Park review the arrangement for Feeling Groovy was amazing ´“ I hadn´t seen it mentioned before. Is this new for the European tour?
All in all in it was a great night, I heard one young Westlife look-alike exclaim ´ and Paul Simon WROTE all these??´ But Paul, if you ever read this ´“ we all know you´re the best, you know you´re the best and so does Artie ´“ so lighten up and stop making him grovel all the time.
Here´s to the next tour soon.


Ireland - Dublin - Beth

What a fantastic concert. I saw Paul´s belly! I loved Art´s raincoat, a real fashion statement. I waited not so patiently for three hours, until, finally, the security and safety announcements, yey! Three times i heard those, fantastic. Finally, the duo stepped on stage and the crowd errupted, especially me, who might I add, was probably the youngest person there. I got a good view of Paul and Art. From the opening lines of ´Old Friends´ to the ending of the second encore, the atmosphere was electic. The crowd sang along to all of the songs, even if it was just during the chorus (or in the case of Scarborough Fair, ´Parsley, Sage, Rosemary and Thyme´) My friends always ask me why I like Simon and Garfunkel so much, probably because theyre fatastic singers, Paul is the best songwriter EVER and they can still put on a great music show, without the aid of over the top pyrotechnics and backing tracks. SO THERE. Why should I listen to the likes of Britney Spears or Justin Timberlake, when there are artists like Paul Simon and Art Garfunkel around? Well done also to the Everly Brothers who had the crowd in the palms of their hands for their brief, but brilliant set. A fantastic show and an unforgettable experience.


Ireland - Dublin - Daniel M. Crossley

Saturday July 17th was the Dublin part of the ´Old Friends 2004 tour´. The concert began with film footage of Simon and Garfunkel growing up, black and white footage of people dancing and some events of the past fifty years with America as the soundtrack. I thought that this was a rather moving look back at years gone by. After the film footage, Paul and Art walked on stage and sang their first song, Old Friends/Bookends, which Paul played on an electric-acoustic guitar. I felt quite emotional as I have waited so long to see them play together live. Art briefly told the story of how he and Paul met and said that it was the fiftieth anniversary of their friendship but Paul corrected Art saying that, due to an initial fall out, it was really the 48th anniversary.
Other songs followed: Kathy´s Song, A Hazy Shade of Winter, At The Zoo, El Condor Pasa, America, Scarborough Fair, American Tune and The Sound Of Silence (which caused people, including myself, to stand up and rejoice). There was no performance of Citizen Of The Planet, though, which I was half expecting.
After a mini break they were back on stage and introduced the Everly Brothers who performed Wake Up Little Suzie and All I Have To Do Is Dream, themselves and performed an energetic Bye Bye Love with S&G. They all have great voices still and can hold a note very well still.
Scenes from The Graduate introduced Mrs. Robinson. This was followed by Slip Sliding Away (which Paul said should have been a S&G song), My Little Town, Leaves That Are Green, The Only Living Boy In New York (which Paul said he wrote for Art when he was filming in Mexico for Catch 22 in 1969) and a wonderful performance of Bridge Over Troubled Water which Paul joined in on in the last verse. They then went backstage but the crowd cheered for more. After a minute or two, they came on stage again and played The Boxer (in which the harmonica solo was played on a ´wave stick´), Feelin´ Groovy (which was partly played on a didgeridoo and a strange-looking guitar with a pipe attached) and concluded the concert with the celebratory song, Cecilia. All the performers then walked to the front of the stage and took a bow whilst we all applauded and cheered. It was a great atmosphere, the weather was good (it was an open-air concert) and it was an evening to treasure. I bought a few t-shirts, a keyring and a tour book.


United Kingdom - London - Scott Ellis

This was the first time I have ever seen S & G and also the first time I have seen any of them live. It was amazing to witness such beautiful music first hand. Kathy´s Song was just amazing and Mrs Robinson was what I have waited 20 years for. Also the way they sang I Am A Rock was stunning.
3 gripes mind you. Firstly when it states 8PM on the ticket, please turn up on time. It seems insane that anyone who has paid that much for a seat can´t even be bothered to turn up on time and misses the first 45 minutes. Secondly Hyde Park is just too big a venue for their music I´m afraid. Fine for certain bands but a smaller venue would have been better. Thirdly-mobile phones!! ban them!


United Kingdom - London - frazer hinder

im 25 and have seen 100s of bands over the years beging a very keen music fan.bands from bowie rod stewart paul macrtney down to all new uk music.i have loved simon and garefunkell music from hearing it as real youngester. what a night just me and my girlfriend the atmosphere was great loads of fans from all ages truly taken by to true genius what is simon and garefunkell i could not have chosen a better track if i done it my self i thought id never get to here them live i cant tell how good they were and a tear was shead when it was all over.truly one of the gretest moments of my life thanks for everything


United Kingdom - London - Matthew

This was amazing. It was the first time I had ever been to an outdoor concert and it was like climbing into my TV when I am watching the Concert In Central Park.

The set did not differ much from the previous concerts in 2003 but the atmosphere of everyone dancing in the park was electric.

Simon and Garfunkel did not seem to interact as much as in previous concerts but the 2 1/2 hour long set was spot on. The set largely consisted of rocky numbers from their last two albums with just a sprinkling of ballads. So songs like At The Zoo, Hazy Shade of Winter, Baby Driver, Cecelia, Mrs Robinson and Keep The Customer Satisfied kept the 50,000 strong crowd dancing all night.

Paul Simon left the stage by saying ´See you when we´re 80´ - so here´s to 2022!


United Kingdom - London - Rick Baum

What an evening! I have been privileged to see Paul and Artie solo in the last few years, but I´m too young to have seen them together before now. It was worth the wait (and the price of a ticket...)!

A fabulous backing band and some delightful arrangements. My highlights were definitely Artie´s beautiful version of Kathy´s Song, Paul´s similarly emotional take of ´The Only Living Boy...´ and the rockin´ ´Mrs Robinson.´

It was a shame that the early songs were played to an arena still filling up (as Artie said, ´it was probably the damn congestion charge making everyone late!´). Once everyone had arrived though, and the rockier numbers started, it moved from a showcase of politefully-received standards, to an evening that verged on the magical. It was lovely to see so many people of all ages jumping up and down (I noticed the English pop star Will Young bopping about next to a lady that could have been his grandma!) and singing along.

I had read that Paul had seemed a litle distant during the tour, but I didn´t think so. He seemed pretty cheery and relaxed, happy to be there. Artie stole the show though, he seemed genuinely delighted to be back in London, ´his second home.´ The Everley´s were great as well, although all too brief.

I have been to many concerts in the past, seen some superstars and some great shows, but I´ve never been anywhere that has been so emotionally affecting as this gig. For me, it transcended music, it was just beautiful. If it wasn´t so damn expensive to fly there, I´d be in Rome on the 31st in a second! All the way home on the tube and then the train, there were groups of people singing along to ´Feelin´ Groovy.´ A wonderful evening, and the weather held out too!

Seeing those two men, old and dear friends to each other, and old and dear friends to everyone in the crowd, was a privilege that I fear may never come our way again. I am glad I was there to see it.

Thank you Paul and Artie!


United Kingdom - London - Michael Davey

With the sun shining, and about to set over the wonderful Hyde Park (where they say you can wonder after dark), the only thing higher than my spirits as I gazed upon the 60ft high stage was the overhead camera.
Being not just my first S&G concert, but my first concert ever (I´ve been saving myself), I was excited, so much so that I ended up buying three T-shirts. Accompanied by my friends - Kevin, Alistair and Joe ´“ I was ready for this, the moment I´d been waiting for my entire life.
They came onto the stage and were greeted by applause befitting their musical talent. The egg and the clown as we sometimes affectionately refer to them (try to guess why!). I took the initiative and wrote down the list (as above). I had in my bag a fold-stool, but dared not use it, on pain of removal from the concert.
We enjoyed the every song, we knew the words to each and every song, despite being one of the youngest groups there. And being something of a singer, as the evening drew on I found my self improvising harmonies at pitches that even Artie would be proud of! We did not purchase any alcohol: we did not need it, as I later coined it: ´we were drunk on the atmosphere´. Myself and Kevin worked well, assigning the different parts of singing between us, as soon as we recognised each song. I even heard someone over my left shoulder saying: ´˜those boys are fantastic´. But enough about us´¦
In between songs we shouted out the songs that we wanted to hear, from the entire range. Many people around us did not know these songs and so just stared at us. Those who were decent enough fans, however, recognised the names such as ´˜Richard Cory´, and ´˜Punky´s dilemma´, and enjoyed our shouting out our entire collective S&G song repertoir. However, we knew our efforts were in vain, owing to the fact that we were a good five throws of a stone away from the stage. This did not dishearten us, as the many big screens projected 10ft tall images of our idols ´“ or 7ft if it was Paul.
During a short two or three minute break, the crowd settled down, but we just clapped and jumped up and down reling out yet more names of songs! My hands and forearms were red the next day.
At the end of the concert we had to rush out, because we had a 3.1/2 coach trip ahead, and ours would be the last one out of London. So we wandered, ´˜neath the halos of the street lamps, watching their power flowing, and singing the many songs that had not been sung at the concert.

Humorous occurences:

On the coach trip we came up with many S&G song related puns, the best of which are:

I sang ´˜Cloudy´ as we passed an Audi garage
I sang Blessed, as we passed a store selling plant pots (´¦blessed are the meth drinkers, pot sellers, illussion dwellers´¦)

There were many more cheap ones´¦


United Kingdom - London - John Whapshott

Amazing! Paul can fill a decent-sized hall on his own; Art on his own can fill a reasonably-sized room. Put them together, and you get 50,000 people in Hyde Park! To be honest there didn´t seem to be much of a rapport between them - very different from the 1981 concert in Central Park, for example. But never mind - there they were! I didn´t rate the band much, except for the enlarged Mark Stewart. Was it really Jim Keltner on drums? I was worried about some of the timing, especially on songs like America. Hey, but who cares! It was S&G, probably for the last time. For 2 wonderful hours they sang everything we´ve come to know and love, and Art can still get that top A flat at the end of BOTW. And Art was right in saying that American Tune could have been written last week. ´The statue of Liberty, sailing away to sea..´ That says it all! I knew what they were going to say between songs, as I´d read all the concert reviews. But right at the end, Paul introduced Leaves That Are Green (a brilliantly simple song) by saying ´This is an early one.´ Then he smiled to himself as he realised what he´d said and added: ´In fact, they all are.´ But their songs, like Simon and Garfunkel, will never grow old. See you when you´re eighty!


United Kingdom - London - lee moore

being only 18 years old at the time this was my first simon garfunkel concert praying for so long that they would do a concert for me to see with me being so young and with them getting older i didnt think this could be but it was i took my partner with me who was pregnant at the time which made this extra special i couldnt ask for any thing better but it was when i heard them to magnificent voices intertwind and pauls playing was like id never heard before it was brilliant and the excitment of the crowd made this concert extra special the emotion and overwelming power of thire voices paul with the beuitiful overwelming of his voice and art with his soft voice just made this one of concert spectacular


United Kingdom - Manchester - Bob Barrows

Just got back after the concert. Absolutely fantastic. I have been a fan for years and never thought that I would get to see them live, The set list was the same as before, the arrangements are nothing like 30 years ago loads of guitar riffs and jazz type segments. Still crazy after all these years !!
Not quite as good as Paul McCartney at bringing back the 60´s and 70s atmosphere and a bit to jazzy rather than Folky but stii great Arts hair does look like Keith Harris monkey puppet though!!!


United Kingdom - Manchester - Come on Keith!

Paul Simon had made millions by the time he was 25 and that was before Bookends, Bridge Over Troubled Water and Greatest Hits.

These albums sold in their millions and Simon owns all the publishing rights as well as the songwriting royalties. Last year Greatest Hits went platinum again (I think for the 13th time).

So had he retired in 1970, never made another record (instead of selling millions of solo albums in the 1970s) he would not have been bankrupt in 1982.


United Kingdom - Manchester - DannyJ

The concert was Fantastic, and it was a pleasure to be there. The arrangements were amazing, Art singing Kathy´s song was a Joy, The Boxer was amazing... again... and I thought Liverpool 2002 was good. I was absolutely lost for words afterwards, and it took me 48 hours to come back down. I have never seen S&G live together, and suspect that I may never get another chance, and I was praying that it was a good show. I was totally un-prparred for just how good it turned out to be. Art was like a little Axel Roase, bouncing all over the stage. Paul was his typical reserved self in speach, and a genius in song. If the ticket price was a bit high, hey, I don;t care. They deserve it and I am glad for them both.


United Kingdom - Manchester - Eric dalton

An absouloutly brilliant concert.well worth the wait and a suprise to hear many different classic simon and garfunkel songs such as baby driver , a hazy shade of winter and only living boy in new york plus many other brilliant songs.It was packed to the brink and everybody had a fantastic time.it was also great to see paul simon finally getting the credit he deserved for bridge over troubled water and when it was his turn to sing his part it was the most emotional part of the concert.they came on for four encores and got standing ovation for each one.a fantastic night and lets hope they return soon!!!!!!


United Kingdom - Manchester - Eric dalton

An absouloutly brilliant concert.well worth the wait and a suprise to hear many different classic simon and garfunkel songs such as baby driver , a hazy shade of winter and only living boy in new york plus many other brilliant songs.It was packed to the brink and everybody had a fantastic time.it was also great to see paul simon finally getting the credit he deserved for bridge over troubled water and when it was his turn to sing his part it was the most emotional part of the concert.they came on for four encores and got standing ovation for each one.a fantastic night and lets hope they return soon!!!!!!


United Kingdom - Manchester - keith martin

I was spellbound! I saw them on the break-up tour at the Albert Hall in 1970, on the saving-Paul-from-bankruptcy tour at Wembley in 1983 and now in Manchester, surely their last hurrah. As a regular concert-goer of forty years experience with an eclectic taste in music I can say that last nights event was one of the greatest I have ever witnessed. Recognisable intros, purity of sound, expansive re-arrangements and a set list taken from a body of work that this contemporary of S & G considers to be equal to the very best of pop music were mixed with anticipation, love, respect, adoration and dollops of nostalgia. Also, how clever (and sincere) was their tribute to The Everleys. Having talked to folks on the slow way out I found I was not alone in my views expressed above.


United Kingdom - Manchester - Mark

I am 20 years old, about 30 years too late to appreciate the wonders of Simon & Garfunkel first time around, but never too young to appreciate their timeless music. When I first heard the Boxer as a child it was a nice rhythm but I took little notice, but then at University, buying a Paul Simon solo album for a mere £5.97 and hearing their music once again struck a new and lasting chord. I was enveloped by the melodies and the harmonies that take me off to another world. When I heard they were coming to England I desperately searched to get a ticket for myself and my friend and thanks to the kindness of a couple in Manchester over ebay I managed to strike a deal.

The anticipation was taking over me before the show even began, I sat there for an hour and a half watching the MEN Arena fill up (it has to be said with people a little older than ourselves). Then as the lights dimmed and the stage lit and a wonderful montage of images appeared to the sound of ´˜America´.
Two figures walked out in front of the microphone, and it took only two words to send shivers down my spine ´˜Old Friends´, as it dawned on me that Art Garfunkel and Paul Simon were singing in front of me. I don´t think I will ever be able to listen to that song again without forever holding that wonderful image.

As the show continued I was not disappointed as a host of classic hits came on. I Am A Rock was so powerful, America so sweet. Kathy´s Song sung with such beauty by Art Garfunkel, really doing justice to this romantic melody. Despite their age there was no signs of weakness, the voices still gelled as they always had, the music still as fresh and good to listen to as it always was.

The introduction of the Everly Brothers had little effect on me, as I don´t really remember the impact they had in the 50´s except for recognising their music (largely thanks to Simon & Garfunkel). But nevertheless they performed with distinction and it was nice to hear them join in with Simon & Garfunkel on Bye Bye Love, a song made popular by both.

The hits continued, personal favourites including The Sound Of Silence and Slip Slidin´ Away which was like a dream to see them perform live. No matter how many times you listen to the CD it was such a great experience to actually see them play it right in front of you.

Finally the one that everyone was waiting for Bridge Over Troubled Water, nicely done as always but characterised by the way that Art reached that high note. The power and strength in his voice was evident to all and the round of applause he received for one note was richly deserved. Despite what many say about his songwriting talents, the man has a wonderful voice.

And then, when you think there is nothing left they return with Cecilia and The Boxer, it would have been a shame had it not been included and the song lyrics and rhythm still capture me the way they did when I was a child. After The 59th Street Bridge Song I have to admit I was dying for them to return, I don´t think there was anybody else in the place that wasn´t. But no matter, I left with the tunes in my head and such a warm feeling in my heart, I had seen Simon & Garfunkel live. I would dearly love the opportunity once again but I fear that may never come. However I am soooo glad I took the chance while it was still there!!!!


USA / Texas - Dallas - Steven Martin

NOTE: The July 8th concert was in DALLAS, TEXAS (*not* New Orleans) at the American Airlines Center. Setlist was the same as at previous cities. The house was not quite sold out but the very few empty seats were mostly up in the super-high nosebleed sections. The audience was huge and enthusiastic and it was a fabulous evening.


USA / Texas - Dallas - Scott Simpson

It was an awesome concert. It started somewhat later than it was supposed to, and did not open with the Everly brothers, so i assumed that they were not going to be playing, but then Mr Simon introduced them, and after the brothers played two of their own songs, they performed ´Bye Bye Love´ with Messrs Garfunkel and Simon. My personal favourite was ´El Condor Pasa´, which i did not at all expect them to play, given that Los Incas were not in attendance. Good show!


USA / Texas - Dallas - Patricia Lee

Concerning 7/8/04 Dallas Texas Old Friends´ Tour at the American Airlines Center:

SLICK.

I expect to see the Simon Garfunkel Old Friend´s Tour on HBO very soon (certain to rival Roy Orbison´s ´Black & White´).

Paul Simon is a minstrel, one of America´s most important song writers of the 20th th Century.
Luv´ ya, Paul.


USA / Texas - Dallas - Dallas Morning News

Review: Simon & Garfunkel tightknit in show at AAC

12:17 AM CDT on Friday, July 9, 2004

By THOR CHRISTENSEN / The Dallas Morning News

Not bad for a couple of guys in their 60s singing songs they made famous in their 20s.

Thursday night at American Airlines Center, Art Garfunkel chalked up the enduring charm of Simon & Garfunkel by saying, ´It´s very easy to sing when the songs are this good.´ But, in reality, it wasn´t Paul Simon´s tunes that made the concert work but the effortless way the duo sang them.

Much has been written about the pair´s on-again, off-again friendship, but the real story is how incredibly well their voices still mesh in ´Cecilia,´ ´The Sounds of Silence´ and ´Mrs. Robinson.´ Harmonizing is a tricky science that gets even tougher as vocal chords age, as Mr. Simon and Bob Dylan proved with some disastrous duets on tour in 1999.

But these ´Old Friends´ -- to borrow the title of the opening song -- were in fine voice and perfect sync for most of the two-hour greatest-hits show. With top tickets priced at a whopping $225, the walk down memory lane was one of the priciest ones in rock history: Bring your spouse and buy a T-shirt and you´ve just burned a half-grand.

Yet, to Simon and Garfunkel´s credit, the nostalgia wasn´t entirely predictable. Granted, you could bet the Lexus that ´Bridge Over Troubled Water´ and ´The Boxer´ were going to be the big set enders. But there were some pleasant surprises, too, like the jazzy, extended version of ´Homeward Bound,´ the rocked-up arrangement of ´My Little Town´ and an Afro-Latinized ´Mrs. Robinson.´

Mr. Garfunkel looked pretty much the same as always -- except that his shock of blond hair has acquired a strange orange hue -- and his high tenor was as angelic as ever on ´Scarborough Fair´ and ´Kathy´s Song.´ Mr. Simon, having dispensed with the toupee and the baseball cap, looked his age but didn´t always act it. Striking gunslinger poses with his acoustic guitar, he still seemed like the kid from Queens emulating his heroes, the Everly Brothers.

Then, just like magic, he mentioned their name and there they were: Phil and Don Everly, old enough for Social Security but still sounding glorious on ´Wake Up Little Susie,´ ´Dreams´ and ´Bye Bye Love,´ which they sang with help from their slightly younger protégés.

Earlier, Simon and Garfunkel trotted out ´Hey, School Girl,´ the Everly-style song they began their career with in 1957. The two actually met in 1954, when they were 12, and as Mr. Garfunkel explained, they´re celebrating the 50th anniversary of their friendship this year.

But, as usual, Mr. Simon got the last word: ´Actually, we started to sing when we were 13, and we started to argue when we were 14, making this the 48th anniversary.´


E-mail [email protected]






USA / Texas - Dallas - Slu

OK, I´ll admit I would rather see a solo Paul Simon show, if only for a chance to hear songs I have more of an emotional attachment to (I was 2 when S&G broke up). The $215 price tag for two tickets and parking was a little steep IMO.

Was it worth it?

Yes!

I´ve been known to judge concerts by how many times I am moved to tears. Well, at this show, no fewer than 5, and a couple of those times I was practically bawling.

The set list was the same as other cities, and they did not perform their new song ´Citizen of the World´. Some of the arrangements were similar to the way Simon has been performing them in recent years (i.e. ´Ms. Robinson´, I am a Rock´), and the added instrumentation at the end of Homeward Bound was exquisite. Other songs such as´America´ were played almost note for note right down to the bass and drums, while ´Hazy Shade of Winter´ sounded closer to the Bangles´ re-make than the original. However, it was lesser known songs such as ´Kathy´s Song´ and ´The Only Living Boy in NY´ that made the show IMO.

Some of S&G´s songs have held up over the years as ´Timeless´, others have not. There are lines such as ´when I think of the road we´re travelling on, I wonder what´s gone wrong´ that, in the context of a post 9/11 world, COULD have been written yesterday. But, let´s face it- ´The 59th Street Bridge Song´ is a horribly dated ditty and would only sound like it was written yesterday if you´ve been in a coma for the last, say, 35 to 40 years. However, they played it as the closing number, and they had fun with it (even taking an instrumental detour through the theme to ´Jaws´), so who cares if it´s dated or not. It felt, well, GROOVY!

Both Paul and Art´s voices were in fine form regardless of age, and Paul´s taking of the second verse of ´Bridge Over Troubled Water´ held up surprisingly well to Art. A fine group of musicians made up the band, including multi-instumentalist Mark Stewart (touring and recording with Paul since ´99) who enhanced ´Scarborough Faire´ by playing the second vocal part on the Cello.

What can I say- even we Pagans have to go to Mass once in a while!



USA / Texas - Houston - Citizen For Boysenberry Jam

In front of a packed Toyota Center audience in Houston, Texas, Paul Simon and Art Garfunkel appeared on stage after a short video projected scenes from our nation´s recent history and images of the duo from boyhood to manhood. Opening with ´Old Friends/Bookends,´ the classic lyric that sang, ´ ... how terribly strange to be 70,´ rung a peculiar chord with the audience that included life-long Simon & Garfunkel fans and a whole new generation of teenagers in the midst of discovering and appreciating the great works of Simon, one of America´s greatest songwriters.

The solemn ode to time and friendship was immediately followed by a string of hits, including a rocking ´Hazy Shade Of Winter,´ a Bob Dylan-influenced ´I Am A Rock,´ and an almost perfect rendition of ´America,´ one of the greatest songs the duo ever recorded. Garfunkel greeted the crowd with a warm welcome saying, ´And finally, it´s Houston!´

A medley followed that included an odd pairing of ´At The Zoo´ and ´Baby Driver,´ but after the mini-jam session with S&G´s seven-piece band concluded, Garfunkel rang supreme on ´Kathy´s Song,´ a tune he heralded as ´Paul´s greatest love song.´

Chatter followed as the duo, whose members are now both 62, joked about how they met, their highly publicized arguments and their mutual respect for each other at the present time. An audience member belted, ´Welcome home, boys!´ Simon, a New Yorker, replied, ´Welcome home? When are you guys gonna give us Roger Clemens (former New York Yankees pitcher now with the Houston Astros) back?!´

After a laugh from the crowd, he introduced the first song the duo ever recorded as the Everly Brothers-influenced Tom & Jerry, ´Hey Schoolgirl.´ After singing a few verses, Simon welcomed the duo´s idols to the stage, Don and Phil Everly.

Opening with ´Wake Up Little Suzie,´ the brothers sang through ´50s hits like ´Dream´ and ´Let It Be Me.´ They were finally joined on stage by the stars of the evening as Simon, Garfunkel, Everly and Everly jammed to ´Bye, Bye Love,´ a tune S&G included on their Grammy-winning last album BRIDGE OVER TROUBLED WATER.

The Everly´s left the stage to let S&G take over - and the folk-rock duo did just that. Every favorite was played, including ´Scarborough Fair,´ ´Homeward Bound,´ a hair-raising rendition of the group´s first hit ´The Sound of Silence,´ and ´Mrs. Robinson,´ which was preceded by scenes on the video screen from the classic S&G soundtrack-laden film THE GRADUATE.

Only two Paul Simon solo pieces were recreated by S&G: ´Slip Slidin´ Away´ and ´American Tune.´ But the showstopper was undoubtedly the shared performance of ´Bridge Over Troubled Water.´

One of Simon´s greatest songs, but also one of his greatest curses, the duo´s history of tension can be epitomized by the reason of the success of this tune. While wonderfully written, it was Garfunkel who lent his angelic tenor to the recording, making it one of the most loved songs the group ever produced. But Simon´s genius was often overlooked upon the song´s performance until the duo split in 1970 and Simon began performing the song on his own.

This recent reunion´s performances of ´Bridge´ have included Garfunkel on the opening verse, Simon on the second verse, then the two harmonizing on the climactic third verse. The performance received an immediate standing ovation from the audience as S&G took their bows before their first encore.

The duo returned to perform a jubilant ´Cecilia´ and the epic ´The Boxer´ before leaving the stage again. The crowd eventually brought them back for a final encore that included the obscure but lovely ´Leaves That Are Green´ and concluded with the playful ´59th Street Bridge Song (Feelin´ Groovy).´

In comparison to the winter shows in 2003, Simon & Garfunkel were impeccable on this July 7 evening, turning in a nearly perfect two-hour set. The duo sounded rehearsed and intent on performing a quality show as opposed to two old men past their prime singing old songs they used to play to make a living. While the last winter´s shows (judging by the Wilkes-Barre, Boston and Washington performances) took a while for S&G to lock into each other on stage, tonight´s performance featured a duo harmony sound they probably haven´t reproduced since 1981´s Concert In Central Park.

Simon´s playing was astute and his vocals concentrated on a melody set for Garfunkel´s creative harmonies. Even the band worked hard to create a fully polished ensemble, highlighted by Mark Stewart´s guitar and cello solos, and Warren Bernhardt´s piano playing.

All in all, Simon & Garfunkel gave Houstonians an evening full of memorable songs presented with sweet performances. With a 12-show stint across the pond on the horizon, it´s safe to say S&G is ready to blow Europe away.


USA / Texas - Houston - Houston Chronicle

July 8, 2004, 12:48AM
Simon & Garfunkel are back in harmony
By MICHAEL D. CLARK
Copyright 2004 Houston Chronicle

The irony of Simon & Garfunkel opening their first Houston concert in 34 years with the subtle strum of Old Friends could not have been lost on the near-capacity crowd at the Toyota Center Wednesday night.

The joke certainly wasn´t lost on Paul Simon and Art Garfunkel, two iconic folkies who sang about peace in the ´60s, but have spent the following decades squabbling and staying away from each other.

On Wednesday one of rock ´n´ roll´s most dubiously celebrated feuds was put aside for a night of Simon & Garfunkel hits, solo gems and a short set by the duo´s mentors, the Everly Brothers. It was a historic event and made one feel gratified to have been there and puzzled as to why to ´old friends´ couldn´t get it together enough to get back to Houston before this. They hadn´t performed together here since 1968.

If Simon and Garfunkel truly were the best of buds, the fact that this reunion tour, their first since 1983, wouldn´t be nearly the historic rock ´n´ roll event it has become. Five years ago, the idea that the new millennium would ever see the most celebrated folk rockers of the ´60s whip through 23 songs was fantasy.

At the duo´s Rock and Roll Hall of Fame inception several years ago, Simon said he had hoped that he and Garfunkel could iron out their differences. He quickly added, ´No rush.´

On Wednesday, Simon & Garfunkel sang songs that marked time in voices that sound preserved by science.

´So it´s Houston at last,´ Garfunkel said. ´I know it´s taken us years to get this together, but I´m thrilled to be in your town.´

Simon and Garfunkel, both 62 years old, finally let bygones be bygones.

One thing´s for sure. If this was their last stand, they went out on an Art Garfunkel-like high note.

The show opened with a timeline of Simon & Garfunkel family pictures interspersed with the historic moments that paralleled their friendship that began in elementary school. In the ´50s it was clean-cut school boys performing as Tom & Jerry cut with shots of Mickey Mantle hitting for the New York Yankees. The ´60s era that made them legends showed Equal Rights marches and Neil Armstrong landing on the moon. The short film ended at the steps of the Toyota Center last night.

Appearing in front of two center stage mics, Wednesday´s version of Old Friends began as a low warble with only Simon´s acoustic guitar for accompaniment. It sounded like age might have taken a slight toll on their voices until Garfunkel let the first soaring notes of his tenor rise above the strum. All of a sudden the nostalgia of the ´60s came alive for baby boomers, while those who came after got a taste of the experience.

While Simon & Garfunkel are considered mellow, on songs like America and At The Zoo the diminutive Simon demonstrated how he could still straddle a phantom pony and throw his guitar around for punctuation. I Am a Rock from 1966´s Sounds of Silence is proof-positive of just how much more powerful these two voices are together than apart.

They could rock, but Simon & Garfunkel were rooted in the traditions of socially conscious and journal entry folk. Kathy´s Song, about their days busking in England, is not one of their best-known. With Garfunkel crooning alone on a stool and Simon behind him strumming light strings, it turned out to be one of the most beautiful arrangements of the evening.

´It´s very easy to sing when the songs are that good,´ Garfunkel said in a gesture of kindness to songwriter Simon.

This tour is supposed to be about ´old friends´ Simon & Garfunkel, but the four-song set by the Everlys, including Wake Up Little Susie, Dream and Let It Be Me was a showcase for just how well this influential duo has kept in excellent voice.

The Everly Brothers invited Simon & Garfunkel back on stage for their final song, Bye Bye Love. It was one of those moments that you know cannot be topped. The headliners tried, however, pulling out all the stops for the show´s second half.

The ominous hum of Scarborough Fair gave way to Simon & Garfunkel´s phantom vocals, triangle chimes and bubbling sounds used as percussive accessories. A brushed shimmy on a snare introduced Homeward Bound, another song from 1966´s Parsley, Sage, Rosemary and Thyme. Simon´s guitar solo and piano vamp left Garfunkel a bit of a spectator. It was the first song of the night that felt like it belonged solely to Simon. More followed: his post-S&G solo work, Slip Slidin´ Away and American Tune.

The Toyota Center crowd concentrated for the entire evening, but stirring renditions of The Sound of Silence, Mrs. Robinson and Bridge Over Troubled Water made the arena vacuum silent. It felt like time had stopped.


USA / Texas - Austin - Austin Chronicle

BY CHRISTOPHER GRAY

Simon & Garfunkel, the Everly Brothers
Frank Erwin Center, July 6

For all their pleasant melodies, pastoral imagery, and harmoniously finger-picked guitar, many of Paul Simon´s songs are born of a profound sense of loss. Green leaves turn to brown, a boxer loses everything but his dignity in New York´s asphalt jungle, Joe DiMaggio departs for parts unknown. If rhymin´ Simon and junior-high pal Art Garfunkel´s appearance Tuesday before a well-heeled Erwin Center crowd of nearly 10,000 didn´t gloss over that sense of loss, it gave equal weight to the duo´s happier side: the whimsically playful ´Feelin´ Groovy,´ rousingly jubilant ´Cecilia,´ and hard-won reconciliation of ´Bridge Over Troubled Water,´ which closed out the main set with a full-throated turn by Garfunkel that drew a well-deserved standing ovation.

Whatever animosity once existed between the pair (´We started to argue when we were 14,´ joked Simon) has receded like Simon´s hairline, and the depth of their friendship radiated through ´The Only Living Boy in New York,´ which Simon wrote in 1969 when Garfunkel was away filming Catch-22.

Over the years, their twin tenors Simon´s a mellow Merlot, Garfunkel´s a smoky Shiraz have intertwined so completely they could be brothers, so first hit ´Hey Schoolgirl´ made a perfect introduction for primary inspirations the Everly Brothers. Don and Phil, dapper in matching black blazers, delighted the crowd with a four-song miniset of ´Wake Up Little Susie,´ ´All I Have to Do Is Dream,´ ´Let It Be Me,´ and ´Bye Bye Love,´ which brought Paul and Artie back out for some excellent four-part harmony. The Everlys´ influence cropped up elsewhere, mostly on more rocking numbers like ´Keep the Customer Satisfied,´ which followed an equally driving ´Mrs. Robinson.´ Joe DiMaggio may be gone, but for Simon & Garfunkel, any loss is never total. ´Preserve your memories,´ advises ´Bookends.´ ´They´re all that´s left you.´ After Tuesday, no problem there.


USA / Texas - Austin - Austin360

Simon and Garfunkel leave Austin fans feelin´ groovy

By Michael Corcoran
July 8, 2004

The knee-jerk tag on Simon and Garfunkel is that Paul Simon, who´s ranked just below Bob Dylan among America´s greatest living songwriters, is the turkey main course, while Art Garfunkel is the cranberry sauce, just there to sweeten the harmonies. But at the Erwin Center on Tuesday night, in front of nearly 10,000 folk-starved fans, Garfunkel proved as equal an accomplice as the South African musicians who lifted Simon´s ´Graceland.´ Visually, the tall-haired Artie was Kramer to Simon´s George Costanza; musically Garfunkel gave wings to the pedestrian ´Old Friends,´ which opened the two-hour show, and ´American Tune,´ the Simon solo effort that should´ve been an S&G chestnut.

Garfunkel also stood virtually alone in the spotlight on the concert´s high moment, a shimmering take on ´Kathy´s Song,´ which he noted was his favorite Simon composition.

On his own, Simon would be playing the Backyard in front of about 4,000; Garfunkel would pack the 200-capacity Cactus Cafe. But together they´re a much bigger draw because fans know they´re going to be transported back to a favorite era by hearing hit after hit, without having to sit through ´one from our new album.´ These guys haven´t done a new song together in almost 30 years. Tuesday night, it was one classic after the next, with ´Scarborough Fair´ leading into ´Homeward Bound´ into ´Sounds of Silence´ into ´Mrs. Robinson.´ The duo performed only two numbers from Simon´s illustrious solo career; this set list was geared for baby boomer nostalgists (yes, a redundant term) who play ´Bookends´ while they sip wine or smoke after-dinner cigars.

Garfunkel did most the talking and aside from a little jabbering about the two meeting as sixth-graders at the school play, there wasn´t much interplay except when they sang. But the duo from Queens, N.Y., did go back to their very first hit, ´Hey Schoolgirl,´ which they recorded as Tom and Jerry in 1957. That number set up a too short four-song set by their idols the Everly Brothers. Phil and Don Everly had barely woken up little Susie before they, joined by Paul and Art, waved ´Bye Bye Love.´ The Everlys were like a halftime show, while S&G were the big game.
But I´d doubt if anyone asked for refunds. This was a show that surpassed expectations, most likely even by those who had paid up to $185 a ticket. Even the greatest cynic was sent humming out into the night. Much has been made of the troubled waters surrounding this duo´s relationship over the years; David Lee Roth and Eddie Van Halen have been cozier. But on Tuesday night, Simon and Garfunkel laid down a bridge of true affinity for the musical life they shared for a few years a long time ago


USA / Texas - Austin - Austin American-Statesman

By Joe Gross

AMERICAN-STATESMAN STAFF

Sunday, July 4, 2004

´This bubble of delight.´ That´s what Art Garfunkel calls the ´Old Friends´ tour with Paul Simon, which lands in Austin on Tuesday.

Isn´t that just the perfect Art Garfunkel phrase? It just sounds like something he´d sing five notes higher than Simon with acoustic guitars, stand-up bass and a steady drumbeat in the background.

´This bu-bble of de-liiiiggghhht!´

´We´ve stepped back into this bubble of delight that we left off in last fall, Paul and I,´ Garfunkel says from a hotel in New York, his speaking voice just as mellifluous as his singing voice. ´We have a lovely, warmed-up friendship. It´s a pleasure to have your dear, deep old friends back in your life. Most of us don´t have that many deep friends. The love and affection between Paul and Artie is the key to the tour. It spreads to the band, and the personnel and the audience.´

It helps that, from 1964-70, two New York kids who grew up together named Paul Simon and Art Garfunkel made five of the most popular rock records of the 1960s.

With Simon´s detailed, adult songwriting and Garfunkel´s extraordinary harmonies and knack for vocal arrangement, the two took still semi-radical folk rock and made tuneful, resonant and occasionally very corny hit records out of it. Their songs virtually invented soft rock as we know it, and every one of their albums has gone at least platinum, with their ´Greatest Hits´ selling more than 14 million copies. Those are era-defining numbers.

And it helps that much of this tour, which began last fall, has sold out weeks and months in advance (though tickets still are available for the Austin date). It has been 20 years since their last go-round, and people want to see these guys.

Garfunkel blames accident and circumstance for this outing: ´Opportunities just come out of the blue and whether you say ´yes´ or ´no´ dictates the course you´re on.´

In truth, he says that the Grammy Lifetime Achievement Award in 2003 put them on stage together for the first time in years.

´We did ´The Sound of Silence´ on that show and we left it thinking, ´That was nice,´ ´ Garfunkel says. ´We started hanging out, had a couple of meetings, a couple of dinners. That became ´Let´s work together,´ then came the tour.´

Then came a lot of work. Garfunkel says that while their voices still lock up pretty easily, so much time had gone by it was a little harder to find the right blend.

´But we´re both rehearsal freaks,´ he adds. ´We have good work ethics, so we put a lot of time in the arrangements.´

And that´s what he likes to do. ´I´m a behind-the-glass man, a control room guy,´ Garfunkel says. Indeed, he´s listed as a producer and arranger on a number of the Simon and Garfunkel albums, including ´Bridge Over Troubled Water´ and ´Bookends.´

He doesn´t hesitate to name Side 1 of the latter as his favorite S&G recording. ´I think it´s got ´it,´ ´ he says. ´It´s literary and that´s a very interesting quality for a pop record. Nobody writes like Paul Simon.´

As for the concert, Simon and Garfunkel reward the devout by sticking a few obscurities and reboots into a show that most fans know like their high-school yearbook.

´You know you´re gonna do ´Bridge,´ you know you´re going to do ´Scarborough´ and ´Sound of Silence,´ ´ he said. ´We brought in ´The Only Living Boy in New York,´ as I´ve found that people really love that one.´

Simon´s solo career will not be forgotten.

´I have a personal fondness for ´American Tune,´ written by Paul right after the two of us split,´ Garfunkel says. ´It went into his first solo album and I used to bite my lip and say, ´Gee, I wish I´d sung on that one.´ It comes from a Bach chorale that I showed Paul. We´re both good at hymnlike things.´

And expect chestnuts with new arrangements. ´We´ve gotten ´America´ better than ever,´ he says. ´We´re also doing ´Leaves That Are Green,´ no band, one guitar. I love working that way, I just go to heaven and it comes out of the two of us with real feeling.´

And it´s those real feelings that have stayed with people all these years. ´I think they´re good songs. Good is good,´ Garfunkel says as we wrap up. ´I´m proud of my body of work. I think the way these songs hit your ear is well attended to in the making.

´I think there are certain timeless values in those records: melody that really moves, chord changes that are not clichéd. I think these things from decade to decade will always have appeal. We were tireless about getting it right as we defined right.´


USA / Nevada - Las Vegas - Las Vegas Sun

July 06, 2004

Simon & Garfunkel´s time capsule arrives a bit late

By Jerry Fink
<[email protected]>
LAS VEGAS SUN

# Where: MGM Grand Garden Arena.
# When: Sunday.
# Rating (out of five stars): **** 1/2

Thirty minutes late.

It was 8:30 p.m. Saturday at the MGM Grand Garden Arena.

Simon & Garfunkel were to perform their second Las Vegas concert in a little less than eight months. The show was to begin at 8 p.m., but 30 minutes later there wasn´t a sign of the duo or their backup band -- or of the Everly Brothers, who were on the bill with them.

The semiretired siblings have been traveling with Simon & Garfunkel since S&G´s ´Old Friends´ reunion tour last year.

The tour was such a phenomenal financial success, reportedly grossing more than $60 million, that they all got together again this summer for another run at the bankroll.

As the evening wore on, without explanation -- no announcement of technical difficulties or such -- one had to wonder what was going on.

Was someone fighting?

The feuds between Simon and Garfunkel are legendary. They split in 1970, getting together occasionally for a concert. Was there new tension behind stage between these two old friends?

And the Everlys rarely even speak to each other. Did they get into an argument, delaying the curtain call?

We were left to our imaginations.

Was Simon fighting with Garfunkel, or Phil fighting with Don? Or maybe it was Simon fighting Phil and Garfunkel fighting Don, or Garfunkel against Phil and Simon against Don, or maybe it was a tag team match -- Simon & Garfunkel vs. the Everly Brothers.

Someone should have had the courtesy to at least come out and tell the almost full house who was on the card that night.

Tsk, tsk. How ironic. So much disharmony among a group of talented performers who produce such great harmony when they sing.

On the record, Simon and Garfunkel (each age 62) have mended their fences. They officially are friends again, a friendship that began in the sixth grade in Queens, N.Y.

So, while whatever was going on backstage went on, the audience began to entertain itself.

First came the wave. It started somewhere in the stands on stage right and quickly circled the arena.

After a few circles, the wave subsided and the foot stomping began, shaking the house.

Stomping gave way to clapping, which gave way to the wave again, which gave way to clapping, and finally there was the sounds of silence as everyone became bored with amusing themselves. After all, they paid good money ($78.75 to $262.50) for Saturday´s concert to see four of the country´s legendary performers. Why should fans have to provide the entertainment?

But the delay was forgiven and quickly forgotten as soon as the video on the big screen began, showing scenes from Simon and Garfunkel´s childhood and progressing through their career together. Since that career was relatively brief, the video also included a lot of scenes from the ´60s.

Simon & Garfunkel were among the premier pop-folk artists of the decade. They were an enigma, a successful duo singing meaningful, profound, poetic lyrics when the rock world was being inundated with simplistic songs and music that assaulted the senses.

Their prominence came at a time when the nation was at war; folks screamed about the loss of freedom of speech and about the state of the economy and the lack of political leadership.

It seems like only yesterday we were reading headlines about those issues. Come to think of it, maybe it was yesterday, which just proves that what goes around comes around.

Which brings us back to Simon & Garfunkel, who last year stepped out of their time capsule and began serenading their fans again with their thoughtful songs.

Saturday´s concert was not drastically different from their concert in November.

A couple of songs were swapped out; Garfunkel seemed more eager to be onstage; the Everly Brothers didn´t play as prominent a role; and Simon & Garfunkel were more in sync.

But the structure of the concert was the same, even their pausing to relate how they met in elementary school and how the Everly Brothers inspired them.

They again opened with ´Old Friends,´ followed by ´A Hazy Shade of Winter´ ´I Am a Rock,´ ´America´ and ´At the Zoo.´

After ´Baby Driver´ and ´Kathy´s Song´ the Everly Brothers came onstage to thunderous applause and sang ´Wake Up Little Suzy,´ ´All I Have to Do Is Dream´ and ´Let It Be Me.´

The brothers and Simon & Garfunkel sang ´Bye Bye Love´ together and left the stage to a standing ovation. Simon & Garfunkel then continued their songfest of hits with such classics as ´Scarborough Fair,´ ´Homeward Bound,´ ´Sounds of Silence,´ ´Slip Slidin´ Away,´ ´El Condor Pasa,´ ´Keep the Customer Satisfied´ and ´Mrs. Robinson.´

Although age has softened the sharpness of their voices, the two can still do justice to the many great songs they created and performed decades ago.

They closed the main portion of the show with ´Bridge Over Troubled Water´ but returned for two encores, singing such favorites as ´Celia´ and ´The 59th Street Bridge Song (Feelin´ Groovy).´

After two hours, it seemed as if once you got the pair onstage, you couldn´t get them to leave, much to the pleasure of their thousands of fans at the Grand Garden Arena.


USA / California - Fresno - neongoddess

The first thing I noticed at the Save-Mart Center in Fresno was that the venue was only about 4/5 full. The people sitting near me were griping alot before the show started, because Paul and Artie were a full half-hour late getting to the stage. I saw them live at Arco Arena in Sacramento last November, and I must say that the crowd at the Fresno show, in comparison, did not seem *quite* as enthusiastic--at first. By the middle of the concert, however, the energy seemed alot more positive. Paul and Art both talked a fair amount to the audience, and seemed quite happy to be there; their performances were spot on, and very energetic. The sound was great, the band was great...what can I say?? It´s Simon and Garfunkel. They´re a true class act, and sounded as good--or even better--than ever on July 2nd.


USA / California - Los Angeles - John

The Hollywood Bowl was packed. it was a two hour and ten minute show. All the hits and Art Garfunkel was joyous. But.......... Paul Simon was joyless, miserable, seemed that he hated being there. He talked to the audience with disdain. Hes up there like hes doing you a big favor. They are grossing here in L.A. almost FOUR MILLION DOLLARS for one show and yet Paul Simon acts like an uppity asshole. Next time Paul stay home. Keep your misery to yourself.


USA / California - Los Angeles - Sara D.

I won´t go into the whole story of why my mother and I were late for the most meaningful musical event so far in my young life, but (curses!) we missed the beginning of ´Old Friends´. The usher practically had to drag us to our seats because I froze right in the aisle as soon as I saw Paul and Artie. I was teriffically excited and emotional as I had not seen either of them in concert before and I still couldn´t believe that I was actually there. So, obviously, it´s difficult for me to put those initial feelings aside and give a critical review of the performance. I was tickled pink to hear ´The Only Living Boy in NY´, though indeed it was more than a little off-key...which is about the only bad thing I can say about the night. In my opinion Paul didn´t act like an ´uppity´ anything at all, though then again, Paul could have recited the alphabet for all I cared! I would´ve just eaten it up.


USA / Utah - Salt Lake City - Hugo & Les

Setlist... same as all the other stops. Fabulous night. Haven´t cried and screamed so much at a concert~ever.
Hugo: Bridge Over Troubled Water was other worldly. Arts voice, angelic. Pauls lyrics, powerful.
Les: Hazy Shade Of Winter ...o my. Unbefreakinlievable!
Art is totally adorable. Others here have said Paul seemed tired or disinterested. Nah, Paul is just way cool. And the band...wow. really, WOW! Part of the fun was watching the aging ´fish out of water´ audience loosen up and have a blast. Concert of a lifetime.


USA / Utah - Salt Lake City - Pete

´Only Living Boy´ is the greatest non-hit. Paul seemed a bit old and tired but lit up when the Everlies came on. It was all smiles watching the crowd come out of the Delta Center tonight.


USA / Utah - Salt Lake City - ADAM BELNAP

It was epiphanous. I´m 21 but I´ve been a simon and garfunkel fan since I was 11. My favorite band wasn´t even together my in my life time until just recently I saw them in concert. AMAZING


USA / Utah - Salt Lake City - Kiara

The Simon and Garfunkel concert was a life-changing experience for me. I loved the music. I have never felt such emotion in one night as I did that night. I loved it and can´t wait for the CD and DVD to come out of the concert. I will never forget it.


USA / Nebraska - Omaha - Roger Coghill

Setlist same as rest as stops. Art wore purple shirt and was jovial, Paul red shirt and black leather jacket and seamed disinterested. Hightlights were when a fat, burly road crew guy bullied a woman behind me and took away her camera during ´America´ and ruined the enjoyment of that song. Art did a moving rendition of ´Kathy´s Song´ along with a tale of the song´s orgin. The Everly Brothers came out and killed and brought tears to more than one eye and everybody to their feet. ´Scarbrough Fair´ was as lovely live as on record and also brought many a tear. There was an extended jam on ´Homeward Bound´ that really cooked, great piano. Paul did a great guitar solo at the beginning of ´Sounds of Silence´ that was really cool, he shed his leather jacket and did an Elvis pose on ´Mrs Robinson´. The vocal interplay between Art and Paul on ´El Condor Pasa´ was smooth, the lighters came out during ´Bridge Over Troubled Water´. Everybody sang along to ´Cecelia´ and ´The Boxer´ and sat quietly during ´Leaves That Are Green´ and capped the night joyfully to ´The 59th Street Bridge Song´. Thank You Art and Paul and Band for visiting our little city and to the cute blonde girl who I gave my phone number and email address to on my way out of the concert , please call me, I´d like to get the chance to know you!!!


USA / Nebraska - Omaha - John from Omaha

Taking my wife and three kids to this show was really cool. None of us had ever seen either Simon or Garfunkel in person, so it was first for all of us. My wife, a veteran of many concerts, called it ´a pinnacle.´

The set list was the same as it had been for the last several shows, apparently. That´s Ok, though I am the kind of person who doesn´t mind the oddity every now and again. Hearing, for instance, ´Richard Cory´ would´ve been great. Maybe ´At The Zoo´ for some people, is that kind of song.

Anyway, Art acted as the host for most of the time. Some banter with Paul about their meeting at age 12 appeared glib and unrehearsed. They do have a penchant for comedy. (We all remember the ´Still Crazy´ bit in a turkey suit for a Thanksgiving SNL show, but how many people remember the bit where Art parachuted behind the hall of a Kiss concert as ´Paul Stanley´s brother.´ Belushi was the door-guarding roadie. Or the bit where Paul remembers a person who sat in the last row of a show in ´74, but couldn´t remember Art.)

I digress. Back to the show.

At times, Paul seemed tired or disinterested, but the playing was top notch. Art´s voice was in great command, though did sound once or twice like he needed a drink of water. It was a long show, and it was great to see the Everlys. They were enjoyable, energetic, and looked like they were very grateful to be playing. Props to S&G for having them along.

The crowd, though not a sell-out (tix were a bit pricey for this market) was quite responsive. It seemed that S&G were taken aback sometimes, as there were 4-5 standing ovations (most of them full) throughout the show. After the main set, someone threw a single rose up to Paul. I kept
looking for one to be tossed Art´s way, but it didn´t happen.

Now, I´m not a huge Art fan (it may appear otherwise), but if you read this and have close seats to a future show´¦ buy a rose for Art. I felt really bad for him.

Only one non-S&G tune was played, and Paul said that it should have been. He was right. They both sounded great on it.

The opening montage is neat, especially at the end. The show started about 20-25 minutes late, too. Don´t know why.. maybe waiting for more seats to fill. Overall, we left very satisfied and glad to experience two American musical treasures.


USA / Nebraska - Omaha - J

I´ve seen two S & G concerts this tour, within seven months of each other. This is the second one I saw, and I believe it had the exact same setlist as the first one I saw (then again, don´t they all?). Nevertheless, I enjoyed it even more because I brought to this concert a more thorough knowledge of the history of their music as well as their lyrics. My favorite moment, maybe because it was a unique one, was when Paul forgot his ´lines´ in their speech about how they met and started talking about how he had done Death of a Salesman the year before Alice in Wonderland and was looking for an easier role (he was joking, of course) and then said, ´A great deal of the ´70s also seems to have escaped me.´ It was an enjoyable experience even though Old Friends started off shaky, but I heard it usually does, and the music drowned out some of the voices on Baby Driver. They never failed to disappoint.


USA / Missouri - St. Louis - Dan the Man-STL

This was the best concert that I have ever seen! This is a must see concert! I am so glad that they did not play a bunch of Paul´s crappy solo songs. I expected a mellow acoustic show and was pleasantly surprised that these guys rocked. Art brought the crowd to their feet with Bridge Over Troubled Water. He can still hit the high note. Art sang most of the songs and told most of the stories and Paul played guitar better than ever. The Everly Brothers did not open the show. Paul and Art introduced them about a half hour into the show. They conveniently played four songs so everyone could take a piss break. You will not regret paying $100.00 to $200.00 to see this show.


USA / Indiana - Indianapolis - Indianapolis Star

Simon and Garfunkel call their reunion tour ´Old Friends,´ for one of the folk-rock duo´s hits. ´Keep the Customer Satisfied´ would have worked just as well at Conseco Fieldhouse last night.

The 1960s icons thrilled the boomer crowd with a show full of grace and feeling.

At 8:30 p.m., overhead screens flashed slides and movies of the famously bickering pals from boyhood. When the tribute faded out, ´Old Friends´ tuned in, and the chums seemed to bask in each other´s presence.

Hewing to their look and sound, the pair remained faithful to many numbers.

But they didn´t totally rest on their laurels. Whether onstage alone for acoustic numbers or backed by a tight band, the 62-year-old troubadours tweaked at least half a dozen of the songs. Highlights included an electric ´Hazy Shade of Winter,´ a syncopated ´I Am a Rock,´ a country ´Homeward Bound´ and a rollicking ´Mrs. Robinson.´

´Well, good evening, you Hoosiers,´ Art Garfunkel said early on. ´I know it´s taken a bunch of years to get this together, and I´m sorry about that. But I´m thrilled to be in your town tonight with Paul.´

One appearance in town was at the Indiana State Fairgrounds Coliseum in May 1968, at a fund-raiser for Sen. Eugene McCarthy´s presidential campaign. Dustin Hoffman introduced them, and a firecracker thrown from the audience interrupted the concert in midsong.

This second leg of the ´Old Friends´ tour kicked off in Albany, N.Y., earlier this month. Half a million fans attended the first leg late last year. Though the twosome has gotten back together once in a while over the years since breaking up after their last album in 1970, this marks their first tour in two decades.

Simon picked a perfectionist´s restless guitar; Garfunkel grasped the microphone like an impassioned lover. As a singer, Simon´s reedy pensiveness continues to balance Garfunkel´s ethereal quiver, and they weaved harmonies around Simon´s often poetic lyrics.

They segued niftily from ´At the Zoo´ to ´Baby Driver.´ Garfunkel declared that ´Kathy´s Song´ was his favorite Simon love song. They told interrelated, semiscripted anecdotes about how they met in sixth grade. That led to their high school novelty number, ´Hey, Schoolgirl,´ which they performed as Tom and Jerry.

It borrowed from their musical heroes, the Everly Brothers, who did a polished mini-set Wednesday evening; it included ´Wake Up Little Suzie,´ ´Dream´ and ´Bye Bye Love.´ Simon and Garfunkel joined them for the latter.

A cello accompanied ´Scarborough Fair´ to lovely effect. ´The Sound of Silence´ accrued moral power. Performing Simon´s solo hit, ´Slip Slidin´ Away,´ he admitted that Garfunkel should have been a part of it n the first place. They shared ´Bridge Over Troubled Water´ with earnest conviction.

As ´Bookends´ says, ´Time it was.´


USA / Tennessee - Nashville - Nashville newspaper

Simon & Garfunkel didn´t surprise last night at the Gaylord Entertainment Center. They weren´t supposed to.

Anyone who had snooped around on various Internet sites could have secured a set list, which was the same in Philadelphia, Cincinnati or Buffalo as it was in Nashville. Anyone could have surmised that Art Garfunkel would be gracious and involved, and most would have hoped that Paul Simon would, at least, act like the whole ordeal was more fun than a trip to the dentist.

Nostalgia was the order of the evening, and nostalgia can be a powerful thing when added to a set of era-defining, Simon-penned songs and bolstered with gorgeous harmony.

´´This is an early song. They´re all early songs,´´ a stone-faced Simon said, introducing Leaves That Are Green at the onset of a second encore. Leaves was among the most obscure compositions in a night that included runs through hits including Homeward Bound, Sounds of Silence, Mrs. Robinson, Bridge Over Troubled Water and The Boxer.

This was, as Simon has made clear, intended as a ´´goodbye´´ tour. The arrangements were crisp and the performances were, at times, exultant. The show began with an acoustic performance of Old Friends, with Garfunkel singing high harmonies while Simon sang underneath and played characteristically beautiful guitar.

From there, the show progressed into something less than revelatory yet never less than heartfelt. Though Simon wrote most of the songs, Garfunkel gave the most in performance, delivering Simon´s melodies and lyrics with the ardor of someone who had been sufficiently moved.

Onstage, Simon seemed more than ´´a rock´´ or ´´an island,´´ as he played acoustic guitar with the feeling of one who fully comprehended and appreciated the emotions that run through Kathy´s Song, Homeward Bound and Bridge Over Troubled Water.

Mid-set, Simon & Garfunkel brought Country Music Hall of Fame duo The Everly Brothers onstage for four songs: Wake Up Little Susie, Dream, Let It Be Me and Bye Bye Love. The Everlys´ inclusion was intended as a nod to Simon & Garfunkel´s heroes and as an acknowledgment of the headlining duo´s debt to 1950s rock ´n´ roll.

Simon & Garfunkel also owe a debt to each other, though neither´s obligation was sufficiently acknowledged last night. Garfunkel´s sweet-but-sandy, gorgeous voice has always been a wondrous conduit for Simon´s lyrics and melodies, and Garfunkel is assuredly glad that he happened upon a composer of Simon´s magnitude.

´How terribly strange to be 70,´ sang the duo, in the show-opening Old Friends. That´s a true sentiment, yet not so far removed from the 62-year-old players. The audience seemed sufficiently stultified by the implications of that song, while remaining happy to clap along to lighter fare like At The Zoo and The 59th Street Bridge Song (Feeling Groovy).

It´s pretty easy to sing when the songs are this good, Garfunkel said, and he was right on target. Garfunkel´s partner may have written better songs (see Hearts and Bones and The Late, Great Johnny Ace for details), but he never wrote anything that resonated more than the compositions he wrote to sing with his childhood friend.


USA / Ohio - Cincinati - Peggy L.

I´m a baby boomer who has enjoyed S & G since I was a teenager in the late 60´s. The show was fantastic -- I was amazed by how great they still sound. If I didn´t know better, I would have thought I had been transported back in time 30 years. Their range and tone and energy are still as wonderful as they always were, and they sang every song I hoped they would. The video screen above the stage was a nice addition for those of us who couldn´t afford the $180 tickets to be able to see their faces. Who except S & G can mesmerize the audience, without resorting to fancy lighting or other special effects, with just their phenomenal music?


USA / Ohio - Cincinati - kevin k

I just got back from Simon and Garfunkel in St. Louis. It was the best show ive ever seen. The sound just as good as they used too and were very interested in the croud. They told funny storys and the selection of songs couldnt hv been better. Im so glad i saw them one last time and if i were you i would see them too.


USA / Ohio - Cincinati - Beth Withrow

I saw S&G in Columbus in October 22 for the first leg of the ´Old Friends´ Tour...I thought the Columbus concert was great....but now I know it was just a practice for tonight....As well as I can remember, the setlist was the same....but tonight´s show was absolutely heaven!...The ticket cost me $185 plus Ticketmaster fees, so $203...so more expensive that the earlier show but so worth it....I had a great seat to the right of the stage. about 6 rows up,(section 128, row F) with full view of both performers...as good a seat as fifth row back on the floor....both wore jeans...Artie wore a long sleeve purple cotton tee ...Paul wore a short sleeve orange tee...the Everly Brothers performed as in October...the performance lasted two hours...was so smooth...their voices were so together...just like the old days...S&G also seemed much more at ease with each other and with the performance than the October one....Don´t miss seeing them at any price this trip...may be your last chance....They were fantastic!.....


USA / Michigan - Grand Rapids - Huge fan

This concert was amazing...they still have it and I loved being there. Lots of ´old´ people and many young ones, too. Rock on S&G!!!


USA / Michigan - Grand Rapids - Lee

I thought it was exquisite. I´ve never seen another Simon and Garfunkel show, but I pray that I can. It was simply amazing. I really enjoyed the everly brothers as well.


USA / Michigan - Grand Rapids - Mark Morey

AMAZING show!!! My little brother and I went and these guys were still beautiful performers. A sold out arena silently consuming the tunes until they finished and we could scream and shout. It was unlike any other show I have been too!


USA / New York - Buffalo - Bryon Stockwell

First time seeing them but was very impressed. Very good show along with a great set list which is the same as the Pittsburgh show. Would love to see them again but next time a smaller venue with a bit less maybe a coffee shop like back in the sixties?


USA / Pennsylvania - Pittsburgh - kathleen

It was a fantastic night! They made me feel young again!Their voices were as good as ever, and better maybe. They came back out twice to thundering applause and foot stomping demands. Pittsburgh loves Simon and Garfunkle.


USA / Pennsylvania - Pittsburgh - Dano

Fabulous show! Their voices are as they were thirty years ago...mellow and harmonious...a marriage of sound that will never end.


USA / Pennsylvania - Pittsburgh - Bill from Buffalo

Same set list as in Buffalo last night, a great concert. Grew up with them, but first time I´d seen them. Good thing they finally did The Boxer as an encore. Surpassed all expectations. Great show.


USA / Pennsylvania - Philadelphia - PM Dhototraj

that song is really good. Really I am cery good of Paul Simon and I know that there is much more things learn from this legendary american singer. It has been a really a remakable thing. I have been enjoying the voice of Paul Simon and Garfunkel. Hence therefore I think myself happy when I heard the song of Paul Simon.


USA / Pennsylvania - Philadelphia - Ed

The concert in Philadelphia was probably one of Simon and Garfunkel´s big kick-starts to get the tour rolling. They had only previously played Albany, NY ´“ and somewhere in Connecticut known as Uncasville [the oddball on the tour if you look at the stops], and you could tell that they were still excited to be on the road.

The concert opened up with a video showing interchanging photographs of Simon and Garfunkel growing up together since they met one another in the 6th grade ´“ and photographs of America´s cultural and political movements. There seemed to be a fairly political message to many of the photographs and accordingly, ´America´ was played in the background ´“ only to have the lights flash on and to see none other than Paul Simon and Art Garfunkel standing in the middle of the stage. They immediately kicked in with ´Old Friends´ and ´Hazy Shade of Winter´ before they even approached the microphone to talk to the crowd.

Simon and Garfunkel, themselves, started out a little raspy ´“ and there were times that they substituted alternative harmonies for the higher notes ´“ but it seemed like once they got started, they were back to their old selves. Simon still got really in tune with his guitar and squatted down in front of the crowd ´“ and really started moving around once the catchier ´pick-me up´ songs came on. Art Garfunkel wooed the crowd with lots of humor, lots of stories, and lots of heartfelt messages [such as his claim to be a lifelong Phillies fan], before taking the mic and hitting some really beautiful notes. Garfunkel seemed more overtly pleased to be in front of such a large crowd than Simon.

They played some of the songs on their own ´“ such as ´Old Friends,´ and ´Kathy´s Song.´ They had a terrific band for the bulk of the performance ´“ featuring a shredding lead guitar player who tripled up on cello and some strange horn instrument that he used for the second encore.

One of the most pleasurable portions of the night came from the very echoes that came through the Wachovia Center. In any large venue, if you stop listening to the music itself ´“ and try listening to the echoes that come from the other side of the arena, it creates a most beautiful relaxing sound ´“ that Simon and Garfunkel perfected.

The Everly Brothers also played a short set, including a duet with Simon and Garfunkel to ´Bye Bye Love.´

Sadly enough, the concert ended too early ´“ and missed a few of their greater hits, but only because the pair have created so many. Though they broke the first rule of a live performance at the end [they emitted a purple glare over the crowd ´“ you don´t do that unless you´ve promised a cover of Jimi Hendrix ´“ but that´s another story], the concert itself was a terrific ending to a terrific dynasty in Philadelphia. On their final act, the crowd exploded after ´Bridge Over Troubled Water´ and demanded even more eventful encores. The two showed that they surely still do ´have it.´

Set One
´Old Friends/Bookends´
´Hazy Shade of Winter´
´I am a Rock´
´America´
´At the Zoo/Baby Driver´
´Kathy´s Song´
´Hey Schoolgirl´

The Everly Brothers
´Wake Up Little Susie´
´Dream, Dream, Dream´
´Let It Be Me´
´Bye, Bye, Love´ (with Simon and Garfunkel)

Set Two
´Scarborough Fair´
´Homeward Bound´
´Sound of Silence´
´Mrs. Robinson´ (scenes from The Graduate shown before playing)
´Slid Slidin´ Away´
´El Condor Paso´
´Keep the Customer Satisfied´
´The Only Living Boy in New York´
´Still Crazy After All These Years´
´My Little Town´
´Bridge Over Troubled Water´

First Encore
´Cecilia´
´The Boxer´

Second Encore
´Leaves That Are Green´
´59th Street Bridge Song (Feelin´ Groovy)´


USA / Pennsylvania - Philadelphia - Brian

I haven´t been to this site in a while, but visited it again once the second leg of Simon and Garfunkel´s Old Friends tour was announced. I went to see them in Atlantic City in November, and this show was even better. The set list was the same, but Simon and Garfunkel seemed to be happier this time around and sounded much better. Like last time, my favorite songs were ´My Little Town´ ´The Only Living Boy in NY´ ´Hazy Shade of Winter´ and of course ´Bridge....´. Paul offered up a few funny moments and generally looked extremely happy to be there, as did Art. The crowd seemed like they enjoyed the show, even though there were much less people in attendance than I thought there would be. Overall a great show by two amazing artists. $87 well spent, even for the second time around.


USA / Connecticut - Uncasville - RHD

Despite a few glitches, this show was actually better than last year´s show. In addition to the feedback, I thought the key change between verses 2 and 3 of Bridge (presumably so Art can hit the high note) was not too smooth. However, I think Paul was really into the music and his playing was really excellent. And they did seem to appreciate the crowd´s enthusiasm.

The afternoon before the show, Paul and I were the only ones working out in the hotel gym. He had nobody with him at all, so I got a chance to talk with him at length. He was very friendly. Among other things he said his new album is only half-done, so it will be some time before it is finished.


USA / Connecticut - Uncasville - Chris L.

I´ve paid upwards of five hundred dollars to see S & G this year. I saw them twice and do not mind paying the money, they were worth it. Mohegan is a small arena, and it wasn´t quite packed like the first time round in November, although the crowd was much more receptive this time. The show started late, forty minutes, but when it did start, the place shook. The set list was exactly the same, with most of the same banter. Paul was much more whitty this time and Garfunkel was his usual charming self. Paul and Art were both in great form to sing. The only problem was there was a lot of feedback, and all night Paul´s monitor kept going in and out, so he kept gesturing to the monitor engineer on house left. Garfunkel´s wife was in the audience, he dedicated Kathy´s Song to her and she stood up and waved to him. My Little Town had more percussion in it, which made it even better. Pino Palidino (bass) was not there. Freddy Washington was there instead, and he too had sound problems and monitor problems. I think Pino is on tour with someone else now. Also Jim Keltner was late in the intro to I Am A Rock. Paul gave him a look. Don and Phil were in great voice also. All in all it was a fantastic show and the crowd was really loud.


USA / New York - Albany - Times Union - Michael Eck

Harmony reunites old friends

ALBANY -- Old friends, indeed.
Paul Simon and Art Garfunkel have laid their famous arguments aside, at least for awhile, and are touring together -- in harmony! -- for the first time in 20 years. Thursday night the duo opened the second leg of its ´Old Friends´ tour at the Pepsi Arena, with the tune that gives the trek its title.

´Can you imagine us years from today,´ the song asks, ´sharing a park bench quietly, how terribly strange to be seventy.´

It won´t be long before the sixty-something Simon & Garfunkel hit that mark, and as they noted at the Pepsi, 2004 marks the 50th anniversary of their friendship.

But it wasn´t just a trip down memory lane for the singers. The duo´s music is also a powerful part of the lives of the thousands of baby boomer fans who plunked down big bucks to be at the Pepsi.

It´s a sure bet that few were disappointed, but Thursday´s hit-packed show was not exactly a stellar performance.

The sound lacked crispness, and even though the vocals were finally mixed to an appropriate level late in the evening, the crack band wanted for more definition in the swim of the arena.

More problematic was the energy level of the stars. Garfunkel seemed genuinely pleased to be back in front of such a big crowd, but Simon´s attention -- to both the crowd and his own singing -- waxed and waned.

When they were present in the moment the old magic sparked -- especially in the quieter sections of ´Homeward Bound,´ ´The Sound of Silence´ and ´I Am A Rock;´ and the bridge of ´Bridge Over Troubled Water.´

The biggest treats were the few numbers delivered solely as a duo, including ´Old Friends,´ a snippet of ´Hey Schoolgirl,´ ´Kathy´s Song´ and a gentle encore of ´Leaves That Are Green.´

On the edgier side, ´Hazy Shade of Winter´ and ´Mrs. Robinson´ actually rocked and ´My Little Town´ even crackled.

About a third of the way through the concert Simon & Garfunkel invited the Everly Brothers out for an all too brief guest set. Phil and Don showed why they were such an influence on the young Paul and Art. Their harmonies sparkled and they jumped at their songs as if they were playing them for the first time -- even if Don´s legendary rhythm guitar was frustratingly low on the mix.

After the Everlys knocked out ´Wake Up Little Susie,´ ´All I Have To Do Is Dream´ and ´Let It Be Me,´ Simon & Garfunkel joined them for a rousing gang sing of ´Bye Bye Love.´

Simon & Garfunkel finished the night with a crowd-pleasing brace of encores including ´Cecilia,´ ´The Boxer´ and ´59th Street Bridge Song.´

SIMON & GARFUNKEL with special guest The Everly Brothers When: 8 p.m. ThursdayWhere: Pepsi Arena, Pearl Street, AlbanyHighlights: Paul and Art were joined by Phil and Don Everly for a gang sing on the Felice and Boudleaux Bryant classic ´Bye Bye Love.´The crowd: About 14,000 baby boomers plunked down big bunks to take a trip down memory lane with Simon & Garfunkel.


USA / New York - Albany - Cathy

The concert in Albany last night was fantastic. They sang the same songs they did during the Fall tour, but the arrangements to some of the songs were different. Paul played the melody to SOS on the guitar before they sang the song. It was brilliant!. Then they sang SOS like Art sings it in his Across America cd. I love that version. The arena was rocking on Baby Driver, Mrs Robinson, Cecelia and Keep the Customer Satisfied. We loved American Tune and Kathy´s Song, both bringing tears to my eyes. Bridge was great with Paul singing the second verse again and really getting into it. Art was very exuberant and really into the songs.The banter was slightly different and seemed more at ease than in the Fall. The concert was dedicated to Ray Charles.
Thanks for listening, CY


USA / New York - Albany - The Only Living Boy in Schenectady

I had lucked into a ticket to this show. Not just any ticket either, but a box ticket. There was a pretty good view of the stage. There was an extra charge in the air before the concert, and it started with a great video on a large screen while the band played a long opening to ´America´. Then you heard the two chords that begin ´Old Friends´, and there they were. It was a little surreal seeing these two on stage. They sounded good, you might say after all the changes they sounded more or less the same. Paul´s voice is a bit heavier than it once was, and Art´s is more airy. It was impressive though to hear Garfunkel sing some of those higher harmonies. His voice broke only once, I think it was in a chorus of ´I am a Rock´. He recovered instantly. Garfunkel´s singing was mesmerizing and ethereal, singing lightly for the most part, but also bringing in a full voice when the music called for it. Paul was impressive when he took the second verse of ´Bridge over Troubled Water´. Artie had sang a beautiful first verse. But Paul really rang the rafters on the second verse, showing what a powerful natural tenor he is. He wrenched every heart in the place when he sang that verse, and it really stood out as the high point of the show.
There was quite a lot of emotion in the air during this show, so much that is was almost overwhelming at times. Albany has a lot of love for S&G.
There were some nice surprises as well. Of course the big one was the Everly Brothers´ appearance. Their vocal blend was actually much better than S&G´s. The Everlies sounded like one voice, and of course their music is right out of a time capsule. You could say time travel was a theme of the night anyway. There were numerous other pleasant surprises. ´Homeward Bound´ unexpectedly turned into a very Grateful Dead sounding jam before coming to a close. The band was amazing, as Paul´s band always is. They were able to conjure the arrangements from the old albums perfectly, as well as cut loose from time to time. The multi-instrumentalist Mark Stewart really looked like he was living a dream playing those songs.
Some have said that the humor between S&G seemed stilted, but I didn´t see that in Albany. I think that observation has to do with telling jokes from a stage to a packed stadium. On video it may seem off-time, but from the stage to the audience it worked and they got plenty of laughs. They were quite funny. It was a similar routine to what you see in the 2003 DVD, but I seem to remember they added or changed a few jokes and details.
One strange moment was the opening of Sounds of Silence. For some reason, Garfunkel thought it would be cool to go a bit backstage, leaving Paul playing the intro, and then Garfunkel walks up to the mic in a sort of dramatic entrance to sing ´Hello darkness my old friend...´. It didn´t quite work as intended, but by the time you realized how corny the entrance was, you didn´t care because they were singing ´Sounds of Silence´ together.
A pleasant surprise for me was towards the end of the show, they did ´Leaves that are Green´ without the band. Just Paul and the guitar, and Artie with his pointy Garfunkel shoes. It is a very light song, but with all those years behind them there was a sense of wisdom to it where before it was mostly youthful longing.
To sum it up, it was a great show, one of the best I´ve ever seen. It was also nice to see a lot of people there who you kind of got the impression didn´t go to many concerts. Old and young, rich and...lucky.


USA / Florida - Tampa - Kevin

The only thing between us and the roof was one row. I would have left had it been anything less than wonderful............I stayed for it´s entirety. Just wanted to let anyone missing it, they were missing a great one.


USA / Florida - Tampa - TBO.com

TAMPA - It didn´t really matter that the most recent song performed Sunday night had its first public airing in 1977.
At least it doesn´t matter when performers bring those old songs to life so vividly that age becomes irrelevant.

That´s what Paul Simon, Art Garfunkel and a superb seven-piece band did Sunday night before a St. Pete Times Forum crowd of 17,597.

A number of Simon & Garfunkel´s hits - ``Mrs. Robinson,´´ ``The Sound of Silence´´ and ``Bridge Over Troubled Water,´´ to name but three - inevitably come up when the term ``soundtrack of the ´60s´´ gets tossed around.

And sure, it was a kick to hear those tunes, as well as ``I Am a Rock,´´ ``America´´ and name your favorite, played live and played well.

But some of the most illuminating moments came with less celebrated tunes.

Consider the performance of ``The Only Living Boy in New York,´´ which showed that song capable of going toe-to-toe with any of the aforementioned favorites.

Or take the duo´s versions of two songs from Simon´s solo albums. ``Slip Slidin´ Away´´ was even more heartbreaking live than on Simon´s original. But then Garfunkel´s high harmony burst through like a ray of sunshine through the dark clouds of the lyrics.

And Garfunkel made ``American Tune´´ soar. The song, from 1973, showed Simon still willing to ask the questions his peers had by then abandoned.

The duo also entertained with some self-effacing midset patter that was as sunny as their relationship has been stormy. Garfunkel pointed out that this was the 50th anniversary of their first performance together - in a sixth-grade presentation of ``Alice in Wonderland.´´ Simon responded that they began singing together at age 13 and arguing at 14.

The Everly Brothers, whose influence on Simon & Garfunkel was evident in a performance of ``Hey Schoolgirl,´´ their first single (recorded as Tom & Jerry), came out to perform a trio of songs. The duo´s country-tinged harmonies still shone. Simon & Garfunkel then joined their heroes for ``Bye Bye Love.´´

The duo´s band provided superb backing. Guitarist Mark Stewart´s effects-laden guitar led the way into an excellent jam at the end of ``Homeward Bound,´´ which also featured fine playing from guitarist Larry Saltzman and pianist Warren Bernhardt.

The band took the stage at the end of the evening for an apparently impromptu closing jam on ``Mrs. Robinson.´´

But the most transcendent moments belonged to Simon & Garfunkel alone, on numbers such as ``Scarborough Fair´´ and ``Kathy´s Song,´´ in which Garfunkel´s still angelic tenor, Simon´s subtle but brilliant guitar playing and their trademark harmonies combined to make a sound that exists in a time of its own.


USA / Florida - Tampa - sptimes.com

TAMPA - It takes a band like Simon & Garfunkel to inspire 17,597 fans, young and old, to gather Sunday at the St. Pete Times Forum and join the legendary folk duo on another winning stop of its ´Old Friends´ reunion tour. One of this year´s top 20 concerts, the tour is averaging $2.2-million in ticket sales in each city.

What other folk duo from the 1960s could pull that off?

Known as much for classics such as The Sound of Silence, I Am A Rock and Bridge Over Troubled Water, as for the duo´s endless dueling - Simon & Garfunkel have broken up and reunited several times - the band always causes a commotion among fans when it gets back together.

Fittingly, S&G, who met 50 years ago, began the evening with Old Friends. Harmonizing nearly as effortlessly as they did in the 1960s, the two struck a chord with Baby Boomers in the crowd with the lyric, ´how terribly strange to be 70.´

Now both 62, Paul Simon, dressed in a red T-shirt, and Art Garfunkel, clad in dark dress shirt with a snazzy purple tie, stood side by side as their band filled in behind them, diving into a rocking Hazy Shade Of Winter.

The harmonies were a bit more warbly on I Am Rock, but fans didn´t seem to mind. Garfunkel´s high tenor isn´t as crystalline as it used to be, but then again, whose is? Watching him sing, hands in pockets in the classic Garfunkel stance, must have been a treat to longtime fans.

The concert offered another treat: The Everly Brothers. In an unbilled guest spot, the legendary Phil and Don Everly, major influences on the night´s headliners, stepped onstage and performed a short set of rock ´n´ roll classics including Wake Up Little Susie and All I Have To Do Is Dream. Next they performed Bye, Bye Love with Simon & Garfunkel

After the Everlys were received a standing ovation, S&G performed a beautiful, stirring rendition of Scarborough Fair with guitarist Mark Stewart playing cello. Has the spare, elegant song ever sounded so voluptuous?

Many of the duo´s tunes have themes of aging - Leaves That Are Green, Old Friends, Hazy Shade of Winter and Slip Slidin´ Away (from Simon´s solo career, which the two performed). The lyrics, written when Simon was in his 20s, resonate with new twists and turns now that he - and his fans - have lived out many of his prophecies and fears.

Not that the night was all about saying hello to darkness, our old friend. S&G provided a peppy Cecilia, inspiring the audience to sing along. Mrs. Robinson, too, seem to make many in the crowd - not surprisingly, mostly men - feel young enough to shake their hips.


USA / Georgia - Atlanta - Bill

Just got home from the show. It was fantastic. I actually cried at the end of Bridge -- that was a first for this 41 year old. They were out of some of the tour stuff. I really wanted a Navy Golf Shirt in XL. They only had small. The program is great.


USA / District of Columbia - Washington - Drew

Wow! I´m an 18 yr. old that grew up listening to this stuff via my parents. They sounded perfectly in tune most of the show (the lapses due obviously to age) but they were so minimal i could care less. the whole show was money. I´d pay the whole deal all over again. utterly astounding


USA / District of Columbia - Washington - Liz Grosch

This was a dream come true!!!! Literally. I was raised on folk music particurlarly from the 60´s and Simon and Garfunkel are my favorite. I went to the concert not wanting the hear Bridge Over Troubled Water and when Art sang it I started to cry. It was the most beautiful song I have heard live. Everything else was great too. These two sound just like they did in the begining. Thanks Paul and Art for making the dream come true.


USA / District of Columbia - Washington - Sunspot.net

A little creaky after all these years
The harmonies are a tad off, but Simon & Garfunkel enchant

By Rashod D. Ollison
Sun Pop Music Critic
Originally published December 15, 2003

They have been friends for half a century.
Together, Paul Simon and Art Garfunkel have created gorgeous music. Simon has written detailed lyrics that tell indelible stories about growing up, growing old, dissolutions and the many facets of love. The pair has broken up and reunited several times over the years. But at last night´s sold-out show at MCI Center, Simon and Garfunkel celebrated their legendary career with a brisk, no-frills rundown of their greatest hits.

No, the harmonies aren´t as gossamer-light as they used to be. The same voices that rose like mist in the 1960s are a little creaky these days -- particularly on the uptempo cuts, during which the stellar seven-piece band outshone (and almost overpowered) the singers.

The nearly two-hour show started with a film montage of childhood photos of the duo. They have known each other since the sixth grade, when they met in a production of Alice in Wonderland. (Garfunkel was the Cheshire Cat; Simon played the White Rabbit. The two dryly recounted this during the show.)

Interspersed with archival clips of baseball games, civil rights marches and other period shots from the last 50 years, the film suggested how the times informed the music of Simon & Garfunkel and vice-versa. Afterward, the men hit the stage and received a thunderous standing ovation before easing into ´Old Friends.´

Simon´s sparkling guitar bolstered the pair´s shaky but pleasant harmonies.

It was during ´A Hazy Shade of Winter´ that they seemed overwhelmed by the powerful band, as the drums crashed in and the pianist pounded the keys.

Simon´s deadpan face and distant vocals suited ´I Am a Rock,´ an angst-laced look at relationships. In fact, the man never cracked anything close to a smile throughout the whole show. He strummed and picked his guitar, staring out at the crowd as if his mind was somewhere else, perhaps on a new melody, another show -- who knows? His demeanor seemed to say, ´OK. Business as usual.´

Garfunkel was engaged throughout, though he was clearly straining on the uptempo cuts that required a little more power. But on ´Scarborough Fair/Canticle,´ his aged tenor shimmered, backed by a cello, keyboards, Simon´s melodic guitar and the tingle of a triangle. The duo´s harmonies floated above the arrangement beautifully.

The biggest lull in the show was a rote performance by the Everly Brothers. The duo were clearly a vocal influence on Simon & Garfunkel, but the Everlys´ material certainly isn´t as timeless, as complex or as literate. They sang ´Wake Up, Little Susie´ and a weepy, sappy version of ´Let It Be Me´ to arrangements that veered uncomfortably close to nostalgia. ´Mrs. Robinson,´ Simon & Garfunkel´s hit from 1968´s The Graduate, received a nice workout with a heavier groove and strong piano and organ solos.

Some folks in the crowd, which was mostly middle-aged, danced in the aisles. They didn´t seem to care that the legends onstage weren´t hitting the notes like they used to.

The music still enchants, and that´s all that matters


USA / Massachusetts - Boston - craig

amazing, amazing show! the setlist was similar to all of the other nights, but after 59th street bridge, they came out and played mrs. robinson AGAIN! the crowd was great, everyone was into it the whole night, and paul and art definitely took notice delivered an unbelievable show!


USA / Massachusetts - Boston - Lisa

I was blown away!
The crowd was young (yes you read that right) and energetic and incredibly appreciative. Paul and Art seemed to pick up on the energy and they were warm (yes you read that right) and they were rockin´. People even stood and danced a few times, during Mrs. Robinson (especially the second time around!)
Mark Stewart was phenomenal, all musicians were really. And they sure made us feel special when they came out for a third encore.
Oh - and a lot of the scripted talk seemed less so.


USA / Massachusetts - Boston - Mark Fuoco

My mom and i went to the S&G concert. It was the best concert that we have ever been! When the concert started, i burst into tears. Because i have been wanting to see them for a long time. I will always remeber this event for as long as i live! Art Garfunkel gave a beatiful vocal on kathys song.


USA / Massachusetts - Boston - Mark Fuoco

My mom and i went to the S&G concert. It was the best concert that we have ever been! When the concert started, i burst into tears. Because i have been wanting to see them for a long time. I will always remeber this event for as long as i live! Art Garfunkel gave a beatiful vocal on kathys song.


USA / Massachusetts - Boston - The Boston Globe

Everly Brothers provide needed tonic for Simon & Garfunkel
By Steve Morse, Globe Staff, 12/12/2003

If you were seeking a warm-and-fuzzy reunion, this wasn´t it. Art Garfunkel initiated a couple of hugs -- one at the beginning, one at the end -- but too often, Paul Simon and Garfunkel seemed to sing from different universes last night. There was almost no eye contact between these two New York legends, who are on their first official reunion tour in 20 years.

Vocally, Simon & Garfunkel gave the sold-out FleetCenter crowd one classic song after another. But Simon, at least for the first half of the evening, got by purely on stoic professionalism. It was a low-energy, lackluster performance from him (was he sick -- did he have the flu?), though he finally found a pulse and the second half of this long-awaited show was a far superior ride to the first.

Simon´s wake-up call came when the Everly Brothers, a profound influence on Simon & Garfunkel in their youth, came out to sing three songs midway through the concert. The Everlys were on fire compared to the icy aloofness of S&G as they ripped through the rockabilly-flavored ´Wake Up Little Susie,´ followed by gorgeous ballads ´All I Have to Do is Dream´ and ´Let It Be Me.´ The Everlys, who have had their own differences through the years, put them aside and shone brilliantly.

Thankfully, Simon shed his igloo-like state when he and Garfunkel joined the Everlys for a romp through ´Bye Bye Love,´ with the crowd delivering the first standing ovation of the night. And Simon was much better after that, finding his voice on ´Scarborough Fair´ and ´Homeward Bound,´ and really coming alive on ´Mrs. Robinson.´ It drew another standing ovation and was accompanied by video clips of Dustin Hoffman in ´The Graduate,´ the ´60s film for which the song was originally written.

Video clips of the ´60s also opened the night, interspersing shots of Simon & Garfunkel in their halcyon days, along with politically charged clips of a rally for the equal rights amendment. It was a reminder that S&G were also countercultural icons back then, not just folk-pop singers with a gift for high harmonies.

Last night´s first song was ´Old Friends,´ which is also the name of the tour, though its meaning wasn´t totally affirmed by the distance between the two ´friends´ last night. A very trebly sound mix also marred early portions of the show, as the six-piece backing band struggled to get in synch. For the most part, Simon & Garfunkel sounded better on sparse acoustic songs than the electric, orchestrated numbers that tended to be overly arranged and missed some of the crisp heart of the original S&G recordings.

There was also too much reinterpretation, at least to my ears. Bob Dylan has taken his lumps for reinterpreting his material (sometimes to the point of incomprehension), and while S&G didn´t go that far, they did throw in different wrinkles on ´I Am a Rock´ (extending a couple of vocal lines unnecessarily), ´At the Zoo´ (with guitarist Mark Stuart, adding some untasty flash), and the sonic Holy Grail itself, ´The Sound of Silence,´ which was slowed down too much.

Much more satisfying were concluding numbers such as ´American Tune´ (still relevant after all these years), ´Bridge Over Troubled Water´ (with Garfunkel glistening on the high notes), and ´The Boxer,´ which the revitalized Simon aced with the emotional depth that we expect from him. The night ended beautifully, but needed more consistency.


USA / Massachusetts - Boston - Craig Seufert

Simon and Garfunkel reunion is rare treat
By Larry Katz
Friday, December 12, 2003

While they´re certainly older, they haven´t always been friends. But Paul
Simon and Art Garfunkel, on their first tour together in 20 years, kicked
off their FleetCenter performance last night sweetly harmonizing about being
``Old Friends.´´

``Can you imagine us years from today

Sharing a park bench quietly?

How terribly strange to be 70.´´

In the 35 years since Simon and Garfunkel first sang ``Old Friends´´ on
``Bookends,´´ they haven´t always been on speaking terms. But the childhood
schoolmates from Queens, New York, now 62, have reconciled to the delight of
their middle-aged fans, who paid up to $250 for the chance to see what could
be their last reunion - or, at least, what could be their last before they
really are 70.

There was no escaping the nostalgia of the event, especially after an
opening video montage that mingled shots of Simon and Garfunkel through the
years with notable world events of the past five decades.

But while the duo´s folk-rock songs, all written by Simon, inevitably
recalled years past, a crack seven-piece band led by string wizard Mark
Stewart and anchored by all-world drummer Jim Keltner and bassist Pino
Palladino (last seen as John Entwistle´s replacement in the Who) helped
shake off any accumulated dust. Starting with the night´s second number,
``Hazy Shade of Winter,´´ and continuing on ``Homeward Bound´´ replete with
expansive guitar solos, ``Mrs. Robinson´´ and ``Keep the Customer
Satisfied,´´ Simon and Garfunkel actually rocked.

In their between song patter, Simon and Garfunkel didn´t ignore their
sometimes acrimonious relationship, they made light of it. ``I´m thrilled to
be here before you tonight,´´ an affable Garfunkel said with a glance at the
stonefaced Simon. ``Paul I don´t know about.´´

Simon finally spoke later. He reminisced about first meeting Garfunkel
in an elementary school production of ``Alice in Wonderland.´´ By way of
explaining their current rapprochement, Simon said dryly, ``Now we don´t
argue anymore. We say, `That´s your opinion and I respect that.´ ´´

Simon then led the way into a brief rendition of the duo´s first
recording from 1957 when the 16-year-olds called themselves Tom and Jerry:
an Everly Brothers soundalike called ``Hey Schoolgirl.´´ And as if by magic,
their role models Don and Phil Everly walked onstage and did three songs
(``Wake Up Little Susie,´´ ``All I Have to Do Is Dream´´ and ``Let It Be
Me´´) before Simon and Garfunkel joined them for a rousing ``Bye Bye Love.´´

When Simon and Garfunkel took charge once again following this harmony
duo summit session, it was disconcerting to notice that, despite their
amiability, they never exchange a smile or even a look when singing
together.

No matter. The blend of their voices remains a signature sound of late
20th century American pop, Garfunkel´s once-pure tenor pleasingly frayed by
age and Simon´s low parts rendered with casual confidence. They even did two
of Simon´s solo songs from the ´70s, ``Slip Slidin´ Away´´ and ``American
Tune,´´ to answer the question of what Simon and Garfunkel might have
sounded like if they hadn´t gone their separate ways in 1970.

Ending their set with ``Bridge Over Troubled Water,´´ they returned for
a first encore of ``Cecilia´´ and ``The Boxer,´´ and then for another,
ending the night with ``Leaves That Are Green´´ and ``The 59th Street Bridge
Song (Feelin´ Groovy).´´ The songs may have been familiar, but the
opportunity to hear them performed by these on-and-off old friends was truly
a rare occasion.




( Simon and Garfunkel, with the Everly Brothers, at the FleetCenter, last
night. Second show tomorrow. )


USA / Pennsylvania - Philadelphia - Ed Arnold

I was completely unaware that The Everly Brothers were on tour with Simon And Garfunkel! What a surprise for this fan! Loved it!

Before The Boxer, Paul lamented the loss this day of a really ´Good Guy´, former Illinois Senator Paul Simon. A complete surprise for Philadelphia was included in the second encore: A song Simon and Garfunkel hadn´t played since 1967,

´Leaves That Are Green´.

A great show to a sold out appreciative crowd in Philadelphia. Artie and Paul both seemed quite moved by the crowds relentless applause.


USA / New Jersey - East Rutherford - Tony Soprano

Absolutely...........AMAZING show! Artie and Paul both in great voice, from the opening notes of Old Friends to the closing chords of Feelin´ Groovy. So many highlights...Artie´s take on Kathy´s Song....outstanding. Paul´s powerful second verse on BOTW....he out ´Artied´ Artie.....UNTIL the ending note! Still gives chills after all these years. Artie was crystal clear all night, particularly on THE NOTE. The Everlys also in fine form, with S&G soloing on Bye Bye Love, second verse. Cool.

Been to many shows at the Arena.....never heard one as clear and powerful as this one. You could hear a pin drop all night. And the banter between the 2 was cool too.

I´d see them again in a minute.......it was that good!


USA / New York - New York - David Owen

I went to all three shows. Fantastic. Paul and Artie were on fire. None moreso than during Bridge. All that were there will aggree. They heard the definative version of that great ballad.

The banter between songs was to all intents and purposes the same all three nights. The only real differences coming when one or the other fluffed their lines! The story of how they both met was a little different on the 03rd, for just that reason! However they performed their comic routines well, and sounded believable. On the first night Paul relpied to a shout of ´I Love You´.......´It´s great to hear ´I Love You´ in a New York accent!´ which got a huge cheer. On the last night someone called out ´I miss you, Art!´ to which Paul replied....´Artie misses you too.´

The big screens around the arena were used very well, giving nice introductions to ´Old Friends´ and ´Mrs Robinson´.

The New York City audience was appreciative whenever parts of, or indeed the city itself, were mentioned. On the first night the audience clicked their fingers instead of clapping to ´Slip Sliding Away´ which was not only wonderfull to hear, but also veeeeery spooky!

All in all the concert was a great success. The only let down, but a big one I must say was the policy of MSG to allow patrons access to the refreshment stall during the show, and for the patrons to make use of this service!

The majority of the audience seemed incapable of not eating of drinking for more than a few minutes. The couple next to me each went twice to get more beer. In total they consumed five beers each during the show, used their mobile phones and were completely wankered by the end.

On the third night I was unfortunate to seat directly next to the exit ot the ground floor arena. About every twenty seconds someone would go to, or return from the refreshment stalls. (And this is not an exageration!) and walk directly in front of my seat, completely obscuring my view. My appeals to the MSG security official were greeted with shrugs. I had to inform the couple sitting behind me that I had not flown 4,000 miles and paid $250 to listen to them eating popcorn. Honestly.......Art and Paul are singing Scarborough Fair and all I can hear is´.....chrumpfh, chrumpfh. Honey, pass the nachos!´.

In Europe, this behaviour would not be, and indeed is not, tolerated. The constant activity in and around the Arena was so off-putting.

I look forward to seeing this fantastic show again in Europe, where the vast majority of the audience won´t be there simply because there is nothing on the TV that evening.

Paul and Artie, you deserve a much more appreciative audience. You were fantastic and well and truly on fire. The audience was for the most part arrogant, rude, and incapable of sitting still and not eating or drinking for more than 7 minutes.


USA / New York - New York - Donkey

Tickets fell in my lap. The original owner had to stay on for a shift at the hospital he works at, and I was the lucky beneficiary. Great show, great energy, great sound.


USA / New York - New York - Steven

Fantastic performance, Art came out energized and verbal about being in NY. His voice was great from the onset. Paul was slow to warm up; his voice was flat and he was listless for the 1 st half of the show. Slip Slidin away made him come alive and his voice was great for the remainder. Art stole the show during Bride over TW and their harmonizing on Cecelia was a beautiful touch


USA / New York - New York - Wolfgang

I also travelled from Austria to the Auburn Hills Show in October. But the show in New York was so much better and so much more intense. One could feel that Paul and Art have been back in the game again and on the road together for a while. The whole audience was vibrating and MSG was set back right into the 60s by the honest, straight and original S&G sound. Very impressive!


Canada - Toronto - C. Chumko

Excellent, excellent show. Having seen the second show of the tour (Detroit 03-10-19) and being impressed by that, seeing the tour halfway completed was a mystical experience. The harmonies were tighter, the voices were more fluent and the band, wow ... songs were reworked and the little things hammered out, and everyone on stage seemed very very comfortable. It was an unreal, unforgettable experience. The new twists on old songs were incredible.
The setlist was the same as previous with ´Song for the Asking´ (played in Detroit) being replaced by ´Leaves that are Green´ a much better choice letting both Simon AND Garfunkel shine.
The two seemed at ease and enjoying each other´s company on stage. Keep your fingers crossed. Hopefully Simon and Garfunkel will create more music in the years to come.


USA / Connecticut - Uncasville - Sue Hooper

I´m one of those people who leaves nothing out...

Artie was wearing a black vest, black slacks, white shirt and maroon tie´¦Paul had on jeans, his red T-shirt, and a pair of sneakers. He looked like a bald 10-year-old boy!

The place went wild (as wild as an arena full of old people can go; if anyone in the row in front of us didn´t have gray hair, it was only because they were bald).

It was an incredible feeling to be in the same room with two such adored men, and realize that they are both so humble and sincere. After their first song, Old Friends/Bookends Theme, Artie apologized for taking so long to get out, and then said he was just thrilled to be able to sing with his old friend again.

They were incredible, alternating slow numbers with fast, loud rockers. Paul did a pretty decent semi-split, and didn´t even need to have anyone help him up. I was impressed. Most 62-year-old men (or women, for that matter) swinging their hips the way he did would need replacement surgery the next day.

When they sang At the Zoo, everyone was in stitches. Paul started off with the funniest voice for the first line of the song, and Artie did a pretty good ´elephant trunk´ with his hands. I never thought of that song as a rocker, but they turned it into one, with the audience screaming for more.

The talking in between numbers was the best´¦Artie started things off by saying, ´My old friend and I are so happy to be here.´ (I leaned over to my pal, Linda, and whispered, ´That´s because someone took them straight to the door.´) Then he said, ´We go way back, Paul and I. We met in our 6th grade´s brilliant graduation production of Alice in Wonderland. That´s the first time we met each other. We were 11 years old´¦Paul was the White Rabbit´¦I was the Cheshire Cat. I don´t remember who Alice was, not that it matters.´

Paul interrupted with, ´Yes, I was cast as the White Rabbit´¦a starring role.´ His look at Artie was hysterical; he even broke up laughing himself, because the audience was laughing so hard!

Finally, he said, ´Cheshire Cat´¦a supporting role. A very important supporting role, but still a SUPPORTING role.´ After a huge laugh from the audience and from Artie, Paul said, ´I´ve written a lot of good songs, but the ones that were great songs were great only because Art Garfunkel sang on them.´ That drew a huge ´Aw´ from the crowd.

I swear, every song they sang was better than the one before it, and every bit of ´arguing´ in between songs was funnier. When Artie said, ´I like to think of this as the 50th anniversary tour for our friendship´¦the 50th anniversary of this thing we do.´ Paul muttered, ´We met at 11, started singing together at 13, and started arguing at 14...so I like to think of it as the 47th anniversary tour for our arguing.´

As the audience roared with laughter, he looked up, all innocence, and said, ´But we don´t argue any more. Now we say, ´˜That´s YOUR opinion, and I RESPECT that´.´ They should have gone into stand-up comedy. The audience was almost rolling on the floor!

Someone in the crowd yelled ´Happy Birthday a little late´. Both said, ´Thank you.´ Someone else yelled out ´Old, you´re getting old´ (which is a line from Paul´s song, ´Old´), and Artie fired back, ´Which one?´ Paul grinned.

They blasted through about four songs in a row at that point´¦those guys can really rock, and then Paul began what would first be an introduction to their first hit as kids, ´Hey Schoolgirl´, and then to the Everly Brothers. ´Yeah´ he said, ´we had our first hit when we were kids´¦(and then they sang it). As soon as they finished, he continued, ´Many people have asked me what ´˜hey boppa luchi bop´ means´¦and the truth is, I have no idea. Maybe Little Richard could tell us.´

He went on to say, ´They [Columbia Records]named us Tom and Jerry´¦for some reason, they didn´t think using names like Garfunkel and Simon would be great career moves in the 50s.´

He introduced the Everly Brothers then, saying they were their first heroes, and with their first hit, they were imitating them. The Everlys came out then, and were excellent.

The audience was singing along through most of the show, and we sounded really good--even Paul said so. Artie said they should clap for us, so they did!

Art also charmed everyone in the room by saying that they have thanked every audience they´ve ever stood in front of, because it´s us who have stood behind them for 40 years, and they appreciate it.

During Only Living Boy in New York, which Paul said he wrote when Art left in 1969 to go to Mexico, he was note for note perfect on the high part (the ´ah-I-ah-I´s´); Art joined Mark Stewart to back him up, not that he actually needed it.

Bridge Over Troubled Water, sung before the first encore, got the biggest reaction by far. Artie took the first verse, flawlessly, and then Paul stepped up to his mike. OH MY GOD, HE WAS INCREDIBLE! He belted it out like nobody´s business, and people were on their feet screaming (of course, considering the age group, it could just have been from leg cramps). It was absolutely amazing, and then they topped it by doing the third verse together, right up to the last note (which Artie hit alone, and held for several seconds).

They clasped hands at the end of that song (not for the first time´¦I think they were holding onto each other´s hands, wrists and shoulders for half the show´¦heh, heh, it could be that Artie was afraid of losing Paul among the amplifiers).

They did two encores, each time still sounding like they could do another half hour. Feelin´ Groovy had everyone on their feet, singing along happily.

It was wonderful. One reviewer called it a concert for the ages, an historic event, a celebration by two men who have loved each other like brothers for over 50 years, even with a few years off now and then for arguing, and were now having the time of their lives. It was all that and more.

The show was over too fast; I think they thought so too. Beaming, they stood on the stage for the longest time, waving to people, often with their arms around each other´s waist; they seemed touched by the applause, and almost reluctant to leave. Both said, ´Thank you from the bottom of our hearts´¦tonight´s been wonderful.´ The band came forward to stand with them and take a bow, then Paul and Artie hugged each other again, and waved some more, before leaving the stage (with their arms still around each other).


USA / New Jersey - Atlantic City - James Baker

Simon and Garfunkel gave a masterful performance tonight at Boardwalk Hall in Atlantic City, New Jersey. Like a fine wine, these gentlemen get better with age. Add a tremendous backup band and some midset numbers by the Everly Brothers, and you have one memorable night.

Some of the schtick between the two you´ve read in other interviews. One of the best lines of the night had Paul saying they don´t argue anymore. Garfunkel countered that they can still argue over his suggestion that the group´s name should be ´Garfunkel and Simon´. *chuckle*

Paul was outstanding on ´The Only Living Boy in New York´ ... and both of them on Bridge Over Troubled Waters. If that is not one of the finest pop songs ever written, I´ll eat my S&G album collection. Art´s voice is still there after all these years. I´ve seen Paul do this number in other shows (including an outstanding performance in 2001 at Tweeter in Camden), but it was wonderful to hear them both.

Added treat ... two solo songs of Pauls they did together, Slip Sliding Away and American Tune.

Folks, if you still have a chance to see them on tour, don´t hesitate. You´ll be glad you did.

Thank you Paul and Art, for such a memorable evening.



USA / New Jersey - Atlantic City - Brian

One word to descibe November 28....AMAZING!!! I could have gone to see them in my hometown (Wilkes-Barre), but I was away at college and so drove the 3 hours to Atlantic City. But it was well worth it. The traffic heading into the city was absolutley terrible and I was afraid I would miss the beginning of the concert, but we made it over an hour before they took the stage. I sat there and couldnt believe that I was seeing two legends in concert. Paul Simon is my absolute favorite musician of all time. I had seen him once before, so I was looking forward to seeing him with Garfunkel. They took the stage and I couldnt believe how good they sounded. The sold-out crowd of over 13,000 was in awe. They sang through an impressive set list. My personal favorites of the night included ´My Little Town´, ´Bridge Over Troubled Water´ (When Art hit the high note, it was truely memorable), ´Hazy Shade of Winter´, ´Only Living Boy In NY´, and ´Slip Slidin Away, but don´t get me wrong, every song was amazing. I was also impressed by the Everly Brothers. I enjoyed ´Bye,Bye Love´ because Simon and Garfunkel joined the Everly Brothers on stage. Even though the concert made me broke, remember I am a college student on a budget. $85 for a ticket, $35 for a t-shirt, $15 for a poster, $20 to park, $15 for tolls on the Atlantic City Expressway, $20 for dinner. Wow, Expensive, but so worth it. i will forever remember this night. Paul and Artie looked like they really enjoyed being there. Both cracked jokes and Paul smiled throughout. Art waved many times to the audience(including me :) ) and was always saying ´thank you´ to the crowd. An amazing night in Nj!!!!!


USA / California - Anaheim - Michael Anthony

Since there are no reviews of Arrowhead Pond 9/23 I thought I´d post my own recollections of last night.

´Strictly no cameras´ was posted on the doors, so my wife and I decided against taking ours, but one or two did flash during the show. The ushers were intent on keeping everyone out of the aisles for safety reasons, so the opportunity to make our way forward to the stage was dashed before the lights even dimmed. Probably 80-90% of the seats were filled, everywhere except the nosebleed section behind the stage. Artie did acknowledge the people behind the stage a few times, but mostly they had to watch the video screen to see the singers´ faces. It was chilly given that just under our flooring was an ice rink, but things later warmed up with the concert itself. We spoke to fans before and after the show; some had been more than once and the age range was wide indeed. We were sitting in the back half of the floor, which was a mistake for visibility. This should have been the first concert in Anaheim, but due to the postponement from 11/14 it was now the second.

Paul and Art went through the motions at first, probably with the tour schedule catching up with them, and were uncharacteristically ragged in parts of Old Friends. When the audience warmed up, however, they found their adrenaline and an energy level exceeding those concerts of earlier times where they forged their reputations. They were not so much legends recapturing former glory, although the scale of this tour suggests that their popularity had never really gone away. They stood as two human beings intent on expressing their gratitude to their body of fans through the giving of their music and their personalities. Their traditional public personas of seriousness and grudging mutual respect were not in evidence. They joked about their habitual power struggles, Paul theatrically gesturing to Art, ´That´s your opinion and I respect it.´

It was a chance for them to correct mistakes of the past. Allowing Paul to sing the middle verse of Bridge and harmonise on the third enabled him finally to receive his deserved share of the applause. The finale´s high note will always belong to Artie, which he pole vaulted with aplomb. They exited the stage after Bridge, and the subsequent encores engendered a party atmosphere.

Retrospection was served up like a friends´ reunion. The concert opened with the giant screens showing news bites from the last thirty years - an updated and abridged Voices of America - while the band unseen hammered out the ´All come to look for America´ refrain. Cue spotlight on the two singers. Hello. The night begins. The size of the arena resulted in more reverb than was ideal, muddying the louder numbers but bringing out the acoustic guitar pieces clear as day. ´That´s a pretty good song,´ understated Artie at the conclusion of American Tune, grinning like the self-described Cheshire Cat.

Musicality has not deserted their voices, although the average acoustics masked what was really happening in periods. From time to time though, they hit their vocal sweet spots simultaneously and the old magical blend rang out. Enough impression was given to remove doubt that they could at least achieve excellence in the studio if that is their next port of call. Artie´s voice was the stronger overall, although Paul made a surprisingly fine contribution to Bridge, incidentally the only time he was not wearing his guitar, and hit the line ´I don´t know a dream that´s not been shattered or driven to its knees´ from American Tune with all the fire of his prime.

Like the rest of the show, the mini Everlys set was a treat just to be a part of, if not for the overall sound. Paul frequently jumped around while he made the big chords on his guitar, while Artie was attentive to the audience throughout, always smiling and inviting us in an emotional sense onto the stage. It´s something to take home and remember forever. The band itself was world class. I just hope there´s a CD in the works of this tour to document the output of these fine players.

From a songwriting point of view, it´s always interesting to discover the alterations Paul has made to his songs. The grooves were more or less untouched, as promised in the pre-tour press conference, with very little change in tempo. Lines that Paul didn´t like from his 30-year-old repertoire were simply thrown out and became instrumental lines or were diced up to phrase with better word economy. It has been an ongoing lesson to hear the development of Paul´s material from one era to the next and reflect on its significance.

I think they dropped Song For The Asking from the set list, possibly because the show only got started at 8.40pm or because their scheduled 9-day break is only 5 days due to the postponements. They seemed genuinely moved by the accolades, holding their hearts repeatedly, while one row of fans revealed a thank-you banner at the concert´s end. There´s always a magical unity when the lights are turned onto the audience in standing ovation mode. It´s difficult to consider whether this tour should be a springboard for another joint album or two. As one who missed out on their initial rise to the fore, I would wish to see them centre stage in my own adult lifetime. On the other hand, they have made the perfect bookend to their careers, as this tour did not contain any new material. At this moment, either choice would not be unfitting.

Sunday traffic on the way home was a lot better than the Friday traffic from the previous week, or perhaps it just seemed so. I probably didn´t notice it was night until halfway home.

Best wishes to all of S&G fandom in this great concert season,

--
Michael Anthony


USA / California - Los Angeles - Andrew Teton

Here´s my take on last night´s show. What a fabulous show!
Cheers, Andrew Teton, Santa Barbara, USA

== Simon & Garfunkel with special Guests, The Everly Brothers Los Angeles CA Staples Center Monday November 17, 2003 ==


As the Simon & Garfunkel tour continues across America, most reviews offered a consistent tone about an evening rich in beloved music performed by two artists who bring this music freshly to life. So as I settled in my seats at The Staples Center in Los Angeles Monday night (11-17-03) I felt pretty confident I knew what to expect.

But I was wrong. I cannot tell you how much I was shocked by how fabulous and exciting Simon and Garfunkel and their tremendous band were.


I can start by saying I was relieved that the illnesses that caused two California cancellations last week were not stopping this show as we watched The Staples Center fill to the brim.

As pre-concert prep, I had been playing Simon & Garfunkel recordings recently, and I was appreciating how timeless and touching their songs were, but a whole new level of excitement, punch, and poetry came out as they enthralled huge coliseum audience for two hours. Even Art Garfunkel seemed to have a similar thought; after one of several
standing ovations he said, ´You know, when we were rehearsing for this tour, we really didn´t expect it to go down so well.´ Indeed!

Kudos go to their concert crew for pulling off the challenge of cleanly filling a massive venue with sound as delicate as two sweet voices and a single guitar ´“ yet also amplifying an 8-piece band truly rocking out, yet keeping the sound crisp.

When I first heard The Everlys were also part of the ´Old Friends´ tour, I could scarcely believe it. It seemed too good to be true. And I committed myself to buying tickets whether Don & Phil were really going to be in every city or not. I can say without hesitation the Simon & Garfunkel´s show itself was undeniably great and well worth attending ´“ in fact afterwards I felt I had taken part in a communal rite with my fellow aging flower children!


As an Everly fanatic, I somehow thought more people would have known about their inclusion on this tour. But that was not the case, and only increased the dramatic impact of their appearance. After a brief snippet of their early Everly soundalike ´Hey, Schoolgirl´ Paul spoke about their indebtedness to the Everly Brothers and then introduced them. As Phil and Don came onto the stage I looked around me and saw the look of shock and heard the excited response of the crowd that turned to yelps and screams as Don machine-gunned the acoustic guitar intro to ´Wake Up, Little Susie.´ I was especially pleased to see the two other couples that came with us look at me with complete shock and say ´Did you know this was going to happen?´ They knew I was an Everly fanatic ´“ but they know me to be a blabbermouth ´“ they were just as amazed I hadn´t blurted out this information in all the weeks of anticipation!

The Everlys performed with a scaled back group of the stage band and wowed the audience with their three ´solo´ songs. When they launched into ´All I Have To Do is Dream´, the stage lighting switched to a blue mirror-ball effect that set the entire coliseum swimming and swirling in soft blue spangles of light and the effect was amazing ´“ I think 12,000 baby boomers were suddenly back in junior high gyms all over America at one of their first dances!

I have never seen the Everlys in such a huge setting, and to my hypercritical ear, I detected some small little patches, a couple of seconds here and there, in their performance that were just a tiny bit off. I think if they had more stage time they would have reached a more balanced sound and the stage miking would have been refined. But truly, this comment is like criticizing a brush
stroke in a Vermeer painting.

It was a novelty seeing Don with a rather different look (sort of split bangs like a saloon keeper in a western movie.) I thought their selection of two sensitive ballads was a good one because S&G did just fine on some of their own rocking numbers, but nobody, not even Simon and Garfunkel who were sounding great, can match that haunting, echoed sweetness of Everly harmony.

When S&G joined the Everlys for that happy-sad song, ´Bye-Bye, Love´ at that point - and I´m not the first to note this - the Simon & Garfunkel absolutely, unequivocally moved up a notch in their performances. How would you and your partner sing if you were exchanging verses with The Everly Brothers? It was as if Paul & Art suddenly found an extra gear in a manual transmission. From that point on, all of their harmonies were more balanced, their performances more immediate, and the band also seemed catalyzed with them.

Don had quickly thanked Paul and Art for bringing them along on the ´Old Friends´ tour and that was a nice touch. I think it is a great gift from Paul and Art to (re)introduce the magnificent sound of The Everly Brothers to tens of thousands of music lovers ´“ many of whom I am sure were not aware the Evs were still around and still capable
of weaving magic from their voices.

So thank you Paul and Art ´“ and as always, thank you Don & Phil.


USA / California - Los Angeles - Reuters

By Erik Pedersen LOS ANGELES (Hollywood Reporter) -

A minute-long standing ovation greeted Simon & Garfunkel as the first spotlight hit them. It was just one of several -- each heartfelt and well-deserved -- as the reconciled old friends gave a memorable two-hour show that was awash in nostalgia but never felt dated.

The rare gig was a melange of gorgeous harmonies, reworked arrangements and unforced camaraderie that evoked much of the decades-old magic. While their sixty-something voices can´t quite elicit the bone-tingling beauty of those classic records, their show reminded that this was one of rock´s great acts.

But there were probably thousands of whispered ´uh-ohs´ as Paul Simon (news) and Art Garfunkel (news) opened with an acoustic guitar-and-voice reading of ´Old Friends.´ Simon, coming off an illness that postponed Friday´s scheduled show in Anaheim, was tentative and a little hoarse. Garfunkel seemed unsteady. They were off to a shaky start.

A double shot from 1966 quickly turned the tide. The crack seven-piece band kicked up ´A Hazy Shade of Winter,´ which must have been harder than many in the graybeard crowd had rocked in years, if not decades. A meatier but slower version of ´I Am a Rock´ followed, and it was obvious that the singers had just needed a little warm-up. Things went from dicey to dynamic.

Simon & Garfunkel´s trademark simultaneous lead vocals, often sung a half-beat apart, never faltered after the early roughness, and their storied bickering was ancient history this night. They stood shoulder to shoulder, belting out one splendid song after another as the SRO crowd joined in. And you believed Garfunkel when he introduced ´America´ by saying, ´I´m sorry it took so long to get here, but I couldn´t be more thrilled.´

Both shared stories of the early days -- from their first meeting in a sixth-grade production of ´Alice in Wonderland´ to their impoverished ´busking´ days in London. The show even included a little old-school shtick. Garfunkel: ´We met in 1953, so this is really our 50th anniversary tour.´ Simon: ´We met when we were 11, started singing together when we were 13 and started arguing when we were 14. So this is really our 47th anniversary of arguing.´ Garfunkel: ´But we don´t argue anymore.´ Simon: ´Now we just say, ´That´s your opinion, and I respect that.´´ They followed that with a snippet from ´Hey, Schoolgirl,´ their 1957 near-hit when they were billed as Tom & Jerry. Priceless.

The duo´s 1950s idols, the Everly Brothers, took the stage for a mini-set that featured a fiery ´Wake Up Little Susie,´ its fretting teen angst replaced with a honky-tonk swagger. Simon & Garfunkel joined the brothers and the band for an animated ´Bye Love,´ which wrapped the terrific four-song side dish.

Then it was back to the classic readings of classic S&G songs, highlighted by Garfunkel´s whispery falsetto on a gorgeous, cello-assisted ´Scarborough Fair.´ But the many tweaked arrangements also clicked all night: the jazzy tropicalia on ´Homeward Bound,´ a dramatic intro to ´El Condor Pasa (If I Could),´ some boogie piano on ´Baby Driver,´ an extended funky break in their 1975 reunion hit ´My Little Town.´ Even the iconic ´Mrs. Robinson´ broke down into a bashing jam, powered by Jim Keltner, the no-spotlight star whose precision drumming never fails to impress.

There was a palpable anticipation during the intro to ´Bridge Over Troubled Water,´ and Garfunkel didn´t disappoint. You could almost see him reach down -- as he had only during ´The Sounds of Silence´ midset -- to summon the stirring climatic lines and notes. Another standing O.

The encores included a playful, rousing take on ´Cecilia´ and a typically mournful ´The Boxer,´ which remains among their most affecting songs.

There´s no denying that this was professional show business -- with the sentimental video montages, prearranged set list, prepared shtick and nary a missed cue -- but there was no oily slickness, just wonderful singing and playing and plenty of comfy nostalgia. It was an all-timer that certainly kept the customers satisfied.


USA / California - San Diego - George Varge




By George Varga

Not many of the 11,479 fans gathered at Cox Arena Saturday night may have realized it, but Simon & Garfunkel´s first San Diego concert in 20 years could easily have amounted to the sound of silence.

That´s because health maladies forced this fabled pop vocal duo to postpone its two previous tour stops. (Friday night´s show in Anaheim fell through because Paul Simon was suffering from a severe cold, while last Wednesday´s show in Sacramento was called off because Art Garfunkel had a throat infection.)

Happily, both felt well enough by Saturday to deliver a compelling career retrospective concert here that was simultaneously vital and nostalgic.

It began gently with 1968´s ´Old Friends,´ which the two performed alone without their seven-man backing band and concluded with 1966´s jaunty ´The 59th Street Bridge Song (Feelin´ Groovy).´

In between came 21 other chestnuts that have largely stood the test of time.

They included such classics as: ´The Boxer,´ ´Mrs. Robinson´ and ´Bridge Over Troubled Water´ (one of several songs performed in a lower key than on the original version); such unexpected but welcome choices as ´Kathy´s Song´ and ´Slip Slidin´ Away´ (a Simon solo song from the mid-1970s that worked even better when performed with Garfunkel); and an especially inspired duet with the also recently reunited Everly Brothers on the Everlys´ 1957 gem, ´Bye Bye Love.´

Phil and Don Everly, whose feuds are as legendary as those of Simon & Garfunkel, also performed ´Let It Be Me,´ ´All I Have To Do is Dream´ and ´Wake Up Little Susie.´ A key inspiration for the budding Simon & Garfunkel in the 1950s, the Everlys sounded as fresh as yesterday on Saturday.

The show was the first here by Simon & Garfunkel since Aug. 28, 1983, when the duo drew 35,000 fans to what was then San Diego Jack Murphy Stadium. Their current tour is the temperamental duo´s first together since then, and their Cox Arena performance came midway through a three-month reunion trek that has swiftly become one of the most lucrative pop tours of the year.

Considering their less than peak physical condition Saturday, Simon & Garfunkel might have been tempted to merely go through the motions with a rote walk down memory lane. Instead, they performed as if their reputations, and not just their bank accounts, depended on it.

That came as good news, indeed, since the duo is receiving a $1 million guarantee for each show on this 40-date tour. (The highest-priced seats for Saturday´s concert were $228.25, plus service charges, while the cheapest ´“ at $58.25 ´“ still cost $5 more than the best seats to the Nov. 9 Cox Arena show by Matchbox 20 and Fountains of Wayne.)

But if the price was high, so was the payoff for the loudly enthusiastic, multigenerational audience that nearly filled Cox Arena. And with no offense to Matchbox 20 or Fountains of Wayne, it´s doubtful there will be any demand for a reunion tour by either in 35 years.

More than just an opportunity to relive a bygone era, Simon & Garfunkel´s performance was a welcome reaffirmation of the power of music to transcend time and place. It was also a stirring celebration of Simon´s peerless songwriting, Garfunkel´s still angelic (if now lower-pitched) voice and the seemingly endangered art of harmony singing.

Yes, there was a rough spot here and there Saturday, along with a few instances where Simon & Garfunkel´s voices didn´t mesh.

But these few gaffes aside, they performed with a winning combination of passion, skill and a determination to make their golden oldies repertoire come alive anew ´“ to pay tribute to their rich past without treating their songs as dusty curios or stuffy museum pieces.

The passing of time was reinforced during the opening number, ´Old Friends,´ when the balding Simon sang: How terribly strange to be 70. That line takes on a much different tone now that he and Garfunkel are both 62, as did the wistful couplet: Can you imagine us, years from today, sharing a park bench quietly?

Later, during their penultimate encore of ´Leaves That Are Green,´ Simon sang: I was 21 when I wrote this song / I´m 22 now, but I won´t be for long.

That Simon & Garfunkel are no longer the earnest young men who recorded five landmark studio albums between 1964 and 1970 is undeniable. But their best songs ring just as true today, and their added decades of experience enable the pair to bring even more dimension and nuance to their work.

As a result, such favorites as ´America,´ ´Hazy Shade of Winter´ and ´Keep the Customer Satisfied´ sounded even better than in the duo´s heyday nearly 40 years ago.

Apart from an overextended version of ´My Little Town,´ the pacing of the show was almost flawless. Equally impressive was the pinpoint precision with which Simon & Garfunkel and their crack band segued from ´Slip Slidin´ Away´ into ´El Condor Pasa (If I Could).´

Garfunkel, whose next solo tour will bring him back to Southern California in 2004, was effusive throughout, Simon more subdued. Their interaction, apart from singing, was minimal.

But when their voices joined together in magical harmony on classic song after classic song, it was clear this reunion was worth the steep price of admission.


USA / California - Anaheim - Bodo

Concert has been prosponed to Nov. 21


USA / California - Sacramento - Bodo

Concert has been prosponed to Nov. 20


USA / Arizona - Phoenix - Brett

Mind you, this was last fall, so I will try to recall as best I can. I was blown away by this concert. It started about 30 minutes late, but when the lights went down and america played while the video montage was shown, it was amazing. Looking at other set lists for other shows, it appears the same songs were played it the same order, however one of the songs they played towards the end was one that they said they had not played live in some 30 years or so. I dont remember what song it was. At one point in the show, paul simon began to play a completely different song than the rest of the band, so they had to start over, and they had a good laugh about it. During one of pauls guitar solos art walked over and tuned pauls guitar while he played. It seemed most people were surprised the everely brothers were also on hand. For the most part people sat down, except for the big hits. The lighting was amazing and I walked away thinking it was a powerful show, certainly worth the 150 I payed for a solid seat. It was a pleasant contrast to see them actually moving around the stage, instead of simply standing in one place and singing, like they often are seen doing in older footage from concerts from years ago. It was an amazing concert.


USA / Arizona - Phoenix - azcentral.com

Old friends back at it again by Michael Senft

The legendary squabbling between Paul Simon and Art Garfunkel was not in evidence Sunday night as the sixties folksingers brought their ´Old Friends´ tour to America West Arena. Although the pair looked uncomfortable earlier this year when they reunited at the Grammys, they were smiling and joking throughout the concert, the duo´s first in the Valley in over 30 years. While they didn´t look completely at ease with each other, they were certainly enjoying the nostalgic vibe of the show.

Thankfully, Garfunkel´s recent vocal problems were also absent. After taking the stage to a video montage highlighting their careers as well as current events of the past 50 years, the pair launched into an acoustic performance of ´Old Friends,´ reminiscent of their coffeehouse days in Greenwich Village, even in front of the packed house. Garfunkel´s high tenor was a little shaky during the touching tune, but he quickly gained a stronger command during the second number, a rocking, full-band arrangement of ´Hazy Shade of Winter.´ Sublime versions of ´I Am a Rock´ and ´America´ followed, and Garfunkel´s voice never wavered throughout the rest of the two-hour show.

Unlike their previous reunion at Central Park, the pair avoided much of Simon´s lengthy solo career. Only two songs were played, ´Slip Slidin´ Away,´ which prompted Garfunkel to say he wished they hadn´t broken up so he could have sang it originally, and ´American Tune´ with Garfunkel taking the lead vocals.

Instead, the two played all of their hits and several obscure tracks like ´Kathy´s Song,´ which Garfunkel introduced by telling a story about the pair´s days as starving musicians on the streets of London.

They also joked about their on-again, mostly off-again friendship.

´We´ve been friends for 50 years, with a few years apart,´ Garfunkel said, to which Simon replied that it had been only 47 since their first argument.

They then performed their first hit, ´Hey School Girl.´ Recorded as Tom and Jerry in 1957. It also served as an effective introduction for the Everlys, who made a not-too-surprising guest appearance at the show.

The ´50s rock siblings, also known for their onstage arguments and on-again, off-again friendship, played a short, four-song set of their biggest hits, including ´Wake Up Little Susie´ and ´Bye Bye Love,´ which also included Simon and Garfunkel´s harmonies.

After the Everlys left, Simon and Garfunkel continued with a moving, elegiac version of ´Scarborough Fair,´ lacking only the ´Canticle´ counterpoint of the original hit. Following a brief flub from Simon, who started playing the wrong tune, the tempo picked up with ´Homeward Bound,´ followed by a beautiful version of ´Sounds of Silence.´ The audience roared as spotlights hit the crowd to the line ´10,000 people, maybe more.´

A video montage of scenes from The Graduate introduced ´Mrs. Robinson´

The crowd sat in reverence through most of the show, only getting to its feet to dance to ´My Little Town,´ Simon and Garfunkel´s mid-seventies reunion hit.

Garfunkel´s signature tune, the hauntingly beautiful ´Bridge Over Troubled Water,´ closed the set, but the duo returned quickly for the encores.

A rollicking ´Cecilia´ got the crowd on its feet again, and ´The Boxer´ became a sing-a-long, with the audience delivering the ´Lie la lie´ chorus. The tune also featured a Theremin solo, one of several odd instruments pulled out during the encores.

Simon and Garfunkel returned for a second pair of encores, starting with a spare version of ´The Leaves That Are Green´ which Garfunkel said they hadn´t performed since 1967. This was followed by a joyful ´Feelin´ Groovy´ which included a slide didgeridoo solo.

It was the perfect ending to this once-in-a-lifetime event. Better to see these old friends celebrating their legacy rather than squabbling about it.


USA / Nevada - Las Vegas - Las Vegas Sun

Sparked by Everlys, Simon & Garfunkel warm crowd
By Jerry Fink

Where: MGM Grand Garden Arena.

When: Saturday.

Rating (out of 5 stars): **** 1/2


A near-capacity crowd of more than 11,000 fans savored the Simon & Garfunkel ´Old Friends´ concert at the MGM Grand Garden Arena Saturday night.

The evening was accentuated by a half dozen standing ovations and extended calls for encores by the two icons of the ´60s. The production, which took a minimalist approach to staging, was named after a tune on their 1968 album, ´Bookends.´

But the first tour in 10 years by one of the most successful folk-rock duos in pop music history easily have been billed as the ´Breaking Up Is Hard to Do´ tour.

Paul Simon and Art Garfunkel, both 62, have been breaking up and reuniting periodically since their high school years in the mid-1950s. Their contentious relationship has been well-documented.

For their ´Friends´ tour, they chose as featured performers the Everly Brothers, another duo who has had difficulty both in staying together and remaining apart.

The Everlys, Don, 66, and Phil, 64, who began harmonizing professionally before they were teenagers, are noted for such rock/country classics as ´Bye Bye Love,´ ´Wake Up Little Susie,´ ´All I Have to Do Is Dream,´ ´Let It Be Me´ and ´When Will I Be Loved.´

They split in 1973 and went their separate ways for 10 years -- but even after reuniting in 1983, they rarely spoke offstage, traveling separately, arriving at showrooms in separate vehicles.

The brothers retired two years ago.

They only came out of retirement after Simon & Garfunkel persuaded them to join the two-month tour that began Oct. 16 in Wilkes-Barre, Pa., and will end Dec. 21 in Tampa, Fla.

Simon & Garfunkel have always credited the Everlys with being their inspiration, presumably in music, not in splitting.

An important element of the concert is Simon & Garfunkel´s homage to the Everlys, who were as pleasing to the MGM crowd as the headliners.

What a shame they chose to step out of the spotlight. They still inspire fans with their flawless harmonies.

Even though they performed only four songs, all of them from the ´50s (´Wake Up Little Susie,´ ´Dream,´ ´Let It Be Me´ and ´Bye Bye Love´), their impact was felt by an audience that include fans of all ages.

Simon & Garfunkel, similar to the the Everlys, are not limited to a certain era.

Even though there was an element of nostalgia to the evening, the songs of both duos withstand the test of time -- especially the intelligent lyrics of Simon & Garfunkel.

The two-hour concert opened with a video montage of Simon & Garfunkel as children, teens and then as adults, interspersing in the family album slides historic film and videos that captured the essence of the ´60s.

The stage was bare, but for the seven-piece band´s instruments, and two microphones on stands -- one short and one tall.

Simon wore a red T-shirt and held an acoustic guitar that seemed almost as large as he.

Garfunkel wore a long-sleeve blue shirt, sported his signature Afro and spent much of his time onstage with his hands stuffed in his pockets.

They have not lost their folk artist demeanor.

Simon & Garfunkel´s set list was mostly taken from the five albums they produced between 1964 and 1970: ´Wednesday Morning, 3 a.m.´ (1964), ´Sounds of Silence´ (1965), ´Parsley, Sage, Rosemary and Thyme´ (1966), ´Bookends´ (1968) and ´Bridge Over Troubled Water´ (1970).

The duo performed nine of the 11 songs on the ´Bridge´ album. They opened the show with ´Old Friends.´

For artists whose career was built on harmonizing, their opening effort fell short. They seemed to have a little problem getting in sync. But they gradually became more in tune with each other and by their third song, ´I Am a Rock´ (from ´Sound of Silence´) it was just like old times.

There was very little conversation during the evening, but Garfunkel did note at one point that, ´It has taken us a bunch of years to get this act together, but I couldn´t be more thrilled.´

Using humor, they acknowledged the difficulties they have had maintaining their relationship.

´We go back to the sixth grade,´ Garfunkel said. ´It´s our 50th anniversary of this thing we do.´

Simon said, ´We met at age 11, began singing together by 13 and began arguing by the time we were 14, so this is the 47th anniversary of the beginning of our arguing.´

The audience laughed and applauded.

There was a lot of applause throughout the evening, as Simon & Garfunkel sang more than 20 of their most memorable songs.

Their first set of eight tunes included such classics as ´I Am a Rock´ and ´A Hazy Shade of Winter,´ ending with ´Hey, Schoolgirl.´ ´Hey, Schoolgirl´ was a 1957 release that was a blatant attempt by the newcomers, then called Tom & Jerry, to emulate the Everly Brothers.

The duo don´t hit the high notes as easily as they did in their younger years, but fans didn´t mind. They stumbled a couple of times as they sang ´Sound of Silence,´ and still received a standing ovation.

´Scarborough Fair,´ Homeward Bound,´ and Simon´s ´Slip Slidin´ Away´ and other tunes inspired many people to rise and and wave their arms and sing along.

The pre-encore portion of the show ended with the immensely popular ´Bridge Over Troubled Water.´

Simon & Garfunkel and their band left the stage, but after prolonged applause returned for their first encore and sang ´Cecilia´ and ´The Boxer.´

They left, only to return for a second encore, singing ´Song for the Asking´ and ´The 59th Street Bridge Song (Feelin´ Groovy).´

The question now is, will there be encore performances by Simon & Garfunkel, or once this tour is over, is it over?


USA / California - Oakland - Susan Young and Chad Jone

WHEN Paul Simon and Art Garfunkel get together for a stroll down memory lane, the experience is more than just cheap nostalgia and a laundry list of hits.

Many of the duo´s songs are so much than mere pop tunes -- they´re touchstones for a generation.

Most middle-age folks in the sold-out crowd at San Jose´s HP Pavilion Tuesday night remembered where they were in 1968 when they first heard ´Mrs. Robinson.´

And everyone there, from the senior citizens -- and there were senior citizens -- to the 10-year-olds will remember Simon and Garfunkel singing ´Mrs. Robinson´ and more than two dozen other songs on the first night of their three Bay Area stops on the ´Old Friends´ reunion tour.

The show continued Wednesday in San Jose and moves to the Oakland Arena tonight.

Friends since the sixth grade, when they were in a production of ´Alice in Wonderland´ together, Simon and Garfunkel are now both 62 (Garfunkel´s birthday was Wednesday). The hair may be thinner and the faces more lined, but the voices are unmistakable.

Garfunkel still has the sweet sound of a choir boy on the verge of tears, and Simon still covers the lower range with his distinctive power.

Paul and Artie -- that´s how familiar they are to us -- have weathered the years reasonably well. After decades of on-again, off-again discord, the friends are back together and doing what they should be doing: resurrecting and celebrating their significant slice of American pop music history.

For a relaxed and harmonious two hours, Simon, in his customary jeans and T-shirt (but no baseball cap), and Garfunkel, in an untucked white dress shirt, tie and black slacks, sang all their familiar tunes and even seemed to have a little fun.

Garfunkel noted that this year marks the 50th anniversary of the pair´s first meeting, while the usually dour Simon wryly noted that it was also the 47th anniversary of their first argument.

Beginning with an acoustic ´Old Friends,´ the duo then shook things up with ´A Hazy Shade of Winter´ joined by their seven-piece band.

´I Am a Rock´ became an arena-sized anthem, and a powerful ´America´ segued into a goofy medley of ´At the Zoo´ and ´Baby Driver.´

Recalling their early days as failed rock ´n´ rollers Tom and Jerry, Simon said the goal was to sound as good as the Everly Brothers.

Cue special guests Phil and Don Everly to step out for a mini-set of their greatest hits.

The Everlys sounded almost as good as Simon and Garfunkel, who joined the brothers for a rambunctious sing-along on ´Bye Bye Love.´

A stage full of rock ´n´ roll history rarely has been this exciting.

With Simon and Garfunkel sounding so good together, a crowded, over-loud arena seems the wrong venue, but at this late date, a coffeehouse is out of the question. Someplace more intimate like Oakland´s Paramount Theatre would be ideal but much less profitable.

When it was just Simon´s guitar and the duo´s trademark harmonies, as on ´Kathy´s Song,´ ´Scarborough Fair´ and the first half of ´The Sound of Silence,´ the effect was timeless -- even in an arena, surrounded by thousands of your closest friends.

Mixed in with Simon and Garfunkel standards such as ´Homeward Bound´ and ´The Boxer´ were several of Simon´s solo hits, wisely reconfigured as duets.

´When I wrote this, I thought it would make a great Simon and Garfunkel song,´ Simon said of ´Slip Slidin´ Away.´ ´But we were already broken up, and I didn´t care.´

He should have cared. Both ´Slip Slidin´´ and ´American Tune´ were much improved with the addition of Garfunkel´s harmony.

To keep things interesting, Paul and Artie included some of their less-popular songs, like ´Leaves That Are Green,´ which they said they hadn´t sung live since 1967. They also sang ´The Only Living Boy in New York,´ a driving ode to loneliness that Simon said he wrote when Garfunkel left him to make the 1969 movie ´Catch-22´ in Mexico.

An extraordinarily moving ´Bridge Over Troubled Water´ closed the set and pushed both singers into their most impassioned vocals of the evening. At the end of two encores, the ecstatic crowd, like the singers, was feelin´ more than groovy.

Hearing Simon and Garfunkel together again recalls, to borrow a line from ´Bookends,´ ´a time of innocence, a time of confidences.´

In only two hours of music, the duo managed to conjure more than three decades of memories, associations and confidences. In 1967, Simon wrote, ´preserve your memories; they´re all that´s left you.´ That´s true. We have plenty of memories, and many of them happen to be preserved in Simon and Garfunkel songs.


USA / California - San Jose - Brian McCoy Record

Stockton Record (c)

Simon and Garfunkel took the stage Tuesday night at San Jose´s HP Pavilion in much the same way they did in the 1960s, Simon carrying an acoustic guitar under his arm, the spotlight illuminating Garfunkel´s corona of hair.

And, as in their heyday, Simon and Garfunkel began their performance with the most elemental ingredients -- two voices and one guitar, on which Simon picked out the simple chord progression that carries the melody to ´Old Friends.´

Why, then, was the moment so rapturous for so many in the sold-out arena? Why was the song punctuated at one point by an unbridled ´Yeah!´ Why had thousands spent hundreds for the privilege of seeing two 62-year-old men harmonize?

Any number of answers presented themselves as the evening unfolded. There is the enduring quality of the Simon songbook, a canon overflowing with evocative lyrics, thoughtful insights, well-turned phrases and catchy pop hooks. There is nostalgia, too, an undeniably powerful force in the lives of the 40-and-older audience.

But, as with the best art -- and, dare one say, best relationships -- a reasoned, rational examination of Simon and Garfunkel´s enduring popularity only gets you so far. The true answer lies, no doubt, in the intangibles, in the wondrous alchemy that occurs when these men blend not only their voices but their personalities. To see Paul Simon in concert is to treat yourself to an evening with one of the most gifted artists rock ´n´ roll has ever produced; to see with him Art Garfunkel is to somehow transcend even that lofty height.

The duo´s current tour -- their first extended outing since 1982-83 and only the second since splitting a decade earlier -- moves tonight to Oakland Arena.

Simon and Garfunkel´s Northern California swing concludes Wednesday with a date at Sacramento´s Arco Arena. Simon and Garfunkel have dubbed their tour Old Friends, and the passing years certainly showed in their faces and frames. Clad in T-shirt and jeans, Simon made no attempt to obscure his rapidly disappearing hairline. While still lean, Garfunkel eschewed his trademark vest Tuesday for a white shirt left untucked.

In the end, the duo´s physical appearance only seemed to emphasize that while Simon and Garfunkel are mortal, their music remains timeless. The pair sang more than 20 Simon songs in their two hours on stage, sprinkling some comparatively obscure nuggets (´At the Zoo,´ ´Baby Driver´), amid their greatest hits (´Sounds Of Silence,´ ´Mrs. Robinson´) and solo selections the composer always considered Simon and Garfunkel tunes waiting to happen (´Slip Slidin´ Away,´ ´American Tune´).

After opening with a brief video that placed the act in the proper baby-boom context, the concert´s format bounced back and forth between Simon and Garfunkel alone, the duo bathed in a warm spotlight, and playing with a seven-piece band, a group of crack musicians whose lineup included legendary drummer Jim Keltner.

So it was that after ´Old Friends´ segued into ´Bookends,´ the lights dipped for a moment before the musicians ripped into a fairly edgy take on ´A Hazy Shade of Winter.´ Nearly all the songs Simon and Garfunkel performed with the band sported an arrangement at least slightly different from that of the original recording. For ´I Am A Rock,´ the heavy beat took an on even greater weight; for ´The Sounds of Silence,´ the duo dropped the folk-rock dynamics for a slower, more dramatic reading.

It can be argued, of course, that few if any in attendance were particularly mindful of the arrangements. People come to hear Simon and Garfunkel sing and, while age has certainly diminished the duo´s upper registers, both men are still quite capable of getting the job done. Indeed, there were moments when their harmonies really hit home, such as when they reached the line ´And we walked off to look for America´ in ´America´ and on the chorus of ´Scarborough Fair.´

There was also time for humor and for Simon and Garfunkel to express what the reunion means to them. Garfunkel took the lead in the latter. ´Good evening, our dear friends in San Jose,´ he said early on. ´I´m in such a good mood tonight. It took us years to get to this together, but I couldn´t be more thrilled to be here in front of you.´

Later, Garfunkel added that he and Simon met in school in 1953. ´We go back to the sixth grade, Paul and I,´ he said. ´With a few years´ interruption, it´s been a 50-year friendship.´

Simon then somewhat sardonically introduced the duo´s first recording, the minor 1957 hit ´Hey Schoolgirl.´ The song, Simon said, was he and Artie trying to sound like the Everly Brothers. At which point, who should emerge from backstage but Phil and Don Everly themselves.

It was a generous gesture on Simon and Garfunkel´s part to include their original heroes on the reunion tour. The siblings performed a mini-set of their own (´Wake Up Little Susie,´ ´All I Have To Do Is Dream,´ ´Let It Be Me´) before Simon and Garfunkel returned for ´Bye Bye Love.´

Simon and Garfunkel´s version appears on 1970´s ´Bridge Over Troubled Water,´ the duo´s final and top-selling album. Nearly every song from the disc was reproduced in concert, not only smashes like the title track (Garfunkel can still hit those high notes) and ´El Condor Pasa´ (which pointed toward the world music Simon would explore as a solo artist) but lesser-known gems, most notably ´The Only Living Boy in New York´ (which came complete with Simon explaining the song´s origins).

Simon and Garfunkel left the stage after 90 minutes before returning for an encore of ´Cecilia´ and ´The Boxer,´ the latter shorn of the extra verse Simon has performed in concert over the years. A second encore brought the pair back for an acoustic ´Leaves That Are Green´ (´The last time we did this in concert was 1967,´ Simon said) and a rousing band rendition of ´The 59th Street Bridge Song´ that did indeed leave the audience feeling groovy.

And why not? All they had been treated to over the previous two hours was two talented singers backed by a group of deft musicians performing some of most durable pop songs ever written.

Overhearing conversations on the way out of arena, however, it became clear that there was more at work. Simon and Garfunkel are old friends, yes, but not just to each other. They fill that role, too, for many of their fans, the duo´s voices and lives having interacted with their own for so long.

It is in that concept, one suspects, that you will find the ultimate answer to Simon and Garfunkel´s popularity. For die-hard fans, the songs and the men bookend their lives.


USA / California - San Jose - Yuval

Just got back from the San Jose show. Paul is amazing, he sings great, and the arrangements are lively. Given that they only performed Simon and Garfunkel songs the set was interesting (sorry - no set list, but similar to the ones posted before).

Said that (and those who only like to read good reviews should stop here), I think that the show wasn´t nearly as good as the last Paul Simon tour. Reading previous reviews I had higher expectations, even though I wasn´t very enthusiastic about this tour to start with. The band members are really good, but to my opinion it doesn´t compare with the old band - missing especially Steve Gadd, Vincent Nguini and Bakhiti (well, I guess that the last two did not feet in the S&G
sound).

Art looked as if he came directly from the set of ´a mighty wind´. Most of the tones were sang at the right pitch, and roughly at the right time, but I found his voice somewhat empty, not nearly as clear as it used to be, and missing almost any nuances. It didn´t look to me as if they were doing it only for the money - I got the impression that they were having good time together. Though my dissapopintment, I still had great time and surely don´t regret going, especially for floor last minute floor ticket on eBay.

Yuval


USA / California - San Jose - San Francisco Chronicle

Having evidently made some kind of peace with each other, Simon and Garfunkel have freed themselves to come to terms with their shared past. In a performance punctuated by bursts of applause and standing ovations, the reunited Paul Simon and Art Garfunkel happily explored the incandescent, five- album career of their youth, something they have both have expressed mixed feelings about in the past, before a capacity crowd Tuesday at the HP Pavilion in San Jose.

The eagerly attended event represented not just a personal rapprochement between the long-estranged singing couple, but a willingness by composer Simon to embrace his sometimes callow early work, which always cast a shadow across his formidable accomplishments as a solo performer for the past 30 years.

Whatever he did, no matter how much success he experienced or how many Grammys he won, wherever he went, people wanted to hear ´The Sound of Silence´ and ´Bridge Over Troubled Water,´ a song he sat and glumly watched Garfunkel sing by himself during their 1993 Madison Square Garden reunion.

But at the HP Pavilion on Tuesday, the first of four Northern California shows on the ´Old Friends´ tour (including tonight at Oakland Arena), Simon not only joined voices on that trademark bridge (´sail on silvergirl´) beautifully, but belted out the second verse himself, plunging into the collaboration. Although he left most of the ebullient stage chatter to his partner, Simon drove the show with his trademark smoldering intensity and exquisite finger picking.

They looked utterly non-show business, Garfunkel wearing a loosely knotted necktie and untucked white shirt, Simon in jeans and T-shirt. Having dispensed with his baseball cap, Simon has gone bravely bald, and the unruly orange- colored corona that frames Art Garfunkel´s head suggests that although he may be growing older, he will not go quietly.

They share such a magnificent past. Garfunkel recalled singing together for small change on the streets of London and Paris, introducing a song they did in those performances, ´Kathy´s Song.´ They met in the sixth grade and started singing together when they were 13 years old. ´It´s been a 50-year friendship, with a few interruptions,´ Garfunkel said.

They made their first record when they were 16 years old, a frank imitation of the Everly Brothers called ´Hey Schoolgirl.´ It was a song they played briefly Tuesday before introducing surprise guests Don and Phil Everly themselves, who came out and sang ´Wake Up Little Suzie,´ ´All I Have to Do Is Dream´ and ´Let It Be Me,´ before Simon and Garfunkel rejoined them for a four- way version of the Everlys´ ´Bye Bye Love.´

The repertoire concentrated almost exclusively on Simon and Garfunkel material, with two exceptions. Garfunkel sang ´American Tune´ from Simon´s second solo album, saying he was sorry they broke up before he could record the song. Simon introduced the other one of his solo songs for the evening, ´Slip Slidin´ Away,´ by saying he always thought it would have been a good Simon and Garfunkel song.

Actually, ´Slip Slidin´ Away´ has all the dour, world-weary earmarks of a Paul Simon solo song. Once he was writing for himself as a solo artist, Simon went through some fundamental shifts in perspective. He polished smart-aleck phraseology and specialized in songs that exuded a hipster´s detachment.

But with Simon and Garfunkel, songwriter Simon was more earnest, often excruciatingly so, and more than occasionally only a bad rhyme or two away from greeting-card fodder. But the enduring quality of songs such as ´Hazy Shade of Winter,´ ´America,´ ´Homeward Bound´ and ´The Boxer´ was never more apparent than onstage in San Jose. Simon´s later brilliant work mixing world cultures into his pop music was clearly presaged in such S&G numbers as ´El Condor Pasa´ and ´Cecilia.´ He even dug out the relatively obscure ´Leaves That Are Green´ just before closing the two-hour concert with the nearly cringe-worthy crowd pleaser ´The 59th Street Bridge Song (Feelin´ Groovy).´

Backed by a surprisingly aggressive seven-piece band that featured drummer Jim Keltner and bassist Pino Palladino, who replaced John Entwistle on the Who tour last year, these crusty old songs snapped back to life under the tender ministrations of the sexagenarian vocalists, who have no right to sound as gorgeous as they did.

-Joel Selvin: [email protected]


USA / California - San Jose - Masud

REVIEWD BY BRIAN McCOY (recordnet.com):

Simon and Garfunkel took the stage Tuesday night at San Jose´s HP Pavilion in much the same way they did in the 1960s, Simon carrying an acoustic guitar under his arm, the spotlight illuminating Garfunkel´s corona of hair.

And, as in their heyday, Simon and Garfunkel began their performance with the most elemental ingredients -- two voices and one guitar, on which Simon picked out the simple chord progression that carries the melody to ´Old Friends.´

Why, then, was the moment so rapturous for so many in the sold-out arena? Why was the song punctuated at one point by an unbridled ´Yeah!´ Why had thousands spent hundreds for the privilege of seeing two 62-year-old men harmonize?

Any number of answers presented themselves as the evening unfolded. There is the enduring quality of the Simon songbook, a canon overflowing with evocative lyrics, thoughtful insights, well-turned phrases and catchy pop hooks. There is nostalgia, too, an undeniably powerful force in the lives of the 40-and-older audience.

But, as with the best art -- and, dare one say, best relationships -- a reasoned, rational examination of Simon and Garfunkel´s enduring popularity only gets you so far. The true answer lies, no doubt, in the intangibles, in the wondrous alchemy that occurs when these men blend not only their voices but their personalities. To see Paul Simon in concert is to treat yourself to an evening with one of the most gifted artists rock ´n´ roll has ever produced; to see with him Art Garfunkel is to somehow transcend even that lofty height.

The duo´s current tour -- their first extended outing since 1982-83 and only the second since splitting a decade earlier -- moves tonight to Oakland Arena. Simon and Garfunkel´s Northern California swing concludes Wednesday with a date at Sacramento´s Arco Arena.

Simon and Garfunkel have dubbed their tour Old Friends, and the passing years certainly showed in their faces and frames. Clad in T-shirt and jeans, Simon made no attempt to obscure his rapidly disappearing hairline. While still lean, Garfunkel eschewed his trademark vest Tuesday for a white shirt left untucked.

In the end, the duo´s physical appearance only seemed to emphasize that while Simon and Garfunkel are mortal, their music remains timeless. The pair sang more than 20 Simon songs in their two hours on stage, sprinkling some comparatively obscure nuggets (´At the Zoo,´ ´Baby Driver´), amid their greatest hits (´Sounds Of Silence,´ ´Mrs. Robinson´) and solo selections the composer always considered Simon and Garfunkel tunes waiting to happen (´Slip Slidin´ Away,´ ´American Tune´).

After opening with a brief video that placed the act in the proper baby-boom context, the concert´s format bounced back and forth between Simon and Garfunkel alone, the duo bathed in a warm spotlight, and playing with a seven-piece band, a group of crack musicians whose lineup included legendary drummer Jim Keltner.

So it was that after ´Old Friends´ segued into ´Bookends,´ the lights dipped for a moment before the musicians ripped into a fairly edgy take on ´A Hazy Shade of Winter.´ Nearly all the songs Simon and Garfunkel performed with the band sported an arrangement at least slightly different from that of the original recording. For ´I Am A Rock,´ the heavy beat took an on even greater weight; for ´The Sounds of Silence,´ the duo dropped the folk-rock dynamics for a slower, more dramatic reading.

It can be argued, of course, that few if any in attendance were particularly mindful of the arrangements. People come to hear Simon and Garfunkel sing and, while age has certainly diminished the duo´s upper registers, both men are still quite capable of getting the job done. Indeed, there were moments when their harmonies really hit home, such as when they reached the line ´And we walked off to look for America´ in ´America´ and on the chorus of ´Scarborough Fair.´

There was also time for humor and for Simon and Garfunkel to express what the reunion means to them. Garfunkel took the lead in the latter.

´Good evening, our dear friends in San Jose,´ he said early on. ´I´m in such a good mood tonight. It took us years to get to this together, but I couldn´t be more thrilled to be here in front of you.´

Later, Garfunkel added that he and Simon met in school in 1953. ´We go back to the sixth grade, Paul and I,´ he said. ´With a few years´ interruption, it´s been a 50-year friendship.´

Simon then somewhat sardonically introduced the duo´s first recording, the minor 1957 hit ´Hey Schoolgirl.´ The song, Simon said, was he and Artie trying to sound like the Everly Brothers. At which point, who should emerge from backstage but Phil and Don Everly themselves.

It was a generous gesture on Simon and Garfunkel´s part to include their original heroes on the reunion tour. The siblings performed a mini-set of their own (´Wake Up Little Susie,´ ´All I Have To Do Is Dream,´ ´Let It Be Me´) before Simon and Garfunkel returned for ´Bye Bye Love.´

Simon and Garfunkel´s version appears on 1970´s ´Bridge Over Troubled Water,´ the duo´s final and top-selling album. Nearly every song from the disc was reproduced in concert, not only smashes like the title track (Garfunkel can still hit those high notes) and ´El Condor Pasa´ (which pointed toward the world music Simon would explore as a solo artist) but lesser-known gems, most notably ´The Only Living Boy in New York´ (which came complete with Simon explaining the song´s origins).

Simon and Garfunkel left the stage after 90 minutes before returning for an encore of ´Cecilia´ and ´The Boxer,´ the latter shorn of the extra verse Simon has performed in concert over the years. A second encore brought the pair back for an acoustic ´Leaves That Are Green´ (´The last time we did this in concert was 1967,´ Simon said) and a rousing band rendition of ´The 59th Street Bridge Song´ that did indeed leave the audience feeling groovy.

And why not? All they had been treated to over the previous two hours was two talented singers backed by a group of deft musicians performing some of most durable pop songs ever written.

Overhearing conversations on the way out of arena, however, it became clear that there was more at work. Simon and Garfunkel are old friends, yes, but not just to each other. They fill that role, too, for many of their fans, the duo´s voices and lives having interacted with their own for so long.

It is in that concept, one suspects, that you will find the ultimate answer to Simon and Garfunkel´s popularity. For die-hard fans, the songs and the men bookend their lives.




USA / Oregon - Portland - Sand G

I was fortunate enough to attend both shows. My seats were ´limited view´ at Seattle as we were seated behind Paul and Artie´s right shoulders. In Portland we were straight out from the stage and both sets of seats were fantastic. There really weren´t bad seats because of the moniters.

I don´t really have much to add to the previous Seattle review. The setlists were the same for both shows and those being consistent with the one posted on simomandgarfunkel.com. There was definitely more energy from the Seattle crowd and that fed into S and G´s performance. There were a few songs done more lively in Portland but overall if forced to choose I would say the Seattle show was slightly better.

Art wore his white shirt and black vest with jeans and Paul wore a reddish orange tshirt and jeans in Seattle. In Portland Art wore a purple button down with slacks and Paul wore a blue tshirt with a print of fireworks on it with
jeans. They were an event of a lifetime given that they had broken up four years before my birth so I was not around the first time around. They both were in great shape musically and both performed above my expectations. Two great
shows.


USA / Oregon - Portland - Marty Hughley

One of the good things about being old friends is that you get to have lots of anniversaries, special ways of marking the important times in life.

Paul Simon, who turned 62 a few weeks ago, and Art Garfunkel, due to cross the same threshold Wednesday, met in the sixth grade. ´With a few interruptions,´ Garfunkel said Sunday night at the Rose Garden, ´it´s now been a 50-year friendship.´

That propitious meeting is a fine milestone to mark with their latest reunion, for what´s called the Old Friends Tour, but it´s not the only beginning they have to look back on.

´We met when we were 11, started singing together when we were 13, started arguing when we were 14,´ Simon added. ´So this is the 47th anniversary of our arguing.

Regardless of the periodic spats, harmony has been the hallmark of their relationship. Musical harmony, at least. That was especially true from 1964 to 1970, when Simon´s deft, ambitious songwriting and Garfunkel´s angelic tenor blended into some of their generation´s cultural touchstones. And it was true again Sunday, as they delivered two hours of mostly gorgeous, often spirited music that -- while it may well have evoked feelings of nostalgia -- proved timelessness to be the true heart of its appeal.

Songs such as ´America,´ ´My Little Town,´ and, most dramatically, ´The Boxer´ and ´Bridge Over Troubled Water´ were reminders of the gently challenging yet firmly reassuring voice the duo provided, but showed that they by no means depend on historical context. And with the backing of a skilled seven-piece band, anchored by revered drummer Jim Keltner, the duo ranged comfortably from delicate folk fantasies such as ´Scarborough Fair´ to rockers such as ´Baby Driver´ and lively pop larks such as ´At the Zoo.´

The duo opened the show by themselves, their two voices harmonizing, appropriately, on the song ´Old Friends´ (´Can you imagine us, years from today, sharing a park bench quietly?´). Age has changed their voices, but not all that much or for the worse. Garfunkel´s voice is not so preternaturally pliant, but it has more warmth and gravity. Sometimes it was astounding that the fullness of vocal sound really was coming from just those two.

They appeared to get on fine, and Simon´s comment about arguing mostly was a set-up to introduce special guests the Everly Brothers, who took over mid-set for a few remarkably beautiful old classics (´Wake Up Little Susie,´ ´Let It Be Me´) and were joined by the headliners on ´Bye Bye Love.´

If there were any grounds for complaint, it was that the songs for the second encore -- the delicate and lesser-known ´Leaves That Are Green´ and ´The 59th Street Bridge Song (Feelin´ Groovy),´ whose charm has faded over time -- were anti-climactic.

Perhaps Paul and Art should argue more over the set list.


USA / Washington - Seattle - Lina Kvist

Impressions from an event of a lifetime - it felt like being stabbed in the back with a happy-drug


Parking? Not easy, and not cheap. Wendy found a spot five minutes away, a free one. Very nice. Niall (my boyfriend) and I had gone from Sweden a week earlier to see my heroes in concert. I have been a fan for almost 20 years, and the music of Simon and Garfunkel has deeply influenced my life in many positive ways.

*Pinch* Ouch! Nope. I wasn´t dreaming. I was finally there. It was quite cold out and a slight drizzle for the first time since we arrived in the coffee capital. We tried to get into several restaurants near the arena, but all were full and had a waiting time of about an hour and a half. We finally managed to find one. My mind was more focused on what was to come than the nice food.

Arriving at the venue, I saw a long queue. For merchandise. I got in line. One person dropped his cappucino mug (which promptly contained the caption: ´put it in your pantry with your cupcakes´). Everybody cheered. Not me, I would have been sad to see $25 wasted. I also was sad for that person´s sake. But nonetheless, I managed to spend $85 on a programme, a limited edition poster and a brick dye t-shirt (which is superb - I had to have it! :). By the way: the T-shirt colours run like nothing else. Beware! :) They did sell some shirt there for $100. I thought it was an old April Fool´s joke so I didn´t even look at what the item was.

Escaping from madness and animal-like cravings for t-shirts in the queue, we went to our seats. Section 217 - quite good seats. Not the most expensive but good enough. Anticipation was in the air as the roadies did their final checks on stage. Reggae music was playing in the speakers. It was getting warmer, and I was getting excited.

Bam! Black. Darkness.

The lights went out, and a video was shown on the big screens. I didn´t recognize all of the photos etc, but I´d seen some before. They showed clips of the Civil Rights movement as well as old S&G images. ´America´ was playing in the background as the memories flashed before our eyes. The crowded were in awe as the lights came on and there they were. Simon in a reddish t-shirt and black jeans and Garfunkel in the Central Park gear. ´Old friends´ - beautiful beautiful. Arties voice amazed me and I like it like it sounded: a bit more airy than in earlier years.

´A Hazy Shade of Winter´ - well, all I can say is that the Bangles can consider themselves overshadowed and out-rocked. I thought that alot of the songs were quite true to the originals, but tighter. The band was as tight as Paul´s in recent years. Very nice. In comparison to this, in my opinion, the Concert in the Park band seem lame. The audience clapped along to this one. During other songs, we sat quietly, on the edge listening for harmonies, super-attentively.

´I am a Rock´ - one of my favourites during this concert, both due to the vocals, but also the groove. The band did a fantastic job here! Cool to hear Artie join in on the long ´iiiiisland´ bits. Very very nice, indeed.

Artie (and Paul -lotsa-smiles-this-evening) seemed genuinely thrilled to be back with Simon in the spotlight. ´Thank you so much. That´s a lot of love you´re sendin´ up here,´ he said. ´It´s taken us a while to get this all together, but I could not be more thrilled.´ ´I love these songs every bit as much as you do´ - this made us cheer wildly.

America, At the Zoo, Baby Driver follwed. They were all very nice. ´America´ being the obvious favorite.

´Kathys song´, sung this evening by Art, and introduced as Paul´s most beautiful song. Very beautiful version, and I remember thinking about Art being in the spotlight whilst Paul stood on the side looking at him, accompanying him on the guitar, steady as a truck. I thought about all the things I´d read previously about how Paul used to feel when Art was in the spotlight getting cred for ´Bridge over Troubled Water´, when he was the one who wrote the song. This was maybe an attempt to show that all those feelings are being left behind. He did a great job just ´being there´ and lifting the songs to wuthering heights with his very steady playing.

The duo joked several times with each other about their friendship that began in the sixth grade when both were cast in a school play of ´Alice in Wonderland.´ Artie said that Simon had been ´cracking him up´ since they met in school. ´People don´t know how funny he is,´ he said as Simon grinned. ´He´s been cracking me up now for 50 years.´ Paul came up to the mike and talked a bit to the crowd. ´We met when we were 11,*pause* ´We started to argue when we were 14.´ *dragged out* Audience laughter followed.

´Hey Schoolgirl,´ the duo´s first hit in the late ´50s (as Tom & Jerry), was up next. Simon introduced it. The audience didn´t seem to know this so well, and laughed at it for the most part. I think it was meant to be funny - the laughter was meant at the silly rhymes in it.

The influence of the Everlys came up next, and they were introduced. As they came in, a person behind me said ´Oh my God!´. I though everybody knew. Especially since they´d been on every previous show, and also because they sold EB stuff in the merchandise stand. Cool that someone was surprised none the less!

Wake up Little Susie - very cool and audience loved it! They both looked and sounded well. All I have to do is Dream - this was supertight and very very good. I love the way they made eye contact with each other during this whole song as they stood oposite each other slightly instead of looking out straight ahead at the crowd. This made the vocals in this song in particular, extraordinary.
´Let it be me´ followed before S&G came back on and joined in. ´Bye Bye Love´ sounded good - it was fun seeing all of them onstage together.

´Scarborough Fair´ - Arties vocals were absolutely fantastic here. If I remember correctly, this caused a standing ovation - one of close to 10 throughout the evening. ´Homeward Bound´ - sounded great on the drums!! This song sounded so much better in this arrangement than in Central Park (which I don´t like so much). The drumpattern fit right in this time and made it quite nice, although not my favourite.

´The Sound of Silence´ followed before a few memorable scenes from The Graduate were displayed on the screens. Dustin´s lines and appearance surprised the crowd. What a great and interesting intro for ´Mrs Robinson´. The arrangement was more jam-session -like than I´d heard before.

´Slip Slidin Away´ - Paul said about this song that ´this would have been a great Simon and Garfunkel song´. Sounded superb, especially the ending - very good. ´El Condor Pasa´ - great, if you like the song. I tend to not like it because I hear it too often being played by those damned pan-pipe buskers. It´s just put me off it. It was never a favourite. None the less - the intro was sparkling and the crowd loved it.

´Keep the Customer Satisfied´ - I love this song and it was truly great to hear them sing it. Great vocals and great audience participation too! ´My little town´ was fantastic!! A lot of energy flowing both on and off stage. Great chord changes in this song!!

´American Tune´ was introduced by Art. He expressed concern and worry as to ´where this country is going´. This song left me absolutely and completely breathless. I really couldn´t breathe properly. It was an ´Oh-My-God´ type of feeling. It made me cry. I loved it. Probably my favourite this evening.

´The Only Living Boy in New York´ - has always been in my top 5 amongst all wonderful Simon and Garfunkel songs. Hearing this brought me close to shock. Like I said in the headline: it was like being stabbed in the back with a happy-drug: it felt both painful and wonderful at the same time. I was amazed at how nice and clean Paul´s vocals sounded. Also great that he didn´t mess around with it too much. Some songs are best left like the originals. This is one, and they did a fantastic job! Cool to hear the
backing vocals by band and Artie. it sounded true to the original, apart from the breathing pauses which made it more real.

Bridge Over Troubled Water was great also. It led to another standing ovation. Paul´s 2:nd verse was absolutely fantastic. He messed with it (and did his ´sign language´ thing) and made it sound as soulful as ever, perhaps as he once intended it to sound like, since he´s done alot of gospel versions of this. Very, dare I say, sensual, and sincere.

A standing crowd were hungry for more after the two said thanks and goodbye.

We were introduced to the percussionist as he started the intro to ´Cecilia´. Instantly the audience were on their feet. This was obviously a great crowd - pleaser.

The Theramin came out in ´The Boxer´ and seeing the screens close-ups of the playing was very very interesting. Extremely hard to play in tune, those things. I want one!

They left and came back a second time, all very planned, but still. We didn´t care! I had hoped for ´Song for the Asking´ or even better ´Bleeker Street´, but they followed their by now well-rehearsed setlist and played ´Leaves that are Green´. Artie came back in the white shirt without the vest. (important trivia, don´t you know). The audience giggled as Paul sang: ´I´m 22 now but I won´t be for long´. Feelin Groovy - great fun and audience loved this!

I remember thinking back of the highlights as I left the venue: Artie´s voice over all- fantastic! America, American Tune, I am a Rock, the band in general, lots of smiles and jokes from both Art and Paul.... and a feeling that I didn´t want it to end. Don´t you just hate that feeling? I still have it. But I hope that a DVD will come out - I reckon they will record at Madison Square Garden, but who knows. I hope this DVD will also have interviews and lots of yummy extras.

Back in Sweden now. I hope all you concert-goers out there have a great time, despite outrageous ticket prices. It´s just another oportunity for concert promoters and others including the two above to make some more money. That said, neither Simon nor Garfunkel need the cash and I doubt that their in this for the money. I just think it´s an oportunity for them to have fun together again - for a change.

in great awe,

Lina Kvist - Sweden


USA / Washington - Seattle - Larry Penoza

A very special event all around. The evening began with a slideshow on the
multiple video screens from childhood photos to various scenes from the ´60s
& ´70s all set to the theme from ´America´. Then the two old friends sang a
song about ´old friends´. This was just the two of them.

The pair had a backing band that was more than capable, with Jim Keltner on
drums, Pino Palladino on bass, and several highly talented guitar/multi
instrumentalists whose names I don´t have here with me.

The gray, windy and wet weather in Seattle brought out the second song of
the night, ´A Hazy Shade of Winter´.
I did not write down a setlist, so I apologize for not having the whole
thing. But soon another song about winter came along, then the Sounds of
Silence, and eventually, a return to the slideshow brought scenes of ´The
Graduate´ which led into.... yes, you guessed it - Mrs. Robinson. We heard
The Boxer, I am a Rock, Bridge over Troubled Water, and so many other great
songs that accomanied me as I grew up in the ´60s and ´70s. The
arrangements were sometimes updated just a bit, but one constant wa the
unmistakable and timeless harmony of those two voices that know each other
so well.

We demanded two encores, and on the first, they played a song that,
according to Paul, they had not played in concert since 1967. I had the
refrain about green leaves tuning bown. I hope to get the full setlist
soon. It was a very wonderful and satisfying evening for all S&G fans in
attendance. They may never do this again, so I suggest that you GO SEE
THEM!

LP


USA / Washington - Seattle - Masud

THE NEWS TRIBUNE REVIEW:

It had been years since local fans of Simon & Garfunkel had gotten to see the iconic folk-pop act perform live. And Saturday night, the duo had a full house feelin´ groovy at KeyArena.

More than three decades after Paul Simon and Art Garfunkel formally parted ways, a decade after their last public concerts and just months after their surprise delivery of ´The Sound of Silence´ at this year´s Grammy Awards, the ´Old Friends´ tour rolled into Seattle to take all those baby boomers on a warm and fuzzy trip down memory lane.

The evening began on a nostalgic vibe with the star´s pictures projected onto overhead video screens, followed by a montage of early performance shots, civil rights footage and other markers of the past four decades.

Then the crowd erupted when the spotlight came on to reveal the men of the hour standing center stage. They began with the subdued, sentimental vibe of ´Old Friends,´ and played a set virtually identical to previous shows, down to a ´surprise´ appearance by the Everly Brothers.

A six-piece backup band joined them after the opening number, and throughout most of the evening provided fuller, louder arrangements of Simon & Garfunkel´s delicate folk sound.

They picked things up with ´Hazy Shade of Winter´ and followed with fan-favorite ´I Am a Rock´ before Garfunkel properly addressed the crowd.

´Thank you so much. That´s a lot of love you´re sendin´ up here,´ he said. ´It´s taken us a while to get this all together, but I could not be more thrilled.´

The pair projected a happy, carefree demeanor all evening and even managed to poke fun at the notorious feud that had kept them apart for so many years.

´We met when we were 11,´ Simon said about 20 minutes into the performance. ´We started to argue when we were 14.´

After the early number ´Hey, School Girl,´ Simon gave a nod to the group that had inspired them. ´The sound we were trying to create, that was based on the Everly Brothers,´ he said by way of introducing his idols.

The Everlys - dressed in matching black blazers - dished out crowd-pleasing classics ´Wake Up, Little Susie,´ ´Dream´ and ´Let It Be Me´ before being rejoined by Simon & Garfunkel on ´Bye Bye Love´ and making their exit.

Next up were two of the most well-received numbers of the night, the maudlin ´Scarborough Fair´ and ´Homeward Bound.´

The duo was still playing as the deadline for this review loomed.

-ERNEST A. JASMIN ([email protected])


USA / Washington - Seattle - Victor Yu

Simon & Garfunkel: Seattle, WA 11/1/03 @ Key Arena

Jen drops me off early at Key Arena, just as S&G´s tour bus pulls up. The bus drives all the way down to the loading docks in the bowels of the venue to unload the people. I yell S&G´s names as they appear, and they wave before heading in. The security guard there tells me that they are not coming out again, as the weather is too cold (these guys are getting old).
Later on, the show proved to be great: 2 hours packed with hits. We had 3rd row, 1st section off of the floor, so we had good visibility just above the floor seats (and paid considerably less). The concert started off with film clips of 1960´s era issues (civil rights, women´s lib, Vietnam, the folk scene, etc.) and S&G start into ´Old Friend / Bookends´. Two hours of classics followed. Halfway through, S&G bring out their childhood heroes, the Everly Brothers, who perform a mini-set of their hit ballads acoustically. S&G then rejoin them for a great sing-along version of ´Bye Bye Love´. S&G´s voices were in great form, and Paul´s guitar playing is even more fluid and blues-inflected. The backing band was also great, with some very talented multi-instrumentalists. Overall, a great show with sing-alongs all night.

I know that security was pretty lax during the show...if anyone managed to record the show (or any other), I´m definitely interested in trading. Please contact me at: [email protected]


USA / Washington - Seattle - Seattle Post

One of the greatest duos of the ´60s had everyone feelin´ groovy Saturday night.

Reunited folk-rock stars Simon & Garfunkel brought their ´Old Friends´ tour to KeyArena, bringing back a flood of baby-boomer memories with more than two dozen generation-defining songs that still sound great after decades of musical and social change.

Dropping by for a rare Seattle visit were two of Paul Simon and Art Garfunkel´s musical heroes, the Everly Brothers, whose four-song guest set was a highlight of the two-hour concert.

Though the near-capacity crowd sat attentively for much of the show, many longtime fans could barely contain themselves when Simon & Garfunkel´s powerful harmonies kicked in during the third song, ´I Am a Rock.´

´That´s a lot of love you´re sending up here,´ Garfunkel said, beaming. ´I love these songs as much as you do.´

Simon & Garfunkel appeared to be enjoying themselves, joking with each other about a friendship that began in the sixth grade when both were cast in a school play of ´Alice in Wonderland.´

Simon was the more serious of the two as he led the backup band through the duo´s catalog of hits. Garfunkel did most of the talking and clearly enjoyed being back on stage. His high, soaring vocals haven´t diminished over the years.

´When we were rehearsing, we really didn´t think (the tour) would go down so well,´ Garfunkel told the cheering crowd. ´Thank you so much.´

The show began at about 8:30, a half hour late, with film clips and photos of the duo´s long friendship and career, which came to an end in 1970 with the release of ´Bridge Over Troubled Water.´

Garfunkel (in white shirt, black vest and faded jeans) and Simon (in brown T-shirt and black trousers) opened with a tender version of ´Old Friends,´ a nostalgic song whose lyrics -- ´Can you imagine us years from today, sharing a park bench quietly?/How terribly strange to be 70´ -- brought smiles and giggles from the audience.

The backup band of veteran players -- featuring guitarist Mark Stewart, who played on Simon´s 2000 album, ´You´re the One´ -- roared to life for rocking version of ´A Hazy Shade of Winter.´ From there, the concert covered a lot of musical ground, including many of the songs contained in the duo´s new, 33-song album, ´The Essential Simon & Garfunkel.´

A beautiful ´America´ preceded a rousing ´At the Zoo´ that brought handclaps from the audience. Garfunkel introduced ´Kathy´s Song´ as ´Paul´s most beautiful song,´ explaining that it had been dedicated to a friend who accompanied the duo in its European busker days, collecting money from passersby.

Introducing a version of ´Hey Schoolgirl,´ the duo´s first hit in the late ´50s (as Tom & Jerry), Garfunkel said that Simon had been ´cracking him up´ since the two met in grade school. ´People don´t know how funny he is,´ he said as Simon grinned. ´He´s been cracking me up for 50 years.´

Garfunkel then introduced ´our heroes,´ Don and Phil Everly, who offered a boisterous ´Wake Up, Little Susie,´ a stirring ´All I Have to Do Is Dream´ and a tender ´Let It Be Me´ before Simon & Garfunkel joined them for the rousing ´Bye Bye Love.´ Making the Everlys part of the show linked two eras of rock, as well as two of rock´s greatest duos.

Simon & Garfunkel resumed their show with a trio of wistful tunes -- ´Scarborough Fair/Canticle,´ ´Homeward Bound´ and ´The Sound of Silence´ -- bringing them a standing ovation. The mood brightened with a rousing, crowd-pleasing ´Mrs. Robinson´ accompanied by a video featuring clips from ´The Graduate.´ The duo teased each other before offering Simon´s solo hit, ´Slip Slidin´ Away.´

Most of the songs in the show were performed as longtime fans remember them. The band offered mandolin accompaniment for ´El Condor Pasa (If I Could)´ and boisterous backup for ´Keep the Customer Satisfied.´ Simon & Garfunkel traded lead vocals on ´The Only Living Boy in New York,´ which Simon wrote in 1969 while Garfunkel was in Mexico filming ´Catch 22.´ Pianist Warren Bernhardt (who toured with Steely Dan in the ´90s) was featured on the post-breakup hit ´My Little Town.´ The main set closed with a beautiful, soaring ´Bridge Over Troubled Water.´

Simon & Garfunkel returned to a cheering, foot-stomping crowd for ´Cecilia´ and ´The Boxer.´ The final encore featured ´Leaves That Are Green´ (performed on this tour for the first time since 1967), followed by a light-hearted, hand-clapping version of ´The 59th Street Bridge Song (Feelin´ Groovy).´


USA / Colorado - Denver - Musical-Markus

Excellent Performance! Really enjoyed the old photos shown through out the show and there sharing of individual memories from the past. Bridge Over Troubled Water took on a whole new meaning and Paul Simon´s guitar playing was outstanding on Mrs. Robinson. Art Garfunkel was incredibly intense singing At The Zoo. The Everly Brothers were Fantastic. Wake up little School Girl was a delight along with the other hits. I will share the Denver CO. Pepsi Center was not built for sound and so the mix can really be awful depending on your section. Paul Simon did seem unenergetic compared to other performances I have seen in the past. It was rumored some of the musicians have influenza. This was a most memorable event with the very mellow mile high crowd. Note there was very little to no dancing going on in this arena except for two songs Cecilia and Feeling Groovy! Looking forward to the DVD.


USA / Colorado - Denver - masud

DENVERPOST REVIEW:
They might be famous for their squabbles offstage. But on stage, there was nothing but love in the air at Paul Simon and Art Garfunkel´s show at Pepsi Center on Thursday night.
The folk-rock duo appeared genuinely happy to be together again for their 36-city ´Old Friends´ tour, their first in twenty years. Having seemingly discovered that they´re better together than apart, they served as tour guides through memory lane for an unabashedly nostalgic evening.

The two-hour set began with a brief video montage on a suspended big screen juxtaposing scenes from their career with footage of world events of the past half-century. When the stage lights came up, the pair opened with ´Old Friends,´ a reminder that their friendship, turbulent at times, dates back to childhood. The line ´How terribly strange to be 70´ drew knowing laughter from the multi-generational crowd - Simon turned 62 this month, Garfunkel will hit that mark in a week.

They wasted no time in launching into some of their best-known standards. There may have been a few cracks in the singing of ´A Hazy Shade Of Winter´ and an otherwise powerful ´I Am A Rock,´ but they found a groove by ´America´ and a grafting of ´At The Zoo´ with ´Baby Driver.´ Garfunkel said the two met in the sixth grade circa 1953 - ´And it occurs to me that it´s been 50 years of this thing we do.´

Their repartee turned playful when Garfunkel introduced ´Kathy´s Song´ by describing their post-college days busking as street musicians in London´s Leicester Square. He reacted to a shout from the front rows. ´I love you Paul?!´ he cried in mock indignation. A smiling Simon assuaged him by leading the crowd in a serenade of ´I love you Artie.´

That seemed to loosen them up. ´We started singing when we were 13, started arguing when we were 14,´ Simon deadpanned as they offered a snippet of ´Hey Schoolgirl,´ recorded when they were 16 and known as Tom & Jerry. Simon admitted to lifting the lyric from Gene Vincent´s ´Be-Bop-A-Lula.´

But the sound, he said, came from their ´heroes,´ the Everly Brothers. They proved the point by bringing on Don and Phil Everly and wowing the fans. The Everlys sang three of their classics - ´Wake Up Little Susie,´ ´All I Have To Do Is Dream´ and a gorgeous ´Let It Be Me´ - before their hosts joined them for a harmony-stuffed version of ´Bye Bye Love.´

A hit parade of famous tunes followed - ´Scarborough Fair,´ ´Homeward Bound,´ ´The Sound of Silence,´ ´Mrs. Robinson,´ ´El Condor Pasa´ and ´Keep The Customer Satisfied.´

A few of Simon´s solo songs were also performed. As he introduced ´Slip Sliding Away,´ he told the crowd, ´There were times after we broke up when I thought, this would have been a good Simon and Garfunkel song.´ He said he wrote ´The Only Living Boy In New York´ when Garfunkel was in Mexico filming ´Catch-22´ Garfunkel helped sing ´American Tune.´

A joyous arrangement of ´My Little Town´ was crafted with the help of the duo´s seven-piece band. Then came the undisputed highlight - Garfunkel nailed the high note ending ´Bridge Over Troubled Water´ with perfect clarity, bringing the crowd to its feet. Encores of ´Cecilia,´ ´The Boxer´ and ´The 59th Street Bridge Song´ left everyone, well, feeling groovy.

In this day of mush-mouthed rappers and shrieking divas, two-part vocal harmony might seem like a lost art. Simon and Garfunkel´s well-acquainted voices may have taken a few songs to settle in, but when they locked together, the results were the most resonant moments of any reunion show this year.

-By G. Brown, Denver Post Popular Music



USA / Minnesota - St. Paul - Rita B.

I was totally amazed......I felt like I was having a once-in-a lifetime experience. This concert was unbelievable. Everything was magical - right from the opening video montage up until the last note, easily the fastest 2 hours I´ve spent in a long time.

I was amazed at how ´Mrs. Robinson´ totally rocked - Paul said ´you even stood up for that one.´ ...but so did ´Hazy Shade of Winter´. The two of them definitely have a sense of humor - Paul was joking with an audience member about his birthday, asking her if she brought him a gift, when Art and Paul went back and forth a few times - finally Paul said ´What are we, the Smothers Brothers? Let´s get on with the show´.

Kinda cool to see the Everly Brothers - Don Everly had a cold, and Paul had to bail him out of one verse of ´Bye Bye Love´. Another unplanned moment was when Paul started playing his quiet intro to ´Slip Slidin Away´ - as he was doing that, he mistakenly was giving his spoken intro to ´The Only Living Boy in New York´ - when Art jokingly called attention to it, Paul broke into uncontrollable laughter - then Art said ´People love mistakes, Paul...´

All in all, an amazing evening - this was the first time seeing either of them live, and I did learn one thing. Their recordings don´t do them justice - I loved hearing them live. One other note - my husband and I took our 16 year old son and his friend (easily the 2 youngest people there). They were both blown away - my son´s friend is the lead singer in a rock band, and afterwards he could not stop talking about it - he said that Simon & Garfunkel had just become his biggest musical influence, and he couldn´t even describe how moved he was - he said that this was the best thing he has ever seen in his entire life. He couldn´t wait to go out and buy all of their CD´s. I´m always enlightened when teenagers appreciate great music.

Thanks for hearing me out....

Rita B.


USA / Minnesota - St. Paul - Sumit

A review that appeared in Variety Magazine:

Black and white images of Paul Simon and Art Garfunkel flashed across three giant viewing screens as the subtle guitar riff from ´America´ flooded the darkened arena of the Xcel Energy Center Monday night.
Periodically, the screens flashed images from the 1960s ´“ the Civil Rights Movement, peace protests and lovers ´“ to which the majority of the audience responded with sighs of recognition and familiarity.

As the house lights went up, the famous pair stepped onstage together for the first time since 1983, softly playing the sentimental tune ´Old Friends.´ The gentle hit was barely audible above the roaring audience, many of whom were overcome at the sight of the endearingly humble duo.

After the initial swells of applause quieted, the pair segued into the bittersweet ´Bookends´ (from the 1968 album of the same name), and proceeded to play one of the most memorable sets many had ever witnessed. Nearly all of the duo´s ´favorites´ were covered, each with soulful deliberation and noticeable emotion. The result was an evening of pure nostalgia.

As they soared through rousing tunes such as ´At the Zoo´ and ´Baby Driver,´ Simon and Garfunkel sang with an emotional and melodic unity that they had not displayed for upwards of 20 years.

Slowing the concert´s pace, the pair then played ´Scarborough Fair/Canticle´ (during which time they unveiled some of the most beautiful harmonies they´d ever produced) and ´America,´ followed by ´Kathy´s Song,´ which Garfunkel insisted was ´the most beautiful love song that Paul has ever written.´

A exceptionally talented band accompanied the duo, and added a powerful dimension to the music. A haunting autoharp lent unprecedented beauty to ´The Boxer´ in the pair´s first encore, while an electric guitar spiced up ´Hazy Shade of Winter´ and ´I Am A Rock.´

The duo´s closeness, though once seemingly displaced, appeared as if it still ran deep; Garfunkel announced that the pair´s rather implausible reunion tour coincided with the 50th anniversary of their friendship.

The pair began performing together as children: Garfunkel played the Cheshire Cat opposite Simon´s White Rabbit in a grade school production of ´Alice in Wonderland.´ At 13, they began making music under the pseudonyms ´Tom and Jerry,´ and at 16 they released their first album. One of their very first songs ´“ the lighthearted and unpolished ´To the Schoolgirl in the Second Row´ ´“ was playfully included in their phenomenal set list.

The clarity and radiance of Garfunkel´s voice seemed hardly diminished by the strain of time and age, and Simon´s genius for songwriting has never been more apparent. Several of Simon´s solo hits, including ´Slip Slidin´ Away´ and ´My Little Town,´ were only improved by the addition of Garfunkel´s distinctive vocals.

The performance of ´My Little Town´ was also revitalized by another surprising addition ´“ Simon, his guitar swung low, in a bout of fervent dancing that conjured up images of Elvis and James Brown. His uncharacteristically energetic gyrations were testament to the jovial and laid-back ambiance of the concert.

Amidst other classic tunes such as ´The Only Living Boy in New York´ and ´Homeward Bound,´ Garfunkel and Simon took a break to lend the stage to their friends the Everly Brothers, who sounded wonderfully upbeat with their hits ´Wake Up, Little Susie,´ ´All I Have to Do is Dream´ and ´Let It Be Me.´ Then the brothers welcomed Art and Paul back for a lively duet of ´Bye Bye Love,´ an Everly Brother´s original hit which both groups made popular (the Everly Brothers in 1958, Simon and Garfunkel in 1970).

The show finished with a solid double-encore, the first of which included the almost irritatingly catchy ´Cecilia´ and the second of which ended with ´The 59th Street Bridge (Feelin´ Groovy).´ By the end of the show, most of the audience was on their feet, dancing (and likely reminiscing about eras past).

The pair lingered on stage for several minutes after their music had subsided, as though they were sorry to see the evening end. After waving graciously to the crowd, they reluctantly withdrew from sight. The resounding applause of the grateful and satisfied audience was proof enough that the two old friends ´“ reunited, at last ´“ still have what it takes to put on a truly unforgettable performance.


USA / Minnesota - St. Paul - Masud

THEPITTSBURGHCHANNEL.COM REVIEW:

ST. PAUL, Minn., -- Simon & Garfunkel together again; a dream come true for so many of us who grew up on ´Homeward Bound,´ ´Mrs. Robinson,´ ´Sounds of Silence´ and ´The Boxer.´ But could the concert possibly live up to the teenaged memories of our first favorite duo?

Concerts often don´t. But I can honestly say that coming away from the ´Old Friends´ was like having spent two hours not just with an old friend, but with a best friend, with whom the spark was reignited after years of neglect. There is no question about it, Simon and Garfunkel were superb.

Opening the concert Sunday night at Xcel Energy Center was a short video tripping down memory lane with flashes of photos from the ´60s and ´70s , decades during which their art was spawned and nurtured. A few songs later, Art Garfunkel and Paul Simon talked about meeting as classmates in a New York City elementary school, and sang the first piece Paul wrote for them at age 16.

It mimicked the style of their musical heroes, The Everly Brothers. With that, the lights dimmed and on bounded, you guessed it, the Everly Brothers in person. They delighted the crowd with a few of their famous favorites including ´Wake Up Little Suzie,´ and ended with all four men belting out ´Bye Bye Love.´

After Simon & Garfunkel reclaimed the stage, the audience was respectful and quiet, which could have been mistaken for a lukewarm reception. However, watching thousands of faces during the ballads such as ´I Am a Rock,´ ´The Only Living Boy In New York´ and ´Kathy´s Song,´ it was clearly not a lack of appreciation, but rather an overflowing of nostalgia that created the quiet. Here was a generation reflecting on the world as they once knew it, memories incited by music of their youth.

But making beautiful music together does not mean that Simon & Garfunkel have resumed their once near-brotherly affection for one another. In fact, they barely looked at one another the entire concert, and interactions seemed strained and artificial. Art Garfunkel tried too hard to seem warm and chummy, Paul Simon did not try at all. The invisible wall was painfully evident as scenes from young Simon & Garfunkel were flashed on the screens above, days when the two were best friends and feelin´ groovy.

Except for a few spontaneous jokes and smiles, Simon reserved his intensity for his guitar, which was nimble and melodic as ever. Garfunkel was full of emotion as he crooned his famous solos from ´Bridge Over Troubled Water´ and ´Scarborough Fair.´ But as always, the highlight was when the duo sang together, in harmonies so delicate, so exquisite, so familiar.

The crowd finally did rise to the occasion, and their feet, several times, including at the end, to bring the artists back for two encores. The second encore featured Paul Simon and Art Garfunkel alone, with no back up, singing ´and the leaves that were green turn to brown.´ You could hear a pin drop in the audience. It literally brought thousands over the edge to tears. Such is the power of their voices, their song.

In today´s era when so many musicians rely on studio tricks and post- production to manufacture ´their´ sound, this concert, these two men, are a testament to true talent. Perhaps the highest praise I can give is to say that live, in concert, Simon & Garfunkel sounded today, just like the records they recorded in their teens and 20s . And, like their sound, the songs and the lyrics still resonate with beauty and meaning. These two men and their music are, indeed, timeless.

-Beth Pearlman


USA / Illinoise - Chicago - Gus

What a show! Three moments will stay with me forever, all related to lyrics and ´pindrop listening moments´ at the cavernous United Center:

1) ´And the moon rose over an open field...´

2) ´We come in the age´s most uncertain hour
and sing an American Tune...´

3) ´Hello, hello, hello hello
Goodbye, goodbye, goodbye, goodbye.
That´s all there is.´

You could hear your own heartbeat after No. 3...

- Gus


USA / Illinoise - Chicago - Mark

Classic songs wear well at United Center

October 26, 2003

BY JEFF WISSER Staff Reporter

They came for a museum exhibit. A church service. A family reunion.

They came to look for America, the America of their youth. The America of yesterday.

And in the midst of all this, a 50-something crowd so reverent they made the folks down at Symphony Center look like soccer hooligans witnessed an honest-to-goodness pop-rock concert breakout.
They didn´t know quite what to do about this development Friday, at the first of two sold-out Simon and Garfunkel shows at the United Center, so they sat quietly for most of the night, applauding politely at the end of each song.

You couldn´t blame the crowd for their reverence.

They paid a lot for their tickets to the Chicago stop on the Old Friends tour (as much as $300). The film montage that led into the performance was daunting. There were even some awkward moments, such as some of Art Garfunkel´s stage patter, which sounded stiff, straight out of a testimonial dinner. The re-teaming of the sometimes contentious pair has been a long time in the making. They last toured in 1982-83.

And let´s face it, nobody at the UC Friday was getting any younger.

Least of all Art Garfunkel and Paul Simon, who looked alarmingly like Sen. Joe Lieberman in a Krusty the Clown wig and Danny DeVito´s skinny brother, respectively, going through the paces of their own personal remake of Neil Simon´s ´The Sunshine Boys.´

But while time may have taken some of the essential prettiness from the countenances of the singers, it has done nothing to deface the prettiness of their songs.

Songs like the charming ´America,´ the delicate ´Scarborough Fair/Canticle,´ the affecting ´Homeward Bound´ or the still-powerful ´Sound of Silence.´ All were on the playlist and all were rendered rather faithfully by Simon, Garfunkel and the seven-piece band that backed them.

Then there were the moments when the band kicked into gear, as on the roadhouse rave-up of ´Keep the Customer Satisfied,´ the Byrds-evoking ´Hazy Shade of Winter,´ a cameo by the Everly Brothers, or, in one of the few moments that brought the crowd to its feet, that rollicking tribute to the bitter, predatory alcoholic, ´Mrs. Robinson.´

Coo coo ca-choo, indeed.

A Simon and Garfunkel reunion tour could have been many things. It could have been a purely cynical cash-in, a grab-the-loot-and-skedaddle con by a couple of aging popsters with little else to do but trot out their own personal ravages of time for the paying customers. It´s not like it hasn´t happened. In the past three months. (Are you listening, Aerosmith, Kiss and Boston?)

But, ultimately, even with a dutiful crowd that would not have been out of place in the Ravinia pavilion, Friday´s show was about something else entirely.

It was about songs, songs that long ago embedded themselves in the collective cerebral cortex. It was about the sheer simple elegance, the sometime aching beauty of blending Garfunkel and Simon´s voices. And it was about two old classmates, old friends/bookends if you will, or, really, America´s own two-man version of the Beatles, who came to town to serenade the faithful with a handful of hits that, with the possible exception of ´59th Street Bridge Song (Feelin´ Groovy),´ have held up exceptionally well.

It was a chance for Garfunkel to wrap his voice around the songs he should be singing. It was a chance for Simon to show off what he´s learned playing with more exotic ensembles in recent years. (Note to Garfunkel: When Simon starts jamming with the band, after all these years, you should find something to do with your hands other than wave to the crowd, play rhythm on your thigh or stick them in your pockets. Could you maybe pick up a guitar or a tambourine or a triangle?)

In the end, though, Friday night at the UC was about all these things and more. It was a chance for a crowd to revel in the work of people writing songs that voices too seldom share. To recall a simpler, sweeter time. To renew an old pact.

´A pocket full of mumbles, such are promises´?

Well, Friday, maybe it was just a little more than that.


USA / Illinoise - Chicago - Willow

WOW...............
Since everyone covered the tecincal stuff I´m going to write about the emotional side.

My brother asked me a few days before the concert
´So what are you going to do when he (Paul) comes out on stage?´ I answered that I didn´t know and hoped I wouldn´t faint.
I wasn´t prepared for what happened...

I wept. During the video thing my lip started to quiver, then I saw Paul on stage. There was no stopping it, I started crying uncontrolably, and I contine to cry for the first four and five songs. I was beyond happy, way beyond giddy. I was near the man I´ve looked up to and amired since that day my dad brought home ´Graceland´ when I was eight. Before the show I had prayed and prayed that I´d get to meet Paul but when he came out on stage and I started to weep, I prayed ´Oh dear God, I think this is enough´ I could´t handle much more.

They looked amazing, for all the TV apperances I thought they looked kinda old but pretty good for their age. But they looked like they were thirty(at least to me).
They sounded great, I felt like I was listening to my LP´s, except that I could SEE them. My dad said I was still shaking till the very end.

Paul talk to someone on a cell phone, he interduced himself to the person on the other line, but she fainted or had a heartattack and didn´t respond.

The two hours flew by, we encored them twice clapping, yelling and stomping for them to come back.

They came out and sang Cecilia. And I noticed smoke and a very odd smell, and I looked down and a few rows in front of me were two girls and a guy passing a joint around and dancing!! And of course two rows down from me was a dancing hippie girl in a peasant shirt! The crowd was great. The vibes for them alone were amazing.

During ´The Boxer´ everyone sang along, 20,000 people singing the same song (a song that means a lot to all of them) it was breathtaking.

This was the first concert I had ever been to, I was completely and totaly blown away. We (My dad and I) had pretty good seats S&G were stright ahead of us and we were a length of a hockey rink away. They had Paul and Artie on a jumbo-tron. It was amazing. I´ll never forget that night.

A Very Happy and Giddy Little Willow


USA / Illinoise - Chicago - Anna

I can´t possible review the concert as comprehensively as Erin did (haven´t read that review yet, but will soon), and apologies if I repeat something the others have already noted. I haven´t read anyone´s reviews yet on purpose, in order to keep the experience fresh. So I am just going to add some bits and pieces to my initial posting.

Paul said into the cellphone: ´Paul Simon speaking´ three times or so and then announced in disbelief: ´He HUNG UP on me!´

Art sang his verse of ´El Condor Pasa´ (the swan song) to the seats behind the stage (the audience there rose from the seats and waved). In fact, both Art and Paul (Art a bit more since he is more mobile) acknowledged the audience behind them throughout the concert which I thought was very thoughtful of them.

Someone in the front row apparently made a suggesstion of some kind (your guess is as good as mine) to Art, and Artie replied, ´I can´t now; I am doing the show.´

And yes, I had tears in my eyes on and off throughout the concert, starting with the very first song... I was all by myself (one ticket was all we could afford, my anniversary and Christmas present this year), and breaking down in tears among strangers would probably not be a good idea, so I just had some quiet tears...

´Hey, Schoolgirl´ was the only song in this concert I haven´t heard before...

I slept in my new Simon and Garfunkel T-shirt that night and couln´t have been happier... When I woke up the morning after the concert, my first thought was that it has been a dream (I had several dreams about this concert ever since I got my ticket). Then I looked down and saw the T-shirt, with Artie and Paul fitting so perfectly into the curves of my body, and I knew the concert was real...

Then I went to the kitchen and had coffee from my new Simon and Garfunkel latte cup... I know, it was horibly, ridiculously overpriced at $25, but I bought it anyway because it´s my favorite cup shape, and it had the line ´put it in your pantry with you cupcakes...´ on it, and I knew I´ll use it every day, so I splurged...

But the program definitely gives you the most for your money, so I recommend it to everyone. The double CD, ´Essential S&G´, was $30, and I have all the songs there on my other CDs, so I didn´t even consider buying this one. But if any of you guys want it, get it from Barnes and Noble, it´s only $22.50 there, at bn.com.

Oh yes, about the clothes. Totally inadvertently, I was wearing the same clothes as Artie! Well, almost: blue jeans and blue collared shirt, only my jeans were darker than his, and my shirt was lighter blue than his. Still... Paul had the same jeans as Art and a t-shirt (what else). Both looked great, and, Artie especially, full of energy.

Artie sang ´Kathy´s Song´ with such tenderness. As he did in his solo concert, he preceded it with a remark that he considers this song the best love song Paul has ever written. After he was done, Paul came up to him and said something, smiling. He was definitely pleased. The vibes between the two were warm throughout: shaking hands periodically, smiling, just acting like old friends.

Paul made a speech in which he said that ´this is a fifty-year friendship now´--you can argue with that, I guess, but this acknowledges that their friendship carried on and survived even during the break-up periods. Paul said, ´we met when we were 11. We started singing together when we were 13. We started arguing when we were 14.´ The audience laughed, and Art chimed in with, ´Can you imagine what it would be like if we REALLY argued?´ Paul shook his head, smiling and exclaimed: ´How do these rumours get started?´ Everyone laughed, of course, and I thought: ´What an elegant way to refer to the scandal of their break-up and the thrill of their reunion, and make it all insubstantial by denying the validity of their arguments! As Art put it, a deeply burried affection has been there all these 50 years, and they just had to have the courage to admit it and let it thrive again.´

Artie had his bar stool again for several songs, sitting on it just like in that photograph when they are so young... Paul stood the whole time, and one of my favorite moments was when he jumped to the guitar player, and they faced each other and played together, half-teasingly, half-playfully competing. It was great to see Paul acting so young and enthusiastic.

Also, Paul played and instrumental preface to a few songs, weaving the melody in, and that was stunningly beautiful. His guitar playing is just superb. It is his second voice.

Love you all, guys, and thanks for reading!


USA / Illinoise - Chicago - Chie

I ended up going to both nights in St. Paul. It cost me my almost two-week paycheck plus I might have screwed up my midterm on Monday a bit, but it was worth the trouble.... They sounded amazing and looked like enjoying themselves.

Day One, Sunday Night
I loved the show. I loved all the songs...many of them were the ones I had thought I´d never hear in live. I felt so happy to be in the audience, among the fans who know the songs, who sang along their favorite tunes, and to cheer with them.

The short film was very nicely done. The photo of young Art sitting in front of the piano was cute!

The venue was literary packed. There were people sitting in top blocks behind the stage! Artie often turned back to the people behind and even apologized for the tree on the stage distracting the view.

I loved to see Artie and Paul together...they were so funny. Warm Artie and ironic Paul, they were like brothers fighting at home. At the beginning of the show, a fan in the audience shouted from (I guessed) the upper block behind the stage to Paul, ´Happy Birthday!´ ´Thank you,´ Paul replied, rather ironically. ´Did you bring a present?´ The fan said yes.
Paul: ´Oh you did. That´s incredible. By the way, it´s not my birthday. My birthday is October 13th. It´s a national holiday.´
Art jumped in. ´But I´ll take the present.´
Paul: ´Art´s birthday is November 5th.´
Art: ´1962.´
Paul sniffed, ´Ha, you look great. What are we, Smothers Brothers? Let´s get on with the show.´

Everly Brothers were simply amazing. Unfortunately, Don Everly had a cold but I didn´t notice that until he told the audience after ´Wake Up Little Susie.´ They harmonized so perfectly. ´All I Have To Is Dream´ is one of my favorite! Don managed to do the three songs but gave up singing the solo part in ´Bye Bye Love´ so S&G took his part.

The band was impressive, better than I had imagined. They did some songs like the studio versions, the others with new arrangements, and I enjoyed them all. ´Homeward Bound´ was interesting, and it was fun to listen to Artie and Paul sing repeatedly ´home´ at the end. They sang it so happily that they sounded like they were heading home!

When Paul started to play the intro of ´Slip Slidin´ Away,´ he said ´Artie played in the movie Catch-22 in 1969, and he went down to Mexico...´ And then he realized that he was talking about ´The Only Living Boy in NY´ . He started to laugh at himself with embarrassment. Art told him, ´Paul, people love mistakes, it´s so human!´ Sure we did! It was so funny and warm to see the two laugh together.

´Bridge Over Troubled Water´ was so special. I am a shameless die-hard Artie Garfunkel fan, but it was so special to see Art and Paul sing this particular song together. What a night.

After the show, the Star Tribune was giving out ´Concert Special´ copy for free at the exits, which was nice. They had a nice review of the show and you can read it at http://www.startribune.com/stories/389/4176639.html

Day Two, Monday Night
I had a ticket in the row 23, twelve rows ahead of the seat of the previous night. I could see the two on the stage, which was super. Though the blocks behind the stage were closed this time, the venue was, again, sold out. I was more relaxed than the first night, so I could just be absorbed in the music. Art opened the show with ´Good evening, dear friends in Twin Cities...and family.... I come here often to see my family.´ Kim is from Minnesota, so I think he was referring to Kim´s family. I´ve read an article on this website a few years ago that Art needed 80 tickets for his solo concert in Twin Cities to seat Kim´s relatives and friends! I noticed that he was waving and talking to somebody in the front rows, probably her family members were present.

I enjoyed the second night as well...I´m so glad that I could make it to two shows, which I´ll never forget.


USA / Ohio - Columbus - PattyC

I traveled from Pittsburgh to Columbus to see the show. And I was on time and didn´t leave early!

I very much enjoyed the show. They sounded great (as noted above, after a couple songs...). Art was effusive with praise for Paul´s songs (Kathy the best love song, America = Paul´s most thoughtful lyrics). Paul was his usual rather quiet and usually non- smiling self.

Art tripped over the beginnings of at least 2 (maybe 3) songs. Maybe he´s somehow dyslexic that way??

I really enjoyed the Everly Brothers and most of the crowd seemed surprised by that appearance.

I was sorry not to hear Kathy´s Song sung by Paul. The closest he came to singing a song totally alone was The Only Living Boy in NY.

I only have about a ton of other songs I´d like to have heard, but... it was fun to hear things like Baby Driver and Hazy Shade of Winter. And I really like the way they (Paul previously did the same alone on the You´re the One Tour) sang I Am a Rock.

I would have liked to have heard the ´after changes upon changes´ verse for The Boxer. I wondered why they used the word ´song´ instead of ´poem´ in Leaves That Are Brown.´ And I don´t THINK they sang the different
words/verse during that one part of Scarborough Fair.

I thought Paul did a great job on the 2nd verse of BOTW, but Artie hit it near perfection with the ending and the crowd jumped to its feet. People can´t seem to help themselves; they love Art´s voice. Though I personally prefer Paul´s voice...

A lovely night. AND we stayed nearby, thereby avoiding all parking and traffic problems, coming and going. I will definitely do that next time I go out of town to a concert.

PattyC


USA / Ohio - Columbus - Beth

Title: S&G Concert
I saw the concert in Columbus, Ohio on 10/22...It was such a wonderful, mesmerizing experience...a happening, really...every seat seemed to be filled in the arena that held over 15,000 people....I had a floor seat, one section back from the stage, for $125 with a good view of the stage...There was a slide presentation of them at the beginning of the concert on a big screen TV....then the two came out to the tune ´Old Friends´...Artie had on a white shirt and black vest...his hair was vibrant reddish...Paul wore a t shirt and had his guitar...no hat....No cameras were allowed in the arena, so I have no pictures, but there is a good site to read reviews of the concerts in the different cities.....and some pictures with some of the reviews....Go to www.simonandgarfunkel.com
Click on Tour Dates and ticket info...
there are several reviews that you can click on and read to the right of the tour dates that have already happened......The set they are using has been standard from city to city....and the reviews read much the same....Paul sounded absolutely wonderful...and the two harmonized just like the old days...took my breath away with that familiar harmonizing sound...Artie´s voice sounded a bit strained...almost hoarse at times.....but he was wonderful on ´Bridge over Troubled Water´.....they were accompanied by a 7 piece band....the Everly brothers also performed three songs and then the 4 of them sang together...the concerts are mostly all sold out....If they were playing anywhere near me, I would see them again this tour.....and pay the private seller price....Do read the reviews on the site mentioned above.....At the concert,I bought a faded red t shirt with a picture of S&G on the front and ´Old Friends´ on the back for $45...and an embroidered tote bag Old Friends Simon and Garfunkel the 2003 concert tour for $30...I have been a fan of S&G from the beginning.....bought all their records in the 60´s......This was the first time I saw them perform together...I hope not the last....I have been to two PS concerts...1991...and 2001...
Beth


USA / Ohio - Cleveland - Thomas Chimpanzo

Just got back from the Cleveland S & G show and will share these quick observations...

Overall it was a good show, about 2 hours long though Artie is really losing his voice. To tell the truth he still has more range than I expected though the timbre of his voice is different--softer and a bit muffled sounding. Whereas Dylan, who is in a much more advanced state of losing his voice, has more control and range when singing softly, Art had more when really projecting. When he backed off the volume, he sometimes missed notes. In a few (but not more than a few) places it sounded like he was hitting the wrong notes.

Paul & Art both got ahead of the accompanying musicians in one song & had to pause to let them catch up; it was clearly a mistake and not creative phrasing. Art sang ´Kathy´s Song´ and Paul took a solo verse in ´Bridge...´. I was glad to hear them do song´s I´d never heard them do live like ´Baby Driver´ (the highlight for me) and ´Keep the Customer Satisfied.´ I was also glad that both the somewhat bland softrock arrangements of the type on ´Concert in Central Park´ and Paul´s beloved Third Worldist instrumentation were gone. Instead it seemed that a nod was made to the recorded versions of the songs without them trying to copy the discs note for note. Arrangements and lyrical emphases were altered here & there from long time S&G performance preferences, e.g. the ´Younger than I´ll be but that´s not unusual´ verse was dropped from ´The Boxer´ and the solo Art arranged reappeared performed on slide guitar.

That´s all for now. I must get to bed.


Emulate Bonobo society!
Chim-pahn-zo Thomas


USA / Ohio - Cleveland - Beacon Journal

Cheers for `Sounds of Silence´

Simon & Garfunkel re-create folk-rock harmonies with well-loved classics for full house at Gund

The film montage that opened Simon & Garfunkel´s show at the Gund Arena on Monday night featured clips of the duo at various stages of their lives, mixed with footage of American history from the last 35 years.

Everything from joyous hippies, to Vietnam protests, disco, Ronald Reagan, MTV and O.J. flashed across the giant screen hovering above the stage. When the screen went black, a single spotlight revealed the sexagenarian folk-rock duo in a familiar stance. Both were casually dressed, with Art Garfunkel, famous receding afro still intact and Paul Simon, whose hairline has caught up to his partner´s, wielding a 12-string acoustic guitar to a massive ovation.

The reunited pair quietly began with the tour´s namesake, Old Friends, and proceeded to wow the full house with 23 songs from their beloved catalog.

The pair was backed by a seven-piece band that immediately made its presence felt with a rollicking version of Hazy Shade Of Winter. The trademark unison singing and harmonies took a few songs to settle in, but by the fourth song, America, their still strong voices had found a groove.

With no new material to push to the crowd, Simon & Garfunkel kept fans in their seats through the two-hour show, reeling off one classic after another. Most of the hits made the set: Scarborough Fair, a lightly shuffling Homeward Bound. The Sounds of Silence and a grooving Mrs. Robinson were all greeted by massive ovations. The set closed with a very soulful reading of Bridge Over Troubled Water, with an animated Simon giving his verse a gospel feel and Garfunkel nailing the high note with perfect clarity, again bringing the crowd to its feet.

One of the many highlights of the evening was an appearance by the Everly Brothers, who Simon said provided the template for their sound. The brothers, like the show´s stars, have had their share of falling-outs; they brought the crowd to its feet with pitch-perfect renditions of their classics, Wake Up Little Susie, Dream and Let It Be Me before being joined by Simon and Garfunkel to perform Bye, Bye Love with considerable help from the audience.


USA / Ohio - Cleveland - The Plain Dealer

Michael Sangiacomo
Plain Dealer Reporter

The years melted away last night at Gund Arena in a sold-out concert as the Simon and Garfunkel ´Old Friends´ tour stopped off in our little town.

The voices are deeper, the songs are sung a little differently, as if they, too, changed with the years, but when Paul Simon and Art Garfunkel sang together, it was like they had never been apart.

Appropriately, they opened with ´Old Friends (Bookends)´ after a video show on the suspended big screen interspersed scenes from the men´s careers with the events of the past 50 years.

´A Hazy Shade Of Winter´ allowed the seven-piece rock band to show that Simon and Garfunkel were years away from the acoustic folk circuit.

The crowd recognized almost every song with the first few notes, breaking out in spontaneous applause and cheers when Simon played the opening notes to a particularly powerful version of ´I Am A Rock.´

The duo took their familiar places on the stage, as they did for more than a decade before they split. Simon stood silent with his guitar until it came time to sing and Garfunkel, birdlike with his hands tucked into his pockets, joined his voice in harmony. It was like magic.

Simon was rather quiet throughout the show; Garfunkel did most of the bantering with the audience.

Highlights were powerful versions of ´Kathy´s Song,´ a haunting rendering of ´Sounds Of Silence´ and an extended version of ´Homeward Bound´ that seemed to have special significance.

They even performed a few of Simon´s solo songs, like ´Slip Slidin´ Away,´ which Simon said always sounded like a Simon and Garfunkel song.

Simon sang ´El Condor Pasa,´ usually performed by Garfunkel, and Simon soloed with ´The Only Living Boy In New York,´ a song he said he wrote while Art was in Mexico filming ´Catch 22.´

In a surprise move, they played the first song the guys ever recorded together, ´Hey Little Girl in The Second Row,´ recorded when they were only teenagers. Noting that the Everly Brothers were clear early influences, they proved the point by bringing on the duo, much to the surprise of many fans.

Don and Phil Everly played ´Wake Up, Little Susie´ and ´Bye Bye Love´ and a couple of other numbers before surrendering the stage back to Simon and Garfunkel.


USA / Michigan - Auburn Hills - Jim Couser

What a wonderful and memorable evening the second Auburn Hills (Sunday) concert was. My wife and I had seen Simon & Garfunkel in Detroit in October 1969. To think that 34 years later weīd have the opportunity to see them again.

I was truly impressed with the raport between the two of them and the backup band. Our seats were to the right of the stage, up quite high but the sound was great and it was a good perspective on the entire ensemble. It helped have binoculars.

I went through high school & college listening to these two and modeling my own guitar playing and singing after them. Senior year in high school I wrote a paper of commentary on the Parsley Sage album. What an amazing gift of poetry and music Paul Simon has.

Most memorable musical moments of the conert: Kathyīs Song, American Tune, and Bridge. Some very nice variations on several of the numbers and no real surprises in terms of changing the style or tempo.

The one new wrinkle in the song list was including īLeaves that are Greenī in the encores.

Living in Lima, OH, we were just as close to Columbus or even Cleveland. It was well worth the trip to Detroit.


USA / Michigan - Auburn Hills - Blackmanny

Sundayīs show was better than Saturdayīs. The Saturday show had more slightly out-of -synch vocals and Mark Stewart was noticeably off on the backgrounds for īOnly Living Boy.ī Here are some random thoughts on the performance Sunday - America (instrumental) - sounds like this was recorded with the road band. Maybe thatīs what the rumored recording session in Pennsylvania produced. Old Friends/Bookends-solo acoustic, nice blend

A Hazy Shade Of Winter-Paul on acoustic 12-string, Larry on electric 12-string (playing the riff), Mark on electric six string. Keltner really rocks on this one. The guitars have a neo-psychedelic sound that I really liked. Changes in melody and lyrics - repeating ītime, time, timeī at several points. I Am A Rock- Basically, Paulīs Youīre The One tour arrangement with Art on harmony. I think they played it in B-flat instead of īC,ī for the recorded version.

Paul on acoustic six string, Larry again on electric 12-string, Mark on electric six string. America-really close to the original arrangement, right down to the introductory humming. I think they play it in E-flat which is the recorded key. Larry on electric six string, Mark on a big hollow body electric six string, Paul on acoustic six string. Mark takes the solo. At The Zoo-Paul and Larry on acoustic six string, Mark on electric. Nice driving arrangement, Keltner really stands out. Art does a nice job on harmonies. Slides right into: Baby Driver -Larry plays riff on acoustic, Mark on electric, Paul on acoustic. Mark on electric, at end recreates īmotorcycleī sounds by sliding pick down bass string and de-tuning.

Kathyīs Song-Just Paul and Artie. Artie vocal solo. Nice, sympathetic accompaniment by Paul. Paulīs an incredibly talented acoustic guitarist and one of his gifts is being truly complementary to the vocal line, not trying to outshine the singer with fancy technique. Just great. Hey Schoolgirl-again, just Paul and Artie, acoustic. First verse and chorus only, then introduction of Everly Brothers.

Everly Brothers (with the S & G band): Wake Up Little Susie, All I Have To Is Dream, Let It Be Me (still one of my all-time favorites, and they do a great job. What can you say about a song thatīs been recorded by everyone from Dylan (twice, no less!) and Willie Nelson to Dave Edmunds, Jackson Browne, Sam & Dave, The 5th Dimension, etc.) S&G join The Everly Brothers for Bye Bye Love-Paul and the Everlys on acoustic guitars. Art salaams to Don Everly, Everlys depart to hugs all around.

Scarborough Fair-Harkening back to Artīs 1978 tour arrangement, this featured Mark on cello. Larry on acoustic, Rob Schwimmer on īelectric harpsichordī synth effects. Nice version. Homeward Bound-Larry on classical acoustic (and first solo), Mark on electric (and second solo), jamming out on the end a bit. Paul changes the original run in thirds that precedes the last chorus and instead plays an Am7 to Am7 at the second fret (I know thatīs not the chordīs name but thatīs what I call it) sort of reminiscent of the intro to Kathyīs Song. Sounds Of Silence-Paul on acoustic, Larry and Mark on electric. Very similar to the īYouīre The Oneī tour version. A video montage starting with S&G at Monterey Pop doing īThe 59th Street Bridge Songī and showing a series of watershed events - some from the Songs For America special (contrail peace sign) - and footage from the graduate ending with a freeze frame of Anne Bancroft as Mrs. Robinson. Mrs. Robinson-Nice organ solo by Rob Schwimmer, Mark on electric, Paul and Larry on acoustic.

Slip, Sliding Away-Paul on acoustic 12 string, Mark on electric, Larry on electric 12 string (I think). Nice version - on the fade, Paul does his falsetto and Artie alternates between falsetto and true voice. Nice effect. El Condor Pasa-Paul on acoustic, Rob on accordion, Mark on mandolin and Larry on what looked like a charango (but I couldnīt see the armodillo shell). Very close to the original arrangement. Keep The Customer Satisfied-I thought theyīd do this one because I thought (wrongly) they had horns in the band. I was surprised that I didnīt miss the horns. This one rocked with Paul on acoustic 12-string and Larry and Mark on electric six strings. The keyboards were great on this and really filled out the sound and Paul and Art sang their asses off.

The Only Living Boy In New York-Paul on acoustic 12-string, really nice bass work Pino Palladino, reproducing those lovely bass lines from the album version. Art sings right next to Mark and the background vocals are noticeably improved over Saturday night. I think Larry is playing a ukelele (!!) on this one. Mark on electric guitar and backing vocals and I think Rob Schwimmer is also singing on the background. American Tune-nice version with Mark on cello. My Little Town-Mark on electric hollow body, Paul and Larry on acoustics. I havenīt mentioned Warren Bernhardt so far but this guy is an absolute monster on piano. Iīve heard him many times over the years and he is just an unbelievable stud. This one really rocks and Keltner looks like heīs having a blast.

Bridge Over Troubled Water-Art on verse one, Paul on verse two, S&G on verse three up until the īsailing right behind,ī then itīs Artie and he really nails the crescendo. Paul plays electric guitar on third verse. Bernhardt does a nice job between verses two and three disguising the full-step downward modulation that enables Artie to hit the high note, but what the hey, most people wonīt notice. Spontaneous standing ovation, including me. Paul steps to side, gestures to Artie and allows him to take the applause. Artie points back to Paul to, as I take it, acknowledge that Paul wrote these incredible songs.

First encore: Cecilia, which had been in the main set the first night, is now the first encore. In his own shows, Artie always has some type of break before a song that requires real vocal strength. So his band will jam out on El Condor Pasa or heīll have a five minute drum solo on Cecilia before he sings Skywriter or Bridge. I figured that was the case here but then they moved Cecilia to the encore. Jamey Haddad steps out here and Paul and Art sound like they really enjoy doing this one. The Boxer-Rob Schwimmer does the instrumental solo on theramin (!!) giving it a nicely weird feel. Larry and Paul on acoustic and Mark on electric. I was wondering if theyīd do the really cool Fred Carter, Jr. lick that kicks off the record but they didnīt, just Paulīs usual Travis picking. Paul sort of shadow-boxes Artie afterwards, very playful.


Encore Two:
Leaves That Are Green-Just Paul and Artie. Paul says īwe havenīt done this together since 1967.ī I think they did it at least once in 1970, but thatīs okay. Paulīs fingerpicking is really, really cool and instantly recognizable - I involuntarily īaahī as soon as he starts. Iīm stunned, itīs that good. They do it completely straight, no īI was twenty one years when I wrote this song, Iīm on social security now but I wonīt be for long,ī or anything remotely comic. Iīm relieved. Artie takes the third verse. 59th Street Bridge Song-Mark looks like heīs playing a homemade didgeridoo, Larry is playing something that looks like an eight-stringed ukelele (maybe whatever it was that I thought was a charango earlier). Mark kind of sounds like the oboe on the Harpers Bizarre version (which I hate). Paul leans in to sing with Artie into Artieīs mike which is a mistake because there really isnīt room. They laugh - no sign of tension over little errors. Goodnight, Detroit.

I loved hearing these guys again. I thought they really approached this the right way and did justice to those incredible Simon & Garfunkel albums.


USA / Michigan - Auburn Hills - Daniel

Hey I think that Simon and Garfunkel were wonderful at the first Auburn Hills concert. When they sang their songs together it was like their voices never changed(even though they did). They still had their magic and their talents and their sound at this concert and I´m happy to say that Simon and Garfunkel are one of my favorite music groups.


USA / Michigan - Auburn Hills - Danny

This concert was one of the highlights of my life! It was extreamely good. They both sounded like they did on the albums. Art´s angelic countertenor voice is really beautiful. It seemed to soar right across the arena. It was a really good concert


USA / Michigan - Auburn Hills - Jimmie

Found a review on Arts official site:

Hi all!

We just returned from the concert (1:15am) and it was oh my goodness - outstanding! Words don´t say enough...

The set list, as Bryan mentioned was identical to the last one. AND boy were they incredible.

They looked their age, but their voices were fresh, new and young as ever. When I had my eyes closed, it felt like they were two youngsters singing together for the first time...

Some of the highlights:

. Artie got a standing ovation when he ended ´Bridge...´. It felt like the whole auditorium was shaking. The moment was to die for.

. They sang Artie´s version of the ´sounds of silence´. I mean the part where it goes ´take my arms (in Art´s version)... I may reach out to you´. To me it said, Art and Paul didn´t care anymore about credits, they are having a ball doing this together. It was so neat.

. Oh, you are not going to believe this! This was so cute. Someone in the first row had their cell phone on and was pointing the cell towards Art and Paul so that the person on the line could hear. Know what I am talking about? So anyway, Paul noticed that and requested the phone from them and passed it it to Artie. And darling Artie sang right into it the rest of the song!!!! And then even spoke to them when the song ended. Boy, if it were me on the line, I would have fainted by then! The whole thing was so moving...

. ´Cecilia´ had everyone clapping and on their feet.

. The crowd LOVED ´...Michigan seems like a dream to me now´... and ´... it took me four days to hitch hike from Saginaw´ from ´America´ for obvious reasons!!

. The Everly Brothers were a MEGA hit!

. Certain songs had different endings, which were amazing.

. Totally LOVED the ´Only little boy in New York´.

. They (mostly Artie) spoke to the crowd from time to time and that was so sweet.

There was a lot of chemistry between them. They obviously have come a long way, but were totally embracing all of this. The big screen didn´t catch all of it, but the binox did!

It was a treasure to watch them. A dream come true. What a night! A night to go down in history as one of the most memorable night ever.

Gosh, life is good. Today made it all worthwhile. Truly.

Touched, moved and sleepy...
Deep


USA / Michigan - Auburn Hills - Jamie Gareth




Hello All,

I just returned from the Detroit show. I had wonderful tickets and the show was a blast! I may post a more detailed well thought out review later but the quick and dirty particulars are as follows:

The stage was as described before. The lighting rig was made to look like a tree with some internal lights inside (these were not fiber optic I believe).

The band was enthusiastic and I really enjoyed some of the guitar work by the two guitarists. The one guitartist (he had big hair) played a homemade instrument during the two (3?) encore songs made out of a cardboard tube. The keyboardist played a theramin during the boxer that was beautiful and appropriate, albeit unusual.

The crowd was mixture of young and old, mostly older people from what I could see, likely because the ticket prices were very high. The entire 20,000+ seating area of the Palace was occupied--even the seats at the back of the stage. This show was sold out!

It was absolutely wonderful to see Paul and Artie together again. They had an easyness about them that was fun to watch. Paul asked a fan from the first row for a cell phone and then handed it to Artie who talked to whoever was on the other side for quite a while!

The Palace of Auburn Hills does not have a policy banning cameras. They adhere to whatever the artists policy is. There was a no camera policy posted as you went in. Despite this, my friend was able to take some pictures from the second row, where we were sitting. Some of the pictures are a tad blurry since these pictures had to be captured sectetly without the guard at the front of the stage noticing the flash, which had to be used.

If you´d like to see these pictures, they´re at http://www.lunchip.com/sgconcert. Special thanks to Adam for the pictures and Lunchip for providing the webspace, so please check out their main page at http://www.lunchip.com. There´s nothing to buy or any advertising, just some cool articles.

The highlights that had everybody up and rocking were Mrs. Robinson moreso than anything else (it was VERY energetic), Feeling Groovy, and Baby Driver among others including the Everly Brothers songs. The brothers were amazing themselves and the entire ensemble did a great job of Bye Bye Love, where all the fans clapped and stood for the song. They did not sing the alternate ´Rolling by me´ lines in the Boxer, just in case you wanted to know.

Alright, this fan has to get some rest.

Cheers

James



USA / Michigan - Auburn Hills - Masud

AFP REVIEW:Tens of thousands turn out for Simon and Garfunkel reunion tour kickoff

AUBURN HILLS, Michigan (AFP) - Legendary US folk duo Simon and Garfunkel kicked off their 36-city ´Old Friends´ concert tour here before a multi-generational crowd of some 30,000 fans.

As the sun set on the Palace of Auburn Hills arena, 40 miles (65 kilometers) outside Detroit, Michigan, parents and their teenaged children picnicked from their SUVs. A four-week-old baby slept on her mother´s shoulder.

And in the cheap seats, a 20-something woman beckoned three generations of relatives to their designated seats. ´Mom! Over here! Grandma! Dad!´

Inspired by the harmonising of the Everly Brothers and the socially relevant lyrics of Bob Dylan (news) and Pete Seeger, Simon and Garfunkel´s six-year collaboration from 1964 to 1970 produced songs that helped define a generation.

Personal differences led to an acrimonious split in 1970, after which the two pursued solo careers, reuniting only rarely -- notably for a concert in New York´s Central Park in 1981.

The duo´s reunion at the Grammy awards ceremony in February -- when they received a lifetime achievement award -- revived a relationship that produced some of the most enduring tunes of the 1960s.

Long-time fans and first-timers turned out Saturday for the chance to hear some of those songs sung live, in keeping with the duo´s promise to stay true to their roots and present all the old standard acoustic sets.

Andy Kelleher, 42, had traveled six hours from central Illinois to attend Saturday´s show. ´It´s not exactly Woodstock, but it is the soundtrack to your life,´ enthused the electrician.

´It´s just like the Beatles,´ said Dominic Astorino, 51, ´Young kids don´t necessarily know who they are or why they´re culturally important, but they love their music.´ His 23-year-old nephew Nick nodded in assent.

The show began with a montage of footage of the duo and events in the United States over the last 50 years -- since the boyhood friends met in 1953.

The two strolled out at the film´s end, Paul Simon with a guitar slung over his shoulder, dressed in a blazer and T-shirt, Art Garfunkel in head-to-toe classic black, his shock of curly hair as shocking as ever, and his tenor voice in top form.

´We´re thrilled to be together,´ enthused Garfunkel, ´and we´re thrilled to be here. This is a long time coming.´

They wasted no time in launching into some of their best-loved standards such as ´I am a Rock´ and ´America.´

The Everly Brothers made a mid-set guest appearance, then Simon and Garfunkel wrapped up the show with a hit parade of their most famous tunes such as ´Scarborough Fair,´ ´Mrs Robinson,´ ´Sounds of Silence,´ and ´Homeward Bound.´


USA / Michigan - Auburn Hills - Billboard

Simon & Garfunkel/ Oct. 18, 2003/ Auburn Hills, Mich. (The Palace of Auburn Hills)

They´re as famous for their conflicts -- squabbles, as Paul Simon calls them -- as they are for their music. But Saturday (Oct. 18), at the first of Simon and Art Garfunkel´s two shows outside of Detroit, all was harmonic, vocally and inter-personally.

On their first concert tour in 20 years, the celebrated duo offered up a warmly nostalgic and artfully rendered two-hour, 27-song set that was carefully sequenced to both move and energize the crowd and leave everybody feelin´, well, groovy.

´This is a long time coming, and I could not be happier,´ Garfunkel noted early in the show, a sentiment that was roundly seconded by those who had snapped up tickets for Saturday´s concert in just 12 minutes, spurring the addition of a second show on Sunday.

The Old Friends tour is, of course, all about the past -- unapologetically so, even -- and Simon & Garfunkel proved worthy guides down memory lane, from the gentle acoustic opening of ´Old Friends,´ which followed a brief film juxtaposing scenes from their history with footage of world events, to the lighthearted final encore of ´The 59th Street Bridge Song (Feelin´ Groovy).´ The duo was happy to offer up some of their past, too, with an early show guest appearance by their acknowledged ´heroes,´ the Everly Brothers.

The Everlys sang three of their own favorites -- ´Wake Up Little Susie,´ ´All I Have to Do Is Dream´ and ´Let It Be Me´ -- before bringing their hosts back on for a spirited, four-part rendition of ´Bye Bye Love.´

Simon & Garfunkel delivered plenty of highlights on their own from a body of work that´s made the rare transition from pop hits to pieces of the cultural fabric, immortalized in everything from campfire standards to elevator Muzak. ´America´ went over well with the crowd, of course, thanks to its mentions of Michigan and Saginaw. A mid-show set of ´Scarborough Fair/Canticle,´ ´Homeward Bound,´ ´The Sound of Silence´ and ´Mrs. Robinson´ was particularly strong, as were versions of Simon solo hits ´Slip Slidin´ Away´ and ´American Tune,´ which were effectively re-cast as duets.

A versatile seven-piece band helped Simon & Garfunkel craft detailed and nuanced arrangements for the songs, from forceful rockers such as ´Keep the Customer Satisfied,´ ´Cecilia´ and a medley of ´At the Zoo´ and ´Baby Driver´ to rich treatments of ´I Am a Rock,´ ´El Condor Pasa (If I Could)´ and ´The Boxer.´ And ´Bridge Over Troubled Water´ was, not unexpectedly, a showstopper, with Garfunkel´s voice soaring on the song´s final chorus.

If anyone was looking for an on-stage brawl between the famously combative partners, they instead saw two literally old friends who appeared genuinely happy to be on stage together again, singing and delivering some scripted between-song repartee. There were only hints at their past tensions -- such as when Simon introduced ´The Only Living Boy in New York´ as a song he wrote in response to Garfunkel going off to act in the film version of ´Catch-22.´

And they did playfully needle each other at times; early on Garfunkel asked Simon if he needed all the guitar picks that were taped to his microphone stand, to which Simon responded, ´Don´t talk to me while I´m working! You´re distracting me.´

They had some fun with the crowd as well. During ´Mrs. Robinson´ Simon took a cell phone from one fan in the front row and handed it to Garfunkel, who spoke with and sang for the person on the other end. After the song Simon chided another fan who didn´t want to give him her cell phone; ´What´d you think I was gonna do -- call long distance?´ he asked. ´We´ll do it later -- in Cleveland.´

The groovy feeling was still intact as Simon & Garfunkel left the stage, with the former telling the crowd, ´We´ll see you again in 10 or 12 years.´ That´s better than his previous prediction that this would be the last time he and Garfunkel ever toured, but Saturday´s show left us hoping that it would happen even sooner than that.


USA / Pennsylvania - Wilkes-Barre - Newspaper: Yahoo News - Jason Straziuso

By JASON STRAZIUSO, Associated Press Writer

When Paul Simon and Art Garfunkel began to play ´The Sound of Silence´ midway through their concert, fans grew so frenzied it froze the singers.

The two shared a smile as Simon improvised on guitar until the din died down.

Breaking a two-decade drought without a concert tour, Simon and Garfunkel took the stage Thursday night before an enthusiastic audience that seemed happy to relive the popular songs of their youth.

Before the concert, a video montage showed scenes of Simon and Garfunkel and news events from years past - the duo in their youth with full heads of hair, a shot of the first moon landing, a peace sign made of airplane contrails.


When the lights came up, Simon, with guitar in hand, and Garfunkel, wearing his signature black vest, took the stage to a standing ovation to kick off their 40-date tour - their first since 1982-83.


The two opened the show with the song ´Old Friends´ - also the title of the tour - whose lyrics could serve as a reminder that their friendship, strained at times, dates back to childhood.


The audience of 9,000 was more balding heads and graying hair than 20-something rockers, but there were lots of smiles, bobbing heads and clapping hands all around.


The duo, which has sold more than 40 million albums in the United States, played crowd favorites ´Scarborough Fair,´ ´America´ and ´Mrs. Robinson.´ Simon belted out ´Bridge over Troubled Water´ and Garfunkel easily hit the high notes on ´The Boxer.´


´They sound as good now as they did back then. Unbelievable,´ said Tony Stringent, 43, of Hazleton. ´I´m going to see them again in 20 more years.´


Until a performance at the Grammy Awards in February, the pair hadn´t played together since 1993. That their friendship has been rocky is no secret.


´We met when we were 11, we started to sing when we were 13, and we started to argue when we were 14,´ Simon joked to the crowd.


Garfunkel said the two met in the sixth grade in 1953. ´And it occurs to me that it´s been 50 years of this thing we do,´ he said.


´The Sound of Silence´ was released in 1966. Simon turned 62 on Monday and Garfunkel turns on 62 on Nov. 5.


In a line from ´Old Friends,´ the singers ask: ´Can you imagine us years from today, sharing a park bench quietly? How terribly strange to be 70.´


The band´s management called Thursday night´s show in Wilkes-Barre, about 100 miles northwest of Philadelphia, a warm-up concert. They next play in Auburn Hills, Mich., on Saturday and Sunday, and are scheduled to hit 29 cities over the next two months.


As he introduced ´Slip Slidin´ Away,´ Simon told the crowd he´s recorded many songs as a solo artist ´that I wished I had Artie´s voice on.´


Before the end of their final song, officially ´The 59th Street Bridge Song´ but better known as ´Feelin´ Groovy,´ the duo shadowboxed before holding each other´s hands above their heads.

The concert was punctuated with mini-standing ovations, both when familiar tunes began and when they ended.

´I thought Art was absolutely fabulous. Paul was good too, but Art was wonderful,´ said Fran Pantuso, 42.


USA / Pennsylvania - Wilkes-Barre - Orson

This was my third time seeing S&G. I had seen them in the 60´s, where they performed on a bare stage sitting on stools, just the two of them. Also saw them in Central Park in 1981. See the review in the New York Post for a decent review.
http://www.nypost.com/entertainment/8308.htm

Overall, I thought the concert went extremely well. I was on the floor, center, mid-way back. The acoustic songs were best (just Paul on guitar), although, with the band, the band did not overpower them. Just right, IMHO. Songs that did it for me ´“ America, Kathy´s Song, Scarborough Fair, The Only Living Boy in NY, My Little Town, The Boxer. Art´s voice was magnificent. The only Paul Simon solo song was Slip Slidin´ Away. He remarked how he always thought Art´s voice would go well on some of his songs, and their duo on this song was quite nice.

The Everly Brothers middle set was great. Great voices, and they appeared younger than I would have imagined. And one song done with Paul and Art.

Sparse stage setup ´“ very large video screen at the highest point. The only set decoration was what appeared to be a gigantic tree that rose from the center left stage with branches that worked their way over the stage and out toward the audience. That was how it appeared before the show started.
Once things were going, you could now see that the tree was composed of hundreds of light boxes that produced various effects.

--
Orson


USA / Pennsylvania - Wilkes-Barre - Adam Minakowski

It would be a lie to say the concert wasn´t a nostalgia act. Art practically said so himself while reminiscing about singing on the streets of Paris with Paul while Kathy collected donations. This all came as the introduction to ´Kathy´s Song,´ which Art labels his favorite love song written by Paul, and which Art sang while Paul played guitar.

The nostalgia feel was reinforced by two video montages shown during the concert. The first one began the show by showing photos of the two from every point of their lives, together and solo, interspersed with images from the world they grew up in while an instrumental recording of ´America´ played in the background. Everything from the two of them as kids, to individual shots of them with their kids, from Paul´s famous Saturday Night Live appearance in at turkey costume to African concert footage, and from civil rights marchers in Selma to the patriotic response after September 11 made its way onto the screen.

The second montage came just over halfway through the show featuring Paul and Art at work in the studio along with scenes from ´The Graduate.´ The lead-in from the ´plastics´ scene introduced Dustin Hoffman accusing Mrs. Robinsion of trying to seduce him while Anne Bancroft coyly laughs. The frame freezes on her as Paul begins the opening riff for ´Mrs. Robinson.´ Anyone who´s seen Paul live over the last few years or who bought the live in Paris video will be familiar with the arrangement for ´Mrs. Robinson.´ It´s exactly the same except for the presence of Art. The same is true for their performance of ´I Am a Rock.´

And who´s to say that a nostalgia act in this case is bad. As they walked out on stage the first time, Paul strummed the opening chords to ´Old Friends,´ and the two settle into their exquisite harmonies, you think, ´here are the two people who created the music I grew up with, and they´re recreating perfectly right in front of me. I am incredibly privileged to witness this.´ Not normally a fan of exact recreations of studio tracks in concert, I was nonetheless impressed that they pulled off ´Only Living Boy in New York´ precisely with Mark Stewart adding his voice to Art´s for the breathtaking ´here I am´ chorus.

And just because it was a nostalgia act, doesn´t mean nothing interesting happens or that they perfectly duplicated the songs from the records. The second song of the show, ´Hazy Shade of Winter,´ received the same sort of harder rock makeover that ´I Am a Rock,´ which followed, did with Larry Salzman playing the opening guitar lines on a heavily distorted electric guitar the Jim Keltner pounding on the drums in the background.

An even more pleasant surprise was a vamp on the chorus at the end of ´Homeward Bound´ that smoothed the choppy refrain out and let the musicians do some solos while Art crooned ´home´ every now and then. A similar jam occurred during ´Cecilia,´ which sounded closer to the original than its Rhythm of the Saints-era incarnation but still had a really relaxed groove. Paul and Art were really having fun by this point singing the refrain and the first verse a couple times taking breaks for the guitarists and pianist to shine.

And probably the most important point is that the two seemed to be getting along. A lot hugs and pats on the back early on, they seemed much more comfortable on stage, moving freely when not singing, and the band as a whole seemed to really enjoying itself. There probably won´t be any disputes over ´Bridge Over Troubled Water´ this time around as Art sang the first verse, Paul sang the second, and they harmonized on the third. Still Art belted out a final refrain that let everyone know the song was meant for his voice and brought everyone to their feet. The similarly split up ´American Tune´ which featured an electric piano as the main instrument and reached an amazing cresendo when Mark Stewart began bowing the cello. They seemed to have the most fun with ´Keep the Customer Satisfied´ capturing the same good-time rock-n-roll spirit that imbued the original.

So while, the tour may not be the artistic achievement people have come to expect from Paul, it still has many wonderful moments and celebrates the artistic achievements that moved us over 30 years ago.

Quick Hits-
The arrangement for ´The Sound of Silence´ was the same as Paul´s been doing recently leading off with an instrumental verse. However, the standing ovation after they sung the first line was so thunderous, they looked befuddled and had to stop until it died down.

Unfortunately, Paul didn´t play ´Song for the Asking´ although he had a guitar in front of him.

They stopped ´Hey Schoolgirl´ immediately after the line ´let´s wait´ and had a look like they were glad they didn´t have to base their careers around that song.

apologies for being so long-winded


USA / Pennsylvania - Wilkes-Barre - nydailynews.com

Still great after all these years

There was little doubt as Simon and Garfunkel opened their 2003 reunion tour last week that this is the date concert of the year.
There hasn´t been this strong a concentration of smiling couples since Noah yelled ´All aboard´ on the Ark.

The related question, of course, is how much of a date it really is.

Paul Simon and Art Garfunkel, who have made some beautiful music together, have in recent years often traded the sounds of silence.

Nothing in the show´s content or stars´ demeanor answered the getting-along question.

That´s just as well. If it doesn´t affect their performance - and it doesn´t - it´s more interesting left inconclusive.

Simon and Garfunkel´s representatives requested no reviews from Pennsylvania, saying the guys wanted to do one warmup with a real audience before the show was formally unveiled in Detroit over the weekend.

But the soldout and warmly appreciative crowd at Wachovia Arena Thursday night hardly got a spring training game. Simon and Garfunkel will probably tinker with a few nuances, but the singing is pretty much a solid line drive.

Like Elvis or Sinatra before them, they´ve shed a little of the youthful lightness from their voices. But blended with Simon´s guitar, those voices remain singular and the songs remain pretty much as the fans remember them.

A few numbers have been tweaked.

´I Am a Rock´ has become less wistful and noticeably angrier, and ´My Little Town´ also has a harder edge. ´Hazy Shade of Winter´ has a bigger sound now, and both ´Mrs. Robinson´ and ´Cecilia´ are clearly designed to get the crowd up and dancing.

That wasn´t the norm for the soldout house here. Fans would often rise as they applauded the first few notes of a song they recognized, like ´Homeward Bound´ or ´Bridge Over Troubled Water,´ then they would sit back down to listen.

They wanted to drink in the familiar, and that´s what they got: two dozen songs, from a great little snatch of ´Hey Schoolgirl´ to ´Slip Sliding Away.´

Collectively, the set was a good reminder of how many memorable songs these guys created and how well their melodies, lyrics and voices worked together. Before Garfunkel sang ´Kathy´s Song,´ he called it ´Paul´s most beautiful love song,´ and by the time he finished, it was hard to argue.

Artie seemed to love every minute of the night. Paul offered up a few playful moments and mostly looked serious. No surprise there. While they shared a couple of hugs and pats, they generally avoided ostentatious public displays of affection.

Simon also stayed in character by not mentioning how his Yankees were doing against the Red Sox in Game 7.

After a burst of applause for ´America,´ he cracked, ´Who needs baseball?´

A particularly nice part of the night was the appearance midshow of the Everly Brothers, who sang three solo tunes and a double-duet of ´Bye Bye Love´ with Simon and Garfunkel. The Everlys look and sound quite fine.

And everyone went home feeling a little younger. That´s a good date.


USA / Pennsylvania - Wilkes-Barre - Newspaper: New York Post - Dan Aquilante




Old friends make the best enemies, but there was no animosity in the air between Paul Simon and Art Garfunkel at the first show of their 31-city concert tour last night at the Wachovia Arena.

The tour - the first since their turbulent mini-series in '93 - kicked off with the boys harmonizing like angels and wearing their let's behave halos straight.

Garfunkel and Simon, each 61, aren't in it for the money or fame - they have both. Instead, they seemed to have discovered that despite their separate achievements, they're better together than apart. It's the realization that diffuses their biggest argument: Who's more talented?

At this two-hour, 25-minute-long show, what was apparent was how rehearsed the vocal harmonies were. Each song balanced Garfunkel's ethereal upper-register and Simon's earthier talking tenor.

Backed by a seven-piece rock ensemble, Simon strummed an acoustic six-string while Art worked the mike exclusively.

They were like a pair of carpenters, one cutting the lumber, one nailing it together. They worked as a team, but other than the work of the music, they had little to say to one another.

At one point when they did get personal, Paul revealed to the 10,000- strong crowd, We met when we were 11. We started to sing together when we were 13, and we started arguing when we were 14.

They then launched the first song they ever recorded together, Hey School Girl.

We based our entire sound on the Everly Brothers, Paul then told the fans. We loved them then, we love them now.

That served as the introduction to guest stars Don and Phil Everly, who performed Wake Up Little Susie, All I Have to Do is Dream, and Bye, Bye Love, on which they invited Paul and Art to accompany them.

Call them an impromptu super group - they were the hermanos of harmony.

Even though last night's show featured a best of program, it was the Simon and Garfunkel/Everly Brothers round-up that was the early show highlight.

Other peaks were their rendition of The Sound of Silence, interrupted by the audience after four bars so they could give the boys a standing ovation as well as when Art hit the high note for Bridge over Troubled Water.

The flaws were few, but they were there.

During Homeward Bound, for instance, the mid-song guitar solo stepped on Garfunkel's vocals.

And during Mrs. Robinson, Garfunkel hit his harmony cue early - but that was OK, because it showed the guy was really singing.

Fans of Simon and Garfunkel should make getting into one of the three sold-out shows at Madison Square Garden in December a must - even if they have to get scalped doing it.


USA / Pennsylvania - Wilkes-Barre - Katie





Price of parking: $4.00. Price of ticket: $82.50. Price of concert tee-shirt: $35.00. Chance to see your favorite group perform right in your backyard: Priceless.

That´s what nearly 10,000 fans were thinking on Thursday, October 16. Simon and Garfunkel, arguably the greatest singing duo of all time came to the Wachovia Arena, Wilkes-Barre. Singing to the largest crowd in arena history, Paul and Art helped to transport the audience back to the 1960´s; the time when Paul Simon´s provocative and stunning lyrics and Art´s ethereal voice were discovered.

The show started with a video montage depicting Paul, Art, and America in the last fifty years. An orchestration of their hit song, ´America´ played faintly in the background. When the montage hit the new millennium, movement could be seen on stage. The rustle of a vest. The twang of a guitar. A held breath. The lights rose to present Simon and Garfunkel, and a seven piece rock band. Art in his familiar black vest and Paul with his acoustic guitar were beaming. The audience was anxious. Simon and Garfunkel are famous for their disputes, and the crowd hoped there would be no sign of anger tonight.

´Old friends, old friends.´ The duo started tentatively with this stirring song from the 1968 ´Bookends´ album. This is also the title of the reunion tour. The song ended, and the audience erupted into thunderous applause. So far, so good. Next, S&G flowed into the popular ´Hazy Shade of Winter´. The giant tree on stage exploded with pale blue light to set the mood. A slightly slower, yet powerful version of ´I Am A Rock´ followed. ´At the Zoo´ a fun song that was originally intended for the hit movie The Graduate and Bridge Over Troubled Water´s ´Baby Driver´ were then performed. Art recreated a beautiful version of Paul´s ´Kathy´s Song´. Paul looked sad as he accompanied for the song that he had written for his girlfriend so many years ago.

´We met when we were eleven. We started to sing together when we were thirteen, and we started arguing when we were fourteen´, Paul said, hinting at their previous disputes. The duo then went into ´Hey Schoolgirl´. This was the first song Paul ever wrote, at age fifteen. After the song was over, Paul mentioned how the Everly Brothers were their great inspiration. Speak of the devil, who should come onstage but the Brothers themselves! The audience rose to their feet and went mad. After performing three of their hits, Paul and Art rejoined them in a toe-tapping version of ´Bye-Bye Love´.

The second half was a bit more energetic. Every song, people were screaming and dancing. Art seemed amused by the dancing hippie who was seated behind the stage. They continued on with the hauntingly beautiful ´Scarborough Fair´. They played more hit songs such as ´Homeward Bound´, ´Cecilia´, and ´My Little Town´. Another video montage of clips from The Graduate segued into their big hit ´Mrs. Robinson´. Simon and Garfunkel had to wait nearly five minutes to continue with ´Sounds of Silence´ after the standing ovation the arena gave it. There wasn´t a dry eye in the building after Art had reached the high note on ´Bridge Over Troubled Water´.

Paul and Art thanked Wilkes-Barre for being such a fantastic audience, and left. They left? The audience stared in disbelief. After two hours, it couldn´t be over! Lighters were whipped out and screams were heard. We weren´t done with them yet. S&G got the hint and came out for not one but two amazing encores. ´We´ll have to do this again, in about twenty years´, they laughed. Let´s hope it won´t take that long. Their perfect harmonies created a memory of a lifetime. Here´s to you Mr. Simon and Mr. Garfunkel!

The Blue Review, Oct. 2003
Katie Mickere is a junior
and a second year writer for
the Blue Review.


USA / Pennsylvania - Wilkes-Barre - Marfa

God I wished I had rediscovered them a few years
earlier, but 2008 is not 2003 but the show was easily
within driving distance, I always loved them back in
the 60´s and yet really hadn´t thought about them until
throwing out some old unlabeled cassettes and I thought
I would play one and heard many of the old songs and I
had to know what had happened to them. I never knew
there were fights. I thought Oh, they are probably
retired. Of course I was happy to find out they were
still playing and had come very close to my town
many times in those 2003/2004 concerts. But since
then the midwest has been deserted by them. I saw Art
once but I was so cheerfully out of my mind when I
found out they were doing a 2010 concert that were
not too far away. Finally the moment I had been
waiting for. After buying 8 tickets (one show would
not do) and it´s canceled, but then the good news
it would be in July instead of May. So it was back
to trying to get the best seats, 2nd row in two shows, and I had no sooner bought them when that was
canceled too. I am very afraid I have missed my
chance, with Art not singing much since last March
and no news. I just cry. There is no one else I
would want to see. They have helped me so much in
ways you wouldn´t believe in the last two years.


Germany - Hamburg - Willy

Es war wunderbar, erst der Dauerregen, dann das tolle Konzert, und ich in der allerersten Reihe.


Germany - Hamburg - Mandy




Me and Bodo went to the park where the concert should take place. I saw the buses which were parked nearly in front of the entry and we walked there. About an hour later two further buses arrived, it was raining rather heavily, and the musicians went out of the buses. We saw how Paul left the bus, he was surrounded by three security guys but not hidden under an umbrella (!). We didn´t ask him for autographs.

Other fans did but Paul just declined though he always looked what the people wanted to have signed. Jim and Jay recognized us, shook our hand and talked a few sentences with us, but were obviously in a hurry. But not Alain, he sat bored in the second bus and just stared in the rain... as in Kathy´s song.

We had to wait again more than an hour when it rain relly bad till we finally got in there. Bodo and I ran to the stage in order to get good places and so we managed to stand in front of
Vincent, our favorite place. But after around 50 people came in no further people were allowed to get in.
It seemed to become a very private concert ;) In the meantime Steve Shehan spoke with a girl from Berlin and Jim went up to the people in the first row in order to speak with them.

The weather improved and even the sun came out and the other people were allowed to go to the stage. The place slowly filled and from time to time you could see a musician.
Some of the musicians drank tea and wore warm clothes, I guess they had a cold. The musicians had no rehearsal this time, just Steve Shehan made a warm up.

The concert finally began when Bridge tuned up. Paul and the other musicians appeared. For the first time, Paul wore a red pullover (and a black T-shirt below), not just a T-shirt. The music of Bridge sounded a little bit strange, as if the musicians didn´t know what to play. I guess it was because they did not rehearse before. But Paul was perfect in tune, just the speakers were maybe too small for an open air.
The setlist was the same as usual, some songs had little change in solos (guitar). But in comparison to the other concerts, the band seemed to be tired, Vincent was about to sleep and also Bakhiti didn´t dance as lively as usual.

When 50 ways was played the sound became very bad, Paul´s voice couldn´t be heard anymore, just roraring, booming music. The technic finally failed completely, Paul made angy gestures to the sound engineers, he sang into the mic and it sounded terribly wrong, he lost control of his voice! But after this the sound improved.

During the following song, That was your mother Paul pointed at me, but I don´t think he recognized me. He just pointed at me cause I was dancing and on the left site.
Hurricane Eye was one of the songs with the greatest change of instruments, Jamey Haddad played an for me up this moment unknown instrument, he sat between Mark and Paul and played there for the first two verses. We first thought Paul would sing Love cause the Banjo of Mark sounded different and he had changed his part. But in order to compensate for not playing love the last part of Hurricane Eye was much stronger, louder and more powerful than usual.
As soon as Proof began two women next to me took their cell phones and showed them to Paul. He saw it but didn´t take them. He waited until the second verse, then he made a sign to throw them to him. But they didn´t throw the phones far enough, they landed on the gras in front of him and exactly to this moment he sang ´That´s not the deal we made, that´s not the deal we made´ and pointed at the phones. Now Bodo threw his one to him but it landed on the (hard) stage but was not broken and Paul took it. He held it close to Vincents quitar as he played his solo as if he would record his playing.
Then he collected the other ones, made his jokes with them, sang into them,
held them under his T-shirt and threw them back. But for the first time I saw it, Paul´s throw was bad. He didn´t reach the women, it also landed on the floor, Bodo´s even went open and the battery flew out..
Once as Paul went down to shake hands, he had to ´negotiate´ a rope that was fixed for the stage, he obviously didn´t see it and touched the rope with his head and nearly lost his cap - I guess he was really happy that he could keep with both hands on his head.

The last different played song was The Boxer, though it was no big change. But the drums of Steve Gadd were much louder, similar to the Simon & Garfunkel recording, also the trumpet and saxophone in other songs sounded much louder and sharper and they appeared more suddenly.
When Still crazy started we both were surprised because the setlist was shorter than usual, he didn´t play Kodachrome and The cool, cool river, and Love (we hopped for that song..). I thought that he may play those songs after Still crazy but he didn´t.
When the song ended as always he winked in the crowd and then made a comment about the weather, he said :´You made the sun came out, and let me came out, and I appreciated it

We left the place and headed for the buses but we arrived too late though. It didn´t took us more than 5 minutes to come out of the parc. But the buses left already, we just saw Mark and Steve Shehan going into the bus.

All in all the concert was a little bit disappointing for us, coz the concert was too short, the band very tired and we could only talk a few words with the band members. I wished I had seen a better concert cause it was my last one on this tour


Mandy


Norway - Molde - Nina Westgard




Should have written this days ago, but summer is busy. Paul Simon playing at the Molde International Jazz festival was this years big event for me. This time I was going to be really prepared, having a lot to catch up with after 10 years without listening to any of his music. Departure Tuesday afternoon July 16, by boat to the mainland, then by bus to Oslo, stopping to pick up my friend and travel companion, Gro. We both went to the Paul Simon concert in Stockholm two years ago. (So hopefully this is just the beginning of a looong tradition... but then maybe that is just wishful thinking ).

Tickets bought months ago, room reservation made (lucky to get any at all), the ´You´re The One´CD cover/booklet and pen in my bag just in case there would be an opportunity to get an autograph.In my backpack; a box of dried lavender from my garden for a ´lavender & roses´ - welcome bouquet.( Molde claims to be the ´city of roses´, so that would suit well) On my feet; ´Diamonds on the Soles´ - sneakers.( well, since I am not a rich girl; ´Rhinestones on the Soles´ shoes is more correct. My fingertips still sore from the hard work sewing them on).
The bus departed for Molde at 10 pm, we expected it to be really crowded (full of fans ?), but fortunately we got a double seat each. The guy in the seat behind me turned out to be an old fan of Paul Simon. He was not familiar with the latest recordings, so I lent him my walkman with the ´You`re The One´ tape to listen to.

Arriving in Molde early next morning, we knew Paul Simon and his band were coming the same day - to relax and enjoy the festival one day before the concert. We felt right on schedule! -
After finding our place to stay we went down town and ended up at the Hotel Alexandra where we had been told Simon & co were most likely to stay. Plenty of people in the lobby; journalists and jazz festival functionaries and -management. We seemed to be the only ones without a bunch of cards and passes around our necks. Something was in the air, a nervous expectation. I certainly felt it and could not even get myself to sit down, half expecting to be told to leave anytime. After a while a black van arrives, guys with ´Artist Transport´ on their backs start unloading luggage and instrument cases, amongst them something that looks like a cello ( Which means Mark Stewart is probably not far away !).More people coming out of the car . I recognise Jamey Haddad,Steve Shehan and Jay Ashby passing through and suddenly Vincent Nguini and Tony Cedras(looking really cool with all the braided hair down his back) are at the counter talking to the receptionist. We lingered on for yet some time in case Paul Simon would show up (I did not even dare to ask anybody there if it was any point waiting - later we were told he had arrived first.) Finally we decided to leave the hotel.

Good decision; on the pavement, walking straight towards us came Vincent Nguini and Tony Cedras. This was my moment! As they were about to pass I took the opportunity to tell them that I was a big fan of Paul Simon who would like to give him some flowers and asked whether they knew if he was staying at the same hotel as the rest of the band. They were quite friendly and said they were pretty sure he was.
Then Cedras wondered how we knew they were playing in Paul Simons band (!?). The question startled me, I told them we both had been to one of the concerts in Stockholm on the 2000 tour, and that I had the DVD from the Paris shows. They were both friendly, and Tony Cedras quite cheerful, so before our little conversation was over my friend took a photo of me posing between Nguini and Cedras.( I laughed and said I felt like a teenager, and Tony Cedras replied I would always feel like a teenager together with them!) Before we split they both signed my YTO booklet their autographs. I felt incredibly lucky, and after this excitement we sat down at a cafè only a block away from the hotel. Sitting there Steve Shehan is strolling by, tanned, wearing a leather jacket and leather hat, looking like he just got back from one of his safaris. (Actually I think he did some concerts at a festival in Morocco earlier this summer, playing with Jamey Haddad)


Before walking up to the Romsdalsmuseum we had a florist add some roses to the lavender, wrote a ´we love your music - thank you for coming to Molde´-card to go with it. Then back to the hotel and asked the receptionist if she could see to it being brought to Paul Simons room. It was a relief not having to worry about the flowers anymore, fragile as they were.
At the Romsdalsmuseum, an open air heritage museum surrounded by woods, a stage was set up at the bottom of a grassy field. The whole place had quite an intimate atmosphere. Crew was busy. We positioned ourselves right in front of the stage, this was where we were going to stand at the concert!
After checking out the facilities I guess we took an early night because we were tired.


18 July. Cloudy weather, expecting rain. Temperatures not too cold, not too hot...just right. We prepare for long hours of waiting in line; bringing food, water, extra clothes and raincoats. Then go down town for coffee and the daily
Jazz Festival Street Parade. We buy several different newspapers, to find any Paul Simon related information. The local paper reports; Paul Simon arrived in a good mood,(pictures of a smiling PS) he was impressed by the view from his hotel room (the fjord, mountains). Several of the band members went fishing in the afternoon, while Simon went to a concert ( and later a backstage talk) with Hancock/Brecker/Hargrove.
Decided to be first in line we arrive at the Romsdalsmuseum at about 1 pm. (The gates are to be opened at 4pm, concert to start at 6 pm ) Yes we are early.Gates are open,nobody there, except for crew working. We go down to the stage again, now with a security fence in front, and find our perfect spot. Then we walk around a bit enjoying the atmosphere. Still nobody queuing yet. We go to sit down at a restaurant near one of the entrances, just on the inside of the fence. There on the terrace we order something to drink, read the newspapers and talk to a few other fans also waiting. We decide to sit there until somebody throws us out. But that never happens! After a while somebody starts playing, and we realise it is the band on stage rehearsing! We can see the stage on the other side of a duck pond, behind some birch trees. We forgot to bring any binoculars. But despite the distance we were able to recognise Paul Simon and some of the band members. The play fragments of ´Late in the Evening´, ´The Boy in The Bubble´, ´Mrs. Robinson´ and a few others. Paul Simon stopping in between, correcting and adjusting. What a treat! What a great way to spend the time waiting for the real concert to begin!


When the gates open and people start getting in I run down to the stage. In fact I run for life ( it must have looked a bit funny - because I don´t think not anybody else did ), so I was kind of alone on front of the stage before the rest of the crowd came. My friend, who walked down in a normal speed, managed to stumble over a wooden root and hurt her leg, still not so bad that it spoiled her concert.
Now we could sit down on the ground , talk a bit with other fans and begin the actual wait while the place was filling up. The sun even came out. Mixed audience. Families with children, old and young. Half an hour or so before the show is about to start, I need to take a stroll - assured by my friend she would defend my place with her life. Just outside the fence to the right of the stage I bump into Mark Stewart and Steve Shehan talking to some girls. Mark Stewart says the entire band loved the stay in Molde and they would like to stay for a week.
I get to tell them how great I think they are as musicians, and they both signed and made little funny drawings in my YTO booklet. Thank You!
Time to get back to my place before it all starts. Security guards lining up behind the fence in front of the stage. Water buckets with sponges stand ready in case it gets too hot (never got to use), ear protectors are being handed out to those who wants it.( A father , presumably, gets a pair for his young son who is sitting on the security fence. ) The excitement is building up. A guy resembling Bruce Willis, takes a position right in front of us, watching the crowd with a gloomy air. We recognise him from the newspaper as Paul Simon´s personal bodyguard. No wonder he looks sinister with all these people to watch! Though grateful for his obvious concern for Simon´s safety, we feel kind of relieved when he leaves the place to a much more friendly looking member of the security staff.


Finally the big event is about to start; a load of journalists/photographers are allowed to enter behind the security fence, wearing heavy weight cameras around their necks. Fortunately they are to leave after a couple of tunes. The band enters the stage . Big cheers from the audience! Paul Simon enters the stage . Even BIGGER cheers! Simon is wearing black jeans (red tab), a burgundy sweater, black leather shoes (brand new?)and a black cap. The set list is the same as earlier on the tour, opening with the beautiful new ´Bridge Over Troubled Water´ .
It feels great to be so close. I am standing a little bit to the right of Paul Simon, so that I can see pass the sound monitors centerstage. Great to have Vincent Nguini play his guitar at my right and behind him Bakihi Kumalo on his bass( yes, he did his little performance dancing in Molde, too)I get a good view of Jay Ashby (obviously having a good time up there) on percussion and trombone, Andy Snitzer (who is to give some incredible solos on his saxophone) and the new trumpet player ( and whistler !) Jim Heinz. Jamey Haddad is kind of hidden at the back, but we can easily follow Steve Shehan working all his strange percussion instruments. Steve Gadd in the middle is hardly seen, but we hear him! By standing on my toes I can get a glimpse of Alain Mallet and Tony Cedras on keyboards and accordion. Luckily Mark Stewart is easy to spot at the very left; a wonderful multi-instrumentalist who really gets into the music and whose big smiles left no doubt that he enjoyed himself.(Love his banjo on ´Hurricane Eye´) From now on it is two hours of pure joy!


Paul Simon himself seems to be in great shape; really rocking it to the upbeat songs.(The newspaper later wrote Simon had spent time working out at a local fitness centre before the concert; exercise obviously pays off!) He played great guitar, his voice sounded great during the whole two hours, he moved freely around the stage, dancing, playful yet in control of the music. And he was quite communicative both with the other musicians and with the audience, even though he did not speak much between the songs except for introducing the members of the band (who all seemed to get really warm and enthusiastic cheers). Once he spotted the father with his little son sitting on the fence, he looked at him in a friendly/mildly worried way, pointed at his own ears and said ´Too loud´( lip-reading, as he did not wear a microphone on his walkabouts around the stage)He made little jokes, like to the person holding up the cover of ´Still Crazy´, probably desperately wanting him to sign it; ´Yeah, I´ve got that one too !´


It was so great to be able to stand up and move to the music during the whole concert. Who is able to sit down to songs like Graceland, You´re The One or You Can Call Me Al? At some point during ´That was Your Mother´ - the part where he sings about the Cajun girls - Paul Simon points at me (!!) Big event! (...later I have learned that he usually does that during this song if he can see a girl dancing in the front row...Still, it is something to remember. I´m just glad he is not like Springsteen who takes/used to take the girl upstage to dance with her; that would probably have been more than I could cope with!)


So many highlights ; I was particularly happy to get Spirit Voices and The Coast,
(an enthusiastic audience is good, but here Nguini`s beautiful and subtle intro got a bit lost in all the applause) Late In The Evening blows us all away. Everybody up dancing. After this Paul Simon starts saying thanks to the audience. What?!? We just got started. We want more, and of course they come back for encores.
We get Hurricane Eye. We get Proof; one of my many favourites. On the internet I had red about fans giving their cell phones to Paul Simon during this song. So I had mine ready just in case. When he got to ´Proof...Some people gonna call you up, tell you something that you already know...´I picked up my cell phone and joined him ,singing the words into it. As I was standing right beneath him, Simon saw it and kind of made this gesture like he wanted the phone. I made another gesture back asking; ´do you want it?´ And ´yeah´, he wanted it...Now I was glad the Bruce Willis look-alike bodyguard was not around, he probably would not have liked this. Paul Simon was at the microphone singing, and because of the security fence I could not even touch the stage. I was never a good pitcher, so I did not like the idea of throwing the cell phone up on stage - did not want him to get hurt! So quickly I handed over the phone to the friendly-looking security guard who was standing right in front of us. He looked a bit surprised, but when Simon kind of waved his hand and we went ´Throw it! Throw it!´, so he did.
Paul Simon caught in the air , turned it around a couple of times, as to find out how it worked. Making jokes; ´ Who shall we call now ? We can call anybody. Let´s call...Tokyo..´ Then he starts pushing a whole lot of buttons. At the end of the song he throws the cell phone high up in the air, making it swirl around, and catches it on the way down. Very confident! As a final stunt he takes up a bottle, splashes water up in the air letting it fall down on his face like rain. All this while he is performing ´Proof´! Then he moves towards the edge of the stage, gives the cell phone a kiss and throws it right back to me.( Nice pitch, nice catch.) A memory for life! (for me..)
We get more encores. Nobody wants it to end. We get Cool, Cool River! But after Still Crazy...nobody can get them to continue, no matter how much we cheer. I think the last person to get off the stage was Jamey Haddad. He is carrying a big white towel. Somebody in the audience catches his attention, and obviously wants a souvenir, so Haddad throws the towel into the crowd before leaving.

A wonderful evening is over. The best concert I have been to, ever. Hopefully the headlines I have read in some of the newspapers are wrong; saying that this will be the last great tour for Paul Simon. But let us focus on the good news; Paul Simon is on the way home to work on his upcoming CD. Can´t wait!


Finland - Pori - Tero Rantanen




I have never seen Paul Simon in concert before. When he last toured in Scandinavia I was way too busy (and out of money) to go and see his concert at Stockholm. Damn! Year later my salvation came.At spring 2002 Pori Jazz Festival revealed their this summer´s line-up - Angie Stone, Joe Cocker, Elvis Costello etc, etc... oh yes and PAUL SIMON! I couldn´t believe it - he is actually going to play a concert in my small town. I buyed two tickets at the same second they went on sale. Yes, yes and YES!
The venue was Delta Arena at the Kirjurinluoto Concert Park. It´s an amphitheatre-like outdoor area inaugurated a year ago by Eros Ramazotti. Only Paul Simon played there this year. All the other outdoor concerts were held at the "legendary" stage at the heart of Kirjurinluoto. The festival line-up that day, Paul Simon´s support acts if you will, also included Bo Kaspers Orkester from Sweden and Miriam Makeba from South Africa. When I learned that Makeba is also playing in the concert I started to have these daydreams about them dueting a certain song here, you know, under north-european skies. As it turned out, no such luck.



Me and my girlfriend located ourselves left from the mixing desk with a great sound but poor visibility - fortunately Paul Simon doesn´t include pyrotechnics and cardboard dragons in his stage show (but then again, how would I know - I´ve never been in his concert ;-), so I choosed sound over vision. Bo Kaspers Orkester was first on the bill, and they played rather enjoyable set. Nice little "taste of the treats to come" came when they opened one of their song with a snippet from "The Boxer". The sun was shining and the crowd were "rocking" from the first song onwards - they even did one encore and then complained that "we can´t play you more songs or someone is going to kill us". Those damn timetables.

Miriam Makeba was up next. Her set nicely brought the audience closer to the sounds and moods that were still to come. During her twenty-minute opening song (when she introduced the band) I momentarily thought that they are now covering some Paul Simon song... or other way-around. Then there was this little child. Standing there on stage with Miriam Makeba. Singing. Makebas set was closed by this grand-grandchild of Miriam´s singing alone to the crowd. And the crowd did scream and applause when his number was over! Sun was still shining - and it shone from even more happier angle after that.


When the screen next to the stage stated "Next On Stage - Paul Simon", I knew, that my long wait is soon over. Then without introduction speeches or nothing, ten minutes ahead of the schedule, he walked on stage and the opening sounds of "Bridge Over Troubled Water" filled the air. The sound was crystal clear. It sounded beautiful, so beautiful. Graceland came next, and so did the funniest event of the concert. At the end of the song Paul jumped off the stage and went down to shake hands with the first row. Then he tried to get back on stage, but couldn´t. The stage was so high that he could´t get there easily, so he jumped and just sat on it and started kicking his feets high on the air while playing his guitar :-). You´re The One came next. "You are the air inside my chest" - I just closed my eyes and let the air of the moment take me away. Unfortunately - especially in festivals - those are rare moments. There are too many things going on around you, that focusing on the music is really hard sometimes. There are people talking, people walking, people drinking and people doing God knows what at the festivals (playing games with their kids during set). Thats mainly because people has come to the concert for various reasons. They necessarily doesn´t even know who Paul Simon is! They´ve come to the concert to meet friends, drink till their head spins or just because it´s the place to be. It´s just part of festivals. An annoying part of festivals.



But Paul played on... The "Greatest Hits" -set continued; how to leave your lover? Just consult your mother. "Come in from the schoolyard" - shouted the teacher. The band sounded and played great! They sounded tight and loose at the same time - a quote from a local newspaper puts it right; "they mastered their instruments perfectly: they are technically very skilled, but the sound they produce via those skills are very earthly, very humane". Indeed! To my big surprise Paul´s set included "Spirit Voices" - with a slightly different arrangement. A Nice surprise - I really love that song. "Diamonds On The Soles Of Her Shoes" got the audience going again and the "live killer" called "You Can Call Me Al" hitted the jackpot! Acoustic set followed: "The Sound Of Silence" made the audience listen. "Homeward Bound" made them clapping and return of electric guitar in "I Am A Rock" made them dancing. Great concert so far! After "The Boy In The Bubble" came the moment I´ve been waiting for: "The Coast". The live version of the song from the 1991 Central Park CD suites perfectly to the mood of bright summer mornings. How would it suit summer evenings? By the time of "Late In The Evening" I was sold!



First set of encores brought an another surprise to the show: "Slip Slidin´ Away" - I never thought I´d hear that song during the concert - live and learn! After the first encore some people were already leaving the venue! Well, it´s their own fault that they missed the "updated" version of Mrs. Robinson. Not to mention "The Boxer" - Paul was all smiling when the 20.000 strong audience sang "Lie-la-lie...". The solo in the middle was played by a trumpet - it sounded simply wonderful. A truly magical moment! After the song Paul spent lots of time thanking the audience. He was seemingly taken! He came back once more. "The Cool Cool River" sounded like a mighty Mississippi. "Still Crazy After All These Years" beautifully closed the set. I have finally seen Paul Simon live in concert - and can´t wait until I see him again!


Germany - Berlin - Bodo





Three days without a concert - we were so hungry at this time ;-)

Our last concert was in Montreux on Monday, and we didn't forget Tony's promise about our passes - but we thought maybe Tony forgot it. So we drove from Dresden away at 9 in the morning to Berlin to meet him at the hotel. We should be there at 12 so that he has enough time to sleep. We were very nervous, because we didn't know if we were allowed to go into the hotel and had no idea if they believe us that Tony wants to speak with us.
I told the woman at the reciption that we have a meeting with Mr. Tony Cedras at 12. She looked into her computer and we waited... waited.... Then she asked when this person should have been arrived. I said: "Today at about 6am" ..I was getting nervous, maybe the will throw us out of the hotel or so. Then she asked:" Is it written with a 'Z' Zedras?" "No, C!". Suddenly she gave me the telephone and I had Tony on the line :-) I can't remember what we spoke exactly, but he remembered me and his promise, was very sleepy and interested in such crazy fans. He couldn'T believe that I drove about 1 miles now with my car :-). He wrote down my exact name and said we can get out passes at the box office before the show. But I was a little bit sceptical, because he was so sleepy. Then we went out of the hotel to walk a little bit trough Berlin. On the next day the 'Love Parade' started and so the city was already filled with a lot of crazy techno-fans. It was a slow day, and very hot. We walked along the Kurfürstendamm, found a cool music store where you could also buy Paul's unplugged album.


Later, at about 3 in the afternoon we walked back the street where the hotel is and suddenly saw Mark Steward coming out of the door. We talked a little bit with him, I can't remember what but he was - as always - very happy to see us, and kissed my gf for 2 times ;-). Other fans were also waiting in front of the hotel on the other side of the street, but they didn't know Mark :-) They were waiting for Paul to come out and sign some LP's... If they would have known that this was the guitar player of Paul... :) We went back to my car to drive to the Waldbühne and suddenly saw Jamey Haddad walking down the street. He came closer to us, but couldn't remember me (maybe because I wasn't wearing my black hat). So I said:"Hi Jamey ...how are you?" He was a little bit perplexed and then asked "At which show did I see you the last time?" - "In Montreux" I can't remeber what else we spoke, but he wasn't very funny at this time or in a mood to speak longer. However, it was strange to see all these band members walking alone trough the city. I maybe thought they are closer friends and spend some free time together.



When we arrived at the Waldbühne the doors have already been opened and the fans already stood in the first rows. We decided to wait for the band to arrive, and ask at the box office for our passes. While we waited there a man who was also waiting there talked to us (he first really thought that I'm a member of the band, because I was wearing this black hat and my guitar on my back ;-) ) We promised him to sell our tickets for a lower price to him, if we don't need them. And he was really happy to meet us, and to see such crazy fans.

The first bus arrived, with Vincent, Alain, Tony, Bakithi and Steve. It was great - I didn't say a word, only looked at them and they smiled back and came to us. I spoke with Vincent and then Tony came and said that he's sorry but he forgot my full name...so many letter. I told him my name again and he wrote it onto his hand ;) We also had a gift for him, a small accordeon made of glas - he was very happy and shouted "Vincent, see what I got" (uuhh, and we didn't have a gift for Vincent ;-( ) Then they drove away with a Van to the stage.
The second bus came with the rest of the band, except Paul! We talked to Jim Haynes, if he was in the city today, but he said he only made his laundry-day today :)

Then we went to the box office to ask for our passes - they didn't have any and said we should go to the staff-entrance. At this entrance they said they don't have anything to do with that passes and we should ask at the box office....uhm. We waited there, the man at the box office said that the guest list should come later. At 19:00 the list was there and eh searched for our name - nothing. i told him that it's maybe written false, and then the guy was thinking of giving me the pass of a person called "Robert Mullwinger"... but it was only 1 pass, and I didn't want to take it from another person (how angry would Robert be..) so we refused. Suddenly he found an extra couvert, with the Name "Malo Wershneg o.ä. (or similary)" written on it - The guest passes for us!!!

We went in a few minutes later, but not sure what we can do with these guest passes. In Rome we couldn't go backstage with guest passes, so we were a little bit sceptical.
We walked to a security guy on the side of the stage and he let us in to the area around the stage. Again we met Jim Haynes there, playing a little bit on his trumpet - but very quiet. We didn't want to disturb him but were listening what he played a few meters away. Then he went into a building behind the stage and suddenly played very very loud. It was an mexican trumpet solo, sounded great. He than came out and (while the audience was starting their applause for Paul to come out, because the show started late) and Jim did as this applause was for him :) Very funny, no one could see him, only me and Mandy, and Jim made some bow's and said "Thank you, thank you" :) Then he asked me if I'Ve heard him playing that mexican trumpet sound, and I said:"yes, of yourse, it was great!" And it really was great. We then saw Tony and Vincent on the stage behind the soundboard, and Tony showed us to come to the other side of the stage, so that we can see him playing. Steve Gadd was also standing behind his drums and Mandy pointed at him and her T-shirt, because she wanted to signed it. Steve was surprised, pointed at himself like "What, me??" and then he understood and walked towards us. But suddenly Paul came out and they started playing Bridge, so Steve turned back after a few steps.

We went to the other side of the stage as Tony told us, and so we were also closer to them. It was cool, because there wasn't really a lot of security around, we could also walk into the building behind the stage where Paul came out, but there was no one except some bottles of mineral - but not Paul's one ;)

We really enjoed the show very much, dancing all the time on a wall beside the stage. During YTO Paul realized us standing there, looked at us for a moment and pointed at us. Then later also Mark Stewart saw us dancing there on the wall, he turned around and waved to us. Ah, how cool was that, everyone in the audience must have seen it ;)

After Diamonds I was very thursty and bought a beer and when I came back Alain was standing at my place. He said that this place here - Waldbühne - is wonderful, the best concert arena he's ever seen. I asked him if he knews this interview from Paul in a germany newspaper, where Paul said that this is the last tour with that band (I was shocked when I was reading it) and he said no, he never heard about that..but who knows.. Then Steve Shehan also came to us, and Alain asked him if he's heard that he's fired. :) He told him about the interview, but in french, and they laughted. Then Steve Shehan sat down to us, smoked a cigarette and talked a little bit with us. Mandy will write more about it, because I couldn't understand everything, Paul was playing I am a Rock so loud. But he explained that he and Jamey Haddad always change on that song, today he's tired and didn't want to play ;) Then he had to go back for 'The boy in the bubble'

A guy standing next to us was interested who we are, and if we follow the band everywhere a.s.o. He was from the Local Crew and then gave me his Local Crew pass as a present. (but I didn't have to work now ;) )
I sar that someone from the crew, (I think he was from the crew) filmed the whole show on a digital video camera. I wanted to ask him later if he sells it, but couldn't find him after the show.
During Proof Paul got 4 (four)! cellphones this time. That was really cool! He was singing into two of them, then took the next one a.s.o. After the song he showed to Steve Gadd four fingers -" He man, I got 4 cellphones today! " ;)
He then played Slip sliding away - a new version for me, not similar to the 99-tour version. I have to say that I didn'T like it so much. Paul played it on his electric guitar, and it sounded very hard IMO, not really a soft and gliding ballad as it should be, but Jim did a good work at the trumpet solo at the end of the song.
I forgot to mention that Paul's son's Adrian and Harper went home, and also the woman and girlfriends of the band members. So it wasn't so familiar as in Rome or Montreux.
Before the encores it was cool to see the band standing behind a curtain chatting there. Tony always lighted a cigarette in that time, but I think he never could take more than 2 or 3 puffs until they played again. After Kodachrome the band went into the building behind the stage, and we thought the show is maybe over. So we also went into the building and Mandy took out here LP's to ask Paul if he could sign them. the band and Paul were standing downstairs, we could hear them but didn't see them and were to afraid to go down the stairs. Later I heard from Alain that Jeff, Pauls 2nd manager persuaded Paul to go out again and play 'The cool cool River'. Wow!! He then also played "Still crazy" as the last song and the show ended with a big applause.

We walked a few meters behind the band to the area with the browsers. There was a big fence around it, with two fat security guys checking everyone going inside. The first 10 minutes we were to afraid to ask if we were allowed to go inside. But then also some other guests walked inside, so we went with them - no problem.
There was a tent inside, and Alain, Steve Shehan talked with a few guests. We sat down and didn't know what to do now. Steve was sitting on our table, but talked to a young woman. I was thursty, but didn't know whom to ask for something to drink. Then Steve turned around and said:" Hi, how are you... do you want something to drink?" - "Oh yes, thanks" - "Beer or water?"- "A beer" I replied. Then he went somewhere back into the tent and brought me a beer and a glas. The woman which whom Steve was talking before was from the hotel, and also could speak German. Now, that was stupid, she always asked us questions in German and we answered and so Steve couldn't speak with us. He got bored I think and walked away a few minutes later. Then Jay Ashbey came to us and said:"Hey fans, you made it again today" He asked if we will come to Sweden on Sunday, and we said:" oh, it's too expensive to fly to Sweden, but if we can fly with you it's no problem" . He smiled and said, they always have some extra tickets for important persons ;)

We then went out of the tent to talk to some other musicians. I saw Bakithi and asked him if he knews who is playing also in Pori on the 16th. He said yes, Miriam Makeba. She is a good friend of him, she just phoned him before the tour, and he played with her in NY 2 months ago. i didn'T know that Bakithi sometimes plays in Miriam Makebas band, cool. I asked if Paul will maybe do a duet with her, but he didn't know and said he also doesn'T think that he will do that. Also Jim Haynes said that Paul will not do that. Then we said goodbye to him in Jamaiky style ;)

I also talked with Tony again. He was very happy about the accordeon of glas we gave him, and said that he will gave it to his little daughter. She is 8 years old and collects accoredons. And she doesn'T have one of glas :) So we are happy that he will not throw it away or put it into a box somewhere. He asked me where I come from and I said from Austria. "Oh, from Austria - my accordeons all come from Austria. They build the best accordeons in Austria!" And he also said that he will play in Austria in August at the Saalfelden-Jazz, a free jazz performance. Thats about 100 miles away from me...maybe I'll go there but I have to ask him again on which day he'll play - he's not in the official program on the website.

We then had to go, the busses went away. Outside the entrance was Mark Stewart, really in a good mood. He had 4 woman with him, and drove with them in their car into the city. But he had time to make a nice picture with everyone . Choku, Rosi, me, Mandy... then he went into the car... He was like a 17 year old teenager at this time ;)

We drove home, a 2 hours travel on the oldest DDR highway you can imagine.

An evening I'll never forget.
Bodo



Netherlands - Rotterdam - Matthew Evans




Well what a great, great night! One I will remember for the rest of my life I'm sure. My Dad and I set off at 6am from Knaresborough to catch a 10:30am flight from East Midland's Airport to Amsterdam. We arrived in Amsterdam at lunchtime, which was good because we didn't have a hotel booked, no hire car and no way to get to Rotterdam. The transport system in the Netherlands is a great deal better than here in England (No Arriva Trains!) and after exploring the idea of getting a taxi or hiring a car we plumped for a train that ran direct from Amsterdam airport. It was low-cost and very fast as we arrived in Rotterdam just 45 minutes later. Anyway we set about looking for somewhere to stay, and after about 2 hours we found the holiday inn hotel after trudging round what seemed like the whole of Rotterdam. Over the course of this 2 hour period I (surprisingly) managed to fall over some stray scaffolding and Dad nearly got run over by a tram, the weather fluctuated, hot and cold, wet and dry and when we did find the hotel it was right next to the train station! Anyway Dad got his secretary to book us a room on the Internet (as it was cheaper) and later that afternoon we checked in.

Went for a "Burger King" mid-afternoon and incidentally service is much better in the Netherlands, It was easier ordering in a foreign language country than at KFC in Starbeck where it seems English is a foreign language. They also do milkshakes, king-size meals and salads, which is nice. So stocked up on junk food and coke (and very happy as you can imagine) after a quick sleep in the hotel we got a taxi down to The Ahoy arena. In Burger King they were playing Mother and Child Reunion on the radio and then in the taxi the radio was playing Late in the Evening, which the driver, very kindly, turned the volume up for.

Had a look around The Ahoy and it was more spectacular than I had expected. A review of the Graceland tour debut describes it as "dreary concrete" but it was impressive and much larger than Sheffield (the only other arena I have been to). Took some photos and we decide to have a look round the arena to see the transport and such. I was amazed when we came to an open fire exit and inside there was the whole band just stood around talking and smoking! We walked around the car-park as they came out for some fresh air and we were just 2 or 3 feet away from Bakhiti Kumalo, Mark Stewart, Tony Cedras and Steve Gadd. Steve even nodded to my Dad in acknowledgement! I was too scared to say anything to them, they wouldn't want bothering before the show and I really didn't know what to say. I didn't have a pen either so I couldn't get an autograph.

So we went into the arena at about 7pm and security were searching everyone and everything and since I had my phone, mini-disc player and microphone and a camera with me I was very worried. Luckily I managed to sneak past the security men while they were looking in someone's bag and Dad saw them confiscate a camera. Anyone who knows me will tell you I'm a past master at sneaking through stuff and looking innocent when, in fact, I'm guilty as sin. Another thing the same people will tell you is that my organisation is appalling and imagine my dismay when I realised I had forgotten the actual disc from the hotel! L I was gutted for a split second but then I didn't care because I didn't expect to get a good recording and I could just sit and enjoy the show. Dad bought a programme and we went to our seats to take a look. They were numbered so stupidly, I was expecting to be closer because we were on the upper circle, row 3 but the seats were, ridiculously, numbered backwards so row 3 was 3 rows from the back, however it was still a cracking view and the excitement was really starting to build. We went to the merchandise stall and bought up 7 T-Shirts and a baseball cap, as gifts for my sisters and I got one of each (after London 2000 when I had no money I was determined to save up for souvenirs this time), I was disappointed there were no posters though.

Took our seats at our vantage point an hour before the show started and watched as the crowd built and then at around 8:15pm the lights went down, the band came on stage and the opening bars of the 1999 version of Bridge filled the arena. It was great to see him again and hear the band play live. He was wearing an orange T-Shirt, black cap and blue jeans. Then straight after the soft opening of BOTW he was into Graceland at full pelt and the audience roared with delight. The opening two songs being the two most well known works of his two careers. The set took the form of previous concerts with similar one-two whammies all the way, YTO and 50 Ways came next and STILL people don't know the words to You're the One but they sure do to 50 Ways!
The two "relationship" songs were followed by two upbeat songs to get the crowd up and dancing, The Cajun grooves of TWYM and the new beefed up Me and Julio (and yes I did like the new bit played by Vincent), Jim Heinz got the first big cheer of the night as he did the whistling part. It was during Me and Julio that the crowd surged forward to the front of the stage, past the security guards (good for them I say!) and a pit formed (not a mosh pit quite, more a Paul pit) but from then on there was a lot of activity down there. The next two was a combination of the most abstract song from YTO and the most abstract song from ROTS, The Teacher which again nobody seemed to know around me and then Spirit Voices, and this version really is sublime. Download it from Nicolas's site if you haven't heard it. The Intro was spoilt a little as Vincent's guitar wasn't registering (a problem that would continue all night) but the outro was played on soprano sax and was amazing. So then it was the two Graceland hits that really whipped up the audience as everyone sang along, danced and joined in the Ta-na-na-na-na bit on Diamonds and yelled You Can Call Me Al. Again the opening chords of YCCMA couldn't be heard properly as Vincent was having problems but the bass and drums kicked in and it was all fine. I don't think we'll ever get sick of Steve Shehan, Steve Gadd and Jamey Haddad battling it out on percussion after Diamonds! And Bakhiti's wonderful and very amusing dance at this point was coupled with the two fantastic bass solos in YCCMA.

Paul ten calmed the crowd down or the S&G set and surely one of the highlights of these concerts is the magnificent version of SOS played just by Paul on acoustic and Mark on Cello. The intro was the 1991 version and then ran into the original. The lighters came out and everyone joined in. Then the delicate Homeward Bound again just Paul in the spotlight and for the finale was the anthemic I am a Rock (I am an Iiiiiiiiiiiiiiisland), which was followed by The Boy in the Bubble - another anthem and my favourite song. I've heard it in concert twice now and the accordion opening just gets better I'm sure. Everyone was up again dancing and yelling, "These are the days." at the tops of their voices. I was pleased with the crowd; it wasn't nearly as sedate as London. We were nearing encore territory and I had been praying they would sort the problem on Vincent's guitar before The Coast but alas they didn't and the riff was lost on this evening. However it gave me a better chance to listen to Paul's acoustic part, which I never seem to be able to pick out and Mark Stewart's mandolin.

Next up Late in the Evening, which must be a Dutch favourite because it was really well received. I don't think Paul did the scatting either which is disappointing (but I could be wrong!). Steve Gadd's drum part is wonderful on this. In fact it was around this time someone at the front was chanting for Steve Gadd and Paul said, "Well, I can't argue with that" and motioned for him to stand up. The crowd applauded Steve and when he sat down Paul said "Don't you think saying stuff like that could have a bad psychological effect on the rest of the band?" Hurricane Eye is a great song and is probably my favourite off the YTO album; again Vincent's acoustic part couldn't be heard properly! I agree though that the outro is far superior to the recording. As Yoast said in the ng someone was calling for a song in a death metal voice and Paul said "well, no-one's gonna argue with that... it's a half a ton of pig-meat..." Proof was a highlight for me just the sheer power of it resonating around the building, the horn section was on top form and Jim Heinz is really good (a great replacement for Evan Ziporyn). "Somebody's gonna call you up..." no mobile phone's for that bit this time!

We were into the encores now I didn't want it to end. Paul went and picked up an electric guitar and said, "now, what shall I play?" and he began the first few chords of Slip Slidin' Away! A wonderful treat that I was not expecting. I wondered if that meant I would miss another song but no it was an extra encore! Slip Slidin' was great and everyone sang along as well I remembered Bodo saying it had been heard at the rehearsals in Munich. It makes you wonder how many songs they can actually play! Especially as they played Love and The Cool, Cool River at rehearsals that day! Mrs Robinson was next and another great version of an old song, It was the new funked up style with a bass, swirling keyboard and horn solo included. Again everyone sang along and it began to sound like a football crowd in places! Loves me like a Rock saw Mark, Jay and Vincent on backing vocals and a doo wop style with Paul leading the verses and playing acoustic. He couldn't reach to shake hands with people in the front row because of the gap between the crowd and the stage. Everyone joined in The Boxer, singing the famous verses as if they were sacred hymns and we all harmonized with Paul on the Lie-la-lies. I love the way the banjo spices the song at the moment and it seems to be faded out on the Paris DVD and Jim Heinz got another ovation for the trumpet solo. So it was the last two songs and it was two hits from the seventies. Kodachrome for which I'm still not keen on the new arrangement and would love to hear the beat and drive of the original in concert. SCAATY

finished it all off and despite the crowd screaming for him to come back and play some more, they were off and away and the roadies began packing fro Berlin the next day.

It seemed to take ages to get out of the building, but once we did we made our way round to the stage door where I saw Nicolas with a few other ampsters and another guitar to be signed! He didn't recognise me of course because he's never seen me on a DVD! I couldn't speak Nicolas I was over the other side of that barrier at the first door we waited at. Anyway Paul didn' t materialise and everyone moved to another door around the back of the arena where Steve Shehan was signing autographs. There was a big scrum and I began to push my way in to get a glimpse of Paul if he should come out. He appeared and there was a huge cheer, a lot of applause and camera flashes went off, it was like we were the paparazzi and I felt like it too as I lifted my camera above my head and began snapping away. I hope the photos come out well! As the crowd surged Paul said, "Move back! Move back! I don't want anyone to get hurt". I couldn't believe how close I was as I pushed to the front of the barrier and I was practically face to face with him. He began signing stuff, I saw a concert in central park CD booklet, a Bridge Over Troubled Water LP and a T-Shirt get signed. I thrust my tour Programme in his direction and he took it off me and signed it in black marker pen on the back. I was absolutely lovin' it! I never thought I could get so star struck but it was all a blur. I shook his hand and said thank-you (for what I'm not sure, all the songs he's written or the concert or for signing an autograph.) He replied, "Ah, I appreciate that!" Somebody asked Paul to get Steve Gadd, to which he replied, "No, I can't get you Steve Gadd, He's too expensive!" After that he said he had to go and got on the coach. We waved the two tour buses goodbye as they left the arena for Germany and got in the taxi back to the hotel.

One amusing moment in the taxi was when Dad motioned for the driver (who didn't speak English) to wind the window down. He did so and dad thanked him in French! D'oh! So back at the hotel we went to the bar and had a few drinks, rang home to tell them all about it and when back to our rooms to sleep. I couldn't sleep though I was running on pure adrenaline and too tanked up on caffeine. I was drinking coke by the 2 bottles because they don 't do pints in Holland. In the elevator a Dutchman looked at the pile of T-Shirts I was holding and said, "You have a lot of things of Paul Simon there!" I showed him the autograph to which he was suitably impressed!

We had to be up at 6am to catch a 9:45 flight back to England. I didn't care though I was and still am on cloud 9! So after 2 planes, 2 trains, 2 Taxis, 7 T-Shirts, 15 Photographs, 1 baseball cap, a programme and an autograph later we were home and I slept all afternoon. Otherwise I would have written all this yesterday! I'm sure others can clear up any inaccuracies but I will finish how I started...what a great, great night!


Netherlands - Rotterdam - Irčne

I (born in 1979) grew up with the sound of Paul Simon. Not silent at all! Everywhere we would go by car, Paul sang his marvelous songs. And he still does.
My parents visited a show in Ahoy Rotterdam, I cannot exactly remember which one and when it was. But after hearing their enthusiastic stories I promissed myself one thing: when I was big and Paul came to Holland again, I wanted to see and hear him myself live. That day came on july 11th 2002. It´s already 5 five years ago, but I still think back on that day a lot. It was just as magic as I always imagined and hoped it would be.
Paul, your BIG! Thank you. Irčne


Switzerland - Montreux - Mandy



Montreux is a very expensive and crowded city. We (Bodo and me) arrived at Sunday in the morning (about 1 o'clock). We knew or at least expected that the Paul Simon band arrived this morning. So we walked through the city to find the buses, one of the band members or even Paul. But to be honest, we met no-one except a sound engineer (he checks the microphones) but we didn't talk to him.
The next day we met Nicolas, Choku and another japanese fan in our youth hostel. After a short talk they took a bus and drove to the stravinski auditorium were the concert should take place. Bodo and me arrived a bit later cause we couldn't find a free parking place for our car. We waited with the other fans till 2 p.m. in front of the stravinski auditorium until we were allowed to go inside. The concert should start at half past eight so Bodo and me decided to go eating something.

We returned around 4 p.m. and had to wait till 7 p.m. when they opened the entrance. Bodo and me got into trouble with a fan, he feared not to reach the first row and wanted Bodo to leave his guitar and bag outside and not to check it because it would take too long. So I decided to take it to the vestiaire. Though Bodo and me were among the first and ran up the stairs up to 3rd floor as if we were crazy ;-). We expected to ran into the hall but aigan the doors were closed. So we had to wait another 3/4 hours, and around 8 they opened the doors - our last barrier to the concert. Again we ran to get the best places but to our disappointement an uncountless number of security sat in the first row on the ground. I guess they took the job just because of the Paul Simon concert - the way Nicolas did. He was even allowed to go backstage and eat with some of the band members (Jim and Alain) and as he toldus later he had a few seconds lasting conversation with Paul. So we had to be satisfied with sitting in the second row - but we sat/stood in front of Vincent. With the time the auditorium filled and finally the concert started with a delay of half an hour - it is true that on the screens for the balconies Bugs Bunny films were shown in the meantime. The atmosphere was nice, right from the beginning the concert seemed to be more personal than in Rome, because just around 2500 were present. The only thing that enoyed me were the cameras everywhere. One on the left and one of the right side, some behind us (but not disturbing) and a few on the stage. Well, another thing - the photographer, but they disappeared after the fourth song (which is though rather long). The music of 'Bridge over troubled water could be heard' and finally the musicians and Paul arrived. The normal setlist followed (I will shorten this - it's always the same).
Jim Haynes, the trumpet player took a glance at Bodo and me during a song and even Bakithi seemed to recognize us. I'm not sure about theother musicians


Once when a camera stood right in front of me and I couldn't really see Paul it seemed as if he looked at me in compassion or at least with saying "C'est la vie". But during 'That was your mother' while singing "Cath a little bit of those Cajun girls" he pointed at me, rather long in my opinion. I look at him in disbelief and he just seemed to say "Yes, I meant you!" I know that he always points at a girl in the first row who's dancing, but though it was a special moment for me. When 'Diamonds' began I took the T-shirt Bodo and me had brought with us for Bakithi and showed it to him. Then we both held it, Paul and also Bakithi (I don't know about the other band members) saw it. But Bakithi didn't take it. So after his bass solo of 'You can call me Al' he took a few steps forward to us and I took the T-shirt, jumped over the securities sitting on the ground and ran to the stage. Another security guy came running up to me but didn't do anything. Next to me I saw a man on his knees who had given Paul some very little flowers and a paper.

Now Paul looked at me and expected me to give him the T-shirt, he was just two meters away from me and I threw the T-shirt to Bakithi who was around 5 meters away. He fortunately catched it and grinned, I think he didn't expect THIS. Paul now looked at me and at the T-shirt, he seemed to be very surprised, maybe a little bit disappointed, but amused and astonished and I think it was okay for him not to get the T-shirt.

During 'The boy in the bubble' we were allowed to stand up, but it was very hard for me and Bodo to get in the first row. Because nearly in front of me was the camera and the security guy didn't want me to stand in front of it. So I had a great fight with him for about two songs but then I reached the stage and got my first row place. Bodo unfortunately didn't manage it but had a great view though.
During the following songs Paul looked a few times at me but it was nicer to look at Bakithi cause he was making jokes from time to time. When Paul shook hands for the first time he also took mine and said rather quiet to me "Bakithi Kumalo fan". I guess he was a bit confused that I wanted him to shake my hand when I don't have a present for him but for Bakithi. But he was not angry as I found out because he gave me his hand another time and smiled the same smile.

During 'Proof' Choku threw his cell phone to Paul but he didn't catched it but tried to. As he took it from the ground another fan gave him a kind of green plastic figure which had a lamp in the had you can switch on when pressing a buttom. Paul found out how it worked and played with it. Evenly he pressed the buttom and the lamp switched on. When he sang "Some people gonna call you up and tell you something that you already know" he sang into the cell phone and recognized the picture (was a picture of him on the screen) and with a very high voice (sounded child-like) he sang into the figure. Then he through the cell phone back and held the figure under his T-shirt and switched it on and off. This was the funniest moment I've ever been through with Paul Simon. Everybody was just laughing!! *g*

During the next song, 'Mrs. Robinson' Paul's son Adrian, whcih was standing just on the side of the stage before played with Jamey Haddad percussion. When Paul played The Boxer his son Harper was with him. It was the same as in Rome, you couldn't really hear him, just very very hardly. But Paul introduced him this time. After this song Vincent appeared and I asked him to give me a plectron which laid on the ground, he handed it to me, but wasn't very friendly - but not unfriendly too. A few songs before I wanted to ask him to give me the plectron of Paul which laid on the ground but Vincent didn't hear me and so, maybe for reasons of saving money a techniciens put it back on the microphone. But later Paul gave exactly this plectron to someone in the crowd - not to me, cause to us he said, he needs it. But well, maybe he changed his mind when he saw the other fans ;) Standing in the first row I could take a glance at the setlist from Vincent that was picked on the ground. The first song was 'Graceland', then 'You're' the one and the other songs. I don't know why 'Bridge' wasn't mentioned there. Funny were the abbreviations the band used, nearly the same as used from fans, '50 ways', 'SOS', 'Mother' ('That was your mother'), 'Me and Julio', 'Diamonds', 'Al', '...' . What I didn't understand was the right half of the paper, behind several songs the name of a few band members were written, even Vincent's name, though it was his setlist...

During the last song, Still crazy, Bodo and me went out of the auditorium, catched his guitar and went to the buses and the exit. There we waited till some musicians arrived. Jim Haynes came up to us, he remembered our names, introduced his wife and we talked with him. Even he said that Paul was really surprised when he didn't get the T-shirt but Bakithi and he praised me for my good throw. Then he had to leave. The other musicians walked pass us, but we didn't spoke with them (Jay Ashby, Andy Snitzer). Suddenly Tony asked us from out of a window maybe from the third floor if we wait for Vincent. We weren't sure whether he spoke with us but well, we said yes.

We were a group of about 15 people (photo!!) who waited to see Paul. We played and sang '50 ways' and 'Me & Julio' when Bodo went away to check the other exit. There he saw the son of Paul, Adrian, he was about to talk to him till he finally recognized the man standing next to him who was nobody less than Paul!! He came back running, took his guitar from Nicolas and ran back to the bus, he really managed to catch Paul and he signed his guitar. The security guys were extremely unfriendly, I just could take one photograph and so Bodo was the only one that evening who got an autograph of Paul. The other fans were of course a bit disappointed. The next one we met was Jamey Haddad. Bodo spoke for short with him "Be careful that Adrian does not take your job!" and Jamey answered smiling "It wouldn't be the first son ..."

Suddenly Tony walked passed us but really didn't care for us, so I ran after him and ask him whether he would sign on my T-shirt and he did so. We had a short talk with him and then the buses left. We fans walked into the auditorium, took some photos of us and then some went home, some went to drink something.
A wonderful evening was over, but what nobodoy knew to this time and even we were not sure about it, Bodo and me got backstage passes for Berlin! It was one of the greatest evenings in my life.

Mandy


Switzerland - Montreux - James Keen

Gosh - what an amazing show last night. I'm back in London now, so have had time to collect my thoughts and reflect on just how good it was. I went to Switzerland to take my father, who lives there (about an hour's drive away). On a personal note, when I was an impressionable teenager, I guess around 13 or 14, Graceland came out and nothing (before or since) made a greater impression on me than that album. It was my father who first bought it and played it (mostly and repeatedly in his car) and since then we have spent a lot of time listening to his music and watching his concert videos. It was therefore a real thrill to take him last night to see Paul Simon live for the first time. My younger brother (also a big fan) was also staying with him at the time, and I must thank Nicolas again for having a spare ticket which I bought from him so another member of my family could experience such a wonderful event.

Anyway, back to the show...

The Auditorium Stravinski is quite small and although there was plenty of room downstairs to stand I was pleased to have a comfortable seat dead-centre in the balcony (which is small, can't hold more than 700 people, and therefore feels very much like being at the back). There are two screens either side although the quality of the image was poor.

The show eventually started just after 9pm. I have to say there was a certain amount of frustration building in the audience about the delay before he came on - some 35 mins - which wasn't helped by the organisers briefly turning on/off the house lights, nor having episodes of Bugs Bunny (I'm NOT JOKING!) being played on the screens. What was that about? Anyway, The Sound of 'Bridge' (as it were) started the 2-hour show which was absolutely wonderful. He played every hit song I could think of, and more. The band are phenomenal and are exactly the same line-up as a couple of years ago, so it's not surprising they clearly know what they are doing and work so well together. Clearly, they are all incredible musicians, but I thi nk Mark Stewart is almost in a league of his own (with Steve Gadd).

It was great to see Paul switch between International/World Music guru, to folk singer/songwriter, and at one point in doing I Am A Rock starting with the latter and moving into the former. I don't think Paul could have made more of an effort to perform, and he looked like he was enjoying every second. When Festival Organiser Claude Nobs came on at the end to embrace Paul and tell the audience how much of a thrill it was that Paul Simon came to Montreux, the feeling seemed to be reciprocated by Paul and the crowd alike.

This show is shorter than his last European tour in 2000, but without having to promote You're The One (he only played 3 songs from it: YTO, Hurricane Eye - the ending of which now is far superior to the album version - and The Teacher) we got more variety. To hear so much S&G stuff, particularly their greatest songs namely Bridge Over Troubled Water, The Sound Of Silence, The Boxer, I Am A Rock, Mrs Robinson, and Homeward Bound was fantastic. He did 5 songs from the greatest-album-ever-made-ever (in my opinion) Graceland: the title track, The Boy In The Bubble, You Can Call Me Al, Diamonds On The Soles Of Her Shoes, and That Was Your Mother. He did a number from ROTS: Spirit Voices, The Coast & Proof. Actually, it looked as though Vincent Nguini was struggling to pick the rhythm at the start of both the first 2 songs before finally getting it and the band joining him, or was it just me?

I haven't seen Bakhito Kumalo do a jig at the front of the stage before, but it was another moment of excitement and pleasure. I would add at this point that I don't think anything in a Paul Simon concert can be called "spontaneous" with every beat and the song order having been worked out well in advance! That has it's advantages, clearly, but I suspect the same concert is being played everywhere which will remove the element of surprise to anyone reading any review that lists the song order. Sorry...

At one point during Proof Paul did take from the audience a green flashing light-thing (?) and a plastic phone to imitate to when singing "Somebody calls you up..." which looked spontaneous, but I suspect he'd done it before! Harper Simon came out for The Boxer, although he looked distinctly uncomfortable, whereas another of Paul's very young sons was moving around the band, playing percussion with Jamey Haddad at one point, and being on Tony Cedras's shoulders at another. He seemed to be having a lot of fun and it was really sweet. Plus, he looks like a mini-Paul which is eerie.

Back to songs, I also liked the 70's choices being just what every die-hard Paul Simon fan would want: Loves Me Like A Rock, Me & Julio Down By The Schoolyard (grungy electric guitar playing from Paul), 50 Ways To Leave Your Lover (it's such a joy to see Steve Gadd come out behind the drums because he is the god of all things rhythmic!), Kodachrome (the new arrangement of which he's sorted because I thought he'd massacred it last outing) and, the final encore, Still Crazy After All These Years.

My father's favourite song is Late In The Evening, so I was delighted with his perfect rendition of this number, and it made the event all the more special.

So, that was Montreux. Couldn't have been better (give or take the delay & cartoons!), and whoever else sees him in Europe this Summer will not find him performing better, or with a better selection of songs.

I'll catch up with him in Liverpool and Edinburgh, and might see some of you there.

Take care

James


Italy - Lucca - Guido Lingua and Nathalie Gertsch



"The most critical reader of all, myself, now finds many defects, minor and major, but being fortunately under no obligation either to review the book or to write it again, he will pass over these in silence, except one that has been noted by others: the book is too short". JRR Tolkien, from the Foreword to the 2nd edition of The Lord of the Rings.

As for the famous book above mentioned, one thing a real fan can say about the concert is this: the show is too short. Let's be clear, it lasts almost two hours, which is a honest time; but it would be very easy and pleasant remaining there, listening to Paul and his band, all night long.



Imagine you're visiting a very beautiful place: lovely cities full of art and history, in the middle of sweet hills, few kilometers away from the sea. Wonderful monuments, angels in the architecture, spinning in infinity... Imagine you are doing this with people who are dear to your heart. Imagine it is summer and it's lovely walking in a mild evening. Imagine that at the end of a day like this you can meet some lovely people from all over the world and you go to a concert by one of the greatest musicians of this time. Your eyes still full of beauty, and beauty will now reach your ears too.
This is what we have experienced in Lucca, after a marvellous visit to Pisa during the day, this is the story of a wonderful night, the powerful pulsing of love in our veins, these are the roots of rhythm and the roots of rhythm remain.

Here is the chronicle of the event.

After a light and fast (but nice) dinner, we decide it's time to reach the "Piazza Napoleone" where the concert will take place. We saw Nicolas and Paolo in the afternoon and they adviced us not to be too late if we wanted to have the best seats (the concert is supposed to start at 9:30) but in any case, if they arrive before us, they'll keep 2 seats for us (always so nice!). The rain that had refreshed the hot atmosphere of the afternoon has stopped and the weather is perfect for this outdoor concert in such a lovely place. Before dinner, we had taken a look at the stage and Paul was having the sound check with his band.
At 7:30, the security closes the square and we are a bit disappointed when we reach the gates : it's already so crowded in front of us ! We won't have the best seats even if we run fast.
About 15 mn later, while the crowd becomes more and more pressing, they open the doors and we run towards the stage. We can see Nicolas and he's calling us : he has kept 2 saets for us, 1st row, just in the middle, in front of Paul's microphone ! We can't believe it. Smartest fans in the world have gathered in Lucca, from all over the world. Italian fans (Katia, Claudio, Alessia, Paolo & Ilaria) and others from France (Nicolas), Spain (a large part of the crew of The Sound of Simon). You can hear many languages.



The concerts starts at 9:35. Paul is just in front of us and the security, luckily, is very quiet. We've planned to reach the stage some minutes later. During Graceland we try to stand up and dance but some people behind us complain (some one pulls Guido by his backpack to force him to sit down). Many people take some pics and in front of the stage, a little blond-haired boy films the show: it's Adrian (a man from the security approaches him and tells him that it's forbidden... he replies that it's his dad!!! LOL!). The sound is good and the lights are great with just a funny incident during Proof: all the lights suddenly stop, the security arrives and keep an eye on the audiance (we are all standing now in front of the stage), but Paul keeps singing, asking us to light our lighters: it's not the classic slow love ballad were lighters are switched on, but the effect is great all the same! :-) He seems to have alot of fun during all the show : he's dancing, smiling, joking, throwing water on us. He thanks the audience many times recognizing Nicolas and Paolo. The musicians are excellent too and seem so happy to play. They transfer joy to the audience and it's areal party. This time, no mistake at all: the show is perfect. From time to time, Adrian comes on stage to play the percussions or to dance and on the Boxer, we have the lovely surprise to see Harper playing the guitar and singing with his dad. The audience is very warm, singing, dancing and between the diffrent encores, everybody sings "lie-la-lie" from the Boxer : it's wonderful ! 2 hours later and after 2 encores, the show is over. We spend some time all together and we decide to try to see Paul coming out. We reach the door of a building behind the stage, guarded by many men of the security. Then, a van comes out with dark glasses : it's him but we can't see anything. Immeditiately behind, 2 other vans (with open windows) with the musicians pass in front of us : we congratulate them. They laugh and say "bye". And for us too it's time to go back to the hotel.

For the guitar people, we can add a little detail to know more about Paul's gear. The modified Fender Stratocaster (shown in the booklet of "You're the one") has only one pick up, the central one. This one should be, from what could be seen, a humbucker with the shape of a single coil. Also, Paul was in great shape as a guitar player.

The highlight of the night, as performance, was probably "The boy in the bubble". Apart of this, a real gem is the arrangement of "I am a rock". It's vibrant and full of energy, lively and powerful, there is perfect match between lyrics and music. It sounds new and fresh, but perfectly in the mood of the time when it was written.
An other very interesting arrangement is that used for "Mrs. Robinson", which is one of the new songs in comparison with the 2000 tour. On the country-like rhythm set up by drums and bass, South America sounding percussions are grafted, and droplets of blues are added. Above this all there is the guitar playing of Vincent Nguini, decorating and enriching the song with extraordinary beauty. The process reminds the building of Graceland (the song) where US music was mingled with exotic flavours. I (Guido) still prefer the original version (more "nervous"), but this arrangement is symbolic of the entire show project: a trip back home, for Simon, a return to the roots without forgetting all the things he has seen and met travelling so far and so long (and this might explain the exclusion of some songs). And indeed, Simon seems to be finally in peace with himself and his past. This is testified by the choice of the songs in the last two years: never in a solo tour since 1983 he has played so many songs from the S&G time, especially considering the large number of songs now available (in 2000 and 2002: Bridge over troubled water, The boxer, Old friends, Mrs. Robinson, I am a rock, Homeward bound, The sound of Silence). The mix of US music and music of the world is also testified by the choice of the musicians (apart from their absolute value: but Simon might have chosen othe musicians, with comparable high skills; in my opinion he wanted exactly these musicians, for the sound project he had in his mind). The rhythm section includes Steve Gadd (US) and Bakhiti Kumalo (South Africa), keyboards are played by Tony Cedras (SA, and not Louisiana, as Simon pretends during the show, LOL!) and Alain Mallet (the only European one!); the introduction of trombone (great Jay Ashby) is probably due to the influence of the Capeman, as this instrument is very common in Central America music, and it represents, together with the use of cello, one of the biggest news in comparison with previous tours (before 2000). But Paul's music is mainly guitar music, and the choice of the guitar players is very clear: US (Mark Stewart, who looks like a Scottish highlander with his long red-blonde hair and plays electric and acoustic guitars and all the instruments from the "white" music: cello, mandolin and banjo) and Africa (Vincent Nguini from the Cameroon). This plan of Simon, this return back home with his suitcase full of sounds met around the world, has been Simon's work since 1999. During the tour with Dylan, the two performed songs by some of the most prominent American songwriters (e.g. "I walk the line"). It's impossible to say if this gave him the idea, or if the project was already there and playing those songs was already part of the plan (but this is one of the questions I'd like to ask him). During that tour, Simon (in addition to test himself and check if he was still able to keep the stage for two hours) built up his band, built up the sound of the following album. Having learnt his lesson from "Hearts and bones" (in an interview with Paul Zollo, at the time of "The rhythm of the saints" he said that he was convinced that the failure of "Hearts and bones" was due to the fact that he didn't have a band at the time, although the musicians involved were very good - and he added that he would never do that mistake again, spoiling very good songs with a bad production).

The tour has been in the news quite a bit, here in Italy (more than in 2000, actually). The most stupid things have been said and written. First of all, Italian journalist seem unable to mention the name "Simon" without talking of Garfunkel and of nostaly. Then it has been said that Paul had retired (and this is true, according to an interview given by Paul to the Sunday Telegraph, in 1997) and that he was rescued to "active" music by Bob Dylan, "his long time friend (????) called him on the phone and wanted him to tour together and gave him back to us all" (and, as far as I know, this is completely false... Paul and Bob have not been exactly "long time friends" - I can remember several harsh comments by Paul; nor it was Dylan to give back Simon to active music, but Paul himself, I guess - It's true, however, that Dylan always showed a great consideration for Paul's work, and Simon is one of the few other songwriters chosen by Dylan for singing: he recorded "The boxer" and played live "Homeward bound" and "The boy in the bubble"). Also, on Italian newspapers it was written that Paul's choice to sing again songs from the Simon and Garfunkel time was due to the 11th September... and I can hardly imagine something more stupid (and actually, many songs were already performed during the 2000 tour, one year before those events!).


Italy - Rome - Bodo

Hello to everyone! I'm just back now from a 3 concert tour, Rome-Montreux-Berlin and will try to write down the most important things I can remember.
After our first show in Munich I was surprised how relaxed Paul is this year, and didn't think that he can top that, but I was wrong because Rome was thrilling.

We arrived there at 6:20 in the morning by train and had our breakfast at the Mc Donalds at Roma Termini station. Paolo and Nicolas should both arrive at about 9:30 but the only one who came was Paolo - Nicolas' train had something typical 'Italian' which no one can describe or explain, and so he arrived at 12:30.

We went immediately to the Villa Borghese and after we've found the stage we were a little bit surprised - the first fan's were already sitting there under some trees. It was Michail a 23 year old girl from Israel and 2 older friends (I first thought maybe here parents, but they were only friends of her) who had seen Paul also in Israel 1978. They came by plane to Rome only to see Paul this day, and so they've been waiting there since 10 in the morning. We were happy that we aren't the craziest. ;-). We also took place in the shade under the trees and ate some fruits and thanks to Paolo some italian specialities

In the afternoon we spoke a little bit with one of Paul's crew member who is the chief of merchandising. He was surprised about the T-shirts I and Mandy were wearing (he maybe thought they were from another dealer who doesn't have the right to sell them) and we explained that they are self-made.

Between 4 and 5 more fan's came and we decided to reservate our front row places. We had luck, because a few minutes later the band came and did their rehearsal for the show. It was only the band without Paul and they did 7 or 8 songs (Kodachrome, Loves me like a rock,...). Mark was singing lead vocals, but only the first words of every verse. Bakithi remembered us from the first show in Munich and showed me that I should come to the side of the stage to talk with him. He asked me and Mandy where we got these T-shirts and that he also wants to have one of these. I said that I could give him one in Montreux or Berlin and that I'll maybe get a backstage pass so that we could speak after the concert.

Then we had to wait again for about 3 hours until the show started. Paolo really got 'Guest' passes for us, but it was sad that they weren't worth a lot. People with these passes only could stand at the side of the stage in front of the speakers, so finally we didn't use them.
About 10 minutes before the show started Jim Haynes the trumpet player suddenly stood in the front row behind the fence. Nobody knew him there, but then he saw me and walked to us. We had a short chat about his free day in Rome and the concert in Brescia. What a nice guy!

The show started at 9:45, with a politican (or whatever that man was) who was introducing Paul in a longer speech. That was nerving and we could see that Paul didn't love it very much.
He started his set again with 'Bridge', but the audience in Italy was much more lively than in Munich. They sang along with Paul every verse and began to dance when the second song 'Graceland' started. Paul was excited!!

Paul's son Adrian was again there and made a lot of pictures from the band, and also some of the fans in the first row.
Bakithi did his now very famous dance during the drum solo of 'Diamonds' and the audience was shouting louder than the drummers could play at this moment - they were only louder when they heard the first guitar chords of 'Al'. After that song he pointed to one of the spanish fans and suggested that he want's his cellphone and then he sang 'Call me Al .... Al hey Al' into it.
When they played 'The Boxer' another person with guitar came on stage taking Vincents place - but Paul didn't introduce him to the audience. It was his son Harper, but as always you couldn't hear his voice or guitar playing. He was very shy, no mimic in his face and he also didn't have a spot light. I think most of the audience didn't even recognize him. But they recognized Adrian playing on the percussion with Jamey Haddad 'Mrs. Robinson' and dancing around. He has the music-talent in his blood from his father and mother

The show ended very late this time, it was 12pm when he played the last song. After the show, we tried to walk around to the side to see some band members, but it was hopeless because about 1000 fans had the same idea - and the band went into the buses and drove away immediately to Lucca.
About the audience: It's the best one I've ever seen. Maybe because they didn't have to pay for the tickets ;-) , or because Paul never played in Rome before. The newspapers said there have been about 50.000 people, but I think that's too much. The park wasn't that big - about 150 - 200 meters away from the stage there were a lot of trees and 15 meters behind them was the fence to the street. There were 2 further areas with trees and bushes inside this place where you couldn't stand and there was also a big light & soundboard tower. I believe there was a maximum of about 20.000 people.

We were tired after the show because we couldn't sleep the night before (sorry Paolo and Nicolas) and got some sleep in Paolos car and his house. Thank you very much.
On the next day at 7:30am we drove away to Montreux... you can read our next review from this show here.

Bodo


Italy - Brescia - Guido Lingua



As you can see, the set list is more or less the same of the tour 2000. Variations include the exclusion of Old, That's where I belong, Pledging my love, American tune, Old friends, Once man's ceiling is another man's floor and The late great Johnny Ace. They are substituted by Mrs. Robinson, The sound of silence and Loves me like a rock. The first result is a significantly shorter concert. The band is the same of the previous tour and also arrangements are not different.

I beg your pardon if the following report is not perfect. These are mainly thoughts just written as they came out. I had not time for organizing them in a beautiful shape. I apologize and promise to make a
better work for the concert from Lucca. :-)



I had booked my tickets by fax directly from the organizer, D'Alessandro & Galli, payment by credit card. Going to the ticket office, they should simply give them to me, after showing the credit card. The point is that the organizer has sent the list of such tickets by courier (they didn't dare saying "express courier, luckily!) and the ticket office doesn't have the list. So they don't want to give me the tickets. After a series of phone calls they are still in trouble. I offer them the soultion: as I have booked non-numbered tickets, they should give me any two tickets and take note of my credit card number: it's a sufficient guarantee that they will be refunded if I am a liar! So I get inside quite late (8:45, the concert is due at 9). The square is divided into two by a large removable gate, separating the cheap ticket holders (standing) from the seats. Several large, steroids muscled bouncers (quite ridiculous in their self admiration) guard the gate, worried to death that some one might sneak into the sitting side of the square. The mixer is positioned exactly at the centre of the gate, excluding the stage from the view. Only on its side it's possible to look at the musicians. So, I understand the nickname of the city of Brescia, the she-lion, as we are closed in a cage.

The concert starts at 9:25, many many empty seats in the cheaper part of the sitting zone. In spite of the large empty spaces, the public is wonderful and sings and claps hands during all the songs since the beginning of the concert. Unfortunately, people sitting are not allowed to stand up and dance and go closer to the stage. and we, behind the barrier, even less. This absurd situation (which takes away every meaning to a live show, especially in an outdoor space like a square), is finally solved towards the end of the concert: during "Proof" rain starts to fall. my waterproof poncho becomes the shelter of several people singing "The boxer" in a loud voice! Finally, all the people sitting stand up, runs towards the stage; also the security opens the gate and we are able to get closer.

The highlights of the show are "Bridge over troubled water" (wonderful in this arrangement), "I am a rock" (a lot like "Like a rolling stone" by Dylan, in the kind of sounds used), "The boy in the bubble", "Graceland", "Me and Julio down by the schoolyard" and "The teacher". Some little notes: during "me and Julio" Vincent Nguini plays a riff, in the instrumental, reminding a lot of "La Bamba"; the drums and percussion solo at the end of "The boy in the bubble" is astonishing beautiful every time. The new arrangement of "Kodachrome" sounds more precise and smoother, this time: when I had heard it for the first time, two years ago, it was somehow rough - now it works better, it's softer;two albums (hearts and bones & the capeman) have completely disappeared from the set-list. The show is a very good one, with musicians of absolute value and immensely gifted. It is worth seeing it, in spite of the price. Nevertheless, I had the overall feeling that the songs have not been practised too much. There were several when the musicians seemed to hesitate and a very bad mistake at the beginning of "50 ways": Alain Mallet didn't start playing and all the musicians stopped, except Paul and Gadd. For sure this kind of problem will disappear as the tour goes on.
The arrangement of "The sound of silence" was pleasant. The guitar part is that played live in Central Park 1991, but played with an acoustic guitar. The cello perfectly joins the guitar and Paul's voice.

I must also say that, personally, having seen the shows in 2000, I am a bit disappointed. I would have hoped in some novelties and some "rarities" or gifts in the set list. On the contrary, Paul has taken away all the unusual songs (like "On man's ceiling" or "Pledging my love") and has substituted them with the "safest" songs, like "Mrs. Robinson" and "The sound of silence". It seems a bit that he wanted to make the "average" listener happy, or that he wanted to fish for compliments. My very personal idea is that he could have played this songs AND some special too: a song from the Capeman, something rarely used live from One Trick Pony, some other song from the period between 1970 and 1983: it would have been a surprise and a gift for the hard core fans. Also, I don't really understand the exclusion of songs like "That's were I belong".

About the band, I wish to underline the extraordinary power of the horn players, simply wonderful, and of the percussionists. During "Mrs Robinson" a child, who according to his size might well be Adrian Simon, joined Jamie Haddad on percussion. He played with a lot of fun, perfectly on time. He was not introduced to the public (and not everyone noticed him). The sound quality was very good in the back of the square (cheapest tickets), close to the mixer. When I moved closer to the stage, the quality was less good. At the end of the show Paul thanked the public several time bowing and putting hands on his chest. He also thanked the public for remaining to the concert in spite of the rain. Well, that's worth an extra encore! LOL!
For those interested to these details, Paul was wearing a very simple olive green t-shirt, blue jeans, black cap, black shoes. No news about the rest, please ask Edie about his underwear! LOL!

Finally a notation on instruments. No variations about them (same guitars used during the previous tours), except for Vincent Nguini (much thinner than I remembered him: acutally, at the beginning I could not recongnize him as he was also wearing a cap. He used to play Gibson guitars, last night he played with some Fender (or Fender-like) too.


More comments after the concert in Lucca, of which I will report too.


Germany - Munich - Bodo



I was a little bit late when I arrived at the Olympia Hall in Munich to meet Simon Murgatroyd and Gergo Barany from the NG - this maybe has something to do with a insane BMW driver - I took the wrong way and suddenly was standing in a jam :-(
I think Simon and Gergo got a little bit nervous about their tickets and Simon said that he was thinking of buying his own ones. Sorry for that.

When we came to the Hall Paul was still in the rehearsals for the show. I remember Diamonds and Proof and Simon said that he also played 'Slip sliding away'. I was happy about the pictures from Nicolas site, so I found Simon easy at the entrance. Also some minutes later Gergo came to me, but I didn't know that it was him. I was selling one of my extra tickets and Gergo began to bide for that ticket :) He maybe thought I'll sell his ticket. We waited for I think 40 minutes then also my friend Roman came with 2 other guys. As I didn't find Mauro Regis anywhere we decided to go into the Hall at 20:15.


The security was realy hard this time. They checked nearly everything!! So I brought back some of my more expensive and maybe disastrous equipment to the car ;-) But I still had my camera and my cellphone.



Before the show started I checked the souvenire shop, but I must say that it's a little bit lousy this year what they sell. I didn't like the shirts, they look very cheap IMO and I also didn't buy the last years 2001 program booklet...10 Euro for 2 double sides is too much.

So now we come to the main program:
Paul started his set at 21:15, 15 minutes later but that's ok. The Hall wasn't sold out, I guess about 6000 - 7000 came, but this is one of the bigger events in Europe this year.


My seat at the first row wasn't thrilling because the stage is very small -so my seat wasn't in front of Vincent - it was in front of some boxes on the side. We also could see the soundboard on the side, and I envied a young boy who was standing there on the stage (maybe with his father) and could take some pictures.


Then the band came out, and at least Paul. I heard the first notes and thought he will start with TWIB, but then after a few chord's I realized it was Bridge over troubled waters. Paul was wearing his orange T-shirt and a blue jean, his cap was black this time. He looked very relaxed and had a brown complexion, maybe he just came back from vacation.


He played the new 1999 Bridge version, and at this time I thought he will play a completely other set. I was happy :) But the he went into Graceland, and YTO followed so I realised it would be the same set as everywhere, but maybe with some changes later?


The band played very well (as always) only at some songs it seemed as if they haven't been clear about when starting the next song, or as if they are a little bit out of 'touring'. But that's clear, it's the first show of the tour. At 'That was your mother' Tony started playing the accordeon and stopped, because no one followed playing with him ;)


The first surprise for me was 'Me and Julio' where Vincent played some new guitar riffs and when it came to Andy to play the fluete - there was Jim Heinz doing this passage by whistling. That was really a great moment, everyone in the audience liked it and Jim got a big applause.


During the drumm solo at Diamonds Bakhithi was dancing so great - he also wanted Vincent to dance but he run away ;-) ) . The security was horrible again. A guy was sitting direct in front of me and gave me a shove back to my seat when I tried to dance. But the people at row 3 and behind were all dancing. I took a sheet of paper from Simon and wrote 'We will dance' onto it and showed it to Paul. He was reading it from the distance - but didn't react on it.


Then he went into his slower set, starting with SOS and the audience calmed down a little bit. I asked the security guy in front of me if I'm allowed
to give Paul my cellphone during Proof, but he only said that he doesn't know and the will discuss that.....mpf. :-( At this time I was a little bit depressed, because the security destroyed the show for me - then suddenly 3, 4 security persons went away, and a few seconds later about 15 new guys came back. I thought they got scared from the dancing people and increased the security.

But then a lot of people from behind began to ran to the stage - I reacted very fast and jumped up from my seat to the center in front of the stage. Now I was standing between Paul and Vincent, a great place where I could see Paul very close and also a lot of the band members. It was fantastic. The sound changed totally, because I had Vincents box in front of me - so I heard his guitar playing, and I didn't hear Pauls voice trough the micro, I heard him directly. It was pure fun. I also saw the young boy again, he was sitting between the drum's of Gadd and Haddad. Later he also came up to Haddad and played a little bit percussion with him. So I maybe it's Haddad's son? I had a lot of gesture-conversation with some band members and also with the young boy. I showed to Bakhithi that he should dance again and he smiled to me and danced a little bit. Later at the encores Bakhithi wanted the young boy to come onto the stage, but he was too shy. Bakhiti tried to gave him his bass and he should play, very funny. I also gestured him to come on the stage but he only smiled and shaked his head.


When the band came back for the 3th encore (and they gave 4!!) Vincent looked at me a moment and I pointed at his guitar pics if he could give me one. He gave it into my hand from the stage, great moment. I also could shake Paul's hand for 2 times when he went out, and one time he came back for the last encore he was walking very close to me and looked down - then I shouted "Bernadette, play Bernadette, Bernadette" :-) But he was only smiling.


The last encore was Proof and I knewed that this was my chance. I missed the first 2 refrains, because Paul didn't take the micro and wandering around. So during Vincent's solo I showed Paul the cellphone and then he understood. He came and took it, then he sung the last verse (throwing my phone a little bit from his left to right and left hand) and at the last refrain he sang into it ;-) Then he came back and gave it to me.... wow.

After the show was over we went out, no idea where we should go. Ah yes, Vincent realized that Simon Murgatroyd was there and he knew's him from London and NY from the last tours. So he pointed at him at one of the last encores and showed him that they should meet outside.


We walked around the Olympiahalle and then I saw Vincent walking out of the back entrance. So I run to him and asked him to sign my ROTS LP. I thought he would love to sign this LP, because he had a lot of influence on it, and so he did. He is a very nice but also quiet guy, so I didn't have a lot of conversation with him. I saw Bakhithi, making some jokes with a couple of young women and also went to him for a signature. He said that he gave up signing 15 years ago :-) But he was in a really good mood and I could persuade him to sign it. Then he also signed the T-shirt of my gf.
Suddenly Jim, Alain and Andy came out and I begun to take some pictures of them. I spoke a little bit with Bakhithi, about his dancing during Diamonds..and he was joking abouth that he's so fat ;-) He was so funny. I asked him who the small boy was, sitting behind him all the show, and he said it's Adrian - PAUL's SON... wow ;-)

Then I spoke a little bit with Alain and Mr Haddad. Alain was plaing his YCCMA solo all the time on a small instrument (can't say what it was) and was dancing around a little bit. I asked him if he could speak with Paul and tell him to play Bernadette ;-) And he said: Oh, we don't speak with Paul -- smile" " But then he asked when I'll come again - I said Rome, Montreux and Berlin. So maybe the'll play it ;-)

Jim Haynes was playing with a baseball all the time, throw it into the air and catch it a.s.o. and I took a picture of him and cried 'Homerun' :-) Then I spoke with him, and I have to say he's the kindiest member of the band. He was so happy when I asked him to signature the LP. We spoke about his whistle during M & J and how fascinating this moment was for him. The he asked for my name, and where I come from. I showed him my "Limegreen Lizard" T-shirt and explained it. And he was very surprised when I said "See you in Rome" I had a long talk with him, and hope I meet him again at one of the shows.


But then I saw Adrian and I couldn't resist to talk to him a little bit. I came to him and said: "Hi Adrian" and he also said "Hi" I showed him my LP, and I asked him a little bit joking - Have you ever signed something (I didn't want him to sign it, it was just because he saw that I asked everyone else from the band before) He was just smiling and said :" No,..no I can't .... I can't sign "


At last Paul came out. A strange situation - only a few fans where here (about 15 - 20) and Paul had about 8 -10 security guys . We all had to stand in a row and wait. Paul signed some souvenirs, and I wanted him to sign my phone. My gf got a signature at here T-shirt, but then they said they have to go now and went to the bus ...aaaah I couldn't believe that I didn't got my signature. I went with them to the bus. Paul with 8 security persons around him. Then at the bus-door I had the chance to ask him again, but he only had a short look for me and said:" Sorry, I have to go"

They drove with the busses during the night to Brescia. And then I realized that if they drive to Brescia the will have the same route then we. I had to drive a little bit fast, because they had a big margin. After 40 minutes we catched the busses on the highway ;-) I was overtaking them very slow, and we made some pictures. My gf said that she saw Andy Snitzer sitting at one window. Then I waved them out of my window and the buss switched on the light to full beam for a short moment :)


I hope to meet them again all in Rome :)


USA / Pennsylvania - Hershey - weekly.com

Paul Simon has entered the new millennium in the same fashion as he left the old one ´“ a legend, a genius and a bona fide first-class entertainer. And when his tour bus came into town on July 17 for his show with Brian Wilson at Hersheypark´s Star Pavilion, he brought all of his accolades with him. And his songs.

Opening up with ´That´s Where I Belong´ from the new album, You´re The One (the title-song of which he also played), Simon razzled, dazzled and repeatedly brought the near capacity crowd to their feet, with hits spanning his impressive fifty-plus year career. The play list ran like a who´s who of great pop songs: ´Late In The Evening´ ´The Boxer,´ ´Me and Julio Down By The Schoolyard,´ ´You Can Call Me Al,´ ´Still Crazy After All These Years,´ it goes on.

Bringing an 11 piece band of singularly phenomenal musicians, Simon showed the house just how strong his foundations are by recreating, rearranging and reinterpreting his songs, sometimes shuffling up the beat, sometimes playing up the rhythm ´“ and through it all, each song not only became itself but also unfolded like a rose and every bit as beautifully. Change-ups of ´Kodachrome,´ ´Mrs. Robinson,´ and ´Cecilia´ all treated the audience by allowing them to hear old favorites renewed, and with rewards just as sweet.

The songs from his new album really came alive and showed themselves for the first time as keeping good company with the others. And while certain renderings recalled the folk singer-songwriter of Simon and Garfunkle fame (´Homeward Bound,´ ´The Sounds of Silence´) other weren´t afraid to rock out, (´Proof,´ ´Loves Me Like A Rock´). Still others held the world-beat examples that pointed him as the leader of world-beat in the 80´s, such as his mega-hit ´Graceland´ played here to perfection. In-between it all, Simon entertained the crowd with laid-back interactions and off-the-cuff stage banter.

Before the show, the forecasters were predicting rain but even the skies couldn´t resist holding out for Paul Simon. All in all, a five star show at the Star Pavilion.


USA / New York - Saratoga Springs - Joey Berger

Paul was in great form in Saratoga Sunday night. He was looser and sounded better than Iīve ever heard him before, including the Beacon shows last year. His singing has also gotten actually better - the songs of this tour have matured nicely, with subtle but interesting alterations, especially in Paulīs phrasing.

The Saratoga Performing Arts Centre is nestled in the woods of the Saratoga Spa State Park about five miles south of Saratoga Springs. It would be lovely to take in a day in the park, perhaps picnicing or checking out some of the geysers that supposedly pop up from time to time. The $5 entrance fee to the park (which you have to pay even if only to drive through) kind of sours your mood, though. Ahh suburbia - where you need a vehicle to go to the park.


Joined by our trusty driver, Wilkie, myself and the gang managed to avert a parking disaster as the seven pm approached. Wilkie did a greta job sneaking us into the front of the miles-long line to get into the free parking before we decided to go back to the park, pay our $5 and sneak into the back of the venue. The poor souls who werenīt as clever as Wilkie probably missed all of Brian Wilsonīs set, waiting to find a parking spot. The folks who run the SPAC should get their heads together and figure out a way to solve the parking nightmare.


We wound up missing the first few songs of Brian Wilsonīs 75 minute set. I could hear snippets of Little Girl I Once Knew and Surfer Girl as we managed to collect out tickets and navigate to our seats. The seats were great: slightly right of centre, about 20 rows back. The ambience of the amphitheatre is alright, though it feels a little out of place in the middle of the woods. The sound was good and the hanging balcony meant that even the lawn was close to the stage.


The first half of Wilsonīs set consisted of some classic Beach Boy tunes and some slower, lesser-known numbers. I am working my way through the Roxy CD, so it wasnīt all new, though he did perform a new song. Some of Brianīs shtick is a little too much - the cigarette lighter joke, for instance. After a couple of instrumentals, during which an unenthusiastic Wilson turned his back to the audience, slumping in his chair (Simonīs Tai-Chi moves during The Teacher & dancing during the drum coda of Diamonds on the Soles of her Shoes would be a strong contrast to Wilsonīs depressing stage presence), Brian strung together a bunch of peppy, sing-along Beach Boy tunes that everybody know. He got the crowd up (and wouldnīt let them sit - yelling in between songs īDonīt sit down! Donīt sit down!ī) and dancing and we had a blast.


It was sad to see that Brian needed teleprompters, and that his keyboard was left unused and that he barely played the bass and sat all night, but he seemed to enjoy himself. He seems to have found salvation from his torturous life in music, and god bless him. A touching moment came when Brian dedicated one of his songs to a brother of his who died tragically (either Carl or Dennis or both). He closed his set with Love & Mercy and then took off with his great big band to sign merchandise at the top of the arena.

During the break I had a chance to pick up an authentic Diamons mug (IÄ«d have bought a cool Paul Ä«65 shirt but I have too many PS shirts as it is) and got to finally meet Phil (PLap17) and his sons, who demonstrated a keen sense of musical perception for kids so young (at their age, I was, by all means, a moron). It was also great to see Cathy Friedmann again at a PS show. The three of us spent about fifteen minutes taking some pictures, speculating on the setlist and discussing the quirks of this newsgroup before the lights dimmed, and the greatest band on this planet took their spots on stage.


The Band New to this leg of the Youīre The One tour are the steady drummer Graham Hawthorne, who replaced Steve Gadd (whoīs on tour with Eric Clapton) and the whistler par extraordinaire Jim Heinz, who took Evan Ziporynīs spot and brought his trumpet with him. Heinzīs trumpet was as big and brassy as a ketchup bottle and really gave a nice high end to Paulīs horn section. Last year I missed the likes of Chris Botti or Randy Brecker at the end of The Coast or during Late In The Evening - you just need a trumpet to fill the sound and kudos to Paul for going out and getting one (and such a good trumpeter too).


The show began, like the rest of this tour, with Thatīs Where I Belong, which to me has always sounded like a ship sailing off to sea. We were in for a treat. Graceland followed with myself, my dear Sig and Wilkie getting up and boogeying. We were just about the only ones. We pretended to not hear the people yelling at us to sit and made dancinī fools of ourselves.


Youīre The One was really good. Paul has adjusted his singing to an almost total conversational tone, and really nails the verses. 50 Ways was spectacular - Alain Malletīs keyboard solo was sooo funky, and Jay Ashbyīs muted trombone at the end is such a great sound. The audience trying to sing along was cute too - you could kind of hear īem miss by about half a beat.


Ahh yes, the audience. Paulīs ode Zydeco, the music for which dancing was invented, fell on some deaf ears. We were up and moving but all around us were people who sat stiff in their chairs, despite the antics of the washboard playing Jamey Haddad (is there anything he canīt do?). For Me & Julio, a song many in the crowd probably remembered from youth, everybody was up and dancing. Strange. Repeatedly, it seemed that the boomers only really responded to songs that were 25 years old or more (a shame). Anyhow, Jim Heinz performed the whistling during Julio perfectly, getting a big ovation and a curvy blonde to wipe him down after his solo, to even bigger cheers. A very fun song.


The Teacher with paulīs ballet moves was great, though I would swapped it with Spirit Voices which followed - that groove would have bridged Me & Julio with the Teacher really well. Spirit was perhaps Paulīs best tune, with its vivid imagery and the sound of the jungle all around. This arrangement really brings the song to life, and speaks for the whole evening - īsome stories are magical, they are meant to be sung,ī as Paul put it that night. The horn coda is a spectacular bit of arranging.


A dragged out a cappella introduction to Diamonds followed by four minutes of carefree afropop, three minutes of intense percussion from masters Steve Shehan and Jamey Haddad and the rock-steady Graham Hawthorne, and five minutes of Call Me Al-robics. The crowd was pumped, Paul was jivinī and wailinī, Bakhithi was breakinī down the bass and everybody had a great time.


Allowing his audience a moment to repose, Paul carefully picked out the intro to his first number 1, the Sound of Silence. This was probably the best arrangement I ever heard of this old song. Simonīs guitar playing was very strong. Mark Stewartīs cello was exceptional, the snippets of percussion were subtle and Paulīs phrasing was sublime. Even though he flubbed a verse and restarted, Paul nailed the song, singing it in a fresh and honest style that renewed it in front of my very own eyes. A lovely Homeward Bound with gorgeous guitar harmonies from Stewart followed, rounded out by the īheavy metalī (for short Jewish white rock stars) I Am A Rock. Always a blast, that one-two punch. This arrangement of Rock is its best - it captures the alienation and the frustration of the singer so well - Korn, Limp Bizkit et al could take a lesson.


The Boy In The Bubble, a concert staple, rocked the joint (at least the half that bothered to get up). Nice bass solo from Bakhithi Khumalo, not to mention some drums at the end. Paul introduced next īthe greatī Vincent Nguini and my favourite song, The Coast. During the first verses, Paul sang īThat is worth something, that is worth some money, gotta make some money, make some money...ī trailing off and rubbing his fingers together in a cashlike motion. During the last verse, the musicians stopped, save for Nguini, who kept picking out that amazing riff, as Alain Mallet played a funeral organ for a few bars, as they buried the soul returning to the earth. As Paul sang to us, it was worth something, more than money.


That brief foray into deep spiritual healing was followed by the quintessential party song, Late In The Evening. Love those horns. Paul and co. exited for the first time, and came back to play a roaring Hurricane Eye - love the last verse, which featured Paulīs best storytime tone of voice. Exceptional. Proof was next, with good vibrations all around and Paul spraying mineral water all over the first five rows at the end. And then a slow roll though Still Crazy that made it all seem so smooth.


For a second encore we were treated to Mrs. Robinson, which was great (but I wouldnīt be too sad if I never heard it again live - it just doesnīt do it for me). I do like the guitar break and the sax solo in the middle. The Boxer was next featuring 15000 backup singers on the first chorus. Heinzīs trumpet provided the instrumental. The fingerpicking on The Boxer meshes well with Mark Stewartīs lovely banjo. What followed was a new and very cool number.


Vincent Nguini, Jay Ashby, Tony Cedras and Mark Stewart put down their instruments and formed a circle about fifteen feet to Paulīs left. Paul in turn baged out the two-note intro to Loves Me Like A Rock, and we suddenly had a little block party, with a great doowop band and all. Loads of smiles all around as the four guys sang great backup vocals and laughed there way through the song. Paul seemed to have a good time too, sneaking in a few bars of The Lion Sleeps Tonight in his gorgeous falsetto at the end.


This being a Paul Simon concert, we got yet another encore, as our block party continued with a great pounding Kodachrome, which I loved, and then, as Paul put it, Ä«one more, one more,Ä« a tender Bridge Over Troubled Water.


There would be no more that night - not Hears & Bones, which returned Friday night in Boston, or the Cool, Cool River, or Pigs, Sheep & Wolves or Old, Darling Lorraine or One Manīs Ceiling. Paul left all those for another night, so weīll catch him again. He sounded fitter and younger than ever, with a strong voice that had great range and tone. The band was extremely tight and innovative, with some humour thrown in. I think Mark Stewart appreciated our energy, as he kept pointing and smiling (at us?) towards our direction all night long. For a third night in a row, nobody phoned anything in. The show was long and fun with a great treat in Brian Wilson. A more energetic crowd would have been nice, but you canīt win īem all. The drive home (out the park, through the town, on the highway, nothing but asphalt) was a bit anticlimactic, but Wilkie got us all back safe and sound, and we all canīt wait to see Paul again. A satin summer night indeed.


USA / Massachusetts - Boston - Greg

Paul Simon´s Concert at the Tweeter Center Was Great. The highlight of the show was the bass solo on You Can Call me Al. I Heard it alot, but it was amazing hearing it live. It was a great show


USA / Massachusetts - Boston - L


By and by and time after time the best thing I heard that night was Hearts and Bones. What beauty! I believe it was 23 on the set list for that evening. I love that song so much. It brings me back to when I was young and makes me miss everything about it. Thank you for giving such love to our ears. I wish I could put it into words how special they are. I am so grateful.


USA / Illinoise - Chicago - George Haas

As it was, the first of two sold-out concerts at the venerable Chicago landmark this past weekend showcased a lifetime´s worth of work for the Rock ´n´ Roll Hall of Famer.

In a sprawling, nearly non-stop performance that stretched toward 21&#8260;2 hours, Simon touched all the bases, offering up ´60s classics such as ´I Am a Rock´ and ´Mrs. Robinson´ on through his ´70s and early ´80s solo hits, such as ´Kodachrome´ and ´Late in the Evening.´ There was still plenty of time for a visit to ´Graceland´ and a liberal sprinkling of tunes from ´You´re the One,´ his most recent album after a lengthy hiatus. (WTTW-TV ((Channel 11)) will air Simon´s Paris concert from this tour on Sunday at 8:15 p.m.)

At his core, Simon is a storyteller, and after nearly 40 years in the business, the 59-year-old has mastered the art. Opening with the first track of his new CD, ´That´s Where I Belong,´ Simon pulled the audience along with his simple phrasings and pared down arrangements, while embracing his minstrel roots: ´Somewhere in a burst of glory/sound becomes a song/I´m bound to tell a story/that´s where I belong.´ Launching immediately into the bouncy rhythms of ´Graceland,´ and then a bluesy ´One Man´s Ceiling is Another Man´s Floor,´ Simon set the pattern for the evening. He was saying, in essence, ´Give my new material your full attention, and I´ll play nearly everything you want to hear.´

Simon also knows how to set the tempo (perhaps an allowance to his aging audience), following sweet ballads with foot-tapping singalongs and raucous roof-raisers before settling back into some introspective numbers. He offered an a capella opening to a jazzy ´Diamonds on the Soles of Her Shoes´ and then brought the crowd to its feet by segueing quickly into a jaunty, horn-heavy rendition of ´You Can Call Me Al.´

Dressed simply in black jeans and T-shirt with a red baseball cap, Simon then took center stage with his acoustic guitar and a cello accompaniment for the haunting ´Old Friends.´ Then he revved up the audience again with ´Homeward Bound´ and ´I Am a Rock,´ the latter song now transformed from plaintive ballad to anthemic rocker.

Though he was backed by an 11-piece band that featured more eye-blasting chrome and brass than the cab of a new semi-truck, Simon put the pedal to the metal sparingly. Among his newer material, ´Darling Lorraine,´ a typically Simon take on family and mortality, was especially poignant and low-key.

Saving the best for last, Simon kept the appreciative crowd on its feet through three encores that included ´Kodachrome,´ ´Still Crazy After All These Years´ and ´Mrs. Robinson,´ with the audience chipping in with all those doo-doo-doos. Even after a sterling rendition of the ´The Boxer,´ Simon seemed reluctant to call it a night, bowing to the crowd with hands clasped together and pressed to his lips while he moved slowly off stage for the final time, the applause still ringing in his ears.


USA / California - Los Angeles - Keren

So where do I begin? First off, it was by far one of the most amazing, emotional, spectacular (okay, if I start off like this, I may run out of adjectives) concerts I have ever seen.

I´m writing a review for USC, so I get placed in what I have decided to lovingly call, ´The Writers Row.´ Reason? Four of sat down and pulled out pads. A man sitting next to me asked, ´and who are you writing for?´ I responded, ´USC, and yourself?´ ´Robert Hilburn of the LA Times.´ I drew in a breath. This guy has been writing great reviews for years, and in fact I emailed him last year after the Simon/Dylan concert and commented on his article. I told him this, he laughed and said, ´I hope I wrote you back!´ I smiled and said that he did. We talked about other concerts we had covered, I told him that the first concert I covered was Jethro Tull and he told me about the time he covered Jethro Tull as well. This went on for a while. The person on my right I recognized. I waited for him to introduce himself. He said ´hi, I´m Anthony´ in which I said ´DiCurtis of Rolling Stone?´ The corners of his eyes crinkled, and he looked surprised and pleased when I said, ´Oh, I read your articles.´ He told me about his delayed flight and how much he´s already written about Paul Simon, but we both agreed that there´s always more to write
about. Oh, and in case you´re wondering whether the rock critics sit and silently and write, they don´t.

We sat back comfortably, the lights dimmed and out came Paul Simon decked out in black with the baseball cap of course. How fitting that Paul starts his concerts out with the first song off ´You´re the One.´ Some people were already up and dancing and Paul pointed out to each person. He went straight
into playing Graceland and most of the audience at this point was on their feet. We cheered and sang along. Seriously, what amazing fans. We knew every word to every song, and we sang. Paul said ´We have a great audience....I´ve heard so much about!´ And went right into ´One Man´s Ceiling...´ and ´50 Ways´ with the muted slide trombone? I nearly melted. Every song sounded so perfect.

We all know about Paul´s love for sound, and when the washboard came out for ´That Was Your Mother, ´ I nearly flipped out. Also, the lighting on each song fit so well, and the warmth the music generated was unbelievable. I had to take off my jacket. Now, when the first note of ´Diamonds on the Soles of her
Shoes´ was played, the entire audience jumped up in unison and started bouncing. Everyone was up and just rocking out. He segued straight into ´You Can Call Me Al´ which was just genius considering the fact that we were all up and dancing and wanted to keep going.

He then calmed things down with an S&G block. I had chills during ´Old Friends/Bookends.´ When he brought out the Martin, I knew it was time for the S&G goodness, and did he provide. ´I Am a Rock?´ I couldn´t believe it. The arrangement was magnificent.

´Darling Lorraine.´ He acted this out so well, I regressed back to childhood when teachers would read us stories outloud. We were all so captivated by his storytelling, we laughed at his gestures; he didn´t use just his hands, he used his whole body, walking back and forth onstage. (´you don´t like the way I chew?´)

Okay, I´ll wrap it up now with this statement: FOUR ENCORES. Sources tell me that it was his longest concert so far. He let us sing the chorus of the Boxer and said ´nice singing!´ He asked us for requests, ´old or new?´ The audience screamed with delight, and, well, it was too close to call. Paul said, ´nah,
we can´t go old.´ Poking some humor? I think so. He played ´Love´ for us. He didn´t stop there. He knew what would fit, and when he played ´Mrs. Robinson´ and got to the part ´laugh about it, shout about it, when you´ve got to choose,´ we were all laughing because, oh man, he called it.

Now I must write a review for the paper. 500-600 words. Terrible. I think I need the entire issue. I´ll be viewing this process until the very end. This review will be the way I want it. (´That´s the way it is/And that´s way I like it.´)

Well, I can´t wait to compare this to Saturday. I´m so fortunate that I get to go again!


USA / California - Oakland - Aleta Bloch


This concert was truly amazing and wonderful to get to see Paul Simon back! Interesting that he used no back up singers or women on stage. It certainly worked. I loved that he had the lights go up on the crowd. I loved that the light reflected from his guitar fell on my face. I loved that he was gesturing to us with gentle graceful hands. I loved that he sang softly the songs from the past. They were the lullabys that I crave. I loved that he came back on stage three times and wished us ´sweet dreams´ at the end of the night. I wished I had met him. Iwas but several steps behind him outside the stage door (quite by accident-we were lucky to get a parking spot on the street and had to walk amongst the trucks). I loved his trucks! I love that I am on this planet at the same time as his grace and genius and that I get to absorb the truths that come thru him to us with his music. Perhaps some day our journeys will follow the same road for a time. NAMASTE - I honor the light within myself and the light within all others.


USA / California - Oakland - Patti Baker

I went to the concert Monday night in Oakland and thought I´d share some of my thoughts about it with you.

First of all, as my Mom and I were entering the theatre - she´s 62 and I´m 32 - we noticed that the crowd reflected our range of ages. There was definitely quite an age range there and I was reminded of just how long Paul has been in the business of creating wonderful music for the generations to enjoy!

The concert itself was one of the best, of any type, I´ve ever seen (and I´ve seen hundreds!) It was so energetic and wonderfully exhausting. There were of course the many talented musicians with him (we´re talking four sets of drums!), and you can´t help but appreciate them. But I couldn´t take my eyes off Paul. He so obviously enjoys every song he sings. His hands and arms are constantly in motion, acting out the songs and lending to the performing and meaning of the songs. I´ve seen many performers who were great, but it seems that some get so used to their songs after performing them for so many years, that they´re doing them by rote. Not Paul. He is there feeling and conducting every single song. He LIKES his songs - and with good reason!

The concert was heavy on Graceland and You´re the One, and that was fine by us, as Graceland will probably always be my favorite and You´re the One is wonderful. Some of the new YTO songs were made even more special to me after watching him perform them as described above, especially ´Darling
Lorraine´. When he got to the ´stack of pancakes´, he gestured a height over his head - so now to us, when we hear that song we say ´a stack higher than Paul Simon!´

The sound was absolutely wonderful. I believe some in the crowd thought it was too loud, but it worked for us (and most of the rest of the crowd). The new songs, and the way he´s updated the old songs, cry out to be broadcast in a large way. It WAS loud. It was assaulting. It was exhilarating and wonderful. But, that´s not to say it was a constant barrage. There were moments of softer songs - ´Diamonds on the Soles...´ with his musicians gathered around him for the a cappella beginning. ´The Boxer´, with the crowd joining in, was beautiful.

The crowd obviously had a great time, evidenced by the fact that no one wanted to leave until Paul had done four encores, and even then we were reluctant. The house lights finally told everyone to go home. Once, at a Crosby, Stills and Nash concert, the crowd was so persistent that Nash had to ask the crowd ´Don´t you people have HOMES?´ I was reminded of that Monday night, as after the third encore, Paul was half way off the stage, stopped, looked at the crowd and said a sincere ´You are very kind.´ I say four encores, but really I consider that the band did four encores, Paul did only three, because while the musicians left the first time, he stayed on the stage to sing ´American Tune´ by himself with guitar. Another wonderful moment.

I could probably go on and on about this experience, but I will spare you and end here. Thanks for bringing us a venue to share our Paul appreciation!


USA / Washington - Seattle - Bill and Kay Darlington

Hello,

The images, words, and music of Paul´s concert still continue to fill our minds, hearts, and souls even a week later. My wife and I and our long time friend attended the concert last Saturday night at the Paramount Theatre in Seattle. It was one of those experiences that we will carry with us the rest of our lives.

We have listened to Paul´s work for over 35 years now. From listening during the birth of our children to planning on playing it when our memorial services are held, his words and music are woven into the fabric of our lives in such a rich way. This became even more visible about a month ago when we told our kids that we were going to the concert (they are 22 and 26 now and had come home for a visit). They were glad for us but said they wouldn´t want to go because it wasn´t their thing. (We had one extra ticket and had offered it to either of them that wanted to go). We joined in playing a board game later in the day and put on some CDs of Paul´s music. Before long we noticed that while we were playing everyone was tapping their feet and singing along. (These 2 kids have been listening to Paul´s music
since they were born and alot during the rest of the years they lived under our roof.) We realized that they might not want to go to a concert but the music itself was part of them.

We have been listening to the new CD ´You´re the One´ since it was released and it continues to delight and surprise us. We played it during this same visit from our kids. We noticed that our daughter had
stopped reading her book and had grabbed the sleeve from the CD jewel case to read the song´s words.

We shared with her when the CD was over how deeply these new songs touched us. There is the beautiful ballad of Frank and ´Darlin´ Loraine´ that brings tears to our eyes each time we hear it, there is the song ´Old´ that will give us hope as each new birthday comes with more candles on the cake to have to blow out, there is the tender ´Love´ which describes so well this gift that we all want so badly and yet have such a hard time maintaining and keeping, there is ´The Teacher´ that for many may be a warning about following others, but for us describes a beautiful relationship between a man or woman and their search for a connection to God, to ´Hurricane Eye´ that asks us to push ourselves when we yearn to be better people, to the questions about capital punishment in ´Pigs, Sheeps and Wolves´ and finally to the possible tender, last seasons that one may experience in life that are described in ´Over.´

This stage in his song writing career seems to us to be orchestrated by a man of wisdom and understanding. He releases words and music that describe our life experiences in a way that help us to see and understand them better. This is a powerful tool for learning more about ourselves and how we can love more and fear less.

After the concert and before we boarded the ferry we met our daughter. As she hugged us to say goodbye she whispered that she wished she had gone with us because she knew that it had been a transforming experience.

Our heartfelt thanks go to Paul Simon and the musicians in his band for giving us this great night that touched our lives in such a profound way. And we are looking forward to sharing part of our experience with our kids when the Paris concert is broadcast on our local PBS station next month.


USA / Washington - Seattle - Bill and Kay Darlington

Hello,

The images, words, and music of Paul´s concert still continue to fill our minds, hearts, and souls even a week later. My wife and I and our long time friend attended the concert last Saturday night at the Paramount Theatre in Seattle. It was one of those experiences that we will carry with us the rest of our lives.

We have listened to Paul´s work for over 35 years now. From listening during the birth of our children to planning on playing it when our memorial services are held, his words and music are woven into the fabric of our lives in such a rich way. This became even more visible about a month ago when we told our kids that we were going to the concert (they are 22 and 26 now and had come home for a visit). They were glad for us but said they wouldn´t want to go because it wasn´t their thing. (We had one extra ticket and had offered it to either of them that wanted to go). We joined in playing a board game later in the day and put on some CDs of Paul´s music. Before long we noticed that while we were playing everyone was tapping their feet and singing along. (These 2 kids have been listening to Paul´s music
since they were born and alot during the rest of the years they lived under our roof.) We realized that they might not want to go to a concert but the music itself was part of them.

We have been listening to the new CD ´You´re the One´ since it was released and it continues to delight and surprise us. We played it during this same visit from our kids. We noticed that our daughter had
stopped reading her book and had grabbed the sleeve from the CD jewel case to read the song´s words.

We shared with her when the CD was over how deeply these new songs touched us. There is the beautiful ballad of Frank and ´Darlin´ Loraine´ that brings tears to our eyes each time we hear it, there is the song ´Old´ that will give us hope as each new birthday comes with more candles on the cake to have to blow out, there is the tender ´Love´ which describes so well this gift that we all want so badly and yet have such a hard time maintaining and keeping, there is ´The Teacher´ that for many may be a warning about following others, but for us describes a beautiful relationship between a man or woman and their search for a connection to God, to ´Hurricane Eye´ that asks us to push ourselves when we yearn to be better people, to the questions about capital punishment in ´Pigs, Sheeps and Wolves´ and finally to the possible tender, last seasons that one may experience in life that are described in ´Over.´

This stage in his song writing career seems to us to be orchestrated by a man of wisdom and understanding. He releases words and music that describe our life experiences in a way that help us to see and understand them better. This is a powerful tool for learning more about ourselves and how we can love more and fear less.

After the concert and before we boarded the ferry we met our daughter. As she hugged us to say goodbye she whispered that she wished she had gone with us because she knew that it had been a transforming experience.

Our heartfelt thanks go to Paul Simon and the musicians in his band for giving us this great night that touched our lives in such a profound way. And we are looking forward to sharing part of our experience with our kids when the Paris concert is broadcast on our local PBS station next month.


USA / Washington - Seattle - Jmenden123


I just returned from an extravaganza of music, rhythm and light featuring the only remaining musical icon in my library for 30 years. This is the first (sold out) concert of the current tour, but the band is tight, the music is outstanding, Paul Simon is understated as usual, and the hall rocked for 3 hours!

The night started oddly with crowds huddled outside the locked hall up to 15 minutes before show time. Insiders explained that no one was allowed in until the sound check was completed and apparently it took extra time to get things just right.

A hardly complete listing of the show included You´re the One, Graceland, Me and Julio, Bridge Over Troubled Water, I Am a Rock, Diamonds on the Souls of Her Shoes, Old, and many others. I would have to pull out all my albums and CDs to try to recapture all the pieces performed, but I think it would be accurate to say that he played selections from most of his albums, and especially from Graceland, The Rhythm of the Saints, and You´re the One. The show featured new arrangements of some of the old standards, which makes them even more affecting, providing new nuances and interpretations.

This is the only performer I have seen who can bring 4 percussionists to the stage and keep all four busy most of the time! The band totaled 12, including Paul, the percussionists, 2 keyboard players, three on guitars, banjo, mandolin, bass; and 3 on wind instruments. The music was complex and astounding and the rhythms were often complicated and too tempting to ignore. People throughout the theater clapped, slap-drummed their legs, bobbed and weaved in their seats. Some stood in the small space in front of their seats to dance in place as there is no space to actually dance in this theater. Paul Simon was attentive to the audience throughout but never actually talked to the audience until taking bows, when he expressed appreciation for our
response and ´kindness´.


France - Paris - Nicolas Trokiner

- posted on alt.music.paul-simon -

Simon Murgatroyd was absolutely right when he told one day that they maybe kept this 3rd date to finish the work of the filmed concert. The day was today, the hour was noon and the place was Olympia. We were maybe 70 people (no more ) which means around 4 complete rows. They were late so they gave us food and drink. Around 1:30pm we got in and the musicians were here. Paul was giving interviews. They wanted to begin without him (with īDiamonds...ī) but they werenīt able so they waited for him.

He arrived at 3pm and the īconcertī lasted 2 hours. Paul was really cool and not shy at all. He gave orders, he received orders to/from the production.

They said ī50 waysī was the last one so afterward, I threw him a T-shirt īAMPSī in the front, īalt.music.paul-simonī in the back, and īHimselfī on the heart (instead of īPaul Simonī). He jumped to catch it then came toward me (I was on second row, central seat) to thank me. Of course everybody was
going to see him but I was the first, went on front row, and told him... What the hell did I tell him at this moment? Anyway he seated and gave us time. I told him I was from the NG, asked if he knew it: he said yes and that he was going to visit it soon. I asked him to sign my īgreatest hits etc...ī CD. I took pictures with him, told the Capeman was fantastic (I wore the T-shirt). He told me it was in England last month (I said īyes, in Manchesterī) and when I asked if he was going to play it again, he said yes, in few months but a different cast (īwe wonīt have such a cast anymoreī did he say). Like McD (Mel Pearce) told him in London I said: īdonīt leave us so many years without any album, we love what you doī, he said OK and thanked me.

It was incredible: he had time for everybody, he signed, made pics, kissed the girls, talked...

NOW THE BEST PART:
I had my Martin guitar OM-42PS with me. Alain Mallet told me before he was going to help me to make Paul signed it. By the way, Alain thank you for you kindness: youīre the kindest of the band. He helped me for the guitar, said me goodbye and told me īsee you in NYCī etc... Thanks!!! So: at the end I asked Paul to sign the case and he answered ībetter to sign the guitar...ī I was a bit afraid but agreed. He wrote īNicolasī and signed below. He told me I could sell it without problem now and refund myself more
than twice! He said īletīs see how it soundī so I said īyes, play Anjiī. He began to play Anji on MY guitar. Everybody was looking and clapped. We made pics together...Then I took it and played Anji too. The audience told me īhey! Youīre not the only one, we want autographsī. I was in Eden park and f* them all (sorry)! Paul didnīt really know many were made: I said ī223ī (info I had from Chris) Paul had to go; I thanked him again and told him that Iīll be in NYC.

FANTASTIC!!!


France - Paris - Jorn Houtsman

- from alt.music.paul-simon -

This is my very first posting in this newsgroup because I hadnīt heard of it until last monday. My name is Jorn Houtsma, and Iīm from the Netherlands. This was my very first Paul Simon concert: one Iīve been waiting for for about 8 years. Now I finally had the chance to go see him in Paris (which means I finally had the money and the time), after having been a fan for about 13 years (Iīm 22 right now). I have only a few words for the concert of monday: great is one of them. I havenīt many more words to describe it. I had the time of my life. But off course, the big surprise came afterwards when we could sign up for
the extra concert on wednesday. I decided quickly enough that this would be well worth staying two extra days in Paris for (as if you need many reasons for that).

And it was..... I wonīt bother you guys with many more storys on how it went on (I think youīve heard much of it right now) but I can only say that I had never in my life expected to get so close to the man. I still have to wait for my two feet to touch the ground.

So, Nicolas, have you returned to earth yet, or are you still in musical heaven because of your signed guitar? Let me know if the foto of you and Paul that I took for you worked out!
Well, got to go now!! Take care you all, youīll be hearing from me


France - Paris - Jose Maria Escudero



Last October 30th I went to Paris from Sevilla (Spain) to attend my first Paul Simon concert in my life though I have been fan of him for over 30 years. It was one of the most enjoyable experiences in my life. I feel I am a lucky guy because I have been witness of 1st class art on live. What a stream of beauty. How perfect sound. How warm and touchy vocals. How meaningful became all those deep and poetic lyrics on live. My friends we all are lucky because we enjoy with the wonderful music of one of the greatest XX century genius in arts. I must admit I am still shocked and just like floating on a cloud.

For me everything was perfect: the setlist choice, the Paul´s voice, the band, the lights, the sound engineering, the audience. And Paul himself how he plays his guitars, his way of singing, his enjoying of his own music and band. He reflects how happy his life now is. He looked on scene just like he is a tender, shy, polite, touchy, joyful fellow. And a really very good fellow. Some words about audience: I think it was the right audience for PS. You know he is not Rolling Stones or The Boss. The public was charming and very polite. Everybody was deeply touched by his music (you only had to look at their faces), they clapped enthusiastically,and most danced with the songs suitable for it without moving away from their seat places, so they did not disturb their neighbour (just like it seems have happened in Milan, where many people, those who will never write in this amps, complained very much about the uneducated behavior which happened there).

By what I know in PS concerts has never been those crazy hysteric fans. And about jumping, shouting and dancing in his concerts you all just read what Paul himself has just said in an interview he gave to an English paper just a few days ago. I think most us all shouted and danced but in the right moments and without disturbing anyone. So an A for the Paris audience.

My best highlights in this concert the superb version of Old, with an astonishing Paul´s guitar. The rocker and full band version of I am A Rock, the magic and very different version of Spirit Voices, the
performing of Darling Lorraine, the strong and powerful Hurricane Eye, the perfect You´re The One, the burst of joy for everybody with Call Me Al, the really good Boy In The Bubble, the superb performing of Late In the Evening and the touching The Boxer with everybody singing with Paul.

He is great, his show is the best anyone can find in music. Please don´t miss his concerts is one of the really worthy things in this life. You know art, beauty and poetry becomes us all better. And Paul has tones of it to improve us all. THANKS PAUL. Thanks for 30 years of delight with your music and one night forever.


Italy - Milano - Mauro Regis

This was the third time that Paul Simon played in Italy, after 1987 and 1991. The Palavobis as very crowdy, but not sell out, and the people was about 3,500 - 4,000. At a quarter past nine he was on stage and received a very warm welcome from a not so young audience. The setlist was the same as the last London show, without ´Scarborough Fair´, and closing with ´Still Crazy After All These Years´ followed by ´The Boxer´. He was backed by an excellent band, as everyone who attended the show may testify. New songs and old songs were played in very interesting sequence, and the show had no low points. Highlights of the concerts were, of course, the old ones, and not only the Simon and Garfunkel era tunes, but also his solo works. Paul Simon offered new arrangements of ´Kodachrome´ and ´I Am A Rock´, that were very appreciated by the fans. Among the songs from ´You´re The One´ had a great applause ´Darling Lorraine´ and ´Hurricane Eye´. The security was not tight inside, and many photos were shot. I saw no tape recorders or cameras taken off. Seems that they were more worried that people stayed sitting during the concert, and - yes, it´s so - even before the concert. There were some guys that moved here and there trying to get everyone to his place, asking to sit also before Paul Simon came on stage. Very strange. All of this was absolutely unuseful when at the end of ´Diamonds´ Paul started ´You Can Call Me All´, and invited the people to get up Everyone was up, and from the balconies people rushed down to the floor and got right in front of the stage. They tried to quiet the fans, but it was unsuccessful. The concert went to end with people just at the feet of the stage. Paul Simon seemed to enjoyed how the crowd welcomed his comeback in Italy, and though he was not talking between the songs, at the end of ´Late In The Evening´ he said ´Italian are a good lookin´ people´. The show grew up in emotion at every minute, and some songs were sung with the singalong of the people. And not only the refrain of ´The Boxer´, but also some parts of ´American Tune´, of ´Still Crazy After All These Years´ and all through ´Bridge Over Troubled Water´ and ´The Boxer´. At the end of the show Paul Simon thanked many times, and he was sure he performed a great show, and gave great sounds to the people that came down and saw him. The show was about two hours and fifteen minutes long, he played one song after the other, and took no intermissions. This gave the concert a very good feeling, and that´s another reason of the ever growing joy. After the concert I went to the backstage and tried to meet the man, together with my wife Cristina, my brother Dario and my friend Roberto. We waited some minutes near a couple of cars where he surely would´ve been in (one was a black limousine), but we were asked by the security to go away. We were five or six guys, not a very numbered crowd, but they accepted no replies, and dared to say that ´the musician wants so´. I replied that it was untrue, because I had no reason to believe that Paul Simon refused to meet his fans at his shows, as was written in these reports by the guys who met him after the London shows, if I remember well. So, we went out, and stayed just outside the gates where the cars had to leave the concert hall. After fifteen minutes two black cars went out, the limousine following the other one. We all tried to look inside the limousine, and in that moment I heard my wife crying ´There he is, there he is´. He was out of his car (that was not the limousine) and moved just to us. We get closer to him, and asked if he could sign. He said ´yes´, he was very relaxed, though a little tired, and signed the ticket that my brother gave him. I passed him the inside booklet of Simon and Garfunkel´s Concert In Central Park, that Artie signed some years ago in Verona, but he kindly refused to sign it (´I don´t sign that´, said). So I gave him my ´Paul Simon´s Concert In Central Park´ insert booklet, he watched at it a few seconds, and said ´I sign tickets, and I sign this´, and so he did. That was just right after that my wife had the back cover of the CD ´Harts And Bones´ signed. Before he went up to his car we shook his hand and thanked for the show, and I thanked him again saying ´Mr. Simon, you´re a great artist, and a gentleman too´. He appreciated, amd said ´thanks´. Then I wished him a good tour in Paris.
We were just four guys outside the forum where he played, and we had the great chance and pleasure to meet Paul Simon, that showed us that he´s a very great musician, but he´s also a gentleman. I always thought that if the artists are on a stage, sell records and have thousands of people who love their music is thanks to their art, but thanks to guys like us that listen to the CDs, and join the concerts. The fact that a musician stays out and signs and talk with people is the way to show that he is grateful to his fans.
Not everyone does so. Paul Simon did. And this is one more reason to appreciate the man together with his music.


United Kingdom - London - Jonathan Galloway

I was first introduced to Paul´s music at the age of 13 when a friend gave me a copy of ´The Concert in Central Park´ (i.e. with Garfunkel in 1981) - an album which blew me away and has remained one of my most significant musical influences.

I first saw Paul live at the Albert Hall with the Graceland tour in 1985 - a concert which I still rate as the best I´ve seen (50 visits to Dylan and Van Morrison not withstanding!!). I saw Paul again in Glasgow in 1991 with ´The Rhythym of the Saints´ tour and again was very impressed.

So how was this evening´s concert? Paul was fantastic. From the very start there was warm appreciation from the audience and (as with Dylan´s recent visit) part of it was admiration simply for the longevity of the man´s career, still touring at 58 (´this might be the last time around´ is always my justification for buying every possible souvenir!).

That is not to say that the performance was anything short of excellent in its own right. The sheer diversity of Paul´s musical influences and repertoire displayed throughout the evening was amazing - from jazz, gospel, rock ´n´ roll, blues, folk, African and South American infuences etc....

Paul played six songs from the new album - all of which stood up very well and some were significantly enhanced by the live performance. ´The Teacher´, in particular, was beautifully haunting and one wished that the harpsicord moments could be extended, so incredibly evocative was the sound it made.
´Darling Lorraine´ and ´Hurricane Eye´ also benefitted from being heard live - the lyrics of the later song caught one´s attention more for some reason.

From the Graceland album, we had ´Graceland´ itself, ´Diamonds on the soles of her shoes´, ´That was your mother´ (Cajun style!),´You can call me Al´ and ´The boy in the bubble´. ´Diamonds´, as ever, was the pick of these songs - especially with the accapella introduction grabbing the audience´s attention. From ´Rhythym of the Saints´ we had a fine rendering of ´Spirit voices´, ´The Coast´ and ´Proof´.

The highlights of the evening for me though came from Paul´s back catalogue - a fascinating version of ´One Man´s Ceiling is another man´s floor´, a Dylanesque version of ´I am a Rock´ and an interesting duet with Mark McCarthy (a sixties London folk-scene acquantance of Paul) on ´Scarborough Fair´. (I wasn´t so convinced about the versions of ´Kodachrome´ and ´Bridge over troubled water´. You can understand him wanting to reinterpret them but I think he has already given better reinterpretations of these songs).

Song of the evening though, without question for me was ´The Late, Great Johnny Ace´ which comes from what must be the most underated album of all time - ´Hearts and Bones´. I think it is hard to dispute that Paul´s most perfect songs, certainly in terms of lyrics, were all on that album i.e. ´Hearts and Bones´ (please put it back in your live set Paul), ´Train in the Distance´, and the totally stunning, ´Rene and Georgette Magritte with their dog after the war´. This album may not have sold many copies but you would be hard pushed to think of another album by any artist with three such perfect songs.

And, to return to the song of the evening, I think we should include ´The Late, Great Johnny Ace´ in the above list. The depth of this song has only just stuck me recently. Paul is undoubtedly performing it because of the anniversary of John Lennon´s death and he precedes it by singing the original Johnny Ace´s ´Pledging my love´ (which he introduced by saying, ´this is the first rock ´n´ roll record I bought back in 1954. Johnny Ace killed himself that year in a game of Russian Roulette´). The song is a great example of Paul´s ability to use simple words to say so much - it is a profound meditation on music and death throughout three decades. (He only has to mention J.F.K. to bring death into the second section). And the
subtlety of the line, ´the music was flowing, amazing and blowing my way....´ to hint at his own music career (and possibly death?).

Overall a five-star performance - it was great to see him again and especially pleasing was the warmth of the reception all evening. I think that Paul Simon will be judged 100 years from now as being one of the best song writers of the 20th century and more than a few of his songs will achieve longevity. Thanks Paul for a wonderful evening and for being a key influence and source of pleasure in my life.

Written by Jonathan Galloway at [email protected]

Any replies to the above comments are welcome, particularly anybody who wants to challenge/agree with my thesis that ´Hearts and Bones´ contains the best examples of Paul´s songwriting ability....!


Germany - Hamburg - Miriam



Here´s my review of a great day!


It was an incredible experience! But let me start from the beginning. I attended the concert in Hamburg on October 20th. I live near Frankfurt, so I had to get there by train. I arrived in Hamburg at 5 p.m. and I met Evelyn and Esther at the station.We briefly talked about the Thursday concert which Evelyn attended, too. Later we also met another fan, Thomas as well as his sister at the station. After we introduced each other, we all went to our hotels.

Esther, her friend and me were together in one hotel.We arrived there, left our bags and headed off to the Musikhalle with a cab, where we met the others again.We walked to the back entrance where the security guard told us we had just missed Paul, who arrived there three seconds before we did (that´s what he said).

Evelyn had organized some gifts for Paul (a t-shirt from her and Esther, sweets, guitar strings, a pin, a guitar pick and a rose), and we asked the guard if he could give the presents to someone who will meet Paul, and he said yes.

Then we all went eating at Pizza Hut.We had to hurry a bit and arrived back at the venue at 7.40 p.m.We went in there, our tickets ready, when Evelyn suddenly said she can´t find hers. But fortunately the guards let her in, though. So we went to our seats in the 2nd row and I was really surprised how close this was to the stage! The room filled, and we watched the road crew polishing the guitars. Finally the lights turned off at 8.30 and Paul came onstage. My God, I first couldn´t realize it was really him! He started with ´That´s Where I Belong´ followed by ´Graceland´.We wanted to dance, but the guards showed us to sit down again. Man, they were really harsh! I had a camera with me, but I didn´t dare to make any pictures since my camera has a flashlight and they surely would have noticed that, and it might have even disturbed Paul.
It was great to see him ´in action´. He looked great, red cap, black shirt and black trousers (and funny socks!). At the beginning I had the feeling he looked a bit nerved, but this went away the more he played. The crowd was also rather quiet at the beginning, but they would ´wake up´ towards the end. The applause didn´t seem to stop, and when he finally played ´The Boxer´ as the last encore, Paul let the crowd sing the ´lai la lai´ part.It was fantastic. I never expected such a reaction. The crowd wouldn´t let him go, and Paul was slightly touched. At the end he even shook some hands in the front row. I tried to climb over, but I was too slow. Then he finally left.

For me, the highlights of the show were ´Call Me Al, ´American Tune´ (which he BTW transponded down from D to C - I looked very closely on his guitar all the time - but I still couldn´t figure out the picking pattern for ´The Boxer´) and the new arranged ´I Am A Rock´.

The whole time I thought about how all his songs have touched me, how it all started nine years ago and how lucky I am to see him in the flesh, and so very close! We had eye contact several times.When he sang ´All the girls out on the stoops´ during ´Late In The Evening´, he pointed at us! He also looked up a lot to the balcony. Some people (including me) were shouting song requests, but he didn´t play them. Someone also shouted ´Say a few words´.

When he finished ´Old´ he told us we were old, LOL, and I think it´s relatively true. Most people in the audience were of middle age, I´d say the average age was around 50. I think I was one of the youngest ones in the audience (I was 18 at that time).

BTW the new songs sound great live, even better than on the album.

Pity that everything went by so fast. The concert was over at 10.40 I think.
When the lights turned on again, I asked one of the roadies if it´s possible to get a guitar pick, but he told me this wasn´t possible because the crew members are in a very bad mood. There was a plectrum onstage which Paul had lost during a song and I watched someone picked it up and he was immediately told off by a guard.

We also met some people we know from the internet, and it was nice talking to them and
seeing them. I then bought a t-shirt (the black one with the YTO cover on the front and the tourdates on the back). It was 45 DM (about 30 $) and I think this was an acceptable price.

Then we left the hall and went to the back exit where we met a few more people waiting for Paul to came out. Esther was waiting in front of another exit where the musicians came out. Suddenly she came running to us telling us that we were invited to come with them to the hotel! We were so stunned that we just left the others standing there. I´m really sorry for this and I still have a bad conscience, but we were so excited that we couldn´t think clearly. So we took a cab to the hotel (Esther was given the address).We arrived there shortly after the tourbus, and I could see Paul walking to the entrance with the others.

We got out the cab and walked into the hotel where Tony Cedras was already expecting us.We entered the lobby and saw some of the other guys there. Then we saw Paul in the back of the foyer, and he was walking towards us. Obviously he wanted to get an elevator. We were told that we shouldn´t expect to meet him because ´he´s a mystery´, but this is exactly what happened! We asked him if he could sign our stuff and he replied´ ´Sure I can sign this´. Esther got her tourbook signed, Evelyn her ´Mother And Child Reunion´ single and I got my t-shirt signed which I just bought. I told him he could use my back for signing it, which he did. It was kind of cute; he folded it out on my back very accurately mumbling something like ´Sure I can do that´ and signed it. I thanked him and he said ´You´re welcome´.We then asked him if he received our gifts and he told Evelyn and Esther the t-shirt was ´fabulous´. Then he wanted to know if we attended both Hamburg shows and where we are from. I told him I live near Frankfurt and he looked at me and said something like ´Aha´. After this short conversation he said ´Goodnight´ and went into the elevator, but we didn´t know where to go and we had to search for Esther´s friend, so we followed the others. So we were in the same elevator as Paul. He asked one of the guys something but I couldn´t understand it.

When we arrived at the next floor we went out and he said again ´Goodnight´ and walked away.We could still see him standing a few metres away from us.We didn´t know what to do now.We still had to search Rinke so we took an elevator again.
Paul took the one next to us, we could see him through the walls because they were of glass.

We arrived at Tony´s room where he offered us something to drink.We were joined by Alain Mallet a few minutes later. So we were sitting there talking about this and that. I asked Tony if Paul will tour again next year and he said this is very probable, since he did the same whith ´Graceland´; waiting how the record sells, do a small promotion tour and then a big tour again.

After a while, he invited us to come with him and Alain to the hotel bar, but it was very crowded there so we followed him to the hotel nightclub and he invited us for a drink. He talked about a lot of things but unfortunately the music was so loud that I couldn´t understand everything. It was crazy - we were sitting there with Paul´s tour musicians! We also met Vincent Nguini there, who looked a bit uncomfortable. He sat down, got a cigarette, walked away, came back...I guess he was a bit ´displaced´ there. I think this is also why Paul didn´t show up there. Later Bakhiti Khumalo came there, too and asked me and Evelyn if we´d like to dance with him. I still don´t know why we refused!

Then suddenly someone entered telling us that Paul has received the gifts and that they are on a save place now.Was that his manager? I don´t know.

Anyway we sat there and drank our stuff. Later we danced with Tony and Alain which was quite funny. After that, Evelyn and me decided to go, Esther and her friend decided to stay a bit longer. It was a big goodbye, the guys were nice all the time. Alain made sure we got a cab. So we left and were driven back to our hotels. Of course I couldn´t sleep the whole night, I was too excited about all the happenings. My God, I met Paul!

He was very politely, nice and thoughtful. I felt a deep respect for him while we were standing there with him. I don´t know how to describe it, but it was kind of magic, a strange moment...And he is a very special person.

I thought about asking him for a picture with me, but I didn´t do it because I felt like this would have been a bit too obtrusive.We already looked like stalkers because we didn´t know where to go and always walked behind him. Also I think he was quite tired.

I arrived back home on Saturday afternoon. I have put the t-shirt on a save place in my room. I don´t know if I can ever wash it. If I had known before I´d meet him, I would have taken the ´Greatest Hits, etc.´ cover with me for him to sign, and the security guards kept telling he won´t sign anything...Well I think we were incredibly lucky. I guess Paul was in a quite good mood. Evelyn told me it was different after the Thursday concert.

So well, a signed t-shirt still is great, too!

Wow, I can tell you, I spent a lot of money for this trip, but it was worth every penny! Everything still seems like a dream...But this dream was real!





Germany - Hamburg - Evelyn Preikschat


This is the detailed version of the report of the two Hamburg concerts of Paul Simon 10/19/2000 and 10/20/2000. I arrived in Hamburg on the 19th, and at first I met Nathanael and his father from Switzerland at the Musikhalle, later on there were Erwin, Hana and Wim from the Netherlands. We had something to eat together, and of course, we speculated a lot about the concert, which songs he´s going to play, if he´s going to talk to the audience, if the setlist would be the same as the one in Stockholm, and everything. I was very excited already, and my stomach didn´t feel that good´¦.so, I couldn´t really eat that much. Then we met again for the concert in the evening. I was a little afraid they could find my tape recorder in my bag, but luckily they didn´t. Before I got in the hall, I bought the tour-programme-book with lots of nice pictures in it. (among them one from the Washington concert, where you can see the ´Happy Birthday!´ sign made by Christen from this club!) Then I got into the hall, but as I heard before when I asked a guy at the artist entrance, the stage-arrangements weren´t set in time, and so they made the soundcheck just before the concert started, which could be the reason that the sound wasn´t that perfect on this evening (next evening it was better). At 9:30 the lights went out and the band came up on the stage. I realized Paul just in the moment when the lights were set on him. He was so close!!! You got to know that the music hall in Hamburg is a very small, almost personal place, but I didn´t expect him to be that close´¦I sat in the 3rd row, centre stage, and so it was really amazing for me. This was my first Paul Simon concert, and I really dreamed about that a long time before - Now it was live and here and now and he was so close that could have counted the hairs on his arms!!! (If I had the time to do so´¦) He was wearing a black shirt with short sleeves, two buttons open, black pants, black soft leather shoes and his red baseball cap with this ´M´ sign on it which he also wears on the YTO album cover. He simply looked great! He started with ´That´s Where I Belong´, my favorite song from the new album. I realized soon that I was the only one around who knew the lyrics of the new album, no one was singing.


The second song was Graceland, and that should have been the song to get the audience caught, but somehow it didn´t work that well. Maybe this was only my impression, but the people around me weren´t really enthusiastic in the beginning. He was moving around on the stage, getting into it, holding his guitar up, and this wasn´t just for one particular song, he obviously enjoyed standing on the stage and playing his music throughout the whole concert! He had a kind of little conversation with (I guess) Vincent
Nguini, I can´t say anymore, because I was concentrating on Paul, so that I can´t remember it clearly. But whenever he walked over and said something to him, he was smiling afterwards, and of course, that´s what caught my attention. I could see every move on his face, and though he didn´t smile at the audience, it soon became clear that he looked at the people who danced on the two sides of the balcony. So, I guess it was during ´That Was You Mother´, I got up and danced, too, I just couldn´t stay in my seat any longer´¦ Funny thing was that I was the only one in the first four rows dancing. There were people behind me getting up, I believe, but no one in the first four rows except me. And since I had this centre seat, and Paul was standing in the centre, too, I suddenly stood dancing eye-to-eye to him! He looked straight into my face, and then did this eyebrow thing: Looking astonished, like: Wow, she´s dancing! (Hey, he looked at me! Whew! I´ll talk about that later in this report again´¦) He changed the setlist completely, different order of the songs, no break (!) in the concert, and he did a very nice, new version of ´Spirit Voices´ and an amazing one of ´I Am A Rock´!!!

There were lots of little things happening, like, for instance, Paul singing the wrong lyrics in ´American Tune´ he sang ´When the road we´re travelling on´ instead of ´Still when I think of the road we´re travelling on´. He was making little jokes like: the sound of a camera-click in ´Kodachrome´ with the fitting gesture. In general, when a percussion-part of a song came on , they switched the lights on Paul off, and he drank from his water-bottle (Volvic, by the way, from this day on I´ll drink Volvic only, haha!), but in one song they forgot to switch them off, he stood with the back to the audience, and then he realized the lights were still on him, turned around, held up the bottle saying ´Cheers!´ and drank! When he got to sing ´Darling Lorraine´ he introduced the song as one from his new album, and I knew from the reports of the Stockholm concerts that he wanted to go around on the stage in that song and illustrate it with gestures, but I realized that he couldn´t get the microphone off the tripod, because the cable was wound up around, and he tried winding it off in different directions, but he had to start singing already, and still he was trying to get the microphone off´¦! When he sang ´The Teacher´ he was making this ´dividing´-gesture with his arms going up when he sang the line ´so the teacher divided in two´.

Almost all of the people got up to dance when he sang ´Call Me Al´. After that song, he took some time to thank the audience for the applause, making this praying-gesture and bowing, and you could feel that he really was moved by the reaction of the audience. This came very honest. Among the encores was ´The Boxer´ and ´Bridge´, which, of course, lead to an enormous applause at the end, (Everyone singing the ´Lie-la-lie-part in the boxer !) but we couldn´t get him back to sing the Sounds Of Silence. So, this first, hilarious concert was over. I rushed out to the back entrance, to wait for him. Nathanael, his father and Erwin, Hana and Wim came also, and around us a crowd of, let´s say 30 people. Whenever the door opened, people were looking for Paul, but one after another, the band-members came, but everyone said: ´No, it´s not me, Paul is still in, and it´s going to take some more time´ So, we went on waiting. Suddenly, a security-guy opened the door and said: ´Mr. Simon already left the house via the backdoor.´ We said: ´Well, we are at the back-door! So, where did he get out?´ I searched for that door with three other people, and finally we found it, one guy still standing there, disappointed because Paul didn´t say or sign anything, he just rushed into his car (as the guy said) without even noticing the people standing there. So, there wasn´t much hope to get his autograph or even be able to talk to him the other day.

10/20/2000: Well, the next day I was running around in Hamburg to buy him some presents. We already had the t-shirt (with Esther and me on it and the line ´My favorite fans´ below our photo), and I also bought him a guitar-button in the shape of the key that stands in the beginning of every music-line (it surrounds the g-line in the music-system, I can´t find the English name for it), and some new guitar strings, a nice plectrum and some marzipan-stars with a note saying ´Some stars for our star´. I met Esther in front of the music hall then and told her about the concert the day before. Esther wrote a letter that we put in the bag with the t-shirt just saying that we thank him for coming to Europe again, and we wish him all the best for his future, etc. and we included the calling card of the N&LS club. We met again at the backdoor at around 6:30 pm and convinced a guy from the security to put the presents in Paul´s dressing-room, so that he really receives them, because we thought we would never be able to give them to him in person. Then we quickly went for something to eat, and got back to see the concert. Then, the shock of this evening came for me: I didn´t have my ticket with me, I put it out of my backpack when I was at my friends place´¦! I really thought: Now it´s over, I won´t be able to see this concert, but Esther told me not to panic, and we asked a security-girl if I can get in without, because I knew where my seat was, and she said yes, but first she looked in my backpack, and of course, she found my camera. So, I had to leave it out, but that didn´t really matter to me, the main thing was that I was able to see the concert! And, anyway, it would have been impossible for me to take photos, because this time, I sat in the second row with the other girls, and that was even closer than the first time, and Paul already saw me in the first concert, so, it was like a hint that I shouldn´t even dare it.

Ok, this was my second PS concert, and, believe it or not, but it was even better than the first one! I sat with Miriam, Esther and Rinke in the 2nd row. He started with ´That´s Where´ again, and made a mistake in the very beginning, which only a few of us realised: He sang ´When I hear you smiling´¦!´,(well, getting old?´¦)

Before the concert, we decided to get up and dance, as soon as the chance would be there. So, when he played ´Graceland´ as the second song again, we got up and danced! And, of course, he looked at us! And I could see in his face that he recognised me from the first concert, and that he liked it a lot that we danced. Unfortunately, the guys from the security were not of his opinion, and told us to sit down again! (Arrgh!) Well, again, he was enjoying the concert a lot. All these little things happening, and he was getting down on his knees playing the guitar, jumping around, even dancing! He had the same clothes on as the other day, and so I think this is the clothing for the whole tour. Some guys from the band were eventually starting to flirt with us, making little gestures, smiling, etc. (this is important for the further history of this evening) When Paul played ´Late In The Evening´ and he sang the line ´All the girls out on the stoops´ he pointed us!!! In one song (can´t remember which) he suddenly dropped his plectrum by accident, and of course, we tried to get it at the end, but weren´t allowed to fetch it. In the encores, the audience was really caught. He let the whole audience sing the Lie-la-lie part of the boxer (all alone!), thanked us for minutes (at least it seemed to last minutes), and finally, he shook hands with the audience in the first row!!! We tried to get over the first-row seats to shake his hands, too, but it was too late, he had already stopped it. But obviously, he was very touched by the reactions, he smiled and thanked us (again, making the ´praying-gesture´), and was very happy and satisfied, I believe. I hope I didn´t forget to tell you other details from this concert, if I did, please remind me, folks!

Because now, I´m coming to the part when it really became a dream come true. After the concert ended, we got to the backdoor where Paul left the other day, and waited for him to come out. Suddenly, Esther came running to us from the other backdoor, bowed over to Miriam and me, and said in a low voice: ´We´re invited to the hotel, and we can even go with the tour-bus, they´ll take us with them. But this is only for us four girls, so, don´t tell anybody.´ Well, we ran to the other side to see what was happening, and to see if this was true. We were, of course, asking Esther how she did that, and, well, she just said she talked to the band-members, and they said they saw us dancing, and that they remembered us, and they said we shall come to their hotel!!! Is this believable???? Esther had the address of the hotel on a sheet of paper, so, we took a taxi, ´cause the tour-bus was already rolling when we got there, and we arrived at the hotel just when Paul´s car arrived there also. We saw him getting out, then we got out, too, and went into the hotel, he was standing in front of it, signing some autographs for some fans who waited outside. Then one guy of the band members said that Paul usually never gets out of his room anymore once he went in, and so I said, hm, then it´s better we ask him to sign our stuff now, and so we got our autograph-stuff ready, and he came in. He was very nice and friendly, and we asked him if he could sign the stuff, and he responded ´Surely I can sign that!´ and so he signed Esther´s tour-programme, Miriam´s t-shirt, and my Mother& Child Reunion-single. Still, we weren´t sure if he received our presents, and so, we asked him ´How did you like the t-shirt?´ and he said ´The t-shirt? The t-shirt is fabulous, it´s fabulous!´ Then he asked us where we are from, and we told him, and then he asked ´Who´s been there the other day?´ And Miriam and Esther said they weren´t and I said yes, I was there yesterday, and he looked me in the eyes and said ´Oh, yes, I remember!´ (Hilarious!!! Isn´t it???!!) He also looked at me and Esther again, and said, ´Oh, it´s you on the t-shirt, isn´t it?´ well, of course, we smiled and said yes, it´s us!!! He said something about seeing us dancing, and we told him we were told to sit down again, and he asked, ´Well, who said that?´ and we said ´The security-guard´ , and he answered ´Well, that´s bad, I didn´t know that.´ It became very clear that he likes it a lot when the audience is dancing! (so, whenever you are able to see him live, get up and dance!!! Make him happy!!) We thanked him for the autographs, and he said
´You´re welcome!´ Well, then we had to search for the friend of Esther, Rinke, because she was gone in the room of Tony Cedras already, and we got in the same elevator with Paul (and some other bandmembers), well, thinking about that now´¦if the elevator got stuck´¦what would have happened? Well, of course, it didn´t get stuck. Paul got out of the elevator, and when he passed me, something - I don´t know what it was - got stuck in my hair (maybe his long fingernails? J), he didn´t say anything, but I´m pretty sure that he had two or three hairs from my hair on his shirt then, it really twinged my head´¦!!! Well, if someone ever finds two or three very, very long blond hairs on Paul´s shirt: It´s from me! J We got into the room of Tony, and Rinke was already there, we sat down, talked together, drank something, well, smoked - guess what - , then Alain Mallet came in also, and we finally went in the hotel bar, had a few drinks, danced, well, it was all very relaxed, just a thing among friends. So, we didn´t even dare to ask for photos. It was all too personal to ask for that. During our stay in the bar, suddenly a man came up towards us, and asked, who gave the presents to Paul? I said this was me, and he said something I couldn´t understand that good, the music was getting louder and louder, and so after the third time he said it, I finally got him, and he said ´I put the
presents for Paul in a special place.´ I asked: ´So that he can get them?´ and he said ´Yes´ and went out of the bar again. Tony said this was the manager of Paul!! So, I really wonder by now, what could this mean? Paul already got the presents, because he said he liked the t-shirt, well, maybe he told his manager: ´Make sure that these girls know that I received their presents.´ Or something like that, but well, I´m not sure. If anyone of you have an idea what else this could mean, tell me!

Tony told us many little stories about Paul, for example, that he can always remember events exactly by date and place, for example, he sometimes says: In that town, we played this song in that way, do you remember? But no one except Paul does´¦! Another little story: Paul considered flying over to New York for one day between the Hamburg and the London concerts, and guess what for? Just to see a baseball-game of his favorite team, the NY Yankees! He decided not to do it, because his voice would suffer from the flight.

Well, the rest is silence. We have to do it that way at the moment, to respect the privacy of some people. I really hope I didn´t forget to say anything. This is the longest concert-review I every saw´¦I hope you enjoyed it, and didn´t get bored!!! Thanks to all the people who made these two days become so special for me! And a very big thank you to PAUL of course and his bandmembers!!! It was hilarious, and I never thought this could become real. So, you see, dreams can come true! Believe in them, trust your charm, ask people, and even if they say no, don´t give up (and dance! Dance! Dance!)!!!


Germany - Hamburg - Esther Bernart

Ok, here we go. This is a full report on the Paul Simon concert of October 20th 2000 in The Musikhalle in Hamburg. A lot happened so be prepared for a huge report:-))

I came to Hamburg with an old Paul Simon friend of mine, Rinke. Our train was pretty late so we had to rush to our hotel. Rinke was pretty tired from the walk to the hotel, so she decided to stay there and have a rest while I took a taxi to get to the Musikhalle on time to meet Evelyn at 15.00h (3.00 pm). We met and she told me all about the concert of the day before.
For the rest of the story I will point out some of the things she told me. You can read her review on the new MSN PS club. She told me that the audience was pretty boring the first night and that she danced as the only one in the first four rows, so Paul definitely saw her:-) After the concert Paul came on a back door and didn´t sign or say anything. He was probably in a bad mood´¦
Back to Friday afternoon. When we were sitting discussing the night before, a man came to us and introduced himself as Laurens Vos asking Evelyn, whether she was Evelyn:-) He had seen that we would meet and he was there with his son. We had a short talk and then we decided to see whether we could get in or anything.
The artists entrance was open and we went in to ask whether we could get the posters that were on the wall. They told us to come back after the concert. We then told that we were from a big online fan club and that we had some gifts for Paul, but that we wanted to be sure he would get it. The friendly man told us that we had to come back at 18.30h. At that time Paul and his crew should be eating in the Musikhalle and we could hand over the gifts to someone from security´¦
After this we rushed to the central station to pick up Miriam. Miriam and I went back to the hotel, Evelyn went to her friends place and we decided to meet again at 18.15h to give the presents.
When we got to the Musikhalle again we first waited for Evelyn at the main entrance. Then I suddenly realised that if Paul was going to eat there, he had to get in the building, so we walked to the artist entrance. When we were about 50 metres away we saw a car arriving and some people came out and got in the building. One of them was small and wore a white hat and we thought it could have been Paul. When we got at the entrance we were to late. Laurens Vos was there and he told us it was indeed Paul we saw going in. But Paul didn´t say anything or even looked up´¦
Still we waited for Evelyn but she didn´t show up yet. Then someone came out and told us that Paul wouldn´t sign anything that evening. That was quite disappointing.
We got pretty hungry and I brought the t-shirt. I was just at the point of handing over the t-shirt (with Evelyn and me on it and the words ´My favourite fans´) when Evelyn came with more presents. We told the security guy that we spoke someone who told us we could hand the gifts over. He told us to wait a moment. Then an other guy came out and he said he would give the presents. But he didn´t bring them in. He was teasing us, telling: if you are real fans you have to wait at least 12 hours´ We were getting a little irritated cause we were hungry. Then the man we spoke came out, recognized us and said that we could handover the gifts for Paul. At the same time a crew member came out. We gave him the gifts and left to eat.
Then we hurried back to the Musikhalle to see the concert. When we got in and got our cards I saw Evelyn going through her back again and again. She couldn´t find her ticket and almost panicked. I told her to stay calm and we went to the guards and explained the situation. We knew exactly where our seats were and eventually she was allowed in:-) We sat down and I prepared my recording stuff, but I had to be very carefully. We were on the second row (soooo close!) and security walked around. I put the tape recorder under the seats of row one and we waited for Paul to come out.
It took some time and the audience started applauding to get them out. Finally they did and they started to play That´s Where I Belong. At the second song (Graceland) we stood up and danced. We were the only ones to do so (except for some people at the balcony). Paul of course looked at us, as did some other members. Then a security guard came to us and told us to sit down (what a shame!). So the rest of the concert we hat to dance sitting on our chair. That was so hard. Nevertheless the concert was great. The audience was very enthusiastic and you could see that Paul enjoyed playing. He danced, laughed, joked with the musicians, thanked us: ´Thank you so much, I appreciate that´. He didn´t talk much to the audience, only thanked us a lot.
During the concert we had eye-contact several times with the band members and Paul. At first I thought it was my imagination and that they were just looking to the audience and not to us, but later on that thought proofed to be wrong. They were really seeing us.
During Late In The Evening Paul pointed at us at the words ´all the girls sat on the stoops. Later during Proof, Paul stood right in front of Rinke and me. Then the music stopped and he said ´Proof. Somebody is going to call you some day, tell you something that you already know´ while looking at the two of us. We were nailed to the ground and afterwards were totally happy. That one was for us!:-)
The audiance was so enthusiastic that he did not only play the two encores (kodachrome and proof and Bridge) that were planned, but he came back a third time. He sang The Boxer and the audience sang the lie-la-lie part. It was a great experience. At the end he thanked us again and said he would never forget this night. He was really touched by it:-)
Then many people came to the stage and Paul started shaking hands (he almost was pulled of the stage:-)) We wanted to climb over the chairs but we were to late´¦he left. After the concert we met some other club members and had a talk.

Then we decided to wait at the backdoor where Paul came out the night before. Although they said he wouldn´t sign anything. Rinke already went to the artist entrance where about 50 people were waiting, so while Evelyn and the rest were on their way to the backdoor I went to get Rinke. I saw her and told her we had to go to the other side of the building. When we walked away the band got out and we decided to go back. I wanted to get some autographs of the band, because Paul would probably not sign.
So we went back and got in the crowd which was in front of the door. I saw the bus a little further and I thought: ´well, they have to go to the bus, why not wait there?´ so we did. At that moment Tony Cedras came to the bus and I asked him to sign my book. He did and we had a little talk. He said he had seen me and Rinke. Then the other band members came out and I got their autographs. Some of them said that they had seen us dancing. I was talking to Tony and suddenly he invited me to come to the hotel. I first was a little sceptical, but then he showed me a card with the address and I wrote it down. At the same time Bakithi Kumalo invited Rinke. He said he played for her all evening (yeah right;-) ). I asked whether Paul was in that hotel too, and they said he was. Rinke and I looked at each other and said OK, we´re going!. I told Tony that we would come, but that I wanted two more friends to join us and that they were on the other side.
I ran away to get Evelyn and Miriam and just at that moment Paul came out and I saw the crowd go wild. He apparently was in a good mood, cause he gave hands, signed stuff and allowed pictures to be taken. I hesitated to stay, but I thought: I am going to see Paul in the hotel everybody is on him now, never mind, so I ran further to get Evelyn and Miriam.
I got to the other side, all excited asked Evelyn and Miriam whether they wanted to go to the hotel. I can still see their faces:-) but I was as surprised as they were:-)) We ran back to the bus, but it was already leaving. Luckily I had the address and we took a taxi and left the crowd to go to the hotel.
When we arrived we saw the tour bus and everybody got out. Including Paul. Paul was talking to some other fans outside and we got in with Tony and the others. I asked whether I could talk to Paul and Bakithi said they we had to do it now, cause Paul wouldn´t come out of his room anymore. So we waited for a moment for him to come in. Rinke was already in the elevator with Tony and went up.
Then Paul came in and I asked whether he could sign my book. ´Sure I can sign that!´ and he signed our stuff. Then I asked him whether he received the gifts and especially the t-shirt and what he thought of it. He said ´The t-shirt is fabulous!´ Then asked where we were from and who was there the other day. Evelyn said she was and he looked at her and said he remembered her from the other night. Then he looked at Evelyn and me and recognized us from the t-shirt: ´It´s you on the t-shirt, isn´t it?´ And we told him that we indeed were the ones on the shirt.
He said he had seen us dancing and we told that we had to sit down again. He looked very surprised and asked who told us to sit down. We said it was the security guard and he looked a little annoyed and said: ´That´s bad, I didn´t know that´. We thanked him for the autographs and for the wonderful night and he got into the elevator after saying: ´You´re welcome´ and ´Goodnight´. Then we had to find Rinke and the band members cause they were somewhere in the hotel. There was no way but up and there was still room in the elevator where Paul and his people were in. We asked whether we could join and he said ´of course, come in´. The elevator stopped at second floor, but we had to get to the third, so we stayed in when Paul got out. Then we discovered that there was no third floor to go to! So we got back to the second floor and got out. There we saw Paul again and it was a little embarrassing how we seemed to follow him, but we didn´t!:-))
The hotel was huge and we didn´t know where to go to, so I went to one of Paul´s people to ask how we could go to the third floor. Then he pointed us other elevators that went to the next floor. When we got to the elevators we saw Paul going in, but we didn´t want to get in again (feeling stalkers) so we took an other one. That was the last time we saw Paul.

We went to Tony´s room where Tony and Rinke were talking. He offered us a drink and after a while Alain Mallet came in too. We had a drink, smoked a ´J´ and talked a lot. Then we went down to the bar of the hotel, but it was too crowded there. Therefore we went to a nightclub in the same building as the hotel. It had a dress code, but because we were with Tony we were allowed to go in anyway:-))
We got in settled ourselves and Tony ordered us drinks. Then we talked a lot about Paul, music, Harper, all kind of things. Later on Vincent Nguini joined us, but he didn´t say a lot. He sometimes sat at the bar, other times he joined us. Still I don´t have the idea he felt uncomfortable, maybe he just wasn´t in a talking mood.
At a certain moment I was talking to Tony when he suddenly introduced me to a man. He said it was the personal assistant/manager of Paul -C. Vaughn Hazell-. We shook hands and had a short conversation (I can´t remember what we said precisely). A few seconds later he was gone again.
-Later I heard from Evelyn that he came into the bar to look for us. He said to Tony: ´Are these the girls who gave the t-shirt?´ and then he told Evelyn that he had put the t-shirt in a special place with the instruments so it wouldn´t get lost. Then I was introduced to him. I now realize that he came to the club especially to find us and say that to us (!!!). (I wonder whether it was his own idea or that Paul told him to do so: ´Hey C. I am going to bed now, will you make sure that these girls from the t-shirt know that I am taking it with me? I believe they are at Tony´s place now. Goodnight.´ Then C. was searching the hotel to find us and finally end up in the Shark Club:-)))) but then this is only my imagination working:-)) )-
After some more talking we went to the dance floor. I had to get rid of all the dance-energy I got at the concert, but wasn´t allowed to use:-) It was very strange and fun to dance there with Tony and Alain and all kind of strange men in suits. After some dancing we sat down again and did some more talking.
At a certain time Evelyn and Miriam decided to go home. Because Miriam was in the same hotel room as we were and we had only one key, Rinke and I had to leave too, or stay for the rest of the night. We discussed the situation and decided to stay and see what happened. So we stayed. We went back to the hotel room to smoke another one and after a while we got back to the club for more talking and dancing. When the club closed we went back to Tony´s room again and stayed there the rest of the night. We drank, talked and in the end sometimes fell asleep half. At a certain time we were so hungry that we ordered breakfast. (´Roomservice!´ man that was a 5* hotel where we ´spent the night´!!!).
The guys had to leave early to get the plane to London and after saying goodbye and collecting some more autographs we went back to our backpackers hostel:-))) I think we arrived just after Miriam had left.

Tony gave me his e-mail address -two of them- but I tried to send something and got a failure notice. Probably it doesn´t exist. I gave him my address too and I made him promise to write, but I guess he won´t do that. I gave him the URL of the NALS club too and it was in the letter I included with the t-shirt as well. So they surely know we exist now, beware!! If I ever get e-mail from Tony or perhaps from Paul or his people -he has our e-mail addresses as well- I´ll let you know in NALS. Though I won´t give the e-mail address, not that I don´t want you to have it, but I can´t just spread it. If they send it they probably trust me to keep it for myself and I won´t break that trust´¦

I had an wonderful evening. I will post the things I can remember from our conversations in NALS, perhaps some things will come to mind later. There is so much to remember, it is quite difficult. So much happened. If there is anything I missed or if something comes to mind later. You can find it all in NALS: http://excite.clubs.com/paul_simon
I am convinced now that if you really want something, it can happen, but you have to try. Just do, but don´t lose yourself in it. Thank you Paul, thank you Tony and the others. Thank you Paul fans with whom I can share this experience! I can´t be more happier then I am now:-)))


Germany - Hamburg - Lourens Vos Writes


Because Paul didn´t come to Holland, I had to go to Hamburg in Germany on the 20th of october, together with my son Edwin. (My wife stayed at home, because of the too expensive ticketprice: DM 164,- per person!). Anyway, after we arrived at our hotel, we went to the ´Musikhalle´, where the concert was.

We were waiting at the artis tentrance, together with some other fans. When Paul arrived in his taxi, he was surrounded by bodycards. Within 3 seconds he was in the building. He wears a black long coat, with an upricht collar and a white baseball-cap ( hands in his pocket ). After we bought the tourbook and a T-shirt we went to our seats. There we met some other fans from the former ´Paul Simon Fanclub´ in Holland ( Joost, Cecilia and Stefan ).

The concert started with ´That´s where I belong´, ´Graceland´and ´One man´s ceiling is another man´s floor´.
During the start the sound wasn´t very good (my opinion), but from the 4th number it sounded much better.
The highlights were: You´re the one, 50 ways (great performance from Steve Gadd). Ofcourse: Me & Julio, The Teacher (one of the better songs of the new album). Furthermore: Diamonds on the soles of her shoes, ´You can call me Al (not my favorite, but when he plays this song it seemes that there is an upswing in the concert). Then there was a lovely version of ´I am a rock´. I hope this version will be available on a record in the future. ´Darling Lorraine´ a very nice, modest song and than came ´Old´. In this song he sang: ´wisdom is old, the bible´s old, the koran is old, greatest story ever told´. I don´t know if it was a mistake, but he reacts
as: ´what am I singing now?´

Than the other songs: ´Boy in the bubble´, ´Pledging my love´. Just great. Absolutely the most beautiful performance was ´Hurricane eye´, with important parts for Steve Gadd, Steve Shehan and Jamy Haddad.
Than came ´Kodachrome´ in a complete new version, but I prefer the old one´¦..

After ´Proof´, ´Bridge over troubled water´ and ´the boxer´, the 2 hour and a quarter during concert was over. Paul thanks the audience with ´thank you so much, I appreciate that´¦..´ (He said this several times during the
concert) . Paul was really ´as pleased as Punch´ during his show.

After this, the show was over´¦´¦We went outside to meet eachother and walked to the artist entrance were at that moment the musicians came out including Paul Simon (under great applause). This time they took the time to shake hands and give signatures ( became one of Paul and Tony Cedras in my tourbook ). After they were gone, we went to our hotel to have some beers and / or coffee with Joost & the other people we met. It was indeed a ´very special evening with Paul Simon´. (a pity that he sang nothing from ´The Capeman´ album).

Thanks Paul and see you next time´¦´¦´¦(again together with my 18 year old son Edwin, he loved it!!!)


Germany - Hamburg - Nathanael Salzgeber

Oh what a night


´Oh, oh, what a night, oh what a garden of delight´, that was at the Music Hall in Hamburg yesterday night. On our tickets it said, ´a very special evening with Paul Simon´. It was not only special, it was a great and excellent performance by Paul and his world class band.

Paul opened, to my surprise, at 9.25 PM with ´That´s Where I Belong´. I had the set list from the first show in Stockholm with me and so I expected ´Kodachrome´ first. Anyway, he made some changes in the set list and I think that´s good for the show. There was no intermission and Paul played almost nonstop 2 hours and 15 minutes. I´m sure that an intermission would have killed the show. Overall the audience wasn´t ecstatic but the atmosphere was nice and all of the songs were received very well.

It was the third time I saw Paul Simon live. The first time in 1991, then last year at the MSG show in New York and now in Hamburg. It wouldn´t be faire to compare the shows, because they were too different. I mean it´s not the same, if you´re at MSG packed with 20´000 people or at the Music Hall with an audience of 2´200. I prefer the smaller venues, because it´s much more personal and I could see Paul better. In fact he stood right in front of me just some feet away.

Well, let me say something about the highlights of the show. Hmmm, now I´m in trouble... the whole show was a highlight. After the song ´Old´, Paul walked away to change his guitar and said to the audience: ´ getting old´. That is definitely not true. He´s in top form, his voice is clear and sharp, he´s just getting better and better. Not to mention all the band members. They are brilliant.

´You can call me Al´ brought the audience up to their feet. Screaming, dancing, jumping up and down, just having a great time and a lot of fun. The same procedure happened by the songs ´Boy in the Bubble´, ´Late in the Evening´, ´Proof´ and of course the final song ´The Boxer´. Everybody was singing along so it was a very special atmosphere.

Oh yes there was one thing I almost forgot!!! Paul made a mistake!!!! I mean that happens not very often to a perfectionist like Paul Simon. But during the song ´American Tune´ he got lost. He lost the thread for a moment by singing the wrong words... I thought it was funny, I´ mean it´s a live concert and mistakes can happen everywhere...

This tour is a must see! Go and get them. It´s worth the money.


Germany - Hamburg - Ilona Doutrelepont

Wow, I´m just back home from my first Paul Simon concert. I´m sorry that I can´t send a setlist, I was too taken with the music to concentrate on writing the songs down. The concert started 20 minutes late but it lasted 2hours and 20 minutes. The audience was hillarious, they yelled and applauded frantically. In the middle of the concert nobody was sitting on the chair anymore. Everybody jumped up on the feet to dance along with the rhythm of the songs. Paul played many songs of his new ablum and they sounded great played live. I loved the way he played I´m a rock, it was very dynamic. The rhythm sections with the drum and percussions brought in the end the last sitting
people on their feet. Steve Gadd was fantastic as everybody in the band was. They seemed to be in very good mood and to enjoy the wonderful audience. Paul himself was wonderful. His voice is still about the same we all know for so many years. He has obiously had so much fun the the stage that is swepped over to the crowd. He gave 3 encores then thanked the audience and disappeared behind the stage. The light hall lights went back on and the roadies entered the stage for their work. But the applaus didn´t end, it became louder and louder. About 2 minutes later Paul came back to stage to give his 4th encore. ´The Boxer´ made us all sing along, and it was an atmospheric end for the concert. I wish I could have gone again to the second concert today but it is all sold out.


Germany - Hamburg - Erwin Hans

He played without taking a break. I think it´s because he started at around 21:20. The audience was really getting into it, and Paul obviously enjoyed himself. He hardly spoke to the audience, though. Mark Stewart played the cello on the songs that Paul plays solo. I Am A Rock was an entirely new (*great*) version. He could score a hit with re-releasing that one. Lots of
electric guitar, heavy percussion. One Man´s Ceiling was a highlight too. Mark Stewart playing a dobro guitar (like the guitar on front of the Dire Straits album ´Brothers In Arms´), and there were some nice piano solos. Homeward Bound was played with capo on the 2nd fret (his voice is geting lower :-)). His voice was in great shape; he only had difficulties with some of the lines in this song. He made a mistake in American Tune; he forgot the text of the line ´still, when I think of the road ...´. He sung: ´still,
....., road, ... traveling on´. It´s my favorite PS song, so it really made my evening complete. It was a great version. He played it without a capo, where he used to play it with the capo on the 2nd fret.

On ´Pledging My Love´ he said it was the first record he ever bought back in 1954. That was the only line he spoke directed to the audience; except for the thank you´s.

I think that some bootlegs will emerge soon. I saw people with minidisc recorders, tape recorders, and even a guy with a handycam. There were guys of Paul´s crew looking out for recording equipment, but without much success.


Germany - Hamburg - Hanjo Schlueter

My Suitcase and Twenty Guitars In Hand

Entering the Musikhalle (which means ´music hall´), an baroquely styled concert hall that seats 1.500+ app., it is confirmed that Paul Simon indeed is a perfectionist: His roadies are wiping the twenty, yes, twenty, guitars clean and bright, the three gigantic percussion sets already shining in the light, coming from three light racks equipped with the latest spotlights. A quick glance at the sound mixer - has Paul brought half The Hit Factory where he recorded YTO with him?

Well, shortly after 9 pm, the audience becomes impatient - clapping, whistling, shouting - do they want the roadies to play? Ok, ok, out go the lights and the band appears on stage, the path lit by some Maglites. Shouts and Cheers. I thought, Old could have made the opener, but be wise: TWIB, almost an accident, the band slips musically, nearly falls, nobody really leads. And the sound is awful, not the slightest as heard on the album,
Paul can´t be understood. Well, you can´t transfer the brilliance of the album´s recording and mastering onto stage, and I fear the rest of the new material might not be better. But luckily, the engineer does a good job. And Paul goes back to old and reliable stuff: Graceland comes out groovy and crystal-clear. The first people leave their seats, especially on the balconies, not only to dance, but to see better as well.

Then astonished faces. Piano, blues, OMCIAMF. Why´s that? All right, everybody´s relaxing again, YTO doesn´t change that.

50 Ways should normally be Steve Gadd´s song, but this time, his excellent drumming disappears somewhere in all the other stuff being played. And Paul, always good for some surprise, tries to give the melody a new rhythm. Well, he actually fails, missing his entry and leaving out parts of the first verse. Not convincing at all. Second verse goes better. No comment on LAT - the arrangements on the YTO-album are definitely not suitable for life performance.

TWYM and MAJDBTS, emotions running high again - perfect sound, dancing, shouting. Melting point? Not yet. Cool down with SV and TT (might have been DL, I don´t quite remember). But then: Nearly everybody dancing with diamonds on the soles of their shoes - the hall is boiling (really, temperature might have reached 30 centigrade or something) and then
shouting out that you could call them Al. Obviously the greatest hit to the audience. Paul turns his microphone towards the crowd, horns are doing a great job there. I want this evening to go on forever. Sweating, hot, I
expect TBITB or LITE - but Paul prefers nostalgic sounds now. OF/B comes pretty cool with Mark Stewart on cello. Paul at its best, bound for the home of his music. One of the first Simon tunes learnt on guitar: I´m
sitting in the railway station. Suitcase and guitar in hand? Slightly understated, considering the trucks waiting outside the backdoor... however, IAAR. And that´s quite something: Not any longer the young defiant
stone, but an aged rock gnawed by time´s tooth, as we´d put it in German, crying out a long and desperate ´Iiiiiiiisland´. Yeah, those early tunes are still alive, they grow, they mature. But too short, this S+G-set.
Presenting himself as ´Frank from New York New York´ - whoever THAT could be ;-) - Paul makes a great entertainer and I can easily imagine him wearing suit and bowtie standing on a big white glamourous stage, bigband
behind him. But here he is again, just Old, or isn´t he? One of the few new songs that send their sparks towards the audience, and getting in the mood again, or should I say, in the Bubble? TBITB surely´s another of the
evening´s highlights, again everybody rises and dances. And yet again, the maestro wants us to cool down. PLM/TLGJA which nobody could have expected included in the set. But, hey, Mr Engineer, I want to listen to the lyrics, it´s a kind of ballad, isn´t it? During some of the songs, Paul´s voice comes out muffled and unfocused.

Let´s go to the coast and let´s do it late in the evening. Rise again, you patient folks, move your feet and shake your bodies. And then, sit down again quickly for a silent American Tune. Hurricane Eye finishes the set, and Paul really seems to be surprised that the audience was that enthusiastic. Well, Hamburg people are only SAID to be dry and boring, but they aren´t. They just save up for special occasions! And: While a normal German audience manages to turn everything into a march by clapping on beats one and three, here people swung, politically correct off-beat, or
stopping as if ashamed when the songs became quiet.

The first encore was Kodachrome which I didn´t recognize at first, then from the words, and then: Oh, it´s THAT song. Interesting. Well, nothing more to add for Proof than this: For the encores, the percussionists left their instruments, just taking one drum each, sitting down in front of the drumset and being so perfect that I ask myself why didn´t they do it during the whole concert?

BOTW on a carpet of cello and synthies, and although Paul leaves out the higher passages (hello to Art) and doesn´t ease our mind at all, its very nice. The lights go on, some tape starts playing, roadies beginning to pack the instruments, when, called by a demanding audience, Paul appears on stage again. I am just a poor boy, though my story´s seldom told - like a church service: The people all standing and mumbling the well known verses like a prayer, finally joining a lithurgic lie-la-lie.

And that´s it. Maybe if all of us had stayed longer and clapped and shouted even more, he would have come back a third time - some man was observing the crowd and reporting backstage.

A very special evening with Paul Simon, stated the ticket. Really? Well, Paul, you didn´t talk very much, did you? Just ´Thank you so much´, 10 times app. Where have all those stories gone as in ´One day, I was riding along in my Aston Martin and I said to myself... (Laughter) No, I really don´t have an Aston Martin... In fact I don´t have any car, no...´ and explaining how you wrote Feelin´ Groovy? Oh, by the way: Where did you leave all-time-favourites like Mrs Robinson, The Sound Of Silence or Still Crazy...?

It was a very good concert, indeed, but, considering all the equipment being carried around (and the ticket price - most expensive one I ever bought by far), it should have been much better to make it a very special evening.

And it seems fair to say that the concert of ex-partner Art Garfunkel three years ago at Hamburg University was much more charming, easily.


Sweden - Stockholm - Gunilla

Considering the late hour I am too tired to write any detailed review, I´ll just add some short comments:

Yes, the new version of Kodachrome was great. Thought he refused to perform I Am A Rock. Hopefully he won´t regret that he did, it sounded real good indeed. Darling Lorraine - the man should become an actor (and yes, I know
about OTP) Missed YCCMA, maybe because I was too young to see the Graceland tour as well as BATRT. Paul seemed to be in real good shape, not ´old´ at all. The audience was, well, boring... Looking forwards seeing him tomorrow again, this time from the 9th row (23rd today), without my mother watching me :-)and hopefully with a more enthusiastic audience. He certainly deserves it.

She then sent in the following fully-fleshed review:
Still Crazy After All These Years

So finally I´ve seen him. It feels empty. Wish I had it undone. Wish to see him again. Why did he have to sing in Stockholm first? What is now left looking forward to? Hope he´ll continue the tour next spring. I would do anything´¦

Anyway, I´m no journalist and certainly not a musician. I´m just an ordinary Swedish girl with a bad memory who happens to like Paul Simon´s music a lot, and whose life would have been poorer without him. I don´t think I´m the right person to write a review, but I can write about my own experiences, feelings and thoughts during his second show. Hope you all forgive me if not remembering everything in exactly the right way.


5 - 10 minutes past 8 p.m. the light in the hall vanishes and the members of the band enter the scene. There´s some big applauds when He comes up. He´s taller than I expected, maybe cause I´ve heard so much about his short stature. At least I don´t think he´s shorter than me. Yesterday´s black trousers are now replaced by a pair of blue jeans. The short-sleeved black shirt is anyhow the same. Today the baseball-cap is yellow (the red one he wore on Monday looked better).

The first song is That´s Where I Belong. Seems as if he cannot make the highest notes, his voice sometimes breaks. Afraid yesterday was too tough for him. On the other hand, same thing happened yesterday, and then his voice sounded great on the more speeded-up songs, so I hope my anxiety is unmotivated. The version of the song is beautiful, mostly just Paul and his guitar.

The second song is Graceland. I get the impression that today´s audience is more enthusiastic than yesterday´s. Some are whistling. Some are screaming ´woooo´. Everybody (I think) is making applause. I´m a little bit disappointed, though. Yesterday, people rose to their feet when hearing this song. Today everyone is still sitting on their chairs. But on the other hand, yesterday Graceland was an extra, today it´s number two after the slow opening with That´s where I belong.

No. 3. One Man´s Ceiling´¦Heavy. Blues. Better than on the record. Don´t really remember that much.

You´re The One. Quite like the CD-version. In the audience, most people don´t seem to recognize anything from the new record. Maybe Paul shouldn´t have started with TWIB. The audience seemed more enthusiastic after yesterday´s beginning with Kodachrome.

The fifth song is 50 ways´¦Don´t remember that much, but I´m pretty sure he had made some changes in the text. All I can say is that it was good. Hope the PBS-recording will be available on video´¦

Look At That. As on the record. The audience is annoying in its lack of knowledge of Paul´s songs. Doesn´t even react on the ma-ma-ma-ma-thing. Am I the only one liking it? Even if they don´t hear the words he´s singing, everybody must be able to get that part.

Love. This time his voice makes it. Another version, which in my amateurish ears sounds very much alike the one on YTO.

Me And Julio´¦Finally the audience seem to loosen themselves up a bit. Some in the front rows begin to dance. Wish I were among them. They´re pretty young, the audience in general on the other hand is very mixed-up. Some look as if they´re retired, some can´t be more than about ten. Most of them are well-dressed. There´s a huge difference between this audience and the one on Bob Dylan´s concert in Gothenburg -97. In short, I like today´s singer better, but I certainly prefer the audience of -97. Then, they even succeeded in getting me, who usually is a much too reserved person for my own liking, involved. In addition I have to submit I knew very little about Bob´s music at that time (so who am I to complain today?). Anyhow, this evening I´m the one, not having the courage to raise, trying to clap my hands as high above my head as possible hoping my enthusiasm shall help the other ones going. After the song, Paul looks at the ones in the front, nodding at them as a ´thanks´. God, I wish I was one of them´¦

The Teacher. The ninth song. There isn´t much to be said. See earlier YTO-songs.

Spirit Voices. Good, I guess. Don´t really remember that much. But, since everything Paul´s doing is great (OK, almost everything) at least I´m not exaggerating.

You Can Call Me Al. WOW. He must have read what I wrote after Monday´s show. Believe it or not, everyone is now standing (at least everyone my eyes can catch). Afterward he thanks the listeners. He´s walking along the stage bowing ,with his hands together ( handflate / handflate ) under his chin. Shall he thank us? We have done nothing. He´s the one who´s written all those songs, who´s brought meaning to so many people´s lives, who in words has expressed the feelings of so many persons, who has learnt us so much. We´re the ones <g> to say thank you´¦PAUL, WE LOVE YOU´¦(which, by the way, no one screamed today. Yesterday someone did. The newspapers didn´t even get the fun in Paul´s ´I appreciate that´. Sigh´¦.)

In the break I am moving two rows forwards while I´ve noticed some empty chairs. Now I´m not that far away from the enthusiastic youngsters in the front rows.

Old Friends/Bookends. Once again his voice sounds better than yesterday. Which also could be said about the following American Tune. (I think it was AT. After arriving home I realized I had noted him doing it twice. The second time I think he did Homeward Bound. My guess is I got to upset during the song before HB getting things right. So, that´s a guess´¦) Nice, slow versions. Not as much a la Africa as most of the other material.

I Am A Rock. OK, the audience doesn´t exactly scream out its happiness, but the following applause hint on great appreciation. It´s tough. Not as raw as on The Paul Simon Songbook, the bitterness isn´t that clearly expressed, but it´s certainly better than the S&G-version. I am an iiiiiiiisland. Superb.

Song 17 and 18 are both from YTO. First comes Darling Lorraine. What can I say? Like yesterday, I loved it. Wish I once again will be given the opportunity of seeing One Trick Pony. Could it be that lousy? My impression is that Paul´s very good in intonation, gestures, everything. He animates the story, makes it living in an even higher rate than on the CD.

The second song is Old. Now, this one really rocks. But, even now you can notice Paul is in some way very reserved. I doubt it´s only Frank who´s got a part of him that talks. Paul always states the songs aren´t autobiographic, that they aren´t about him. I´m sure, though, most of them are, at least to some extent.

Boy In The Bubble. For the second time this evening the audience is on their feet. The woman in front of me is, to my surprise and pleasure, pretty much shorter. If I try really hard, make myself as tall as possible and clapping my hands as high above my head as possible maybe he will notice me. Maybe, maybe I really do exist´¦Once again he says thank you to the audience. ´Thank you so very much, thank you so Very very much. Everything in a way that makes you think he really means what he says, or at least wants us to believe that even if he doesn´t talk that much, he enjoys being here, that he appreciate our appreciation. (BTW, everything Paul says during the concert is those Thank you and the introducing of the band-members.) Paul, we´re the one´s who owe you a thousand thank yous´¦

Pledging My Love. Hadn´t heard the song before yesterday. It´s nice. During the song, Paul says this was the first record he bought and that Johnny Ace killed himself in 1954. Didn´t mention the Russian roulette thing, though. Is immediately followed by Late Great Johnny Ace. Was wondering if anybody was considering shouting something, and how Paul would react. No-one did. Just as good, I think. Anyway, I don´t think Paul would react at all, otherwise he wouldn´t perform the song.

The Coast. For not that long time ago I thought my memory was excellent.

Late In The Evening. Third time the whole audience is on its feet. Tour-record. We don´t deserve it´¦we should be grateful´¦

Homeward Bound. I think (see AT). Am I the only one who would have preferred something odd, something not-expected? On the other hand, who´d thought he´d skip Sounds Of Silence and The Boxer? And sing I am A Rock? Once again, who am I to complain.?

Hurricane Eye. CD-version. Good, off course, but nothing extra. Paul leaves the stage, people are rising trying to applaud him back. Surprisingly J, he comes´¦

First extra song. Kodachrome. Drums. Some kind of talk-singing, especially in the beginning. As usually it seems a bit pathetic when he sings the Mama don´t take my Kodachrome away part. But it certainly doesn´t feel odd when he repeats that he Wants to take a photograph of you all. Yes Paul, we would like a photograph of you as well. I´ve been trying to catch him with my camera for quite a while now. Which ends up unsuccessful also after this song, I´m to busy clapping my hands, dancing (OK, maybe not dancing, but at least my feet were moving).

The second extra. Bridge. Personally, I would have preferred The Boxer. Somehow, I know it´s wrong, Bridge feels like Arts song. Nothing can be as good as Arnheim (-95). Please Paul, can you forgive me? You are making everything else just soooo much better than Art, and off course your version is great. But, Arnheim was just´¦perfect.

For the second time Paul leaves the stage. Before that, he walks along the edge shaking hands with the ones sitting in the front row. I´m just SO jealous. Paul, obviously you read what I wrote about Al. Her I am´¦ OK, I´m a bit far away. Instead, could you please send me your autograph? Send me an e-mail and you´ll get my address. Maybe I will even send you a photo. Didn´t you say you wanted a photograph of us all J? Once again, Paul bows and says Thank you. Haven´t I told you we´re the privileged?

Once again he re-entries. Proof. By now, I´ve managed to take three pictures. Four yesterday. Can´t bear ´til all the pictures on the film will be taken. Don´t remember that much of the song, but I think it was slightly different. Afterwards he´s receiving a flower, a rose I think, from someone in the first row. I SHOULD HAVE BEEN THERE. HAVEN´T I DESERVED IT? (I bought my seat-place with my tears´¦if it had been possible to buy a better seat with tears I certainly would have got one L.)

Anyway, two marvelous evenings which I hope and think I will never forget. Asked in a record-store near the arena for a YTO-poster and, believe it or not, they gave me one not even used. I´m gonna frame it together with my tickets. I´m also hoping the photographs will be OK and that the show will be available on video. And that I will be able to join more concerts in the US coming spring. By the way, if he would have shaken my hand, I probably never would have washed it. So, no need to be sorry.


Sweden - Stockholm - douglasmundy

I have used Craig´s list so many times not once anybody email me or called me. When were children we acted like children. There was no manual telling us how to love and you can not go down to the hardware store and order up a new face and body. People seemimg to judge what someone looks like. People should look at the people inside not outside. Everyone has some sort of disability one way or another way. Do people rememeber 911. We were scared frightened , we didn´t know what was going to happen. Does it get awfully lonely sleeping with only your pillow to hug? Life is too precisious to throw away. I have a nice home here and would like to share it with someone. I am 6´0´ tall. I love to cook. I use to work at the senior center for 15 years and I use to raise the money for the special olympics. I used to work with Jerry Lewis for the muscular Dystorphy. I am really reaching out if someone out there really cares. I lost my Dad when I was 17 years old and lost my Mom 13 years ago and I lost my dad in my arms. My brother Jim was a suicide, he hung himself in the garage. I realize this must be too much for just anyone to grasp and then when I came back up here to So. Lake Tahoe I was homeless and slept in the mountains when I was 17 years old. I was raped as a child. There was never any love in our family just yelling and screaming. My father passed away I went up to Oregon and the mental Health people up there put me in a room and raped me. I am putting my cards on the table. So now you know everything about me. Back in 1991, I met a girl named Sarah and we were living together and I discovered she had taken out a life insurance policy on me and was trying to kill me. We she found out she was pregnant she put a coat hanger up her privates and killed the baby. I had a nervous breakdown. I have challenged myself in so many ways. I have a sister in Chico and have asked her for the family photos. I get hurt pretty easily. I have grand maul seizures. I want to know to what love is I want you to show me, I want to go where love is I know you can show me, I traveled so far to leave this lonely life. [email protected] (530)541-2421 [email protected]
PS. When I was up in Oregon there was a lady named Charlie Hans, when I first started living there she would pull my hair and she was an alcoholic. And they throw me into the hospital and up in Portland in an institution. And there was tons and tons of children crying for attention. Every child in that place was raped. I seen kids getting the electric shook. I seen young kids getting traped down at night time. I ran away from that place and made it back here to So. Lake Tahoe.





USA / New York - Montauk - Kapeman

It was a perfect day. Unfortunately it takes me 4 1/2 hours to get there. It is a perfect venue to see Paul simon. He is surrounded by friends and family. The doors were suppossed to open at 1pm. I got there 12:45 and they were already letting folks in. I was able to get front row seats ( I had vip tix).In past years, Pauls son Harper did a set with his band?, but there was only canned music this year.Edie Brickell and her band went on first around 3:30. I have to say i don´t really like her voice, so I don´t know her material well. I only recognized one song (what i am?????)she had 2 guitarists and a drummer with her. when she introduced them, she had a southern accent. then Lyle Lovett came on. He had a BIG back up with him, horns back up harmonizers the whole works. I had never known this guys stuff, so I went into my local B & N to hear his new live cd b4 the show. ´Country´ is a bad rap for him. He is fabulous!!!!!


I have to go out and get his cd´s now. He did several songs from the new cd and everything sounded wonderful. If there are any Lovett fans that want to know more about his set, email me. after probably a 30 min intermission for pauls set up,Jimmy Buffet came out with his guitar. he did 3 songs, one song he clearly changed the lyrics to incorporate the names of Long Island towns. He closed with Margariteville (the only one i knew) Paul came out shortly after that. He was very loose, clearly enjoying himself, grinning broadly throughout most of the set. the crowd was great, basically not sitting at all. he did the usual set until cool cool river. In Boy in the Bubble he emphasized the line ´camera spies on us´.After Cool, Ladysmith Black Mombazo came out and did a beautiful ´Homeless´. Paul and Joseph embraced and you could see the good feelings between them, after that they did Diamonds. it was wonderful. for an encore Paul did Late in the evening and then ´The Boxer. I have to admit it was after 8pm by then, so i did something I´ve never done b4- I left ´early´. so I am not sure if PAul came out again. I´ll speak to a friend I was with later today and find out for sure. Other observations,on Mrs Robinson Paul sang the ´gugugachoo´s. On You can call me al. Paul was using his chest as a drum and beating on it ryhthemically.

When he introduced Trailways Bus, he clearly saw that there were ladies in the front row wearing Capeman tshirts (not me) so he said, I see there are some Capeman fans here today. he was really interacting with the crowd up front, clearly knew most of the folks. It was a day I´ll long remember. Yes, 41/2 hours back home.


USA / New York - New York - Wendy Gell

The Daily News says in big letters HOTTEST JULY EVER and John F. Kennedy Jr.´s face is on every magazine cover. The New Haven line at Grand Central station I´m heading home. Business was so slow in July, I kept waiting to get the tickets, I just couldn´t spend $150 or whatever for a ticket. I figured one of my friends would call and invite me. July 24th comes and I´m at a party, moaning, Bob is playing in Hartford and I´m not there. I had downloaded the play list for the night before , and knew I might be missing ´Visions of Johanna´.

The next day thru MadisonSquareGarden.com I purchased whatever two seats they had left. I met my cousin Jessica at the Will Call window at the Garden. Up up up we went, to a high place in a glass enclosed moving escalator from where you could see the street below, the walls covered with big posters of sports heroes. Concrete walls.Up further and further to a place near the ceiling overlooking the stage behind where the band would play. I never went to a Dylan concert I didn´t enjoy, but we were in a dead air space. The sound came up like frozen orange juice concentrate, and I could hardly hear anything or see any of the band. Two German tourists were jumping around and enjoying the show on my right. The seats were so close together, like bad airline seats, I was stepping on the long hair of the girl in front of me. Behind me two women sat chatting like they were at a bridal shower. When I heard the first few chords of ´Highlands´ I turned around, and said ´Excuse me but this is a 17 minute song that Bob never sings in concert and I would really like to hear it.´ The women looked at me in shock. Eeeekkkk. They quieted down and I was glad to hear that song, feeling very neglected in that nether land hole of sound. Well, Madison SquareGarden should only sell those seats for basket ball games if they can´t make the acoustics work for concerts.

Bob opened and sang ´Cocaine Blues ´ then ´Mr. Tambourine Man,´ but I couldn´t hear anything . I was watching from the back , he put his cowboy hat down behind the amp upside down, and I just looked at that. ´Hard Rain´ sounded so inviting I began to relax. By the time Bob got to ´Love Minus Zero No Limit,´ I was having fun and was able to enjoy the music. When he followed with ´Tangled Up in Blue,´ I started feeling Tangled Up in Glue.

Bob did a harp solo so close and personal it was like a whispered secret that went every where, touching every one in that stadium. He went over the rainbow and straight on till morning.

The drummer wore a white cowboy hat .The audience roared when they did ´All Along the Watchtower.´ Every time a song mentioned New York City the crowd screamed. The only time Jessica and I could see Bob was when he went to pick up his harp behind the band. When he did ´Just like a Woman,´ his voice wrapped around the room like a big hungry snake and when it got up there to us we heard ´I was hungry and it WAASSSSS your world!´ Then there was a screamin´ guitar solo.

Then the band met in the middle of a the stage in a short huddle as though they didn´t know what song they were going to do next, ´Silvio´ burst out in the stadium ´When it´s time to go you got an open door,´ Bob rocked, so far I hadn´t heard him say a word to the audience.

Paul Simon joined him after ´Blowin in the Wind´ which I can´t even remember, and together they did ´Sounds of Silence,´ and the room was filled with awed faces, and harmony like light and shadow falling. When I came to, they were doing some Johnny Cash Walk the Line with a way out fiddle, and we couldn´t stay in our chairs.

´Knocking on Heavens Door´ was a great place to end Bob´s set , and he picked up the cowboy hat that he never wore as he walked out, and waved it to the people in back in the north country fair .

Walking downstairs, Jessica and I wended our way through beautiful young girls and boys buying beer and souvenirs and familiar looking bearded heads and old hippies. The music started again,and we decided to see if we could get some better seats, leap frogging around until we arrived at some lavender colored seats main floor behind the soundboard in the middle of the room, from our tower the seats had been empty through all of Bob´s set. No one was there but one guy so we sat down.

Paul Simon was so wonderful everyone was spell bound. The music was fantastic, Paul was casual and cute and his voice very beautiful, holding his arms out, doing every song we loved, ´Mrs. Robinson,´ ´Still Crazy After All These Years,´ ´Bridge Over Troubled Water,´ ´Slipsliding Away,´ and ´Diamonds on the Soul of her Shoes.´Further to Fly. A guy danced with me.

He had three drummers and everyone was up dancing and never stopped. It felt like the concert would have no end. I always get sad when Bob plays ´Rainy Day Women´ because it means the show is over. But tonight there was none of that, and Paul just got better and better.

I knew Bob wasn´t coming back after Paul´s set . I went to buy some posters and told Jessie I would meet her outside. The posters are a great design, Two Trains Coming (not too slow) kind of deco, red and black. I wondered how I would make it into some Gelastic Art and put it on my website or on Ebay. Someone told me this is called gorilla marketing. I have a bunch of my Dylan inspired art work from my website gallery on e bay . Even the dolls, ´Absolutely Sweet Marie,´ and ´Oh Sister Wen,´ and an oil painting of Bob . They all have ticket stubs. My ultimate Dylan piece is called ´Oh Wendy Saints Go Marchin´ In´, where Dylan plays a rhinestone guitar in a parade in wenDYLANd with a New Orleans looking Jesus, and my doll Beast playing the saxophone. Angels upon angels. His white cowboy hats flies above.

I waited outside Madison square garden watching the faces . My eyes wandered thru the crowds, up the street of yellow cabs to see a colorful neon sign, ´Wendy´s´, the hamburger place. Instantly the old man who had been playing his jazz trumpet behind the cement wall begins to play ´Oh Wendy Saints go Marching in oh Wendy Saints Go Marchin´ in, oh Lord I want to be in that number when the Saints Go Marchin´ in.´ I laughed out loud standing alone in the hot New York night, and the heat felt very good. My imagination-driven life was satisfied. I had to hear that song for the night to be complete. It didn´t have to be Bob or Paul singing, but I just had to hear it. Then the old man played ´Hello Dolly.´ I was still laughing when Jessie found me and we went to have a drink down the street. The moon was almost full. She said she thought they leave seats open for the people who have to dance and can´t stay in their seats so they won´t rush the stage. I was just glad we got there, I wish we´d gone earlier. The music was clear, loud and brilliant and we danced like crazy people, and there was so much room, no one was there. I have to be careful when I dance because my big heavy wristy bracelets could break someone´s nose.But there was plenty of room like a vortex.

A guy at the bar near our table said he just shook Bob Dylan´s hand.´ ´Well sit down let´s hear about it´, I said and he sat down . We had fried calamari and I drank kier. This guy Joe had a back stage pass because he knew one of the musicians and hegave it to me for a collage. He liked my funny purse which is made out of a stuffed animal, a camel with jeweled eyes and a cherub on its head named ´Josephine Camel,´ she smokes and reads mythology . After a long night I start to look like Shari Lewis with it. Lots of the kids in the concert stopped me and asked about it. It was too late to go home so I stayed in the city at Jessie´s near the 26th Street flea market.

On the train, I´m going home to my sanctuary, my computer, the glue gun, the little white dogs and Rosie the parrot, and the Quiet. I´m dreaming and singing to myself, ´There´s a lonesome freight at 608, headin´ thru the town , I´ll soon be homeward bound. I´ll be homeward bound.´

People on the train talk on their cell phones so loud, and one guy just wants everyone to know his business, but I´m trying to concentrate and write my review. On the other side, a stage mother and child actress I can´t see are practicing the dialog from an audition they must have come from.

I feel a wave of Tennessee Willams or Woody Allen, the characters are here. Is there a script? A concert is so in the moment, every heart beat in the moment, can´t be recaptured by memory. ´Memories of God´ sang Paul. While the train rolls I think of the train posters. The little girl goes to the first seat in our train car . She is performing her act with a plastic water bottle as her microphone. She must be about 7. She sings, she vamps, makes faces and holds back the sounds of the words so we can´t hear them. The landscape outside now is salt marshes and then parking lots and train stations and small towns. I was thinking of the guy we met at the restaurant. He said he owned a recording studio. He didn´t talk about Bob, but about a guy named Charlie . I was talking about my website. Jessie was talking about her life in New York. Jessie said I might be the biggest Bob Dylan fan there was and I said maybe but there are people who love him as much, I just can express it with my artwork. If not for glue. So the sound was bad where I was, it was still a W´endessential experience, I´ll be inspired for months. I hope Bob will come to the Palace Theater in New Haven where he sounds so great and the seats are so nice and comfortable and you can really see each other. I like flashing my wristies at Bob and the band on stage, I know they sparkle, I know he couldn´t see them from way up there last night. And I like looking at things reflected in there mirrored facets while I listen to the songs, sometimes I see reflections of the band.

For Halloween buy her a trumpet and for Christmas give her a drum. BD

I went swimming when I got home and worked on my review and a dragonfly landed on my toe and my pen, a dragonfly in wendyland.


USA / New York - New York - Proof

Not a lot of information about old shows on here, so here´s my humble contribution. This was my first Paul show after hoping for years he´d tour again so I could see him ´“ what better place than in NYC, where I was living for the year. I was in the middle of the first level, to the side and almost behind the open arena stage. Nice veiws there, actually.

Dylan went on first. I´m not such a fan (like his songs when other people sing them, could never enjoy his voice that much), but it was a pretty good show ´“ he really ripped this song called Silvio that I had never heard before, but has now become a tune I like a lot.

Paul and Bob did there slightly awkward duet and then Paul´s set: he played a lot of Saints material, including Can´t Run, the Coast, and Further to Fly. The songs from that record sound so good live! The percussion in Further to Fly really made me like a song that I usually skipped when listening to the CD ´“ great lyrics there, too. Can´t Run But worked very well in the number 2 slot. Very mysterious, hypnotic sound to draw people in. The crowd was pretty good on Paul´s home turf overall. A couple things made this show special, besides just being at MSG. For the first and only time, Born in Puerto Rico was played live with special guest singers from the show. It was played (I think) as an encore and sounded great ´“ too bad this was a one-time deal. Also, Paul´s son played on the Boxer (I think this has happened a number of times since).

A great first-time experience in New York ´“ I was just a little down about having to share time with Dylan and not getting a full-length set list. Great band, good sound. Would love to have a live album from that tour!


USA / New York - New York - Bodo

Proof - I did not know that we have something so special in common, but this concert was also my first PS show. Althoug I was a little fan since around 1991 I thought for a long time that Paul Simon gave up his music career. Here in Europe you do not hear much about him, and in the times before the internet revolution your only source have been some small teenage music magazines (which never mentions a Paul Simon)
So finally in 1997 I was surprised to see ´The Capeman´ in our local music store. At the end of 1998 we finally had access to the internet at school and I was posting sometimes on the old ´Capeman Warner site´ (I think parts of that site do still exist somewhere). I have read about a possible Bob Dylan/Paul Simon tour...and when finally an article about that upcomming tour was even in one of our magazines in Austria I had to fly to the USA. I visited a girl who was au-pair in Philadelphia for 1 year, and finally on July 27 we went to NY. Getting tickets was really horrible for me (I finally bought mine 3 days before, and even forgot my CC then when we traveled to NY... but they gave me the tickets, incdebible...) I first thought I will not be able to go - the au-pairs ´mother´ told us we should call a ticketmaster, and they only had tickets for 250$ or 300$. I thought they are all crazy here, how can these tickets cost so much.
We finally had tickets for 45$, and they have been in the last row behind the stage. I was sitting there trough Bob Dylans set, but when Paul came I stood up and walked around to the other side. There I was standing and dancing in a doorway with no security person for 1 1/2 hour. It was great...and I had luck that there was no security, because when I finally walked back to our seats a security guy stopped me and asked me why I walk around there...that guy was really angry, too angry for my mood so I ignored him.
For the last 2 songs a lot of people have already left the stadion (crazy!), so when finally the played the Boxer and Born in Puerto Rico I jumped down over the fence to the next section and was very close to the stage. I was standing above the door where the musicians went in and out on the side of the stage. It was just great.
That night I could not sleep, I was up until 4 or 5 in the morning.

And the really funny thing is that back at this time I did not know that this was the only performance of Born in Puerto Rico ever. I thought they play it every night :-) That was really luck to hear this song.


USA / Connecticut - Hartford - Bodo



USA / California - Los Angeles - Laurence

I was there, and let me recover my lucidity... it was fantastic, definitely the best show of this tour (I also attended the Anaheim and Hollywood Bowl shows), probably because I was so close to the stage. Yes it was crowded, but I arrived very early and I had the luck to enter the House of Blues before almost anybody else. I even saw the rehearsal from the mezzanine around 6:30pm ! I still do not understand why they let me enter so early, but I didnot ask and I was in heaven. Paul and his band rehearsed ´Proof´ (several times, since there was a technical problem), ´The Boy in The Bubble´, ´The Sound Of Silence´ and several other parts of some songs. There were only a few people in the room, mainly people from the tour, and when they stopped playing, due to a technical problem, Steve Gadd went upstairs, and I realized that the charming young woman who was beside me was in fact his daugther. Being already in the room, it has been easy to get a very good spot for the concert. I was as close to the stage as you could be, just in front of Paul´s microphone. The show was awesome, the set was not very different from the other ones, but much more relaxed. Paul seemed very very happy to be there, and very moved by the overwhelming response of the crowd. I did not take any notes during the concert since I wanted to live these precious moments very intensely, so I will try to remember the best I can: They opened with ´Proof,´ then they played ´Bridge Over Troubled Water,´ ´Can´t Run But,´ ´The Boy in the Bubble,´ ´The Coast,´ ´Trailway Bus,´ ´Mrs Robinson, ´ ´Me and Julio Down By The Schoolyard,´ ´Further To Fly,´ ´Graceland,´ ´The Cool, Cool river,´ ´ Slip Sliding Away,´ Diamonds On The Soles Of Her Shoes, ´You Can Call Me Al.´ First encore: ´Late In The Evening´ and ´Still Crazy After All These years.´ Second encore: ´Born At The Right Time,´ The Sound Of Silence´ and ´The Boxer´ Third encore: ´Fifty Ways To Leave Your Lover´ and a medley of ´Knockin´ On Heaven´s Door´ and Mother And Child Reunion.´ Despite the noise made by the crowd there was no fourth encore, but, as you see, it was a very satisfying set! Every time Paul came back on stage, he seemed very touched by the warm acclamation made by the crowd, saying many times ´Thank you´ and something like ´it goes right to my heart.´ I even noticed that his eyes seemed wet at one time (I can say that for sure because I was so close). He did a small mistake during ´Born at The Right Time´, and without stopping playing he said ´I was thinking to something else.´ That was a very touching moment. His communication with the crowd was great, he shook some hands twice, and seemed relaxed and moved at the same time. Well, that really was a great concert (an understatement), and I think Paul has realized how much we (his fans) have missed him during all these years.


USA / California - Anaheim - Keith

OK, now that I´ve regained consciousness, it´s time to report in on last night´s show. I saw Dylan in ´86 with Tom Petty, and in ´92, and have never seen Simon before last night.

Our seats were perfect--third row, just a hair to the left of dead-center. Right about 7:30, some guy came on stage laying down huge sticks of incense. About 7:45, out comes Bob and the boys. Bob was wearing country-formal, and they jumped right into ´Hallelujah, I´m Ready to Go.´ This is a great old tune, and it felt a little like ´Bob´s Country-Bear Jamboree´, and I mean that in the best sense of the phrase.


The acoustic songs, as he often does, were re-arranged from their original versions. This leaves the age-old question as to whether Bob is taking the greater leap here than Paul, as Paul plays his tunes letter-faithful for the most part. Well, both work for me, and the two legends make a great contrast in style--so similar, yet so different. Dylan was impish, Chaplinesque (like I remember folks saying he was during the early Greenwich days up on stage). He was clearly enjoying these versions of these songs with these players. The country-inflected (pedal steel, upright bass) sound is a natural fit for Bob´s American music. Blues, country, gospel, rock, it´s all here and Bob was hamming it up real good.


I told my brother that when Dylan pulled out the electric guitar he ought to yell out ´Judas!´ just for old time´s sake. Fortunately, he didn´t listen to my advice. Anyway, during the electric portion of the set, we look around and suddenly it´s ´Yo--Bum rush the stage!´ Folks had already been dancing a bit, but the security guys actually started encouraging people in the front section of seats to come up to the stage area, which they quickly did. I was right up front, pretty enthusiastic, and Dylan shot me a kinda nervous look. I held up my palms facing him, like ´Don´t worry man, I ain´t gonna do a Soy-bomb thing, I wanna see the rest of the show.´ He was smiling and dancing and playing harp on one foot and doing old Johnny Ace-type antics. Loved that haunting and poignant ´Not Dark Yet´ but Bob, my good man, you screwed us out of ´Love Sick.´


Ironically, ´Like A Rolling Stone´ was very faithful to the original, and the rockers like ´All Along the Watchtower´ and ´Highway 61 Revisited´ had the joint jumping.


´Not Fade Away´ is a perfect finale, the defiant bookend response to ´Not Dark Yet.´ Then Paul Simon came on stage and it was a magical, majestic moment. ´Sounds of Silence´ was beautifully done, and the last duet was ´Knockin´ on Heaven´s Door.´ You could have left and it would have been a great evening by two of the best songwriters of this century.


Simon came back after intermission with ´Bridge Over Troubled Water.´ Now, at this point having worked over my Jim Beam (airplane bottles that we smuggled in), backed up with beer pretty well I whipped out a joint to take things to a different level. All of a sudden, this Chinese (just being descriptive here, I don´t care about the man´s race) guy who had brought his wife and what looked to be about his eight year-old daughter, turns around and says ´Please don´t smoke.´


This is what is fucked up about the nineties. Politically-correct Nazis everywhere you turn. I wanted to say to the guy, ´Hey man, this ain´t ´The Nutcracker Suite.´ Why you bringing your little girl to see Bob ´Everybody must get stoned´ Dylan and Paul ´I stepped outside and smoked myself a J´ Simon for anyway? Get a fucking babysitter and go see Michael Bolton if you want an evening of decaf and ersatz crap. This is the real deal.´ I stayed cool, though as we made sure we were good and plenty before I made a big show of putting it out and being a nice boy.


I gotta tell you, I said some rude things here recently about Paul loading up his setlist with too much ROTS but he was on his game big-time last night, and this stuff really works live. He´s got about eight hundred musicians up there with him on stage, but it´s not busy or cluttered like sometimes happens with too many players. If Dylan´s show is pure Americana, Simon is Mr. Internacionale.


What was cool was after his normal show we started yelling at him ´Paul! Paul! The Boxer! The Boxer!´ We were maybe five-six feet directly in front of him and made eye-contact several times. It couldn´t be helped, the way we were carrying on he probably thought his house had caught fire. Anyway, he surprised us by then playing ´Proof´ from ROTS. I recognized it because it comes right after ´The Coast´ on the record and sometimes I was late clicking from song #3 to song #5 (´Further to Fly´). And then he walks back up to the mike with his acoustic:


´And I am just a poor boy, though my story´s seldom told, I have squandered my resistance for a pocketful of mumbles, such are promises...´


Beautiful, man. Fucking beautiful. I put up a post last week asking Paul to finish with this, and the sun gods were beaming down over So Cal last night. The moon was in the seventh house and the karma felt just right and my mojo was aligned with the zen of the moment. Perfect.


With these two guys, I could feel the weight of history up on stage, the incredible body of work they have laid down. We won´t see the likes of them again, and they ain´t kids anymore.


If you weren´t there, make sure you are at a later date.


USA / Oregon - Portland - Brian William

It was truly a wonderful evening at the Rose Garden in Portland, Oregon tonight. With the coliseum filled up to the rafters, I´ll do my best to give my perspective of the concert seen from the first row of the stands directly to the right of the stage (we were right at stage level with a profile view of the performers the entire time). I´ll quickly describe my take on the individual songs first and then my general comments afterwards.


Although tickets were marked 7:30, when we arrived the sign said the concert was to begin at 8:00. Sure enough, at 8:05, the house lights suddenly dimmed and the strobe lights began as Bob Dylan and his four-piece band took the stage and the concert was underway. I was unfamiliar with a number of Dylan´s songs (since my music collection only includes the Biograph box set and the first greatest hits album) so I won´t offer a review of his set.


After Dylan´s encore pieces, he exclaimed, ´One of the greatest musicians of the twentieth century, Paul Simon!´ To be honest, I thought their duets were underwhelming. They started with ´Sound of Silence´ and it was very clear each was very conscious of trying to upstage the other´s vocal style. It was the first time all evening Dylan enunciated any of the lyrics, though! They followed it with ´I Walk the Line´, ´Blue Moon of Kentucky´, and ´Knocking on Heaven´s Door´, with nothing too notable about any of them I didn´t think. Dylan´s band was already on stage and they provided the accompaniment for the duets.


After an extended intermission of nearly half an hour, the impressive array of percussion instruments was set up for Paul Simon´s set and the lights once again dimmed. Almost from the moment he stepped on stage, Paul was greeted with a more enthusiastic response from the audience. The applause greeted him warmly as the percussionist pulled a bow across a bell to begin a distinctive arrangement of ´Bridge Over Troubled Water´. A single cello drew out the bass of each chord as the percussion offered a fairly laid-back gentle shuffle behind Paul´s easy vocals. I´d heard that his voice had declined over the years but my fears were immediately dispelled upon hearing him effortlessly float through ´Bridge´.


Next up was ´Can´t Run But´. A slightly more ´raw´ feel to the vocals than on the album, but otherwise quite similar to the Rhythm of the Saints arrangement.


The final note of ´Can´t Run But´ coincided with the first chord pressed out on the accordion for ´Boy in the Bubble´. With the crowd clapping along, Paul let go of the guitar at times to gesture the ´staccato signals of constant information´, ´the long-distance call´, etc. Bakithi Kumalo played a few bars of a mean bass solo before Vincent Nguini dug into a fierce electric guitar solo. Then the superior acoustics of the Rose Garden really shone as the percussion began the jam familiar from the Concert in the Park and the Born at the Right Time tour arrangement, since each beat was crystal clear.


After allowing the applause to die down a bit, Paul introduced the percussionists and then prefaced the next song, ´This song is called ´The Coast´ and it´s from the Rhythm of the Saints album.´ Again, the performance was similar to the recorded version on the album, with the exception of a few bars at the end when the horns broke out into a bit of Dixieland fun.


He continued with the more mellow songs as he started the intro to ´Trailways Bus´ and told us, ´This is a song from ´The Capeman´. It´s called ´Trailways Bus´´. I was surprised by the loud applause after he said it was from ´The Capeman´, so it seemed most people were familiar with it. I kept expecting a woman´s voice to start singing (to cover Sara Ramirez´s vocals), but Paul of course sang the entire thing. A great addition to the arrangement was the single trumpet sweetly singing behind Paul´s vocals and featured in solos between verses.


´Mrs. Robinson´ was next on the set with the expected crowd response after the mention of Joe DiMaggio. Otherwise, nothing too notable about the arrangement.


The crowd was starting to get into it with ´Mrs. Robinson´ but Paul really brought people to their feet with ´Me and Julio Down by the Schoolyard.´ The whistle part was played on recorder as Paul enthusiastically belted out the vocals. It was missing the talking drum at the end that I´m fond of in the Concert in the Park recording, but still a lot of fun.


Slowing down a bit, Paul introduced the next song, ´A song from the Rhythm of the Saints album, ´Further to Fly´.´ It benefited from a wonderfully sublime muted trumpet solo.


The snare snapped out the beat to begin ´Graceland´ to another big response from the crowd. The appreciation from the audience was obvious and Paul looked like he was truly enjoying himself up on stage as he sang.


After introducing more of the musicians, Paul began an incredibly expressive ´The Cool, Cool River.´ Each word was carefully caressed as if he was consciously dwelling on each word in his mind for a moment, contemplating the meaning he was hoping to convey rather than just going into autopilot. The driving arrangement backing up Paul´s vocals opened up and became much broader than the Concert in the Park version during the ´send their battered dreams to heaven´ portion and then returned to the driving, pressing feel before climaxing with those sweet screaming trumpets.


Before the crowd even had a chance to calm down from the excitement and applause, Paul started the first line of ´Slip Sliding Away´ unaccompanied before the band joined in. If Paul´s voice has lost anything over the years, he didn´t let on to it during the falsetto part, since he floated effortlessly through it.


The beginning to ´Diamonds on the Soles of Her Shoes´ just wasn´t the same without Ladysmith Black Mambazo, but that was soon forgotten about as the song was underway. Paul even had a moment of humor with the crowd, pulling on an imaginary train whistle during the ´whoo whoo´ part. And the percussion free-for-all at the end was simply outstanding. The talking drum I had missed earlier suddenly showed up, along with several other percussion parts that were slightly different from previous recordings.


The crowd was already on its feet, but soon was jumping and dancing as ´You Can Call Me Al´ began. Paul was nearly exuberant in his vocals and the crowd responded, enthusiastically joining in on singing ´call me Al´. The horns weren´t quite as pronounced as on the recordings, but hearing Kumalo tear into the infamous ´backwards´ bass solo in person was a treat! After the song, Paul was extremely gracious, coming to the front of the stage and shaking hands with fans before returning to the microphone and thanking the audience and then leaving the stage for the first time. The crowd wasn´t going to take their encore for granted, and just about brought the house down with the applause.


The band returned to the stage and launched into ´Late Into the Evening´ with the crowd soaking it up and on their feet dancing the entire time. He added a couple lines that he chanted toward the end, concluding with, ´We are here to enjoy life!´ The crowd response made it obvious we were enjoying life tonight! Paul introduced the final few members of the band including Chris Botti who received extra applause when Paul said he was from Portland.


For the second encore piece, they switched from rocking to the intimate feel of ´Still Crazy After All These Years,´ complete with the soulful sax solo. The crowd response was phenomenal, and Paul was obviously grateful for their enthusiasm. ´Thank you so very much. I appreciate it, I really do,´ he told us before leaving the stage yet again. A few people made a motion toward the door, but the crowd wasn´t going to let him go back to the hotel quite yet!


He returned to the stage while the band stayed on the perimeter. Paul picked up his guitar and began ´The Boxer´, gently picking out the pattern on his guitar so softly it was almost more for his own benefit than to really be heard. As he sang the first verse, a few of the band members picked up their instruments and added their support, being careful not to take anything away from Paul´s vocals since this was obviously his moment. ´Thanks for staying so late! Thank you so much. Have a safe trip home.´ The crowd was working on getting a third encore but the house lights came up and the truly amazing evening was over.


As general comments, first of all, Paul looked great. He´s lost some weight and really was looking much younger than the 57 he is. It was even more striking compared to Dylan who it appeared to me looked worse than the recent pictures I´ve seen of him. Likewise, his voice sounded excellent, especially considering it´s been so long since he´s toured or even taken the stage! Throughout the entire evening, he looked like he was tremendously excited to be back on stage again. His performance was impassioned from the opening note and the I can´t overstate how responsive the crowd was. The acoustics in the Rose Garden were excellent, benefiting Paul´s set especially. The acoustics were extremely ´live´, providing a slight echo and emphasizing the treble sounds. While it tended to muddy the sound of Dylan´s electric guitars when he really tried to rock, it made the percussion of Paul´s set especially brilliant and the horns were crystal clear. Everything just seemed to make this Paul´s night!


(Added note: To be fair, after attending the concert in the Gorge Amphitheater in George, Washington the following night, I was a thousand times more impressed with Dylan´s performance there and the crowd was much more appreciative of his set as well.)


USA / Colorado - Colorado Springs - Bodo



USA / Pennsylvania - Philadelphia - Cathy Larkin

I doubt anyone will read this, as This concert was more than a month ago, but I had to write.

The show was excellent...awesome. Paul seemed to really be having a good time, smiling and really jamming with the band. The crowd was a realy mix of ages, from several fity-somtthings and their teen-agers, to plenty of 20, 30 and 40-somthings. There were no seats int the small venue, it held just under 800 people. I was lucky. real lucky. My Lucky Day...

I had one of those perfect days that never seem to happen (at least not to me until June 3). I kept meaning to call over the Memorial Day holiday to see if any tickets were leftto the TLA conert in Philadelphia, rumour had it that they were sold out. I´d heard ticekts had gone on sale the Wednesday prior, but you had to buy them in person, and I had to go to work.

The morning of the concert, I forgot to call. That evening at 5 p.m, I called the TLA (Theater of the Living Arts). I asked if they had any Paul Simon tickets left. I was sure they´d say no. She said, ´yes we have a few.´

´I have to buy them in person right?´ I asked, beginning to get my hopes up.

´Yes.´

´Well try not to sell out before I get there,´ I joked.

I tried to contact a couple of friends, but no one was around everyone was in transit from work I guess. I had to decide to go then, and hope they wouldn´t sell out. I drove like a bat out of hell to get from Delaware to Philly. I hit no traffic jams during rush hour. I found a legal parking space on South Street two blocks away form the TLA, and even had quarters for the meter in my car. This never happens! I walked up the street. I got to the TLA and the sign said ´Paul Simon SOLD OUT´ My heart sank. I slipped up to the ticket window, thinking maybe I could volunteer to take tickets or something. ´You´re sold out?´ I asked.

´For what?´ the woman behind the counter looked out at me.

´For Paul Simon!?!´

´No, we have tickets.´

My heart lept, ´Well then give me one,´ I got greedy ´...uh...Please.´

I got my ticket. I couldn´t believe my luck. I tried to call a few friends to join me, but still no luck. So I took myself to dinner a few blocks away and came back about 7 p.m. Got in Line. at 7:10 they let us in. The concert began at 8:10 and ended somewhere around 10. There are no seats in the theater for larger performances, so it was standing room only. I headed straight for the front and was three people from the stage on the right. I ended up about 15 feet from the man.

The show was amazing. Paul was smiling, up and open, obviously having a blast. During the first few songs the crowd listened intently, most people swayed to the music or mouthed the lyrics quietly to themselves as they listened. Hearing ´Bridge´ like that, in that small space was a priviledge. It was priceless.

Then about the time he sang Mrs. Robinson everybody woke up started dancing and singing outloud. The rest of the concert was so energized.

I wish every Paul Simon Fan could have the opportunity to see him that close. It´s a night I won´t forget. Toward the end of the show, the crowd was really rocking, totally singing along with ´Diamonds´ and ´you can call me Al´. As he and the band left the stage, we were going wild. They came back on and did Me and Julio and Still crazy, which was very touching. Then they went off again. We cheered our heads off and hae cam back on with Slip sliding and Born at the right time. It seemd like they were going to go off stage again, but they Paul muttered... ´I know what I´ll do for my last encore...´ and launched into ´The Boxer´. There are no words to explain how perfect that sounded. I seemed like his fantastic band was surprised a bit by the song, but they were up to the seemingly impromptu task. It was well worth it.

As he reintroduced the band to thunderous applause, he kept saying ´Thank you, thank you.´ they he added, something along the lines of ´This is great. This is our first night performing in public with his band. Thank you so much.´

No, Paul...Thank you.


USA / California - Los Angeles - Scott

Just got back from seeing Paul at a benefit at UCLA he performed Trailways Bus, Slip Slidin Away, Graceland, and Me & Julio. At the end he came back out and joined Stevie Wonder & Don Henley and they did Loves Me Like A Rock & Mrs Robinson followed by Stevie´s song Superstition. He sounded great and seemed to be having a good time..I know I did!
Scott


USA / California - Los Angeles - Laurence

I was there too and what a treat !!! I thought I would never be able to see him on stage again.
His voice was perfect, and the acoustics of the Royce Hall is excellent. At the beginning, I was worried because I got a balcony seat, but the view was great.I have particularly enjoyed the end, when Paul and Stevie Wonders did Loves Me Like A Rock and Mrs Robinson together, they seem to appreciate each other a lot. Stevie even said he remembered the first time he saw Paul, and he added ´I was a little boy;´ funny moment. After that great evening I cannot believe Paul when he says that he will not perform again. He has too much fun on stage! Anyway, thank you Paul for tonight.


USA / California - Los Angeles - Rosanna

Went to the Royce Hall benefit at UCLA and got to see Paul´s performance. What
I enjoyed the most was Stevie Wonder and Paul´s improvising ´Mrs. Robinson´.
He seemed to be very comfortable and really enjoying himself as if he were at a gathering with friends and just having a good time. I haven´t been a fan for a long time but ´The Capeman´ opened up the door for me to really appreciate Paul´s music. I feel very lucky that I was able to see him in a live
performance. That I credit to a very good friend of mine who brought me. All I know is that I found myself clapping, dancing in my seat, totally consumed in the music, and with a big old smile on my face as I listened to him perform---This to me is what really good music is all about.


USA / California - Los Angeles - Ed

Yeah, that was quite a night! I just got back to San Diego from the concert. Stevie was really getting into Loves Me Like a Rock, then it was Henley´s turn for a verse. He damn near killed it, at least compared to Stevie´s contribution. I thought Henley gave a fairly uninspired performance overall, although I still enjoyed it. Don Felder played with him, so half the Eagles were there.

This was a black tie event (for some!) to honor 4 people, including John Wooden, and of course, to raise money for the arts at UCLA. Most seats went for $500-$5000, according to the UCLA website, which included a dinner with the celebrities. Anyway, I thought it was interesting that there in the UCLA heartland, Paul got a bigger applause than Wooden, who I thought would be next to God there. In the middle of the Superstition song, Paul did a very thoughtful thing in waving to the backup singers to come out, as well as Paul Reiser and John Lithgow, to get the final ovations.


USA / New York - Montauk - Bodo




Picture taken at this concert - back in 1994 he was already wearing a cap, and a toupet. Also in 1993 it was reported that Paul was wearing a cap at the Ranch concert.


USA / New York - Montauk - Sandy

I had driven from Florida to Montauk on my vacation. I saw a sign for a concert - Paul Simon and Friends. It was a benefit for the Montauk Lighthouse and other charities. It was an annual concert that had been held since 1988. This was just too good to be true. All of the regular tickets were sold out, but they had VIP tickets for $250. What the hell. It´s only once, I thought. And part of it was tax deductible so I bought one. I arrived not knowing what to expect. With my VIP ticket, I got special parking, a free t-shirt and lunch. I sat down with a woman who had been there before and knew to reserve a front row seat (actually bales of hay). She invited me to join her and I had my first front row seat at a Paul Simon concert. Jimmy Buffett was the guest performer that day and many in the crowd had parrots on their heads. Edie Brickell and Harper Simon performed as well. I´ve been back for two more of the concerts (1995 and 1999), but nothing can compare with that first one.


Canada - Toronto - Katrusia

I have been a fan of Paul since I first heard Homeless around age 10. My first unchaperoned concert was Simon and Garfunkel on November 12, 1993 in Toronto, when I was 16. I was BLOWN AWAY by how amazing the show was. Graceland is consistently in my top 3 albums of all time by anyone, often taking the number one position. I can´t imagine how phenomenally moving it would be to see Paul and Ladysmith revisit this album live, but I hope to see it someday (hint, hint).

The crescendo section in the middle of The Boxer will forever give me goosebumps...´and cut him ´til he cried out in his anger and his shame, I am leaving, I am leaving, but the fighter still remains.´ Breathtaking. Thank you for making such beautiful music.


Canada - Toronto - Aaron Rossetto

I was fortunate enough to see him and Garfunkel at the SkyDome on November 11 of last year. I paid $75 for tickets, but definitely worth it. If it´s the only time I´ll ever get to see my musical hero in concert, I won´t regret it. He was fantastic (but I would have liked to see Ladysmith Black Mambazo as well) and I think they did a very good set. I was most surprised to hear ´Hearts and Bones´ in among a lot of S&G stuff. I and a friend were just about the only ones to recognize the intro and we clapped wildly.


´American Tune´ in harmony was simply breathtaking--but I was so upset that the world´s best ending was taken out. (They faded, repeating, ´That´s all I´m trying...´) But the mere fact that they performed that song was enough to make me happy.


USA / New York - New York - Gerald E Sylvester




First of all, I would like to state how f**king pissed I am at TicketBASTARD. The Paramount is a _beautiful_ place located below Madison Square Garden. The only bad thing is the seating. There are two main center sections with a smaller section on either side. If you are on the side, you will have a major obstruction of your view of the stage. I had seats 1 through 4 of row N (another words ALL the way stage left). On the tickets, it says ´Extremem Side.´ The tickets *LEGALLY* should have said ´obstructed view.´ In NY, it has to state that in print on the ticket. My friends and I could not see two thirds of the stage. We complained bitterly to the Event Manager and the Security Supervisor. They said to complain to TicketBASTARD and The Paramount public relations. I spoke to The Paramount today (Friday) and they still claim that I could definitely see both Paul Simon and Art Garfunkl. Thanks a lot. I think there are 10 other musicians as well. They claim that S&G were the ´prime attraction´ (or something like that). My friends and I might take them to small claims court since the tickets were _three hundred dollars_ (quite a bit of money). If you have seen the
concert and feel as though you were very disappointed with the view from your seat, please email me and I´ll supply you with the names and phone numbers of who you can contact at The Paramount.


Sorry about the bitching but this is $300 to be screwed out of. Now the review. I probably have the songs out of order and possibly include and definitely exclude some songs as well..... Before the show my friends and I went down to the famous Katz´s Deli on Houston St. just east of Broadway. That was just to get us in a good mood since they have THE BEST corned beef and pastrami sandwiches in the world. I highly recommend going to this deli if you are visiting NYC. After booking out of Katz´s at 7:45 for the 8 pm show, we zipped north to midtown, got to our seats at 8:04 and a minute a later the show started.

Dressed formally, Simon and Garfunkl started with ´The Boxer.´ My first reaction was how ****GREAT**** the sound was. It was by far the best sounding show I have EVER heard. It was not loud at all and the balance was perfect in every way almost as though it was pre-recorded and you were sitting in your living room listening to your stereo. S&G sounded excellently. They were in excellent form being the 10th of 21 shows although Garfunkl seemed to struggle a hair as well as not being able to hit some high notes as cleanly as I can imagine he did back in the ´60s (I´m only 21 so I don´t remember the 60´s that well 8-) ). Half way through the song, the rest of the band came in as usual.

The back of the stage behind the see-through black curtain closed behind S&G was softly lit. It was beautifully choreographed with S&G out in the spotlight and the accompaniment far in the distance but yet close by just like on record. I found this to be the ´nicest´ aspect of the concert. It was a Paul Simon concert that featured him (and Garfunkl for part of the time). There was limited soloing throughout the entire show by the other musicians who included former ´featured soloist´ Mike Brecker on Sax and EWI and as usual, the finest drummer ever, Steve Gadd (I would have paid $75 just to hear Gadd play by himself).

After playing ´America,´ Paul Simon talked quite a bit about their history. ´As you probably know, we grew up in the Forest Hills section of Queens.´ A few screams. ´Oh, your from Queens? What part? Flushing? Kew Gardens?´ More screams. ´Uh oh. Now I gotta go through every section of Queens. Anyway, Well we started off playing when we were 13 years old....´

Simon made everyone feel as though they were at party as opposed to a concert telling jokes and playing with the audience. For the next 20 minutes or so, they went through how they progressed from the first paying gig as Tom and Jerry (and how they ripped off the promotor of their very first gig just by the fact that they
were paid) and their hit ´Schoolgirl´ and all their inbetween attempts to sound like their current songwriters. I am sure I´ll forget half the songs they played but during this first set they played ´Scarborough Fair,´ ´Homeward Bound,´ ´Old Friends,´ ´Mrs. Robinson,´ ´Cecilia,´ and ´The 59th Street Bridge Song (Feelin´ Groovy)´ which he commented on how he doesn´t exactly feel appropriate singing the song these days.

Without an intermission or even a pause between songs, the show smoothly went into a roughly chronologically ordered Paul Simon section of the concert. Here they had a few guests including Phoebe Snow singing ´Gone At Last.´ This song greatly missed Richard Tee´s groove. Richard Tee has this ´rolling,´ Gospel feel high-lighted by accents that no pianist can even come close to immitating. I am sure if Richard Tee was alive and playing this would have been one of my favorite songs of the night. The pianist (I couldn´t make out his name) could not immitate this feel and the music just felt flat. Pheobe Snow was magnificent as well as the back-up singers (the Cobb Brothers???). The Cobb Brothers stayed on and sung ´Loves me Like a Rock´ and a few other songs. Simon then played on with ´Me and Julio....,´ ´Something So Right,´ and ´50 Ways...´


After a 15 minute intermission, the concert continued with more Paul Simon solo material primarily from the Graceland and The Rhythm of the Saints albums. Ladysmith Black Mambazo came out and did ´Homeless´ and ´Diamonds on the Soles of Her Shoes.´ In between songs, Paul told a story about how during rehearsal for this set of 21 concerts, a little girl didn´t believe that those 12 (?) guys singing were they people who sang ´The ABC´s´ (or whatever you call it) on Sesame Street and they had to sing it for her. Well they did it in concert. Between their fabulous singing, even on ´The ABC´s, and visually dazzling dancing, the Ladysmith troupe was phenomenal live. I remember seeing them on Saturday Night Live a few years ago and they were fantastic.

With the great sound at The Paramount, this was one of the highlights of the show. For the remainder of the show they did ´She Moves On,´ ´Born At The Right Time,´ ´Train in the Distance,´ ´I Know What I Know,´ ´The Coast,´ ´Proof,´ and ´Further to Fly.´ The also played a very great version of ´The Cool, Cool River.´ The soft raining, swirling music seemed to provide a beautiful background so the wonderful lyrics can really standout. Then towards the end of the song, that swirling music erupted into a roar with Steve Gadd providing the spectacular thunder with his bass drum and floor toms. They also played ´You Can Call Me Al´ in which Paul said, ´Come on have a little fun. Stand up. It´s Saturday night.´ The audience more than agreed with probably a couple hundred people rushing towards the stage dancing away.


After their last song (I can´t remember exactly which of the above), all of the probably 35 musicians came out for a bow with the exception of one. Everyone parted and Garfunkl came out and sang ´Bridge over Troubled Water.´ Garfunkl reached for every bit of emotion that he could pull out while the mostly NY audience was standing, cheering and whistling as loudly as they had been all night from almost the beginning of the song. Being a ´Paul Simon Concert,´ it was strangely the biggest of the highlights of the show. Looking back it seemed as though Garfunkl was trying to get some of credit back that he lost after S&G broke up (Although, Paul did write the song). Nevertheless, ´Bridge over Troubled Water´ nearly brought the house down. Next Paul came out and together S&G ended with ´The Sound of Silence.´


Again I wish I had more time to write this so I could choose the right words and actually re-read it once. Just FYI, the musicians that I can definitely remember besides S&G....

Steve Gadd - drums
Mike Brecker - tenor sax, EWI (electronic wind instrument)
Vincent Nguini - guitar
Armand Sabal-Lecoo - bass
Tony Cedras - keyboards
Ray Phiri - guitar
John Selolwane - guitar (I think)
Mingo Araujo - percussion (there was one other percussionist from
the Central Park concert....BTW, I think this is
the percussionist who jumps around a lot.)

Chris Botti - trumpet
Barney Rachabane - alto sax
back up singers included Julia Water, Phoebe Snow, and one other
guy (I don´t think he was at the Central Park show)


---------------
I hope you enjoyed my review. It is much longer than I expected and took a lot of my time to write. I wish I could have been able to make it into a better written review but I don´t have the time and more importantly, I´m an engineering student. 8-)

Gerald Sylvester


USA / New York - Montauk - Bodo




Picture taken on that show - Thanks to Barbara(Kapeman)


Switzerland - Nyon - Anne


Portugal - Lisbon - Isabel Ferreira

O Concerto de Paul Simon em Alvalade no Verão de 1991 foi um dos primeiros a que assisti.
A primeira parte da tournée “Graceland” em Portugal esteve a cargo de Rui Veloso com o grande sucesso da altura - o álbum “Mingos & Samurais”
Na mesma tournée deste Concerto, Paul Simon viria a editar um duplo álbum ao vivo em Central Park, New York.
A minha música preferida:
The Obvious Child
Eu tive o PRAZER de estar em Alvalade em Julho de 1991 ... É a vantagem de se ter um irmão mais velho que nos incute este tipo de música e nos leva ao Concerto ... Obrigada ZÉ!


Germany - Hamburg - Volker

This open-air concert was cancelled after bad wether.
I went to Dortmund few days later with the same ticket.


Czech Republik - Prague - David

I remember that it was a wonderful concert. I was in Prague working for the summer. The weather was great and there was a low full moon hanging right above the stadium. Later, I made my home in Prague and lived only a few blocks away from the stadium where the concert was. It was a great evening


Ireland - Dublin - Scaaty

very short review as it was a long time ago .. was my second time to go to a PS solo concert. I had love the graceland concert so much that I went to this on my own as I found peolple with me were an annoyance. Was a great concert if not quite as emotional as Graceland. The ticket was 18.75 irish pounds with a picture of paul on it (i´l try and scan it in later. I wrote the set list on the back at the time, however I didn´t know many of the 70 songs so missed a few. the ocncert started at 8.25 and went on til10.50. Not once did I notice I was on my own!!


USA / New York - New York - Adrian Deevoy

Last October in his Brill Building songwriting suite, with a characteristic combination of caution and confidence, Paul Simon told Q that his forthcoming series of live shows would be ´intricate, interesting and ...´ he paused, searching, as he so often does in his lyric writing, for the right sounding word, ´hopefully inspired. ´


Three months later, advertisements appeared in the press announcing the dates and, unusually. the repertoire of songs that would be played. This included Simon & Garfunkel classics, solo Simon standards and selections from his new South American-spiced LP The Rhythm Of The Saints. The nightly set, British followers of the diminutive genius were left to assume, would be drawn from this impressive inventory.


And so it came to be. A 17-piece band (featuring four Brazilian percussionists, a brass section led by one-time Brecker Brother, Michael, a rhythm section driven by Steve Gadd the session drummer they ask for by name- and quicksilver-fingered South African Graceland guitarist. Chikapa ´Ray´ Phiri were skilfully drilled into shape by Simon and the Born At The Right Time Tour, representing the short songsmith´s 20-yeor career. set sail.


´I don´t know how to say this,´ says Simon, not unaffected by the emotion of he occasion. ´It´s very special to be home. We´re just the best.´ Curiously enough, the 18.000 burger and beerhanded New Yorkers currently occupying this place they call ´The Garden´ seem to agree. ´Whooh!´ They go. ´Yeaaah! Awlright.´ An alarming proportion opt to celebrate the homecoming by paraphrasing Simon´s song Late In The Evening and smoking themselves a ´J´. Three numbers in, the air seems to have taken on a green tinge and he hitherto unprecedented notion of getting passively stoned starts to become a reality.


Kicking oft with The Obvious Child´s awesome Latin clatter of snare drums, Simon proves to be a model of vocal versatility - moving easily, as the song decrees, from bitter rock´n´roll campaigner to resigned choirboy. Vigorously strumming a jumbo block acoustic, he manfully jumps continents and leads the band into The Boy In The Bubble, the bounding, rubber-bossed techno-fear anthem with its ´bomb in the baby carriage´, ´lasers in the jungle´ and ´constellation dying in the corner of the sky´. Maintaining a steady cruising tempo through She Moves On, Kodachrome and Born At The Right Time, he steers into his earliest attempt at North-and-South American fusion, Me And Julio Down By The Schoolyard, and then logically on to the new Proof with its parping Brazilian brass and hip-swivelling carnival climax.


The heady, hot-blooded rhythm sparks on spontaneous outbreaks of frugging both on stage and off. Throughout he crowd, well-nourished Americans gamefully attempt to samba, rhumba and quite possibly mambo while, centrestage, Paul Simon performs a thought-provoking variation on The Twist and beats on Armande Sabal´s bass strings with a pair of drum sticks.


´Paul worked us real hard on that one in rehearsal,´ says Steve Gadd later, with the diplomacy unique to session musicians. ´It took a lot of effort to intergrate my drums with the percussion guys and then brass parts. Everyone had to simplify whet they do so that together it would be strong. My role is to hold the rhythm down, which isn´t always as easy as it sounds.


Bridge Over Troubled Water is reworked so thoroughly that its own mother would have problems until the vocals start. Even then there are gospelised, four-part harmonies with Simon in the preacher role. It settles into a reggae-like version which lacks the piano-pounding drama of the original, but which enhances he lyrics´ soothing sentiment and ignites the inevitable Zippo forest fire.


´I´ve played Bridge Over Troubled Water with Paul many times,´ says Gadd, ´and in a lot of different ways and situations, but this version of it, I love. I actually look forward to it. Although he goes on to express regret that 50 Ways To Leave Your Lover which was originally constructed around his uniquely off-beat drum pattern - slipped on to the substitutes´ bench early in the tour.


The Cool, Cool River from The Rhythm Of The Saints follows. This could be construed as a more cynical, less hopeful extension of Bridge Over Troubled Water. The metaphorical water, although no longer turbulent, now flows through an unjust, ecologically unfriendly, Godless world. It´s a bleak bubbling Brazilian blues with Simon concluding that ´sometimes even music cannot substitute for tears´. The song doesn´t so much end as float away. ´Whooh !´ go the crowd. ´Yeaah! Awlright


Mid-way through the two-hour set, there is a frankly unwelcome and unsettling instrumental intermission. fronted by the left-of-jazz funk saxophone of Michael Brecker. Brecker may well be a celebrated jazz honker and Gadd -who takes the opportunity to solo uninhibitedly - may equally be the best rock drummer in the world but this type of ´free´ and excessive extemporisation can make you go blind.


Choosing to ignore this health warning, Brecker and Gadd trade technically impressive jazz ´chops´ and grimace in the fashion peculiar to musicians the world over. An obviously unenlightened section of the audience takes this lesson in advanced musical intellectualising as the cue to go for a wee.


Eighteen long minutes later Brecker takes a bow and Paul Simon resumes his rightful place in the spotlight. The Coast and Graceland shimmer by much like the latter´s Mississippi delta. Then the familiar synth intro of You Can Cell Me Al causes an unsightly audience eruption and Simon assumes the crouched position, preparing once again to redefine the word ´dance´. The song is a huge success. So huge, in fact, that Simon smiles and says, ´We´re gonna do that again.´ And they do, start to finish, note for note, backwards bass solo and all. It makes for a quite surreal vision: an arena full of people joyously howling along to words that make no sense whatsoever. Even, one suspects, to their author. ´if you be my bodyguard/I can be your long lost pal,´ they sing with noisy conviction. ´I can call you Betty/ And Betty when you call me/ You can call me Al.


Nostalgia buds are dutifully tweaked by Still Crazy After All These Years - during which Brecker all but redeems himself with a gorgeous sax solo- Cecilia and Late In The Evening. whose aforementioned ´J´ is woozily cheered, serving as a reminder to the dopier devotees that there´s still time to skin up before the encores.


Laudably resisting an immediate lapse into greatest hit-milking territory, the first of these encores is a lonesomely fingerpicked Hearts And Bones, the title track of on unjustly bargain-binned album. The mood is temporarily lifted by a jubilant Diamonds On The Soles Of Her Shoes, culminating in a percussive firework display by Mingo Aruaja, Cyro Baptista, Dom Chacal and shameless showman Sidinho. Then it´s back down in tempo for a bit of ´Kathy, I´m lost...´(America) and ´I am just a poor boy...li ii ii etc´ (The Boxer) which receive a genuinely emotional and richly deserved standing ovation.


Simon returns, solo, for a second encore with an electric guitar upon which he gently plucks a couple of notes, then welcomes back his old friend darkness . . . To rejuvenate a song like Sounds Of Silence without risking the complete cosmetic overhaul is quite a feat and Simon accomplishes this brilliantly. By the time he is walking alone in restless dreams, the audience are on their feet, swaying in approximate time and murmuring reverentially: a cherished moment of calm in a neurotic city.


As the final chord decays into roof-elevating applause, the troubled little man in the black jacket and jeans graciously accepts a red rose and humbly bids his people good night.


USA / Wisconsin - Milwaukee - Brian Johnson

Can it really be fifteen years now? I am a veteran of three Milwaukee shows (Graceland June 29, 1987; Born at the Right Time February 18, 1991; Tales of the Capeman (w/Bob Dylan) July 4, 2000. I also had the good fortune of seeing Paul and Artie in St. Paul during the Old Friends 2003 leg (October 27, 2003, the Monday show...)

I hope to see ´Surprise´ at Summerfest this year...lets see if lightning strikes yet another time. I remember this show reasonably well for a number of reasons. I had an agreeable meal at the Turner Club prior to the show. I bought a ´stag ticket´ for this tour, about 50 or 60 feet from the front of the stage, pretty good for someone who was compelled to wait until about a week prior to show time. I couldn´t convince my then girlfriend Cindy to join the ´true faith´, she never was much of a Paul Simon fan. Her tastes ran more toward INXS and a couple of other bands in vogue during the early nineties.

As memories fade into the mists of fifteen years, I remember one song, the opening ´Obvious Child´ which Paul performed with the Brazilian percussion ensemble Oulodoumb. There was a pretty girl with her boyfriend seated on my right. He wasn´t much of a dancer, but she danced with me, with her man´s permission of course...There´s something about a Paul Simon concert that brings out the best in people, the guy with the pretty girl was a damn nice gent, I was on my best behavior, and of course, I never saw either of them again.

I´ve always been a lover of baseball and somehow the line ´the cross is in the ball park´ still strikes a resonant chord many years later...

Not bad for a guy who´s mom practiced her Greg shorthand with SG classics. Happy 64th birthday Paul (rock on with your bad self...)

I know its fifteen years after the fact, but hey, better late than never.

June 2006
Brian Johnson
Green Bay


USA / Florida - Miami - Rob Hyatt

First I wanted to submit a correction. This concert was in Tampa, not Miami. The Sun Dome is on the campus of the University of South Florida in Tampa.

The concert was about ninety minutes of non-stop music and included musicians from both the Graceland and The Rhythm of the Saints. The percussionists, I remember seven, were incredible.

Simon played an amazing variety of his catalogue. It is never an oldies show. Songs are re-imagined and rearranged, a very organic process.

After twenty-two years I still remember the energy and joy produced by the musicians. Thanks to all.


USA / Florida - Miami - Rob Hyatt

First I wanted to submit a correction. This concert was in Tampa, not Miami. The Sun Dome is on the campus of the University of South Florida in Tampa.

The concert was about ninety minutes of non-stop music and included musicians from both the Graceland and The Rhythm of the Saints. The percussionists, I remember seven, were incredible.

Simon played an amazing variety of his catalogue. It is never an oldies show. Songs are re-imagined and rearranged, a very organic process.

After twenty-two years I still remember the energy and joy produced by the musicians. Thanks to all.


USA / California - Oakland - Michael Goldberg

THE ENTIRE AUDIENCE AT THE Oakland Coliseum was dancing to Paul Simon´s Graceland hit ´You Can Call Me All´. So great was the response that when the smiling, buoyant star had completed the tune, he bowed and said, ´We can do it again.´ And with that, the band reprised the song from start to finish as the audience danced with even more enthusiasm.




At a time when many of his contemporaries are resting on past glories, Paul Simon is continuing to break new ground. His unique blend of sophisticated lyrics, brainy vocals and world beats has brought both Simon and his middle-aged audience out of their pasts and into the vanguard of pop music. Amazingly, after more than twenty-five years of stardom, Simon is creating and performing some of the freshest, most exciting music of his career.


Graceland was a true rebirth for Simon. With it he expanded his musical paint-box; now when he makes music, he no longer restricts himself to the somewhat monochromatic tones of the folk rock and slick pop of his youth. His colourful world-beat music, so effective on record, is devastating in concert. And you can dance to it.


On Simon´s Born at the Right Time Tour, his powerful multicultural, seventeen-piece touring band produces all of the fine aural details and rich sounds of both The Rhythm of the Saints and Graceland. The band includes a fiveman percussion team anchored by seasoned session drummer Steve Gadd and three brilliant electric guitarists: Ray Phiri from South Africa (he was all over Graceland); Vincent Nguini from Cameroon (key guitarist on The Rhythm of the Saints); and John Selolwane from Botswana. Simon also has a three-man horn section featuring saxophonist Michael Brecker, three background vocalists, two keyboardists (one of whom is session player Richard Tee) and a bassist.


In Oakland, Simon led off with ´The Obvious Child´ and ´The Boy in the Bubble´, a potent one-two punch. The new music - from the recent albums was, of course, alive with African guitar parts and Brazilian rhythms. But even older songs, such as ´Kodachrome´ and ´Cecilia´ were now dressed in African garb. And Simon took ´Bridge Over Trouble Water´ to the river, giving it a moving gospel arrangement.


As a performer, Simon is no Prince. For the most part he just stood before his microphone, strummed his shiny black acoustic guitar and sang. Dressed in a dark sport coat, black jeans, cowboy boots and a T-shirt and sipping occasionally from a bottle of Evian water, Simon could have been a yuppie lawyer after hours. Yet he still maintained a boyish charm that somehow made up for his lack of dynamism. And his casual attire, like the lack of theatrics, helped to keep the emphasis on the music; no one goes to a Paul Simon show to see a spectacle. As if to compensate for Simon´s low-key approach, his three guitarists offered up some extremely entertaining dance steps during several of the songs.


At times it seemed that Simon was a spectator at his own show. During certain instrumental sections of the songs, the band would groove so intently that Simon, strumming his guitar along with the other guitarists, seemed almost unnecessary. It helped to remember that this was Simon´s vision - his music, his lyrics, his arrangements - being played out on the stage.


Like an increasing number of performers, Simon used the old showbiz gimmick of ending his show with a series of false endings: leaving the stage, returning for an encore, leaving the stage, returning and so forth. No one cared. They were just happy to hear a few of the older tunes, including folksy versions of ´American Tune´ and ´The Boxer´.


Simon´s final song, written decades ago, was quite timely in light of recent events. On the eve of yet another controversial war, ´The Sounds of Silence´ with Simon strumming an electric guitar, said it all.


Canada - Calgary - Bodo

Date:
01/06/1991
Tour / Album Supported:
Born at the Right Time
Venue:
Olympic Saddledome
Featured Artist(s):
Paul Simon
Ticket Price:
$32.50
Attendance:
15,239
Show Capacity:
17,489


USA / New York - New York - Jon

This was a very odd show. Artie sang the first verse of Bridge, motioned to Paul that he needed help w/ the second, but some other musician came over, and they didn´t even sing the final verse. They did boxer together, but it sounded badly. All of the musicians were visibly intoxicated/high/loaded/stoned, Paul´s toupee looked awful, Artie sounded awful, and the insistance of ALL the musicians to join in on the songs made this a performance to forget.

FWIW, it´s available (Video and audio rebroadcast) on Dimeadozen.


USA / New York - New York - Jon



Netherlands - Nijmegen - Michel Couzijn


Netherlands - Nijmegen - Michel Couzijn


Belgium - Brusseles - Debs Redmond

I remember it was at the Forest National, Brussels. My boyfriend (now hubby) and I were stood in the standing area, about half way back on a raised step, so I had a great view.
I danced and partied through the whole concert and had a fantastic time singing along to all the songs, Diamonds on the souls of her shoes, You can call me Al.
We were just blown away by the Ladysmith Black Mambazo Band.
Can’t believe it was 24 years ago.


USA / New York - New York - Bobby Lorenz

It was an incredible show for a great cause and I consider myself lucky to have been there. I arrived expecting a great show and I was very familiar with the large bus sized motorhomes that were on the streets of NYC already helping homeless children. I think this show was to buy the third or fourth one. It was a great sunday night and surprise after surprise showed up onstage. The garden was bussing that night.


USA / New York - New York - Sheila Rogers

Paul Simon Hosts All-Star Benefit Show

Springsteen, Joel and Taylor at concert aiding New York´s Homeless Children


Bruce Springsteen and Billy Joel were among the ´surprise´ artists who joined Lou Reed, James Taylor and others for Paul Simon´s December 13th benefit concert at New York City´s Madison Square Garden. The show raised $475,000 for the New York Children´s Health Project, which will use the money to purchase a medical van to serve the city´s homeless children.


The four-hour show was anchored by Simon, who played several brief sets throughout the program. Others on the bill included the South African a cappella group Ladysmith Black Mambazo, Paul Shaffer and the World´s Most Dangerous Band, Laurie Anderson, Rubin Blades, Dion, Grandmaster Flash, Chaka Khan, Nik Rodgers, Debbie Harry and Grace Jones. Also making unannounced appearances were Chevy Chase, Whoopi Goldberg, Bill Cosby and the baseball stars Ron Darling and Don Mattingly, who introduced Springsteen.


Musically, the biggest surprise of the evening came during Dion´s set, when the doo-wop singer was joined by Simon, Springsteen, Joel, Reed, Taylor and Blades for a campy rendition of the Belmonts ´Teenager in Love.´


The concert was the latest and largest of several gestures Simon has made on behalf of the Children´s Heath Project. Last November, Simon personally donated $80,000, as well as the same amount from the proceeds of his Graceland tour, to the project. That money, plus contributions from the real-estate firm SW Bird and Company, the city of New York and others, got the project off the ground


´It´s not about being pretentious enough to think that we can solve the homeless problem in this country,´ said Simon of his efforts. ´All we´re trying to do is to look at one particular aspect of this horror and provide medical care to homeless children.´


The fully equipped mobile medical unit with a staff of five, visits twelve New York-area shelters, aiding an estimated 3000 of the city´s 12,000 homeless children. The money raised from the Garden benefit, which was matched by Warner Communications will purchase a second van, plus a couple of minibuses to transport children in need to hospitals. The former medical director of USA for Africa, Irwin Redkner, is overseeing the project in association with New York Hospital-Cornell Medical Center.


Throughout the Sunday-night concert, artists spoke about the plight of the homeless. ´I think everybody´s earliest memory is about their home,´ Springsteen said as he began his set. He told a story about the early days of touring with his band, when he would call home and his mother would assure him that he could always come home. ´It´s sad to think that there´s a generation of children whose memories of their home is gonna be a welfare hotel.´


Introducing the song he was about to play, Springsteen said soberly, ´I wrote this song about fifteen years ago; it´s about a guy and girl who thought they wanted to run. I guess at the time I thought that was me, and maybe it was. But I woke up one morning and realized that I wanted to have a home. And that nobody wants or deserves to be homeless.´ With that, he eased into an acoustic version of ´Born to Run.´


But the evening was by no means a somber affair. After ´Born to Run´, Springsteen traded his acoustic guitar for an electric one. ´Rhymin´ Simon is going to be rockin´ Simon,´ he said jokingly, inviting Simon and Joel to join him in a rousing version of ´Glory Days´ which saw the three slinking across the stage in unison.


Though Springsteen was obviously a tough act to follow, Latin singer Blades pulled it off with a beautiful set of salsa songs. Debbie Harry and Grace Jones introduced Reed and then reemerged as two of the four backup singers for ´Walk on the Wild Side.´ Shaffer led his band through a cover of Roy Head´s ´Treat Her Right´ strutting and sidestepping across the stage.


Rodgers did a medley of his late Seventies hits ´We Are Family´, ´Le Freak´ and ´Good Times´, turning the Garden into an arena-size Studio 54. Taylor, who received some of the evening´s loudest applause, closed his set with a stunning a cappella version of ´That Lonesome Road´. Grandmaster Flash rapped through ´The Message´ and Chaka Khan did her hit ´I Feel for You´. Joel hadn´t planned to perform a solo set but got caught in the split of the show and sat down at the piano to sing ´New York Sate of Mind´.


Shortly after midnight, Simon was rejoined by Ladysmith Black Mambazo to sing ´Diamonds on the Soles of Her Shoes´. Then the evening´s entire cast of characters was brought out to jam through ´Rock and Roll Music´.


Asked if the show had been filmed, Simon said he wanted the performers to be as relaxed as possible and not have to worry about any issues beyond the show´s charitable aims. ´This was for New York´, he said.


USA / New York - New York - Jeff Kohler

This rock concert was pure magic. Every icon in Rock and Roll was there. The energy was incredible; Paul Simon, Lou Reed, and Bruce Springsteen made you stand up and shout, and James Taylor to make you cry. This was where I took my wife on our second date. We have been together ever since. It´s as precious a memory as being at Bob Dylan´s concert at Blackbushe Aerodrome in July 1978. It´s a shame no one ever produced an album from this live show, for it was incredible.


USA / New York - New York - Jeff Kohler

This rock concert was pure magic. Every icon in Rock and Roll was there. The energy was incredible; Paul Simon, Lou Reed, and Bruce Springsteen made you stand up and shout, and James Taylor to make you cry. This was where I took my wife on our second date. We have been together ever since. It´s as precious a memory as being at Bob Dylan´s concert at Blackbushe Aerodrome in July 1978. It´s a shame no one ever produced an album from this live show, for it was incredible.


USA / New York - New York - J. Mercik

I was just talking about this show to someone, and I wanted to revisit a list everyone I saw there. Thanks to everyone who has posted here. I remember so much of it, to this day. So many times, benefits extravaganzas like this one on 13 Dec 87 lack coherence or one thing or other.... this one had heart. Mr. Simon told a story about how he had been going into the studio daily for months at a time ( I think during the making of Graceland), each day around 5:30 am ... and making daily eye contact with a young girl who always seemed to be standing at the same corner, at the same time each day, during his commute in. If I remember correctly, one day she did not show up, and Mr. Simon inquired as to her whereabouts.... and he was told that she had died, and the reason was that she was homeless and had no access to health care. Hence the reason for this benefit to fund a mobile health unit for homeless New Yorkers.

All of the performers were just great... it was a nice December night in NYC .. a great reason to be there.... I´ll never forget it. Plus we had one hell of a taxi ride up to Grand Central, en route to Great Neck, after the show.


USA / Pennsylvania - Philadelphia - MJM

Best concert I have ever been to. Audience totally engrossed and involved. Standing on their feet the entire time. Simon was awesome as was seeing Ladysmith Black Mambasa (sp) live. Would go see them again in a heartbeat.


USA / New York - New York - Gene Santoro



Paul Simon´s traveling musical extravaganza, the Graceland Tour, hit New York´s Art Deco palace, Radio City Music Hall, boasting Hugh Masakela, Miriam Makeba, and Ladysmith Black Mambazo as additional names on the marquee. The show, as Simon announced onstage in a carefully dichotomized description, was intended to be ´a presentation of South African music and the Graceland album.´


It succeeded on both counts. Ironically, the aesthetic division between South African forms and his hybrid that Simon is so rightly keen on maintaining was undercut during the course of the performance in several, some of them deliberate, ways.


From the moment the rich blue computer driven haze suffused the cavernous Music Hall stage, everybody on the bill was out front. Ladysmith danced out to lead the chorale, Masakela worked with the two saxes to make a section, Makeba sang with the three backup female vocalists, and Simon himself strummed a black Everly Brothers - style acoustic Gibson. For the remainder of the two-and-a-half-hour show, the musicians - two guitars, bass, keyboards, two congas, traps, two saxes, trumpet/flugelhorn, and vocalists, many of them from the Graceland LP - came and went, forming into different configurations to back different leaders. No opening acts and headliners here; more along the lines of a revue or, for that matter, an African gig where the show spins on seamlessly for hours while various members of the cast appear and leave as their services are needed - the evening was structured to present non-stop, interwoven performances by the various marquee sharers. The result was a fascinating and buoyant evening that journeyed across a vast musical terrain: Ladysmith´s churchy heartstopping harmonies, vocal effects, prancing and dancing; Makeba´s unique blend of indigenous folk tunes and techniques (her famous Xhosa clicking was much in evidence) and Western pop; Masakela´s own brightly burnished mix of African and Western jazz-pop; and, of course, Simon´s fusion of Tin Pan Alley and mbaqanga.


Introduced by Simon as exiles from their native land because of their longterm out spoken opposition to apartheid, both Masakela and Makeba took the opportunity to reiterate that opposition. Masakela, for example, introduced a bluesy vamp called Stimela with a long recitative that recounted the harrowing lives of blacks forced to work the South African mines, beginning with a list of places they came from and then telling of the horrors that grind them down in the filthy, funky barracks which, shorn of family and neighbors, they are forced to call home. Makeba (´She´s been in exile 27 years,´ Simon pointed out) opened with Masakela´s Soweto Blues, which memorializes the riots of June 16, 1967 when, as she put it, ´The children said no to apartheid.´ Those children - their numbers have nearly hit 1,500 now - still languish in South African jails.


But if there were political points to be made, there was also a great deal of entertainment to be had. The band was honed and tight, seguing from one musical style to another without either a slip or a loss of energy, and the sound was excellent, allowing the vocal riches to pour out over the several thousand seats like molten gold. Too bad Radio City doesn´t have a dance floor. By the time of the encores - Simon´s The Boxer, Amazing Grace, and the African National Anthem, with all hands onstage - the audience, which had been clapping along with its faves all night, rose to a huge ovation that grew when Makeba announced, ´We here onstage know that someday we will have the honor to invite Paul Simon to perform with us in a free South Africa.´


France - Paris - Frank Spotnitz

NOT ONLY HAS THE UNITED NATIONS questioned the political propriety of Paul Simon´s Graceland album but even some longtime fans have been suspicious of the poor guy lately. Sure, Graceland sounds great, they say, but isn´t it opportunistic to use South African musicians just when that country´s woes have become a popular cause? And besides, they grumble, isn´t the album really just pop-coated South African music made more digestible for a bigger audience?


Paul Simon proved that the answer to both of those cynical questions is a resounding no when he brought his Graceland act to Paris during a twelve city European tour. (An American tour is scheduled to get under way April 30th.) Featuring exiled South African jazz trumpeter Hugh Masekela, vocalist Miriam Makeba, the ten-man a cappella vocal group Ladysmith Black Mambazo and several other African musicians, the show is a triumphant two hours ofjoyous life-affirming music that makes all the squabbling about the Graceland album seem small-minded and irrelevant




´The concert this evening is composed of music from South Africa and from Graceland´, Simon told the audience in carefully rehearsed French. Of the two dozen songs performed, only half were Simon compositions, and nine of those were from Graceland.


Heard alongside some of the music that inspired it, the Graceland material seems even more remarkable: Simon has reworked South African township jive into a personal pop style without diluting its force. The show underscored the ties between South African and American popular music, most plainly with Simon´s extended rendition of ´Gumboots´, which segued neatly into the Del-Vikings´ 1957 doo-wop hit ´Whispering Bells.´


The concert had only occasional moments of overt politicizing. Masekela launched the most direct attacks on the South African government, performing ´Bring Him Back Home:´ a call for the release of jailed black leader Nelson Mandela, and ´Stimela,´ a jazz number that begins with a rap about the conditions endured by black workers at the diamond and mineral mines of his homeland. And although most of the lyrics on Graceland have little connection to the strife in South Africa, it was significant that the only Simon and Garfunkel tune performed was ´The Boxer:´ which nearly two decades after it was written can be applied to the current suffering in South Africa.


The show was divided into sets of two or three songs performed alternately by Simon, Masekela, Makeba and Ladysmith Black Mambazo. It opened with ´Township Jive:´ a brassy, upbeat song worked out by the company during tour rehearsals, then shifted into a bass-heavy version of Simon´s current single, ´The Boy in the Bubble´. After ´Gumboots´ and Masekela´s set, Simon returned to the stage for ´I Know What I Know´ and a rocking version of´ Crazy Love, Vol. II´ during which an overly enthusiastic fan from Oregon managed to run onstage to shake Simon´s hand before being chased back into the audience by security guards.


The concert´s revelation was Ladysmith Black Mambazo, whose performance of´Nomathemba´ and ´Ybolabafana´ was spellbinding, with lead singer Joseph Shabalala´s voice flying above the others in an entrancing call and response. Because of their sheer power, the songs captivated an audience completely unfamiliar with Zulu, the language in which they were sung. Simon´s interplay with Ladysmith Black Mambazo - on ´Homeless:´ on a dizzying, frenetic ´Diamonds on the Soles of Her Shoes´ and on a truly amazing a cappella version of ´Amazing Grace´ - made for some of the evening´s best moments


There were a few rough spots. Closing the concert with the singing of the unofficial African national anthem, ´WKosi Sikeleli´ (´God Bless Africa´), was more heavy-handedly symbolic than entertaining, and Simon´s duet with Miriam Malteba on ´Under African Skies´ was a disappointment. But Simon quickly recovered from that song with an overhauled arrangement of ´Mother and Child Reunion,´ complete with accordion.


Makeba, exiled from South Africa for the past twenty-seven years, seemed moved to be performing before a large and appreciative audience, although she could not help showing a touch of bitterness. ´You have neglected me far a long time:´ said the singer, who is perhaps best known for her 1967 hit ´Pata Pata´.


She proceeded to praise Simon for uniting and focusing attention on so many African musicians: ´I´m looking forward to the day when we will have the opportunity to invite Paul Simon to perform in our country - perform with us in a free South Africa.´


By Frank Spotnitz


USA / Illinoise - Chicago - Roy

I was at Paul´s show at Poplar Creek in Hoffman Estates, just outside of Chicago, on August 18, 1984. The place was far from sold out and partway through the show, the management let people from the lawn come under the pavilion just to fill up the empty seats. Despite that, Paul gave an incredible performance.


USA / Illinoise - Chicago - Michael

I was at this concert like the previous reviewer. Mr. Simon played solo. On stage was a semi-circle of different guitars behind him. My memory says the there were 10 to 12. Also behind him was a large boom box that he played along with recorded music. The pavilion part of the theater was so sparsely populated that Mr. Simon requested that all lawn denizens move down to the pavilion seats. My party sat dead center in the eighth row. It was an intimate and fantastic show.


USA / Illinoise - Chicago - Michael

I was at this concert like the previous reviewer. Mr. Simon played solo. On stage was a semi-circle of different guitars behind him. My memory says the there were 10 to 12. Also behind him was a large boom box that he played along with recorded music. The pavilion part of the theater was so sparsely populated that Mr. Simon requested that all lawn denizens move down to the pavilion seats. My party sat dead center in the eighth row. It was an intimate and fantastic show.


USA / California - San Diego - Linda Anderson

This was the best concert I´ve ever been to and I´ve to a lot. I sat 2nd row front. I paid $50.00 for my ticket, they only sold 2000 at that price. Proceeds went to the Children´s Hospital in San Diego, CA. I was 6 1/2 months pregnant with my first child. I was so into seeing them I stood up on my chair and the security people made me sit down because they thought I would go into labor. I would pay what ever price to see them together again. I love their music. I´ve followed Paul all along and still do. I feel privileged to have been there.


USA / California - Los Angeles - Roxanne

This was one of the best concerts I have ever been to. Everyone in the audience was singing with the group for all of their songs. We sat on the grass about 25 feet from the stage and the place was packed. I remember looking up and seeing the bleachers were almost full. At the end of the concert everyone just kind of floated out of the ball park. No hassles, no arguments and everyone was in such a good mood. I just loved this concert and it is one that I will never forget. Thank you guys for giving us such a wonderful experience.


Canada - Vancouver - Jon

This concert is available on Dimeadozen. The sound quality is great. It is by far better than the concert in Central Park.


USA / Minnesota - Minneapolis - tom shumate


USA / Minnesota - Minneapolis - tom shumate


USA / Illinoise - Chicago - Jerry

What a wonderful concert. I was in the outfield very near the stage. Towards the end of the concert I thought the upper deck was going to collapse because they played late in the evening, and everyone was dancing...it was awesome!


Canada - Toronto - Terri Noonan

I was a new supervisor for the Toronto Transit Commission when Simon & Garfunkel came to Toronto in July, 1983. My job on the day of the concert was to take care of the inbound streetcar traffic and customers. I was in our streetcar loop, not too far away from the CNE Grandstand. It was a beautiful summer´s day - not a cloud in the sky, warm and memorable. I can still feel the warmth of the day, and the stillness of the air. I was setting up down at the loop, with a few hours to go before the crowds started to arrive.
I stood outside in the streetcar loop, enjoying the day. Because the air was so still, I could hear the sounds of the rehearsal wafting over to me from the stadium. The moment that stands out so completely is the piano strains from ´Bridge Over Troubled Water´ and the singing that followed it. There I was, alone in the loop, with no streetcar traffic, a seemingly frozen moment in time. On this spectacular day, Art Garfunkel was singing this song, and I felt as if it was a concert just for me. I have spoken about that day and those feelings - it is a priceless memory.


USA / Ohio - Akron - Bill Faehnrich

Incredible night listening to an incredible group. We stood on the field on the turf of the Akron Rubberbowl 20 feet from the stage. AWESOME!!!! We had tickets for up in the cheap seats of the bowl, but decided we wanted to be right in the middle of the mass of Simon and Garfunkle fans down on the field, so we made our way down and found a spot not more than 20 feet from Paul and Art. We had fantastic time!


USA / Ohio - Akron - Jim McGue

It was a beautiful summer evening. Weather was fantastic. The Rubber Bowl was transformed into a drive-in theater. This was early in the day of live video display of concerts. it was amazing to see the Drive -in movie themed video screen display the show live. The band was an all-star lineup. The sound and lighting was impeccable. It was too long ago to remember the song set-list, but it covered all the bases. they played almost everything you would want to hear. Paul and Art seemed happy and glad to be there. It was almost surreal to see them together back then. this of was also before the day of every broken up band getting back together to make some quick cash. This was special. I worked the show for Belkin as the stage crew. We assembled the staging in 4 days before the show, watched the show, and then took in down in 2 days. Wonderful memories of the summer week!


USA / Ohio - Akron - Royd

My wife and I drove to opening night of the 1983 tour at the Rubber Bowl in Akron. I remember a few things from that night: forgetting the time zone change and realizing we were going to be a half hour late, then the sense of relief when the show was an hour late starting. I thought the musicians were outstanding and I remember thinking that Sid McGinnis (who was looking very punk) didn´t seem like he belonged at a Simon & Garfunkel show. I loved the new songs, particularly ´Song About The Moon.´ ´Bridge´ and ´American Tune´ were also standouts and I really liked the counter-melody Paul sang with ´dreams are on their way, on their way.´ ´American Tune´ was dropped in favor of ´Slip Sliding Away´ after the first week of the tour. The other thing I really remember is that after the show while people were filing out of the stadium, they had a fireworks show and I figured it was the fireworks they couldn´t have at the Concert In The Park. Here´s the Akron setlist (I think):

Cecilia; Mrs. Robinson; America; My Little Town; Me And Julio; Scarborough Fair; Song About The Moon; Allergies; I Only Have Eyes For You; Homeward Bound; 50 Ways To Leave Your Lover; Late In The Evening; The Late Great Johnny Ace; El Condor Pasa; Think Too Much; Still Crazy After All These Years; Kodachrome/Mabellene; Bridge Over Troubled Water; // The Boxer; American Tune; 59th Street Bridge Song; Old Friends/Bookends; Wake Up Little Susie; One Summer Night; Late In The Evening; Sounds of Silence


USA / Ohio - Akron - Linda Hegenderfer


New Zealand - Auckland - Gary


Australia - Sydney - Jon

Citizen of the Planet was sung here for what is believed to be the only time Live by Simon and Garfunkel, or anyone else for that matter. I don´t know what the entire setlist was, however. Sorry.


Netherlands - Rotterdam - J. Jansen

Paul and Arthur,

Your concert in Rotterdam was exited,good sound and a very, very good atmosfeer. Sorry that my wright is
not so good but i am a schoolboy of 57 years old.
Ha, ha, ha.
Goodbuy Paul and Arthur.


Germany - Berlin - Harley Dave Walker

In the same summer that my #1 daughter was born, in Berlin, we saw S & G, The Stones and Queen, all at the Waldbuhne, in Berlin - what a year for me and Mrs W!!

The concert was - of course - brilliant.

Too many high points to mention but Art singing "Brighteyes" was especially memorable.


Spain - Madrid - Fernando taboada 1952

Despite the warm sympathy and dedication with which the Spanish public was given, were delivered as I say soul and body musicians with songs that we danced with the first love.
They were very cold and spoke so little that they just said the song title. Their concert was one of the most disappointing times and I witnessed. We were clapping for 10 minutes we gave a couple of songs and just repeated the latter one-half
Since then I keep in my heart towards them the same contempt and coldness with which we were treated


Spain - Madrid - tim at ASM

As someone who was in the front crowd, I saw something different than most crowd/ people. That concert with the Stones/Police/Iron Madrid aftermath changed Spain and the whole feeling of the whole country.


Germany - Munich - [email protected]

Went to the concert and saw Beau Bridges. When I saw Beau I thought I knew him from Birmingham, Alabama, but couldn´t place him. I kept bugging him about ´where do I know you from´ and finally he said ´I´m Beau Bridges´, I was so embarrassed, but he just laughed and we watched the concert together. Nobody knew who he was and I started telling everyone close to me that he was an American movie star, The word must have spread like a ´blitzkrieg´ and they were all clamoring for his autograph. I told him, I had seen all of his movies and he just looked kind of funny at me. I was thinking of Jeff Bridges. So crazy. Anyway we just jump up and down to the music of Paul Simon and he was just a regular guy. After the concert we parted ways when he said he was going backstage to talk to Paul. My only brush with stardom. I wonder to this day if he remembers that. Anyway I´ve always respected him for being a regular guy not arrogant like I thought at that young age that movie stars were. Paul performed an amazing concert with the ´Graceland touch´. The Germans were crazy about him and Beau, even though they didn´t know who Beau Bridges was. I could tell Beau was loving the attention he was getting after I told everyone around me ´He´s and AMERICAN MOVIE STAR! I don´t think he had ever had so much attention even in America at that time in his career.


Germany - Munich - [email protected]

Went to the concert and saw Beau Bridges. When I saw Beau I thought I knew him from Birmingham, Alabama, but couldn´t place him. I kept bugging him about ´where do I know you from´ and finally he said ´I´m Beau Bridges´, I was so embarrassed, but he just laughed and we watched the concert together. Nobody knew who he was and I started telling everyone close to me that he was an American movie star, The word must have spread like a ´blitzkrieg´ and they were all clamoring for his autograph. I told him, I had seen all of his movies and he just looked kind of funny at me. I was thinking of Jeff Bridges. So crazy. Anyway we just jump up and down to the music of Paul Simon and he was just a regular guy. After the concert we parted ways when he said he was going backstage to talk to Paul. My only brush with stardom. I wonder to this day if he remembers that. Anyway I´ve always respected him for being a regular guy not arrogant like I thought at that young age that movie stars were. Paul performed an amazing concert with the ´Graceland touch´. The Germans were crazy about him and Beau, even though they didn´t know who Beau Bridges was. I could tell Beau was loving the attention he was getting after I told everyone around me ´He´s and AMERICAN MOVIE STAR! I don´t think he had ever had so much attention even in America at that time in his career.


USA / New York - New York - Chris Charlesworth


NEW YORK: few performers given me as much personal pleasure as Paul Simon, and his appearance at Madison Square Garden, albeit brief one by his standards, was no exception. Ever the perfectionist , Simon unlike most artists, managed to overcome the dreadful acoustical problem of the giant arena and transform the· building into his living room.


The concert was a benefit for the New York Library, organised by Simon and New York promoter Ron Delsener, and also featured Phoebe Snow, Jimmy Cliff and the Brecker Brothers.


Simon appeared with the same band as on his last US tour, made up from the cream of the New York session set, and concentrated on material from his ´Still Crazy´ album. As usual, it was note perfect, although engineer Phil Ramone´s work at the mixing desk deserves credit.


After looking back to ´The Boxer´, Paul Simon brought on the Jesse Dixon Singers for gospel variations of his songs and then shared the spotlight with Phoebe Snow on ´Gone At Last´. Phoebe, of course, sang on the recorded version of that·song and their live coupling was magical. It was intended to be the last number, but the audience reaction altered that, and Simon was willing to oblige.


He returned solo for moving rendition of ´ American Tune.´, his personal favourite, and returned again for an equally emotional solo version of ´Bridge Over·Troubled Water´ which, somehow segued into ´Me and Julio´. By this time the whole audience was on its feet, clapping and singing, with Simon leading the choir like a conductor.


Earlier, Phoebe Snow had put over a warm, light but jazzy set that showed off her extraordinary range of notes to best advantage and Jimmy Cliff served up a dose of reggae that was equally warmly received. Cliff is an energetic performer whose standing here has been greatly enhanced by the movie ´The Harder They Come´. Songs like ´You can get it if You Really Want´ and ´Wonderful World, Beautiful People´ laid a foundation to the evening that the Brecker Brothers somehow failed to do. Jazz, heavily accentuated with brass lines, somehow doesn´t work in the atmosphere of Madison Square.


United Kingdom - London - Bob Wolffinden

Last time Paul Simon toured in Summer´73, he used a South American group, Urubamba. and an American gospel quartet, the Jessy Dixon Singers (Jessy
plus her three sisters) to accompany him. The net result was a varied, imaginative and. compelling evening, all captured on record on Simon´s live
album.


This time he´d retained the Jessv Dixon Singers, but for the main Part of the evening had put together a band of regular US session-men; well, not regular exactly -the most accomplished team that money can buy.


The following were involved: Tony Levin (bass), Steve Gadd (drums), Hugh McCracken (guitar) Richard Tee (piano). David Sanborn (sax), as well as Toots Thielmans on harp


Obviously, if you´ve got the best musicians you´re going to make sure they can be heard properly. I have never heard better sound quality at any concert


Simon opened, solo, with the same two numbers that had introduced the tour of two-and a half years ago -- ´Me And Julio Down By The Schoolyard´ and ´Homeward Bound´; before-the band gradually took up their places on an increasingly cramped stage in front of a bizarre backcloth that was actually awaiting Lulu´s arrival in ´peter Pan´.


It wad all too beautiful, all faultlessly executed so: that it was a bit like sitting at home in front of the Bang and Olufson or like having dropped in on a Stateside recording session


Since. most of the musicians were the very ones Simon had used on his ´Still Crazy´. Album, and since most of the. material was drawn from that, they could re-create their own recorded performances to the last semi-quaver. Spontaneous combustion? You gotta be kidding.


Simon´s communications to the audience were rate, he preferred smiling wanly to uttering syllables, so that while he seemed perfectly relaxed playing guitar (acoustic or electric), he hardly relaxed the people who´d coughed up the inflated ticket prices.


´You´re Kind´, ´Have A Good Time´ and ´My Little Town´ Followed one another in pre-programmed perfection, and then even a string quartet appeared in the stage. There were occasional solos. (Thielman in ´You´re Kind´, Sanborn at the end of ´Have A Good Time´ and McCracken in ´The Boxer´), but generally no one spoke out of turn and Simon hardly spoke at all.


The second half proceeded in similar style, though we noted that Thielmans did not reappear. Simon then took time out for an´ articulate, witty and caustic attack on an old colleague of ours, James Johnson, who had written in his Evening Standard review that Simon lacked the physical stature normally granted legendary figures.


If there´s one thing Simon´s self-conscious about; to the point of paranoia, it´s his deficiency in the inches department, Johnson came in for a severe lambasting.


At last Simon introduced the :Jessy Dixon singers, who instantly injected so much warmth; vigour and passion into the evening, they made what had gone before seem like so much torpor. They were so invigorating, it seemed they must have dropped in from some neighbouring planetary system; with their gospel songs they were parading a tradition that was the opposite of the introspective folk-singer style on ´which Simon had been weaned.


The audience responded to their outward charm in like manner, with warm and prolonged applause. By now every one had forgotten the insignificant figure bashing tambourine. Simon was reeling now, he had to pull something out of the bag. He took the only way out ´Bridge Over Troubled Water´, using the same arrangement that had graced the Live album. At the end he buried his head in the bosom of each red-hot mamma in turn; by now everyone one was happy. They all returned for ´Gone At Last´, before Simon concluded the evening on his own, with ´American Tune´ (in my opinion his most outstanding composition) and, inevitably ´The Sound of Silence´.


Simon has a very real aversion to performing, possibly because his songs are too intensely personal to be easily communicated, but mainly he just doesn´t like it. It´s obviously difficult for him to overcome his natural emotional reserve in public; at the beginning he achieved this by working with the more outgoing Garfunkel: now he does it by working within a framework of total musical and technical sophistication to an extent where he´s severely under employing some of the world´s most talented musicians.


The point is that he doesn´t make any mistakes because he is afraid to make mistakes.


I wish he´d just lively up himself, just as I also wish he´d be bolder in his selection of material. I think he´s wrong to assume that all the people want to hear all his well-known songs all the time.


He was merely brilliant: the evening told me nothing new about Paul Simon. He told us years ago how he felt about live performance: ´Tonight I´ll sing my songs again, I´ll play the game and pretend´


USA / New Jersey - South Orange - Mike

Back before concerts became such a big money machine and the reigns of the major promoters weren’t so great, many colleges and universities were able to host shows. In the late 70’s, most of the Northeast schools presented shows throughout the school year. Mine was no exception. Paul Simon was one of the many great artists who performed while I attended.

Simon was only three years into his post Simon & Garfunkel solo career, and this was an exciting time to see him live. He was touring in support of his just released Still Crazy After All These Years. A huge smash for Simon, it would eventually hit #1 on the Billboard charts, produce a #1 single (”50 Ways to Leave Your Lover”) and win the Grammy for Album of the Year.

read more there...
http://musiccitymike.net/2014/02/10/classic-concert-paul-simon-seton-hall-university-walsh-auditorium-south-orange-nj-october-24-1975/


USA / California - San Francisco - Hans

I was at this concert with 8 friends. He played the stuff from Still Crazy with many of the musicians from the recording. Art G came out after the second encore and they sang 5 or 6 songs together. I had 8th row seats. Probably the best concert I ever went to. They sounded like they were recording the album.


Canada - Toronto - Jon

From Art Garfunkel.com :


´In July (1975), Art Garfunkel performed with Paul Simon at the CBS convention in Toronto, Canada. They sang ´My Little Town,´ ´The Boxer,´ ´Scarborough Fair,´ and ´Bye, Bye, Love.´


United Kingdom - London - Robert Shelton

London Times , June 8 1973
Power and Mysticism
Paul Simon - Albert Hall

Not content with having helped to illuminate the pop world of the 1960s as the partner or Arthur Garfunkel, Paul Simon on his own seems equally intent on making more music history in this decade.



At last night´s first of two Albert Hall concerts, Mr Simon captivated his audience - alone with his guitar. But his triumph was augmented by a Latin-
American quartet Urubamba and the Jessy Dixon Singers a hard-gospel quintet that nearly had ,the 5,000 parishioners chanting ´right on´.


Simon has always had an incredible fluency, vocally, on guitar, and as melodist and lyricist. In the middle 1960s Simon and Garfunkel rode waves of the topical protest tide, as they had earlier ridden the waves of high school pop. Then with a string of hits like ´Sound of Silence.´ and ´I am a Rock´ they began to make waves of their own.


For a time then, Simon´s writing was almost too facile, too slick to be believable. But on the evidence of his latest recording. and .this concert
there goes ´Rhymin´ Simon´ in new directions.


He is infatuated with West Indian reggae rhythmic thrust. He is aware of the power and majesty of black gospel and of the mountain-top mysticism of
Peruvian pipes. He is in touch with. the Curtis´ Mayfield whispering soul style that rivets attention with its restrained intensity.


To all these genres, Simon affixes his personal stamp as singer and writer secure enough to say: ´This is where it came from and that´s where I´m going with it.´ That kind of growth and development is all too rare.


In the reggae vein, he did ´Me and Julio´, ´Was a Sunny Day´ and ´Cecilia´. In a wistful commentary on one nation´s malaise he offered ´American Tune´.
On love ´Something So Right´, and on loneliness ´Homeward Bound´. New and old numbers rained in succession.


The South American and the gospel groups either backed Mr Simon or took off on their own tracks. They were such excellent novelties, of such virtuosity and depth, that one cannot praise the host enough for his good taste in inviting such guests. Paul Simon used to say that he did not like to teach with his music, yet he undeniably expanded the horizons of many listeners in the finest possible way - through the fresh appeal of art.


By Robert Shelton


United Kingdom - London - Miles Kington

Beforehand tickets were being offered for $50 and afterwards a packed Albert Hall endlessly applauded an empty stage exit, so. when, in between Simon and Garfunkel sang some 20 songs using only two voices and a guitar there must have been something special about it. There was. ·Paul Simon is a fine songwriter, performing his songs without frills and that is almost unique in today´s pop scene, where words have become loud and insignificant, a smokescreen before an instrumental battle.


There was a time when his songs tended to sound like poetry soldered willy nilly to music but gradually he has learnt the secret of copying the irregular but natural cadences of human speech so that now his best songs are full of loose ends and displaced phrases without which they would not flow half so easily. The words too have become less abstract, less weighty and much tougher, all of which is a cumbrous way of saying that his music is beautifully distilled talking, one of the most difficult things to manage.


Equally heroically he has resisted the gross temptation to dress it up in orchestral costume - all it needs and gets is Garfunkel´s high, immensely characterful Singing, his own plain voice as a second line and his sharply varying guitar accompaniment. They added the original pianist just for ´Bridge Over Troubled Water´, that unaccountable triumph of simplicity over theatrical schmaltz, but for social documents like ´The Boxer´, love songs like ´Kathy´s Song´ and unclassifiable pieces like ´So Long Frank Lloyd Wright ´ their light wiry approach did all that was wanted. Their concert was very much like their records, but even better because all the fat was trimmed off.


Some people hate Simon and Garfunkel because their music has no guts, because it is a middle class look at life, because it slips too easily from idiom to idiom, but even if these things were more than half true, it would not matter. Creative flow has to be accepted on its own terms - it is mad to throw out Evelvn Waugh´s novels for his political views - and there are very few Paul Simons´ around. My one criticism on Saturday was that they badly mismanaged their encores: there is no sight more depressing than squads of dumpy girls half heartedly invading a stage.





USA / California - Long Beach - Mr Jones

From what one can make out off a low-quality audience recording, this was a very low-key affair. The backing musicians doesnīt join until Mrs Robinson, but do not play on The Boxer, Silence, I am a rock or Old friends. Bridge, of course, is piano backing only. A highlight of sorts would be Why donīt you write me, with its reggae beat. For Bye bye love, the audience is terribly off-tempo, though everybody seems to enjoy the performance a lot.


USA / Kansas - Wichita - Carol

Garfunkel announced that they were going to sing a new song for the first time in a concert. It was ´Bridge Over Troubled Waters.´ I´ve always wondered if it was really the first time. So far I´ve found nothing to disprove it. A few years ago I met someone who had also attended the concert, and he vividly recalled Garfunkel´s assertion. It was the most beautiful, crystal-clear rendition I have ever heard. At the end of the concert Paul´s brother grabbed a guitar and sang along on ´Bye Bye Love.´


USA / Kansas - Wichita - Michael Kelting

As I recall Art said something like: ´This is a new song we have just recorded. We´ve never performed it in public. . .we hope you like it.´ This was pretty much confirmed to me about 25 years later by a work colleague who was at the concert as well. . .his memory of the event was pretty much the same as mine. On a CD of the Carbondale concert recorded a week after Wichita, he makes no such claim before performing the song.


USA / Iowa - Ames - Mr Jones

Bye bye love was taken from this concert and included on the Bridge Over Troubled Water LP.
I believe that the concert date Nov 2, which makes things a bit puzzling: why is this performance of the song so much better than later shows, like Oxford or Long Beach? Well, for one thing, the people of Iowa kept time when they clapped along!


USA / Iowa - Ames - mike


United Kingdom - Edinburgh - Johnny Black

I not only attended this gig but I met Simon and Garfunkel afterwards.

Apart from the obvious joy of hearing their songs live, the specific details I remember from the show include Paul re-stringing and re-tuning his guitar in the middle of a song when a string broke. He didn´t stop playing. A roadie rushed on with a string and slotted it in while Paul continued to play, tuning up as he went.

Art Garfunkel doing For Emily Wherever I May Find Her was also a bit of a show-stopper. Single spotlight picking him out at the front of the stage, and that gorgeous, angelic voice soaring around the Usher Hall.

After the show my friends and I hung around outside until after half an hour or so, Simon and Garfunkel both came out, looking for the car that was to take them on to the next gig.

As I remember it, we sat on the side steps of the Usher Hall and chatted to them for maybe ten minutes - very star-struck. They seemed worn out, told us they were deeply unimpressed by British roads, and behaved almost like battle-hardened war veterans, determined just to keep going until the tour was over and they could go home.

Neither of them was exactly chatty, but Paul was more friendly by some way than Art, who seemed very distant and aloof.

Thinking back, it´s interesting that I never doubted I´d get to meet them if I hung around. There was no security to keep fans away from the artists, just two young men travelling from town to town under their own steam.


United Kingdom - Edinburgh - Ian Oakes

I was 15 a Glaswegian who caught the train to Edinburgh with 2 of my best mates George Newbigging and Malcolm Houston. We had great seats close to the front and were blown away by the sheer beauty and joy of their songs and harmonies. I also remember there was an intermission and I managed to buy a pint of Heavy. It was Scotland after all and the bar staff were fairly laid back about serving under age Young lads. Our English teacher included Paul Simon Leonard Cohen and Bob Dylan in our poetry lessons and to see Paul Simon live was a literary high in our lives. We were from Easterhouse but we all ended up at Universities. magic memories


USA / California - Sacramento - Bodo



USA / Illinoise - Chicago - Bob Freeman

Best concert I ever attended. Saturday night, July 22, 1967. Two guys, 17, with dates sitting in the box seat section. How we ever got those tickets was and is a total mystery. We bought them at the local Jewel food store’s ticket desk. The stage was bare except for three mics and a stool. Out comes Paul Simon, Art Garfunkel and one acoustic guitar. The rest was magic. We basically heard the set list from the CD “Live From New York City,1967” There were no flashing lights, or dancers, or any other distractions. Just to guys and their music. Pure, simple, fantastic!


USA / New Jersey - Lambertville - NY Times



USA / New Jersey - Lambertville - Mark Oppenlander

I believe I was at this concert. I was six years old and my parents took me to see Simon & Garfunkel. What I remember is it was a big tent. There were other acts on the bill. One of the acts played a Beatles song.Being six years old I was getting tired so by the time Simon & Garfunkel got on I fell asleep la few songs into their set. That was the first concert I ever went to.


USA / Colorado - Morrison - Richard

I saw S&G in concert in July of 1967 at the Red Rocks Amphitheater in Colorado. I was a child, so I do not know the exact date.

The opening act was a 1960s group named the Lovin´ Spoonful (´Summer in the City, Do You Believe in Magic´). Although they were big at the time, the audience wanted to see S&G so much that the Spoonful eventually just walked off the stage. The S&G concert was just the two of them and Paul on guitar. Somewhere I have some 8mm home movie footage of the show, but I haven´t seen it in many, many years.

The next morning, we saw Art in the parking lot of the Holiday Inn. (Had it been Paul, my brother and I probably would have asked for an autograph). Luckily in all the years since, I have had two chances to meet and talk with Paul.


USA / California - Monterey - Mr Jones

Now this is a funny gig! At the zoo being introduced as ´an animal song-of sorts´, revealing the reason for writing Feelin´ groovy. And Paul´s humble response to shouts for Cloudy: ´What! You´ve turned into a vicious mob!´, and instead do Benedictus,and as a finisher, says ´I´ve two minutes, this is a song that takes one minute fifty-three seconds´, plays the intro to I am a rock and then changes for Punky´s dilemma, which causes people to laugh at the funny lyrics. A jolly S&G performance if any.


United Kingdom - Manchester - Sociotopical

Not so much a review as such, more a comment or query regarding the stated venue for the Manchester, UK, concert that the duo gave in the city in 1967.

Unless S&G appeared at more than one venue in Manchester that year (unlikely, I should imagine), then the stated venue of the Manchester Free Trade Hall is incorrect as being the location for their concert.

I, along with a friend, saw them perform on the stage of the Odeon cinema, Oxford Road, in the city.

My main recollection of the event was the playing by the pair of Mrs Robinson, which one of the performers informed the audience was to be their next single for release, and was the theme song from a soon-to-be-released feature film, ´The Graduate´.


United Kingdom - London - Bodo



United Kingdom - London - Jim Fifield

I just stumbled on this site and it took me back to 18/03/67. The Royal Albert Hall. I still have the ticket 3/6p (17 & 1/2 p) If I remember correctly Paul Simon had Meg the cleaner from Bunjies Folk Club singing in the audience. A fantastic show and I was there with my first girlfriend. All so inocent


USA / Massachusetts - Medford - Bodo

MIT Archive

Simon and Garfunkel give concert at Tufts


Tufts University in Medford is holding its Winder Weekend this weekend. Featured for the Friday night performance will be the Pozo-Seco Singers. The Saturday night event will be a concert by the well-known folk artists, Simon and Garfunkel.

Admission to the Pozo-Seco Singers concert is $2.50 at the door, and for the Simon and Garfunkel concert is $3.25

http://www-tech.mit.edu/archives/VOL_087/TECH_V087_S0132_P009.pdf


United Kingdom - London - Bodo

DATE: Sunday, 10th, September, 1966
LOCATION: 90 Wardour Street
MAIN ACT: Simon and Garfunkel

The American folk duo Simon and Garfunkel played one night at the Marquee on the 10th of September 1966, nine months after the release of their succesful album ´Sounds of Silence´ and one month before the release of the album ´Parsley, Sage, Rosemary and Thyme´.

http://www.themarqueeclub.net/10-july-1966-simon-garfunkel


USA / New York - New Rochell - Bodo



United Kingdom - Redhill - Jeanne Bryer nee Habgood

Fantastic evening - remember being there with Celia Elliott and some other friends - sat right in front 2 ft away - brilliant atmosphere. We were in the George and Dragon pub at top of the stairs - the stairs were jam-packed with people too and overflowing outside. Would love to turn the clock back and re-live that evening.


USA / New York - New York - Bodo



USA / Connecticut - New Haven - Cathy Hoyt

I will never forget this concert as long as I live. To this day, probably one of the very best concerts I have ever been to, and there have been many. I really do not remember the set list, but I do remember that when they played, ´The Sounds of Silence´, we started to have some heat lightning and distant thunder...it was magical. It´s been a long time, but I remember them as being flawless. A memory I will never forget..thank you!